Eliot HazelIt feels a bit anticlimactic to try and sit down and formally review Instinct, the debut album from Sweden’s Niki & The Dove, and the reasons for this are many. Besides the fact that I’ve been talking about them since last August and already seen them twice at Iceland Airwaves and again at SXSW over the past year, there’s the fact that though it’s only formally out in North America this week, Instinct was released in Europe and the UK back in May and was easily heard online all Summer. And even if you didn’t happen across a full album stream, fully a quarter of the album already appeared on last Fall’s The Drummer EP and more tracks were released as singles. All of which is to say that I feel like I’m trying to find some fresh words for a record that already feels very lived-in and familiar to me.

Niki & The Dove – their name is in reference to neither singer Malin Dahlström or keyboardist Gustaf Karlöf – draw inspiration from the bold, bright tones of the ’80s synth-pop without sounding anything like a throwback act. Like the similarly avian-inspired Ladyhawke, they instead look to the songwriting of the era and share in the belief that there’s no such thing as a chorus, hook, or sentiment that’s too big. Indeed, tracks “Tomorrow”, “Somebody”, and “Under The Bridges” – incidentally the album opener, midpoint, and closer – are irresistible pop confections that make the absolute most of Dahlström’s raspy range; people compare her voice to Stevie Nicks but not being any kind of Fleetwood Mac fan, I am in no position to comment. That same voice gives the dancier and slinkier numbers the emotional dimension that elevates them above dancefloor fodder. Karlöf also deserves credit for programming a musical world that is almost entirely artificial, yet sounds perfectly natural and organic in the context of what they’re doing. You might call it an innate talent. Or an instinct.

They’re embarking on their first full North American tour this Fall and while most are as support for Twin Shadow, their October 2 date at The Drake Underground in Toronto is their own headlining show. Tickets for that are $15 in advance, but courtesy of Embrace, I’ve got two pairs of passes to give away for the show. To enter, email me at contests@chromewaves.net with “I want to see Niki & The Dove” in the subject line and your full name in the body, and have that in to me before midnight, September 24.

And if there is an upside to waiting for the North American release of Instinct, it’s that the Sub Pop edition comes with two extra tracks over the European version. One of those – “The Beach” – is available to stream below.

MP3: Niki & The Dove – “Tomorrow”
MP3: Niki & The Dove – “Mother Protect”
MP3: Niki & The Dove – “DJ, Ease My Mind”
MP3: Niki & The Dove – “The Drummer”
Video: Niki & The Dove – “Tomorrow”
Video: Niki & The Dove – “The Fox”
Video: Niki & The Dove – “DJ Ease My Mind”
Video: Niki & The Dove – “Mother Protect”
Video: Niki & The Dove – “The Drummer”
Stream: Niki & The Dove – “The Beach”

The Line Of Best Fit, The Stool Pigeon, and Exclaim have interviews with Jens Lekman about his gorgeous new record I Know What Love Isn’t, which is out September 4 and from which a video for the title track has just been released. Lekman is at The Phoenix on October 4.

Video: Jens Lekman – “I Know What Love Isn’t”

Daytrotter is feeling all kinds of Swedish, posting a session with The Deer Tracks and another one with The Concretes.

The Line Of Best Fit talks to Sarah Assbring of El Perro Del Mar, whose new record Pale Fire will be out some time in November.

MTV has a video session with First Aid Kit, who play The Danforth Music Hall on September 26. NPR is also streaming their set at the Newport Folk Festival last month.

Drowned In Sound talks to Sune Rose Wagner of The Raveonettes. Their new record Observator is out September 11 and they’re at The Phoenix on October 2.

The Arts Desk talks to Rasmus Stolberg of Efterklang, who have released the first video from their new album Pirmada. The album is out September 24.

Video: Efterklang – “Hollow Mountain”

Sigur Rós have released another video from Valtari; Filter also has a feature piece on the band.

Video: Sigur Rós – “Varðeldur”

Ólafur Arnalds has revealed the name of his next album via Twitter; For Now I Am Winter is done and in post-production, with a release date hopefully coming soon. Some clips of the new material can be heard via his YouTube channel.

The final song from Blur’s Hyde Park show on Sunday – and maybe the final live Blur song ever – is available to download. It comes from their Parklive set which is available digitally now and on CD in November.

MP3: Blur – “The Universal” (live in Hyde Park – August 12, 2012)

Psychology Today talks to Dev Hynes of Blood Orange about living and working with synesthesia.

The Line Of Best Fit is streaming a new track from Neil Halstead’s forthcoming Palindrome Hunches, out September 11, while LA Music Blog has an interview.

Stream: Neil Halstead – “Digging Shelters”

The xx go through their new album Coexist track-by-track for Spin while CBC Music also caught a quick word when they came through town last month. The album is out September 11.

NPR has a video session with Hot Chip.

The Guardian interviews The Vaccines about their new record Come Of Age, out in North America on October 2.

Inez van Lambsweerde & Vinoodh MatadinRelatively quiet since 2007’s Volta, Bjork is finally back with a new album… I think. To be honest, the press releases around her new project Biophilia haven’t exactly been designed for quick parsing, and that’s because the album component of Biophilia is just that – a component.

There will be a conventional album, presumably available in CD and LP formats, that is due out this Fall – September 27 is the unofficial release date being bandied about. There will also be ten apps corresponding to the tracks fo the record to add interactive elements to the compositions – there’s no specifics on device or platform, but presumably Mac OSX and iOS and Windows will be supported, possibly/probably more. Touring will be done unconventionally, consisting of six-week residencies in eight different cities worldwide over a course of three years and taking place in intimate, in-the-round performance spaces and utilizing a range of custom-built instruments intended to recreate the sound and atmosphere of the apps. A feature-length documentary about the creative process behind the whole Biophilia experience will be released. The www.bjork.com website has been redone and is now all trippy, though to be honest I’m not sure what to do with it.

Blurt has helpfully reprinted the full text of the press release, which should offer some more insight into what’s what. Pitchfork and Sterogum also have interviews with the artist which shed some light on what she’s doing and why. The first of the aforementioned residencies is already underway in Manchester, England – not sure where the other seven will be but I’m not putting money on Toronto, or even anywhere in Canada necessarily. But while we may miss out on that aspect of the Biophilia experience, we can still hear the songs – the first single is available to stream right now, and a Michel Gondry-directed video is forthcoming.

Oh Bjork, you so crazy.

Stream: Bjork – “Crystalline”

The Concretes have put out a new video from WYWH.

Video: The Concretes – “My Ways”

It’s funny – while Wild Beasts’ last record Two Dancers took me a while to warm to – though I did – their new one Smother I warmed to right away, despite it seeming to garner a more tepid critical response. Either way, looking forward to seeing them live for the first time on September 29 when they return to the Mod Club as part of a North American tour. Oxford Student has an interview with the band.

MP3: Wild Beasts – “Albatross”
MP3: Wild Beasts – “Loop The Loop”
Video: Wild Beasts – “Albatross”

Though The Horrors machine is ramping up in anticipation of the release of Skying, Faris Badwan’s underappreciatedCat’s Eyes side-project has found the time to release a new video for a non-album cover of “The Crying Game”.

Video: Cat’s Eyes – “The Crying Game”

Following up the release of the first MP3 from their forthcoming debut album Gracious Tide, Take Me Home, Lanterns On The Lake have put out a video for the same song. The record is out September 19.

MP3: Lanterns On The Lake – “You’re Almost There”
Video: Lanterns On The Lake – “You’re Almost There”

GQ solicits a list of ten style essentials from Liam Gallagher of Beady Eye.

Drowned In Sound and DIY have features on Nick McCabe and Simon Jones’ post-Verve band The Black Ships. They’re giving away their first EP Kurofone in exchange for your email though forewarned – it’s a single 25-minute, 273MB WAV file. I’ve compressed it into something a bit more manageable for you because if you dig on early Verve, it’s worth a listen.

MP3: The Black Ships – “The Kurofone EP”

Donewaiting grapples with Let’s Wrestle, interview-style.

Octopus Windmill interviews Amor de Dias.

Australia’s Howling Bells have given their third album a title of The Loudest Engine and a release date of September 12. Details at Wears The Trousers.

Frank YangAdele has been a big deal for a while, her 2008 debut 19 having picked up all kinds of accolades and awards. And that’s kind of a shame because with that level of acclaim as a floor, it’s difficult to express just how much better the follow-up 21 is. I appreciated the debut as a showcase for Ms Adkin’s talents as a singer and songwriter, but the follow up bests it in pretty much every way.

Her voice is still as formidable a presence as ever, with so much inherent strength and character that the acrobatics and oversinging that those who would aspire to be her peers inevitably resort to are wholly unnecessary. But 21‘s songs themselves are more sophisticated, melodic and dynamic and so effortlessly cross genres like soul, gospel, folk, pop and even a couple commendable forays into rock that they make the idea of genres kind of pointless. Whereas on 19 some of the songs were there to serve the voice, on 21 everything is in service to the songs. In other words, it’s a hell of a record.

And in support of it, Adele was in town last night for a taping of MTV Live which included an intimate mini-concert at the Masonic Temple. Having not seen her perform before – I think her Toronto appearances took her directly from The Rivoli to Massey Hall – I felt fortunate that I was invited to attend this show. Following a sort-of late-night talk show format segment that wasn’t as terrible as a feared and certainly featured more on-camera raunch and swearing than I’d expected, Adele came out delivered a set that was brief but also would have convinced anyone that she was the real deal.

Backed by a full six-piece band, she opened with “Rolling In The Deep” and then stripped (and sat) down with just a pianist and cup of tea for the ballady portion of the show, delivering “Someone Like You”, “Turning Tables” and 19 Dylan cover “Feel My Love” with astonishing presence despite not having much in the way of stage moves. Between songs, she took the time to banter and joke with the adoring audience – there was certainly no sign of the stage fright that she’s said to suffer from – and after inviting her band back, closed with “Chasing Pavements”. A short but completely stirring set that proved that having the lungs and the voice is only meaningful if they’re connected directly to the heart.

Adele plays a sold-out show at The Kool Haus on May 18. The Daily Record has an interview.

Video: Adele – “Rolling In The Deep”
Video: Adele – “Make You Feel My Love”
Video: Adele – “Chasing Pavements”
Video: Adele – “Cold Shoulder”

Spinner, BBC and The Guardian talk to Noah & The Whale, whose new record Last Night On Earth is available to stream at NME in advance of its March 15 release date. If their goal with this record was to no longer be lumped in with the English anti-folk movement… well I think they’ve done it. Noah & The Whale and their synths will be at The Mod Club on March 24.

Stream: Noah & The Whale / Last Night On Earth

The “director’s cut” for one of Mumford & Sons’ videos from Sigh No More is now online, though curiously it’s about 9 seconds shorter than the official version.

Video: Mumford & Sons – “Winter Winds” (director’s cut)
Video: Mumford & Sons – “Winter Winds”

Spinner talks to Esben & The Witch, in town at Wrongbar next Friday night for Canadian Musicfest.

Vanity Fair and University Observer Q&A Anna Calvi, who was also supposed to be on that Wrongbar CMF bill but who has cancelled all dates prior to that one and the one after due to an arm/hand injury. So while I await the official word, it’s safe to say that the Toronto show is off as well.

The Quietus interviews Liam Gallagher of Beady Eye.

Drowned In Sound meets Gruff Rhys, who follows up the May 3 release of Hotel Shampoo with a date at The Horseshoe on June 11.

Ladytron have released a video for one of the new tracks that will appear on the Best of Ladytron: 00-10 compilation, due out March 29.

Video: Ladytron – “Age Of Hz”

Digital Spy talks to Patrick Wolf about his forthcoming new record Lupercalia, out May 31, while Spinner grabs an interview video-style.

A new Loney Dear video has surfaced. Let’s hope this means the new full-length Hall Music isn’t far behind.

Video: Loney Dear – “Young Hearts”

The Line Of Best Fit, Pitchfork, Blurt and Exclaim all have interviews with Lykke Li about her spanking new record Wounded Rhymes. She is at The Phoenix on May 22.

The Line Of Best Fit points out a new video from The Concretes and a complete live show from Paris available to stream at Grand Crew.

Video: The Concretes – “Crack In The Paint”

Blurt reports that the third salvo of Nick Cave & The Bad Seeds reissues will arrive on May 17 and cover his ’90s output with bonus-loaded editions of Let Love In, Murder Ballads, The Boatman’s Call and No More Shall We Part.

R.E.M.’s new record Collapse Into Now is available to stream all over the place leading up to its release next week. Check it out at Exclaim

Stream: R.E.M. / Collapse Into Now

And here are some of the new(ish) concert announcements for this week; Joe Pug and Strand Of Oaks have a date at The Horseshoe on April 20, tickets $10.

MP3: Strand Of Oaks – “Bonfire”

Joan As Police Woman, whom I don’t think has been to Toronto in the past four years if ever – a Summer 2007 show was cancelled – will be at The Drake on April 21 as part of a tour in support of her new record The Deep Field, which comes out on April 11, tickets $12. After Ellen has a feature.

MP3: Joan As Police Woman – “The Magic”
MP3: Joan As Police Woman – “To Be Loved”

Guitar Wolf have a date at Lee’s Palace for May 17, extending their previously-announced North American tour, tickets $18.50. They released Uchusenkan Love last Fall.

MP3: Guitar Wolf – “After School Thunder”

Anti reports that Man Man are almost done work on their new record and are setting out on tour, presumably to promote. They’re in Toronto on May 26 at Lee’s Palace, tickets $17.50.

MP3: Man Man – “Top Drawer”

Sondre Lerche gives New York Magazine the scoop on his new self-titled record, due out June 7. He’ll be playing songs from it – presumably – when he hits The Mod Club on May 31, tickets $18.50.

Here’s a tour filled with more win than Charlie Sheen – Okkervil River, Titus Andronicus and Future Islands stopping in at The Phoenix on June 10, tickets $18.50 in advance. Okkervil will release their new record I Am Very Far on May 10, Titus are still working last year’s glorious The Monitor (and will still be at The Horseshoe for their own headlining show April 1) and Future Islands released In Evening Air last year.

MP3: Okkervil River – “Wake And Be Fine” (live on Jimmy Fallon)
MP3: Titus Andronicus – “A More Perfect Union”
MP3: Future Islands – “Tin Man”

That same night but costing $18.50 less than the Okkervil show – that’s free, if you don’t feel like doing the math – is The Joel Plaskett Emergency performing at Metro Hall as part of this year’s Luminato arts festival. Their set time is 9:20PM.

MP3: The Joel Plaskett Emergency – “Deny Deny Deny”

And finally, some fellow with Britpop love in his heart and too much time on his hands has begun digitizing archives of Select Magazine. I bought so many mediocre records based on their boundless enthusiasm, but also some awesome ones. Ah, nostalgia.

Frank YangAfter a much-needed break from live music with a month spent watching television instead of bands, it was back out to the clubs on Monday night for the first gig of 2011, and it was one that as recently as a couple weeks ago I hadn’t planned on attending – The Concretes at The Horseshoe. From passing listens to the singles, I didn’t expect much of their latest WYWH but a proper sit-down with their second post-Victoria Bergsman album happily proved me wrong. And so I went.

Helping that decision along was the presence of New York’s Hooray For Earth as support. I’d meant to investigate their 2010 debut EP Momo further but never did, so seeing them live in advance of their full-length debut True Loves‘ release on May 3 seemed like a good way to make up for that. Unfortunately, and perhaps as a result of a traumatic border-crossing experience alluded to by singer Noel Heroux, the band didn’t seem to be at the top of their game, seeming distracted or even disinterested as they ran through their half-hour set. The quality of their songs – catchy New Waved numbers marked by big ’80s synths and (over)-effected vocals – was evident despite that, but the pep of their recorded sound was decided muted.

I was there the last the the sandwich board outside The ‘Shoe declared, “The Concretes” back in May 2006, but a half-decade one, it was a completely different band who took the stage. Singer Victoria Bergsman departed shortly after that show – that’s been well-documented – and rather than call it a day, drummer Lisa Milberg moved into the role of frontwoman but what was surprising was that Maria Erikson – guitarist, vocalist and co-founder of the band with Milberg and Bergsman – was not amongst the half-dozen Concretes who’d crossed the Atlantic. Or maybe not so surprising considering her credits on the new record amount to “backing vocals”. But either way, this was now Milberg’s show.

And as WYWH would dictate, it was a disco show, but without much dancing. Despite the dancefloor grooves and textures of the new record, it’s still a downbeat record and accordingly, a rather restrained performance. The live renderings were actually sped up some from the album version, perhaps to give them a little more zip or perhaps to help them sit alongside the older material better. Yes, they still did the older material – fair game considering Milberg co-wrote most of it – but what was more surprising than that it wasn’t verboten was how natural those songs still sounded without Bergsman’s distinctively sleepy vocals. And if you think about it, Milberg’s voice might have a different timbre from her former bandmate but it has a similar wounded quality about it that helps maintain the songs’ spirit.

With such disparate-sounding material rubbing elbows on the set list, the flow of the show was a little odd at times but the balance of new material and key singles from The Concretes and In Colour made for a solid batch of songs. And while it was hard to not recall the glorious rotating lead vocals from Bergsman, Milberg and Erikson the last time they played main set closer “Song For The Songs”, these new Concretes had already established their 2011 bona fides. And for that, bravo.

Photos: The Concretes, Hooray For Earth @ The Horseshoe – January 17, 2010
MP3: The Concretes – “All Day”
MP3: The Concretes – “Good Evening”
MP3: Hooray For Earth – “Surrounded By Your Friends”
Video: The Concretes – “Kids”
Video: The Concretes – “All Day”
Video: The Concretes – “Keep Yours”
Video: The Concretes – “Seems Fine”
Video: The Concretes – “Oh Boy”
Video: The Concretes – “Chosen One”
Video: The Concretes – “On The Radio”
Video: The Concretes – “Say Something New”
Video: The Concretes – “You Can’t Hurry Love”
Video: The Concretes – “Warm Night”
Video: Hooray For Earth – “Surrounded By Your Friends”
Video: Hooray For Earth – “Form”
Video: Hooray For Earth – “Rolling/Nectarine”
Video: Hooray For Earth – “Get Home”
Myspace: The Concretes
Myspace: Hooray For Earth

Lykke Li has released a new video from her forthcoming record Wounded Rhymes, out on March 1 – BBC has an interview with her about the new record. She will be at The Phoenix on May 22.

Video: Lykke Li – “I Follow Rivers”

Also straight outta Sweden with a new vid are Peter Bjorn & John – it’s the first sample of their forthcoming Gimme Some, due out March 29, which you can also download over here. They have a talk with Spinner about the new record.

Video: Peter Bjorn & John – “Breaker Breaker”

There were a crapload of show announcements yesterday… and a crapload today. Starting with Suuns, who’ll be playing an in-store at Sonic Boom on January 29 at 4PM. As always, it’s a free show but food bank donations are encouraged.

MP3: Suuns – “Up Past The Nursery”

Ty Segall will be anchoring the Wrongbar lineup for Canadian Musicfest on the Saturday night, March 12.

MP3: Ty Segall – “Girlfriend”

I would have thought that they’d be playing bigger rooms by now, but that just means that Warpaint’s show at Wrongbar on March 26 – which they packed last August well before their debut The Fool came out and got all those rave reviews – will be that much more of a hot ticket. You’ve been warned. Full tour dates up at Beggars USA and support for the show will be Australia’s PVT.

MP3: Warpaint – “Undertow”
MP3: PVT – “Quick Mile”

After a too-long absence – I’m not counting their set opening for Gogol Bordello last Spring because a) it was at The Sound Academy and b) I couldn’t go – DeVotchKa are coming back to town. Their last headlining show was way back in June 2006, so that they’ll bring their new record 100 Lovers to the Mod Club on March 30 is welcome news indeed; tickets $19 in advance.

MP3: DeVotchKa – “Along The Way”

Luke Temple’s Here We Go Magic have made a date at the El Mocambo for April 2, tickets $13.50. Their last record Pigeons came out last Summer.

MP3: Here We Go Magic – “Casual”
MP3: Here We Go Magic – “Collector”

I don’t know if John Darnielle thought Toronto wouldn’t notice that The Mountain Goats skipped us over entirely whilst touring their last record The Life Of The World To Come, but it’s good to know we won’t be slighted when All Eternals Deck comes out on March 29 – they’ll be here just five days later, April 3, with Megafaun in tow, for a show at the Opera Hosue – tickets $17.50 in advance. Pitchfork has a chat with Darnielle about the new album and there’s a campaign to get The Mountain Goats on Law & Order: SVU so obviously you should go and get behind that.

MP3: The Mountain Goats – “Tyler Lambert’s Grave”

Following an extensive North American tour, Kingston’s PS I Love You will play an almost-hometown show at The Garrison on April 7.

MP3: PS I Love You – “Get Over”

And looking waaaaay ahead, Keren Ann will follow up the March 22 release of her new record 101 with Summer dates that include an appearance at the Drake Underground on June 28, tickets $16.50. She’s just released a video from said record.

Video: Keren Ann – “My Name Is Trouble”

Aquarium Drunkard, Artinfo, The Fader and Prefix talk to Dan Bejar of Destroyer, whose new record Kaputt is out next week but streaming right now at Hype Machine. Destroyer plays Lee’s Palace on March 31.

Stream: Destroyer / Kaputt

The Line Of Best Fit and The AV Club interview Jenny Conlee and Colin Meloy of The Decemberists, respectively. The Polaroid portfolio which was a part of deluxe editions of The King Is Dead is available to peruse at New York Magazine with commentary from photographer Autumn de Wilde. Further, the band’s hometown show in Portland will be webcast tonight on NPR starting at 3PM EST. The Decemberists are at The Sound Academy on February 1.

And the only relevance that the Coachella lineup has to my life is the fact that Elbow and Suede are on this continent in April…

Simoneau GuillaumeI first made the acquaintance of Iowa native and Montreal resident Laurel Sprengelmeyer’s stage persona Little Scream almost exactly two years ago, when she opened up for Land Of Talk at The Horseshoe. At the time, she had no web presence whatsoever – not a website, not a Myspace, nothing – but her solo electrified acoustic performance made enough of an impression to stick with me.

Enough so that I made sure to see her again a couple months later during Canadian Musicfest and while she still hadn’t discovered the internet – my previous review seemed to be the authoritative statement about her online – was able to see that while her sound had gotten more electrified thanks to picking up a solidbody guitar, her distinctive approach to folk and rock – but not folk-rock – was still inscrutable and compelling. And I figured that her being relatively local and obviously up for gigging, I’d be getting plenty of opportunity to figure out what she was about.

Or not so much. Though I’m sure she showed up on more Toronto stages over the last couple years, she basically fell off my radar until just recently when she began showing up in concert announcements – a lot of concert announcements. Over the next few months, she’s touring Ontario with Julie Doiron including February 3 at the Horseshoe, returning for Canadian Musicfest at the Opera House on March 11 with Land Of Talk and then traversing the United States with Sharon Van Etten, including her April 12 date at the Drake Underground. Which is to say she’s no longer going to be out of sight, out of mind but rather constantly underfoot.

And the reason is the impending elease of her debut album The Golden Record on Secretly Canadian in the US and Outside Music in Canada, which features production from Arcade Fire’s Richard Reed Perry and guitar contributions from The National’s Aaron Dessner, amongst other high-profile contributors. Which is to say Little Scream has made some impressive friends. The record is out on April 12, which makes that Drake show a record release party, and while the first MP3 is a good deal gentler than I’d have expected from those early live shows, the additional samples on her Facebook (she’s certainly got an online presence now) point at a lot more range being captured on the record, to say nothing of the intensity I saw back in 2009. In other words, this is a record that will be worth hearing, start to finish, because if you don’t you’ll likely have missed something crucial.

MP3: Little Scream – “The Heron & The Fox”

Those Who Dig has an interview with Sharon Van Etten who, as mentioned above, will be at The Drake Underground on April 12.

Nicole Atkins discusses her new record Mondo Amore with Knox Road. The album is out February 8 and she plays The Horseshoe on February 26.

Spinner and The Montreal Mirror talk to Lisa Milberg of The Concretes; they’re at The Horseshoe on Monday night, January 17.

Pitchfork and Clash talk to PJ Harvey about her new record Let England Shake, due out February 15.

The Ottawa Citizen profiles Two Door Cinema Club, in town at the Kool Haus tomorrow night, while The State is streaming a documentary feature on the band. And the band’s new video ably demonstrates the perks of being a young man in a rock band… which is to say dancing girls.

Video: Two Door Cinema Club – “What You Know”

It would have been nice if British Sea Power could have announced their North American tour in support of Valhalla Dancehall a couple days earlier so I could have included it with my review of said record, but that’s not so important – what is is that the British are coming and they’ll be at Lee’s Palace on March 24. Incendiary has an interview with Martin Noble while The Guardian has a live session video of the band performing “Who’s In Control?”.

MP3: British Sea Power – “Who’s In Control?”

Patrick Wolf talks to NME about the cleanliness of his in-progress new record, which despite what they say is unlikely to be called The Conqueror but will likely to be out in May.

The Fly checks in with Glasvegas and Elbow amongst others about their 2011 album plans. The former’s build a rocket boys! will be out March 8 while NME reports the latter’s Euphoric Heartbreak will be out April 4.

Condolences to the friends, fans and family of Broadcast’s Trish Keenan, who has passed away from pneumonia. The statement from Warp Records.