Frank YangI’m old enough to have lived through The Afghan Whigs in their heyday, but I still missed them completely. Okay, not completely – I had a copy of Gentlemen on cassette because, well, Spin and such told me that I should – but it never really spoke to high school me. In 1993, I was all R.E.M. and Smashing Pumpkins and Radiohead, at the artier end of the guitar rock spectrum, and the Whigs’ inherent seediness, the blackness of their soul, didn’t resonate; it probably scared me.

Fast-forward to late last year when it was announced that the 2012 edition of the ’90s rock reunion renaissance would feature the Afghan Whigs and on a whim, I decided to revisit their back catalog. And apparently my life has gotten much seedier or my soul much blacker in the past 20 years because damned if they haven’t become my most listened-to artist this year; not a fact that will be reflected in the old year-end list, but certainly merits mention. And it also offers some context as to why last Wednesday night’s show at The Phoenix – their only Canadian stop on the reunion tour – was probably my most-anticipated show of the year. The list of bands that I’m super-into and whom I haven’t been able to see live by this point is a pretty short one and for the last while, The Afghan Whigs have been at the very top of it. And while I thought I’d have been far from the only one – the band’s return to active duty had been met with great enthusiasm at almost all their European and American dates so far – but The Phoenix was far from full to welcome the Whigs back to town for the first time this century. Surprising and disappointing, but mostly unfortunate for those who missed it.

San Diego’s Crocodiles were on their own headlining tour in support of their second album Endless Flowers but took the support slot for this show, making for a bill that was impressive on paper but maybe a bit mismatched in practice. Not stylistically, but demographically – the Whigs fans would be out for their band, and an act with their own following, as Crocodiles had, probably would have been better off in front of their own audience. Those out early were largely impassive to their performance, but to be fair it wasn’t their best foot forward. I had been much more impressed seeing them at NXNE 2011 in the close quarters of the Silver Dollar, but here they weren’t as snotty or explosive with their balance of melody and noise far from optimal; they were good and loud but came across more generic than they should have. As with that NXNE show, watching guitarist Charles Rowell work was still the highlight, particularly when he managed to berate an audience member up front mid-song for being on his phone rather than watching the show. Okay, maybe they were still a bit snotty.

The Afghan Whigs setlists for the reunion tour had commendably changed things up from show to show, incorporating requests and just keeping things interesting, but most times the shows had opened with cinematic Black Love leadoff track “Crime Scene, Part One” and why not? It was the perfect way to kick things off, from slow burning introduction to impassioned chorus and so as predictable as it might have been to start this show, it was no less thrilling. Any concerns that Greg Dulli’s voice wouldn’t be what it once was – in recordings of the earliest live performances from the Spring, he came across more ragged and raspy than he probably should have – proved to be unfounded as except for a little bit of ducking on the toughest parts, he sounded every bit of whiskey, cigarette, and sex-shredded fantastic.

Given the rotating drum throne of the ’90s-era Afghan Whigs, the 2012 reunion technically only meant Dulli, guitarist Rick McCollum, and bassist John Curley were there from the original records, but with the rest of the band made up of Dave Rosser (guitar), Rick Nelson (strings/keys), and Cully Symington (drums) – all of whom had played with Dulli in The Twilight Singers – this edition had plenty of legitimacy and more importantly, chemistry. The songs had been masterfully re-arranged for three guitars, sounding massive without any player ever stepping on the others’ parts, as well as tastefully incorporating violin and cello to make the Whigs an intricate and elegant sonic bludgeon.

After the Black Love opener, the set list moved through all points of their discography, giving due to early works Congregation and Up In It – “Turn On The Water” was used to accomodate a shouted request for a cover of, “Helter Skelter” complete with Dulli yelling, “I got blisters on my fingers!” at its close – but the bulk of the show was justly dedicated to the triumvirate of Gentlemen, Black Love, and 1965, kicking it into especially high-gear with a sublime mid-set run of “Gentlemen”, “Crazy”, “My Enemy”, and “Somethin’ Hot”, each sounding as fiercely swaggering as they did a decade and a half ago.

While his bandmates were mostly content to lay back and go about their business – McCollum and Rosser’s guitar kingdom was curiously set about halfway back on the stage – Dulli was engaging and chatty through the show, bantering with the audience and complimenting Toronto on our beautiful women, perhaps intending to add emphasis to this when he got into the crowd to go after them a couple songs later during, “See And Don’t See”, after which he got on the piano for the Frank Ocean cover of “Love Crimes”. This covered their officially-released new recordings since reuniting, but the eagle-eared would have noticed another new song – “Dead Body” – appended onto “We Two Parted”. Their main set ran for an hour twenty, capped by a searing “Fountain and Fairfax”, and while I can understand those calling out for “Miles Iz Dead” in the encore – it would have been great to hear, for sure – their decision to close things bookend-style out with the epic Black Love suite of “Bulletproof”, “Summer’s Kiss”, and “Faded” – complete with “Purple Rain” quote in the outro – was damned near perfect, as was the show.

Exclaim also has a review of the show.

Photos: The Afghan Whigs, Crocodiles @ The Phoenix – October 3, 2012
MP3: The Afghan Whigs – “Lovecrimes”
MP3: The Afghan Whigs – “See And Don’t See”
MP3: Crocodiles – “Sunday (Psychic Conversation #9)”
MP3: Crocodiles – “Sleep Forever”
Video: The Afghan Whigs – “Going To Town”
Video: The Afghan Whigs – “Somethin’ Hot”
Video: The Afghan Whigs – “Honky’s Ladder”
Video: The Afghan Whigs – “Can’t Get Enough Of Your Love, Babe”
Video: The Afghan Whigs – “Gentlemen”
Video: The Afghan Whigs – “Debonair”
Video: The Afghan Whigs – “Come See About Me”
Video: The Afghan Whigs – “Conjure Me”
Video: The Afghan Whigs – “Turn On The Water”
Video: The Afghan Whigs – “You My Flower”
Video: The Afghan Whigs – “Miles Iz Dead”
Video: The Afghan Whigs – “Sister, Brother”
Video: Crocodiles – “Endless Flowers”
Video: Crocodiles – “Hearts Of Love”
Video: Crocodiles – “Sleep Forever”

Ohio State University newspaper The Lantern talks to The National about their decision to actively support the Obama campaign, and some of the grief they’re taking for it.

Sadie chats with John Darnielle of The Mountain Goats.

MTV Hive reports that even though they’re pretty busy with the Turn On The Bright Lights tenth anniversary edition and Paul Banks with his new solo record Banks on top of that, Interpol has started work on their fifth studio album. And over at DIY and Clash, Banks talks about Banks.

Filter and The Calgary Herald talk to Dean Wareham about the Galaxie 500 legacy and Andy Warhol, respectively.

Loud & Quiet talk to J. and Lou of Dinosaur Jr.

Stereogum talks to Mark Eitzel, in town at The Rivoli on November 28.

Jason Lytle has handed his new record Dept. Of Disappearance over to NPR to stream a week before its release on October 16 and offers an interview to The Irish Times. He opens up for Band OF Horses at Massey Hall on December 5.

Stream: Jason Lytle / Dept. Of Disappearance

Kevin CumminsThere are two points about New Order that are difficult to dispute.

a) They were one of the greatest bands of the ’80s, whose run of albums from 1983’s Power, Corruption & Lies through 1989’s Technique and including 1987’s singles collection Substance templated and led that which we’d call indie, New Wave, post-punk, dance-rock, electronica, and were massively commercially successful at the same time. Their legacy is deep and far-reaching and even after their heyday, when roster changes and internal bickering overshadowed their music, they still managed to include at least one amazing song per otherwise uneven record that reminded you of why they mattered.

b) They were lousy live. Okay, that’s a deliberately polemic statement, especially for someone who’s never seen them live, but any live footage I’ve seen or heard has been some degree of cringe-worthy and in my years of being a fan, that’s always seemed the consensus opinion. Their official BBC Radio 1 Live in Concert album, which captured their 1087 Glastonbury set – which is to say the recording that they deemed good enough to release and sell – shone a bright light on Bernard Sumner’s inability to sing live. His voice is thin, off-key, and on this recording at least, punctuated with whoops and yelps that also manage to be way out of pitch. His shortcomings as a vocalist are evident on the albums as well, but what’s passable in a studio is decidedly less so amplified to stadium levels. Some of this was certainly due to some of the chemical accouterments of the era, but online footage from more recent shows don’t demonstrate much improvement.

So it’s all well and good to focus on point a) with the news yesterday that the band – who were supposed to have broken up for good back in 2009 but who’ve turned a handful of one-off gigs into a proper ongoing concern that now includes a North American tour that wraps in Toronto on October 23 at the Sony Centre, their first time here since Summer 2001, when they were part of Moby’s Area One tour at The Docks. Purists will rightly point out that it’s not really New Order without Peter Hook – he quit the band in decidedly acrimonious fashion in 2007 – but they’ve got keyboardist Gillian Gilbert, who quit circa 2005’s Waiting For The Siren’s Call, back in the fold so they’ve still got three out of four original members – better than many bands out on the nostalgia circuit.

Ticket information is still forthcoming, but considering it won’t be cheap, it may be worth giving some thought to point b) before putting your cash on the barrelhead. But then, of course, you’ll imagine hearing “Blue Monday” live and it’ll be a done deal. That’s fine, nothing wrong with celebrating the songs more than the performance. I’ll probably be there too.

Video: New Order – “Blue Monday”
Video: New Order – “Bizarre Love Triangle”
Video: New Order – “Regret”

When Don Pyle of Shadowy Men On A Shadowy Planet mentioned at their Lee’s Palace show a couple weeks ago that they were going to be playing at The Cameron House in August, I wasn’t sure if he was being serious or making a joke. turns out he was serious. Exclaim reports that the band will play a benefit double-header at the tiny Queen West venue on August 12 with proceeds from the early show going to Mindfulness Without Borders and the late show benefitting Hospice Toronto. Tickets are $20 and go on sale July 28 at the Cameron House – and maybe this time they’ll have copies of Savvy Show Stoppers to sell.

MP3: Shadowy Men On A Shadowy Planet – “13”

Boston post-rock veterans Caspian will be at The Horseshoe on September 10 in support of their new record Waking Season, out later this Fall. Tickets are $10.50 in advance.

Trailer: Caspian / Waking Season

With a new record in Nocturne out on August 28 and now more a proper band than a pseudonym for Jack Tatum’s solo project, Wild Nothing are teaming up with New York’s DIIV – themselves no strangers to the art of being buzzy – for a Fall tour that brings them to The Great Hall on September 18, tickets $15.50 in advance. Alibi talks to Wild Nothing’s Tatum while Spin talks favourite things with DIIV leader Zachary Cole Smith.

MP3: Wild Nothing – “Nowhere”
MP3: DIIV – “Sometime”

Leeds’ Alt-J will release their debut album An Awesome Wave Stateside on September 18 and as part of their Fall tour to support it, will be in town at Wrongbar on September 19; tickets are $13 in advance. Gigwise has an interview with the band.

MP3: Alt-J – “Tessalate”
MP3: Alt-J – “Matilda”

The Antlers are marking the release today of their new Undersea EP with the announcement of a show at The Great Hall on September 25, tickets $21.50 in advance. It’s almost certainly part of a full tour, but the rest of the dates are still forthcoming. While you wait, you can hear the whole mini-album on their Facebook for the price of a ‘like’.

MP3: The Antlers – “Drift Dive”
Stream: The Antlers / Undersea

Not that they should need any help selling out The Phoenix, but Crocodiles have been announced as support for The Afghan Whigs’ October 3 show at The Phoenix. Their Endless Flowers came out last month. Remaining tickets for the show are $35.

MP3: Crocodiles – “Sunday (Psychic Conversation #9)”

The powers that be won’t say what or when with regards to head New Pornographer Carl Newman putting his A.C. Newman solo cap back on, but they have confirmed a third solo record exists, will be out this Fall, and he’ll be touring in support. That kicks off October 21 at Lee’s Palace, tickets $16.50.

MP3: A.C. Newman – “Submarines Of Stockholm”

Josh Tillman must like life on the road – having just made his Father John Misty debut here back in May and returning in support of Youth Lagoon last week, he’s announced an extensive Fall tour what brings him back for the third show in five months, hitting Lee’s Palace on October 27 with La Sera opening up. Tickets are $14.50 in advance. There’s a Father John Misty interview and session at The Alternate Side and a short interview at Melbourne Times Weekly.

MP3: Father John Misty – “Hollywood Forever Cemetery Sings”
MP3: La Sera – “Please Be My Third Eye”

Their support duties for Best Coast done with, Those Darlins are free to announce another return to town, hitting The Garrison on October 30, tickets $12.50 in advance. They’re featured in pieces at Miami New Times and The Augusta Chronicle.

MP3: Those Darlins – “Red Light Love”

David McCrindleA rumour that will undoubtedly surface over and over again over the next few months about Minneapolis young toughs Howler is this – drummer Brent Mayes is the scion of one Prince Rogers Nelson. Even if it were true, it would be irrelevant as future-funk is the furthest thing from Howler’s mandate as you can get. The fivesome face unabashedly backwards in time, staring straight at the ’50s rock and ’70s punk – in particular the garages and dive bars across America where rock’n’roll was being cultivated.

And if they do it all through the lens of the ’00s and in particular The Strokes, well that’s fair game as well. The band are absurdly young – frontman Jordan Gatesmith is all of 19 years old – and Julian Casablancas and his gang are probably as much a part of the classic rock canon to them as Elvis or The Ramones. This isn’t in any way to suggest that Howler will be taking their place amongst the aforementioned anytime soon, if ever. Though their debut album America Give Up has plenty of rough energy and enthusiasm and some immediately likeable tunes but loses some points for striving a bit too hard for some nebulous “authenticity”, particularly when Gatesmith tries to ape Casablancas’ more throat-shredding moments; they fare better when they sound more relaxed and like a bunch of kids having a good time. Still, they manage to stay on the right side of the ledger by keeping the tempos up, guitars loud, hooks sharp and running time short – under 32 minutes and they’re done.

Unsurpisingly, Howler are already critical darlings in the UK – The Guardian has a profile piece on the band. America Give Up is out next Tuesday and streaming in whole at NPR. They play The Drake Underground on April 5.

MP3: Howler – “Back Of Your Neck”
Video: Howler – “Back Of Your Neck”
Video: Howler – “Told You Once”
Stream: Howler / America Give Up

Not so long ago, Crocodiles were super-conspicuous for their absence from Toronto stages – now they’ve practically moved in as they’re back for their third show in eight months (sixth if you count all three NXNE gigs), playing Lee’s Palace on February 23. Tickets are $13.50.

MP3: Crocodiles – “Sleep Forever”

Chairlift’s new record Something will be out on January 24 and they’ll follow that up with a show at The Horseshoe on March 28 – tickets $12.

MP3: Chairlift – “Sidewalk Safari”

North Carolina’s Lost In The Trees continue to work 2010’s All Alone In An Empty House, returning to town again for another date at The Drake Underground on April 6, tickets $11.50. Update: Their new record A Church That Fits Our Needs is out March 20 and NPR is streaming the first song.

MP3: Lost In The Trees – “All Alone In An Empty House”
Stream: Lost In The Trees – “Red”

Amidst a lineup of some of the biggest – and loudest – names in indie rock of the past two decades, not many expected the delicate piano songs of Seattle’s Perfume Genius to stand out, but inexplicably, it did. Now with a second album in Put Your Back N 2 It ready for a February 21 release, Mike Hadreas will hit the road with it and stop in at the Drake Underground on April 8. Tickets for that are $13.50 in advance.

MP3: Perfume Genius – “All Waters”

Real Estate have rolled out a new Scharpling-directed video from Days. They’re at Lee’s Palace on January 20.

Video: Real Estate – “Easy”

Pitchfork has another MP3 from Of Montreal’s forthcoming Paralytic Stalks, out February 7.

MP3: Of Montreal – “Dour Percentage”

Clash talks to Eric Bachmann and Mark Price of Archers Of Loaf. The Vee Vee reissue is out February 21.

White Rabbits have announced a March 6 release date for their new record Milk Famous. You can grab the first MP3 at their website in exchange for an email address.

The Shins have released a stream of the first tune from their new record Port Of Morrow, out March 20.

Stream: The Shins – “Simple Song”

Memory Tapes have put out a new video from Player Piano.

Video: Memory Tapes – “Trance Sisters”

Village Voice interviews Jenn Wasner and Andy Stack of Wye Oak.

Billboard chats with Carrie Brownstein of Wild Flag and other stuff.

I don’t know if this video for Wilco’s “The Whole Love” is technically official, but seeing as how it was directed by Spencer Tweedy – son of Jeff – it’s at least officially acknowledged.

Video: Wilco – “The Whole Love”

PitchforkTV has a video documentary on The Flaming Lips’ masterpiece The Soft Bulletin.

JagjaguwarYou’ll excuse the brevity of today’s post as I try to pretend I’m still on some kind of holiday schedule. Hope everyone in Canada had a lovely long weekend and everyone in America is still enjoying theirs; today is a sort of belated Canada Day-ish post. Note the “ish”.

Many were disappointed when Wolf Parade made good on their promise to call it a day – at least for the foreseeable future after a couple of final shows at the end of may, but if anything that means fans will have even more opportunity to hear their two principal songwriters’ distinctive voices. For starters, while Spencer Krug kept a ridiculous number of side project going concurrently with Wolf Parade over the years – Sunset Rubdown and Swan Lake chief amongst them – his “proper” solo project has him operating under the name of Moonface, and following an 12″ EP in Dreamland EP: Marimba and Shit Drums last year, he’s readying his debut album Organ Music Not Vibraphone Like I’d Hoped for an August 2 release. One album track and one non-album track are available to preview, and for those looking for a more up close and personal experience with the songs, Krug kicks off a month-long tour leading up the album’s release next Wednesday night, July 13, at The Horseshoe in Toronto.

MP3: Moonface – “Fast Peter”
MP3: Moonface – “The Way You Wish You Could Live in the Storm”

Meanwhile, Dan Boeckner’s Handsome Furs talk to The Vine and are profiled by Billboard in the capacity of taking the dubious honour of having the fastest album announcement to leak in recent history with their latest release, Sound Kapital. They’re at The Horseshoe on August 1 and 2 – if you were one of those who downloaded the leak, make good by buying a Handsome Furs t-shirt or tea cozy.

Herohill marked Canada Day in style by posting the Gordon Lightfoot tribute album Turning Back The Pages Of My Sweet Shattered Dreams, featuring reinterpretations of Lightfoot’s songs but the likes of Olenka Krakus, Slow Down Molasses and Shotgun Jimmie, amongst many others.

The latest instalment in Bruce Peninsula’s “Fire Sale” series is out, and it’s a video for new song “Leaves”. They play Summerworks at the Lower Ossington Theatre on August 11.

Video: Bruce Peninsula – “Leaves”

Miracle Fortress has released a couple of tunes from the mostly-abandoned Hoop Dreams sessions as a free digital single. Some of the songs made it onto Was I The Wave?, others are just laying around and Graham Van Pelt still wants them to be heard. They’re playing Summerworks at the Lower Ossington Theatre on August 12.

MP3: Miracle Fortress – “Gestures”
MP3: Miracle Fortress – “Possession”

Origin: Orphan might be a couple years old at this point but that doesn’t mean The Hidden Cameras can’t continue to mine it for singles or videos. Which they’ve done.

Video: The Hidden Cameras – “Do I Belong”

The Galway Advertiser chats with Katie Stelmanis of Austra.

JAM profiles The Dears.

And some show announcements – this one slipped a bit under the radar, but could be of interest – UK electro-producer SBTRKT brings his self-titled debut to Wrongbar this Friday, July 8 – tickets $12.50 in advance. He’s interviewed by Clash and was recently The Guardian‘s new artist of the day.

MP3: SBTRKT – “Wildfire”
Video: SBTRKT – “Wildfire”

The Pains Of Being Pure At Heart will be in town a day before their August 2 show at The Opera House and they’ll spend it playing an in-store at Sonic Boom on August 1 at 9PM; not sure if Sonic Boom will have moved to its new digs around the corner by this date or if this will be one of the final hurrahs for the best in-store space in the city, but either way it will be a good time. Admission free, canned good donations highly appreciated.

Video: The Pains Of Being Pure At Heart – “Heart In Your Heartache”

If you missed the update to Thursday’s post, Wilco has announced all kinds of things – like a September 27 release date for their new album The Whole Love, album art for said record and a first leg of North American touring that includes September 16 and 17 dates at Massey Hall in Toronto and will feature pop legend Nick Lowe as support. On-sale dates will be announced this week, so expect pre-sales to go next week. Details at Exclaim, and if you need a fix now, there’s three live shows available to stream at Wilco’s Roadcase.

Though they were both just here a couple weeks ago for NXNE, the first couple of Cali-garage rock – Dum Dum Girls and Crocodiles – are teaming up for a Fall tour that brings the double-bill to Lee’s Palace on October 16; the occasion being the September 27 release of the Dum Dum Girls’ second record Only In Dreams.

MP3: Dum Dum Girls – “He Gets Me High”
MP3: Crocodiles – “Sleep Forever”

Okay, that wasn’t as brief as I thought it’d be.

Frank YangHands down, the best thing to happen to NXNE in recent years is the designation of Yonge-Dundas Square as the festival’s main stage and making the shows staged there – usually featuring the lineup’s biggest names – free for everyone. And what’s better is that despite being located in pretty much the most central and public place in the city, there’s been no signs that they festival has been concerned about diluting the quality of the performances to be a little more family-friendly; witness last year’s near-carnage of Iggy & The Stooges or the mid-day ass-shaking sissy bounce clinic put on by Big Freedia. Passers-by were offended by the latter – and to be honest I don’t blame them – but that it happened was great.

And it was just as great that Thursday evening’s programme featured an early evening slot from a band whose credentials were impeccable; a Polaris Prize-winning local act with mounds of international critical acclaim and fronted by a national television personality. Who just happened to be called Fucked Up. And the best part? No one cared. Actually, check that – it didn’t even matter that no one cared because it implies that there were concerns about people being offended. The best part was that the show was fantastic. I don’t think I’d have believed you if you told me a couple years ago that I’d become a Fucked Up fan – I figured that respect was as far as I’d get, but fact is I think their latest David Comes To Life is terrific and I can’t think of anyone I like more as Toronto’s musical and cultural ambassadors right now than them.

After being introduced by the festival emcee – a role that Damian Abraham played last year – the band tore into “Queen Of Hearts” from the new album and Abraham tore into the crowd, body surfing into the masses and largely disappearing into the circle pit and general tumult while somehow continuing to sing. The punk rock revelling continued through the first portion of the set as Abraham’s bandmates dutifully cranked out arena-sized rock from the safe confines of the stage, with Abraham eventually climbing out to bellow out the rest of the set from the edge of the barricade while the fans carried on moshing, surfing and generally carrying on. And through it all, the spirit was amazing and celebratory, quite a far cry from the dark vibe of last year’s Stooges show, though to the casual onlooker the mayhem might have appeared similar. For Fucked Up, it was a sort of warm-up to their more familiar club-sized show at Wrongbar later that night, but for everyone else, it was a pretty high bar set for the rest of the night.

Time Out New York has an interview with Damian Abraham and the brand-new video for “Queen Of Hearts” is linked below.

Photos: Fucked Up @ Yonge-Dundas Square – June 16, 2011
MP3: Fucked Up – “The Other Shoe”
MP3: Fucked Up – “Ship Of Fools”
MP3: Fucked Up – “A Little Death”
MP3: Fucked Up – “Queen Of Hearts”
MP3: Fucked Up – “Neat Parts”
Video: Fucked Up – “Queen Of Hearts”
Video: Fucked Up – “Black Albino Bones”
Video: Fucked Up – “Crooked Head”

I was pretty proud of myself for getting from Yonge to Ossington on bike in less than 8 minutes, even if it meant being a sweaty mess for the Modern Superstitions set at The Garrison. I’ve liked to check in on the local quartet from time to time, happily seeing the potential obscured by awkwardness at V Fest 2009 be more fully-realized in a much more confident Halifax Pop Explosion set last Fall. And the upward trend continued on Thursday as the band sounded louder and punchier than ever before, with new material that sounded less immediate but more impressive in its ambitions. While they could have done pretty well simply being “The Strokes fronted by a cute girl”, they’re obviously looking to do something more and that they’re arriving at these conclusions before their debut full-length is released can only be taken as a good thing. The next time I see them, I expect they’ll be ready to take on the world.

Photos: Modern Superstitions @ The Garrison – June 16, 2011
MP3: Modern Superstitions – “Visions Of You”
Video: Modern Superstitions – “Mercy Line”
Video: Modern Superstitions – “Visions Of You”

Leaving The Garrison, my tour of the worst venues in the city to take photographs in continued at The Velvet Underground where The Two Koreas were set to perform. I’d seen them way back in 2007 and was impressed enough at the time, but not enough to keep up with what the quartet in the years since. A recommendation to give their latest Science Island a spin confirmed that they were still at it and their facility for combining big guitar riffs with shouty yet melodic vocals was even sharper than before. And live, with frontman Stuart Berman’s dance moves thrown in, it was a good way to spend a half hour or so. And then it was back out into the night.

Spinner gets Berman to write about the duality of being in a band and writing about bands for a living.

Photos: The Two Koreas @ The Velvet Underground – June 16, 2011
MP3: The Two Koreas – “Midnight Brown”
Video: The Two Koreas – “Midnight Brown”

Getting to The Silver Dollar for 11 was strictly a logistical move to make sure I got in but it turned out to be one of the most fortuitous of the weekend, as it allowed me to see Chains of Love. The Vancouver outfit don’t do anything new whatsoever, but that’s rather the point. They take the spirit of ’50s and ’60s girl-group pop and writing new – GOOD – songs in that style and deliver them with genuine rock energy and plenty of sass and style, thanks to the charisma of frontwoman Nathalia Pizarro. A couple of gear issues threatened to stall their momentum early on but when they got going, there was no stopping them. An unknown quantity with only a 7″ and handful of MP3s entering the fest, they left as one of the bands everyone was talking about.

Photos: Chains Of Love @ The Silver Dollar – June 16, 2011
MP3: Chains Of Love – “You Got It”
MP3: Chains Of Love – “All The Time”

San Diego’s Crocodiles, on the other hand, came into NXNE with all the hype and lots to prove – not many bands get a three-night residency at a major festival for their Canadian debut. If they thought for a minute that they didn’t deserve the attention, however, you couldn’t tell from behind frontman Brandon Welchez’s Ray-Bans. Drenched in nothing but red light, they came off as cool as you could imagine and and as loud as you’d expect. On last year’s Sleep Forever, they found a good balance between the lo-fi psychedelic garage aesthetic of their scene and their fondness for big pop hooks but live, it was all about the drone and the volume. As such, guitarist Charles Rowell became the real star of the show as the amount of racket he was able to conjure out of his axe was most impressive, layering noise upon fuzz upon more noise, all delivered in riff form. Welchez gets points for simply being audible overtop of all that, but you couldn’t really hear anything more specific than that. Still, even so, a pretty bracing – and deafening – debut.

Spinner has an interview with Rowell, who post-gig also told them why they’ve never played in Canada before (hint: it’s what you think).

Photos: Crocodiles @ The Silver Dollar – June 16, 2011
MP3: Crocodiles – “Sleep Forever”
Video: Crocodiles – “Hearts Of Love”
Video: Crocodiles – “Sleep Forever”

I would have been happy to call it a night at that point but the fact that I was there, and Vancouver’s Dirty Beaches – whose debut Badlands was long-listed for this year’s Polaris Prize earlier that day – was up next was a pretty good argument for sticking around. And with regards to what Alex Zhang Hungtai – he who is Dirty Beaches – is about, all I can say is I don’t get it. I mean, I kind of do; his one-man, no-fi bedroom Elvis act certainly has a unique style to it and works on record in creating an atmosphere. But live, with Hungtai either shrieking or muttering into a plastic condensor mic or coaxing squalls of noise out of his guitar over simple looped beats, it was just kind of perplexing. The people around me went nuts, I went home. Dirty Beaches return on September 24 at the Phoenix as support for Peter Hook.

Photos: Dirty Beaches @ The Silver Dollar – June 16, 2011
MP3: Dirty Beaches – “Lord Knows Best”
Video: Dirty Beaches – “Shangri-La”

On a day where I would be seeing an Andy Bell and was writing up a band called Chains Of Love, how weird is it that an Erasure tour – including a September 11 date at the Sound Academy – be announced? Pretty weird. The show is in support of their new record Tomorrow’s World, due out this Fall, and tickets are $40.

Video: Erasure – “Chains Of Love”

As one festival ends, another begins. Or at least is announced. I speak of Summerworks, the annual convergence of theatre and music, and their 2011 music programme which was announced yesterday. Things kick off on August 4 with an all-day opening party and wrap on the 14th with same – details on performers for each are still forthcoming – but the evenings in between will shake out as follows, with all shows being held at the Lower Ossington Theatre with advance tickets $10 a night.

Friday, August 5 – Hooded Fang, Steven McKay
Saturday August 6 – Bonjay, Lioness
Wednesday August 10 – Great Bloomers, House League (featuring members of Forest City Lovers, Matters, Evening Hymns and more)
Thursday August 11 – Bruce Peninsula, Jennifer Castle
Friday August 12 – Miracle Fortress, Ruby Coast
Saturday August 13 – Green Go, Powers

The National Post talks to Shad, who will be playing a free show at Metro Square on July 1.

The Boston Globe has a visit with Chad VanGaalen.

The new Handsome Furs record Sound Kapital is streaming in whole over at Exclaim in advance of its release next week; Spin has an interview and a stream as well. They play The Horseshoe on August 1.

Stream: Handsome Furs / Sound Kapital

DIY has a pre-Glasto chat with Dan Mangan. His new record Oh, Fortune should be out in September.

Southern Souls has posted a video session with Little Scream.