Frank YangUnderstand that I am in no way, shape, or form complaining, but I was pretty surprised when it was announced that Bob Mould would be playing The Horseshoe this past Friday night. Not that one legendary artist doesn’t deserve a legendary venue, but considering that his profile arguably higher than its been in years thanks to a 2012 that included the 20th anniversary Sugar reissues and tour, the publication of his memoirs, and his best-received new album in some time with Silver Age, to say nothing of the fact that he hadn’t played Toronto in almost half a decade, I thought he’d have been booked into a larger room. At least something on the scale of Lee’s or The Mod Club, where he played the last two times through including the last time I saw him here at home in Fall 2005. But no, it was to be The Horseshoe and so unsurprisingly it was sold out and jammed and primed to go off.

Amidst the… older demographic that was gathered to see Mould celebrate his 30-plus year career, were a smattering of decidedly younger attendees who you could reasonably assume were here to see the opener. Minneapolis trio Now, Now – formerly Now, Now Every Children – have been through town a number of times, but usually attached to bills of a more pop-punk-emo persuasion. That’s why, despite having liked them for a few years, I’d only finally gotten to see them live at SXSW 2011 where I wouldn’t have to sit a half-dozen sets of tattoos and asymmetrical haircuts. Which is not to say that that’s not their natural scene – their thoughtful grunge-pop with downcast lyrics but delivered with big smiles is definitely of a genre – but thanks to Cacie Dalager’s terrifically emotive vocals and their sharp sense of melody, they’re also better than most of that genre and can definitely break to broader appeal. Their latest album Threads was both produced and released by Death Cab For Cutie’s Chris Walla, and his band’s path is one that, with a few lucky breaks and soundtrack placements, Now, Now could reasonably follow them down.

Local fans might have felt disappointed that last year’s Copper Blue tour, wherein Mould, bassist Jason Narducy, and drummer Jon Wurster played the whole of 1992’s seminal Sugar debut in its entirety, didn’t come to town – I was lucky enough to catch one of those shows at SXSW 2012 – but if anyone thought that meant he wouldn’t continue to lean heavily on one of his most-loved records… well they’d have been dead wrong. Mould could have exulted in the roaring response from the audience as he took the stage – it’d have been well-earned – but instead he and his band got straight to work, tearing through side A of Copper Blue in sequence with brutal efficiency. This accomplished two things – it got the audience further worked up into a sweaty lather and got those songs out of the way.

The next block of songs focused on Silver Age and confirmed that these compositions were, as many have pointed out, Mould’s most Sugar-like in years, their balance of melody and white noise existing quite comfortably alongside the older numbers. The new material also elicited more furious guitar soloing from Mould, perhaps him feeling these songs still had room to improvise whereas the Sugar songs were fixed for the ages. Silver Age properly serviced, Sugar material began creeping back into the set, first with a couple of unexpected songs from Beaster – I don’t know that I’ve ever heard any Beaster material live – and then “Your Favorite Thing” from the underrated File Under: Easy Listening.

Finally, inevitably, it was time to reach into the Hüsker Dü songbook for “I Apologize” and “Chartered Trips” before wrapping back in the 21st century with Silver Age standout “Keep Believing”. The first encore contained the only non-Silver Age selection from his solo repertoire – “Egoverride” from his 1996 eponymous effort – and one more Copper Blue selection in “If I Can’t Change Your Mind”, while the second encore deviated from their regular set by inviting local music scribe Sam Sutherland onstage to lead a quick and furious cover of The Viletones’ “Screaming Fist” before closing for good with another trifecta of Hüsker songs.

It was a pulverizing set start to finish – the 15 songs of the main set clocked in at under an hour – but with Mould’s glasses fogged and shirt soaked from the sweat and steam of the crowd and Narducy and Wurster somehow managing to match his energy joule for joule, there was no question they’d given their all. And it answered the question of why they played a smaller room than they probably could have – small space, huge pressure, massive explosion. Legendary.

NOW and Backstage Rider also have reviews of the show and The Sydney Morning Herald an interview. Mould is back in the region on August 3 as part of The Grove Festival in Niagara-On-The-Lake.

Photos: Bob Mould, Now, Now @ The Horseshoe – March 1, 2013
MP3: Bob Mould – “The Silence Between Us”
MP3: Now, Now – “Dead Oaks”
MP3: Now, Now – “Thread”
MP3: Now, Now – “School Friend”
MP3: Now, Now – “Neighbors”
MP3: Now, Now – “Roommates”
MP3: Now, Now Every Children – “Everyone You Know”
MP3: Now, Now Every Children – “Sleep Through Summer”
MP3: Now, Now Every Children – “Cars”
Video: Bob Mould – “Star Machine”
Video: Bob Mould – “The Descent”
Video: Bob Mould – “Egoverride”
Video: Bob Mould – “Slay/Sway”
Video: Bob Mould – “It’s Too Late”
Video: Sugar – “Gee Angel”
Video: Sugar – “Believe What You’re Saying”
Video: Sugar – “Tilted”
Video: Sugar – “Helpless”
Video: Sugar – “Changes”
Video: Sugar – “If I Can’t Change Your Mind”
Video: Hüsker Dü – “Could You Be The One”
Video: Hüsker Dü – “Don’t Want To Know If You Are Lonely”
Video: Hüsker Dü – “Makes No Sense At All”
Video: Hüsker Dü – “Love Is All Around”
Video: Now, Now – “Dead Oaks”
Video: Now, Now – “Thread”
Video: Now, Now Every Children – “Friends With My Sister”

Caitlin Rose has marked the release this week of her new record The Stand-In with a new video, premiered over at Billboard. She plays The Garrison on April 5.

Video: Caitlin Rose – “Only A Clown”

Brooklyn’s The Men are the topic of conversations at Consequence Of Sound, The Village Voice, Spin, and Interview what with their new record New Moon coming out this week.

The new Son Volt album Honky Tonk, out this week, is available to stream in whole over at American Songwriter. Blurt, The Wall Street Journal, Rolling Stone, and The Riverfront Times have feature pieces on the band.

Stream: Son Volt / Honky Tonk

Ra Ra Riot have premiered a new video from their latest Beta Love. They play Lee’s Palace tonight – March 6 – and are back on June 8 as part of the Field Trip fest at Fort York.

Video: Ra Ra Riot – “Dance With Me”

Drowned In Sound talks to Alan Sparkhawk of Low. They play The Great Hall on March 16 and The Invisible Way is out March 19.

The Dumbing Of America has an interview with Black Rebel Motorcycle Club, who are prepping for the March 19 release of their new album Specter Af The Feast by giving away an EP for the first single from their website. They play The Kool Haus on May 9.

Also at Dumbing Of America – an interview with Local Natives, who’re at The Phoenix on March 28.

The Black Angels are streaming a new song off their forthcoming Indigo Meadow, out April 2, with some supporting words at Rolling Stone. The new album brings them to The Danforth Music Hall on April 13.

Stream: The Black Angels – “Evil Things”

Even though The Flaming Lips have a new record in The Terror coming out April 2, Pitchfork wants to talk about their old albums, offering up a video oral history of The Soft Bulletin.

Steve Earle has released the first video from his forthcoming album The Low Highway, due out April 16.

Video: Steve Earle – “Invisible”

CBC Music talks to The Thermals, whose have a bunch of reissues out this week and a new record in Desperate Ground out April 16.

Billboard and Rolling Stone have features on Yeah Yeah Yeahs and their new record Mosquito, which comes out April 16.

Exclaim and Men’s Journal has questions for Jim James. He is at The Phoenix on April 24.

Saturday Looks Good To Me have announced details of their comeback album One Kiss Ends It All, out May 21, and made the first song from it available to stream.

Stream: Saturday Looks Good To Me – “Invisible Friend”

Consequence Of Sound has details on the 25th anniversary reissue of R.E.M.’s Green, which will come with the requisite remastering and second disc of period-correct live show. It’s out May 14.

Entertainment Weekly reports The Hold Steady will contribute a new song to the soundtrack of the upcoming season of Game Of Thrones. The show premieres March 31 and they play the Toronto Urban Roots Fest at Fort York on July 4.

NPR has a video session with Yo La Tengo, back in town at the Toronto Urban Roots Fest on July 7.

Spinner interviews Ted Leo on the occasion of Hearts Of Oak‘s tenth anniversary.

theblackangels.comAnother week, another batch of show announcements to cobble into a blog post, another band with “black” in their name hitting the road.

This time, it’s Austin psych-rock veterans The Black Angels, who’ve announced a trans-continental tour this April in support of their fourth full-length album, Indigo Meadow, out April 2. A preview track has been made available to stream, and while it doesn’t stray far from formula – you don’t make it as far in the drugged-out, trippy drone-rock game by changing it up too much – it’s still got some jump and some teeth to it, to say nothing of being sadly topical of late.

The Toronto show goes April 23 at the Danforth Music Hall, tickets $23.50 for floors and $33.50 for mezzanine. The Allah-Las and Elephant Stone support.

MP3: The Black Angels – “Telephone”
Stream: The Black Angels – “Don’t Play With Guns”

U.S. Girls – which is actually just one girl, Meghan Remy, and a distinctive cut-and-paste sonic aesthetic – will be at The Shop Under Parts & Labour on March 13 in support of last year’s Gem.

Video: U.S. Girls – “Work From Home”

I don’t know either act that well, but enough to know that the pairing of mournful Minneapolis electro-R&B act How To Dress Well and Los Angeles singer-songwriter Sky Ferreira is a bit of an unusual one. Regardless, they’re hitting the road together this Spring – the former in support of last year’s Total Loss and the latter for the Everything Is Embarrassing EP, out March 25 in advance of her full-length debut I’m Not Alright; Pitchfork has the full dates, which includes a March 27 date at Wrongbar.

MP3: How To Dress Well – “Us In The Sense Of Forever”
Video: Sky Ferreira – “Sad Dream”

The Joy Formidable have taken the occasion of yesterday’s release of Wolf’s Law to confirm a North American tour that brings them back to Toronto for, like, the millionth time, for a show at The Phoenix on April 12, tickets $18.50, support from Team Spirit and Ribs. There’s interviews with frontwoman Ritzy Bryan at Spin and DIY.

MP3: The Joy Formidable – “Wolf’s Law”

American experimental folk outfit of no fixed address Akron/Family have announced a new album in Sub Verses, and while the record isn’t out until April 30 they’ll be on the road in support well before then. Look for them at Lee’s Palace on April 19, tickets $15, and listen to one of the new songs below.

MP3: Akron/Family – “Silly Bears”
Stream: Akron/Family – “No-Room”

Clinic are bringing their latest album Free Reign and their surgical masks for a show at The Garrison on April 23. Under The Radar also reports that they’ll have a companion/remix album entitled Free Reign II available digitally starting March 5.

MP3: Clinic – “The Second Line”

Los Angeles-based family act He’s My Brother She’s My Sister are here for a show at the Horseshoe on April 28 in support of their 2012 debut, Nobody Dances In This Town.

Video: He’s My Brother She’s My Sister – “Touch The Lightning”

English electronic artist Gold Panda will be at The Horseshoe on May 8, tickets $15. He released his new Trust EP digitally earlier this year and will put out the vinyl 12″ on March 4. You can stream it all courtesy of Pitchfork.

Stream: Gold Panda / Trust

Windish AgencyI’ve no doubt that Dayve Hawk loathes the term/scene/epithet “chillwave” that was attached to his musical identity of Memory Tapes when he emerged last year, and fairly so – its connotations were rarely positive, or at least applied without some snark, and many of the acts who would been considered his peers were kind of terrible. But if I hadn’t done the cursory, “so what the hell is this all about” investigation, I might not have ever heard his debut Seek Magic and that would have been a shame.

Though it technically passed the chillwave checklist test – homemade dreamy textures made with burbling synths and ’80s electropop echoes – Seek Magic possessed a degree of craftsmanship and songwriting that lifted it well above the also-rans. And the fact that he made it compelling in live performance, as I saw at SXSW 2010, confirmed that while it was probably safe to ignore anything bearing the aforementioned metatag, Memory Tapes deserved to stay on my radar.

The just-released second Memory Tapes record Player Piano takes everything that was good about Seek Magic and reinforces it, offering stronger songs, sharper hooks and less instrumental haze. The guitars still shimmer and echo and Hawke’s voice remains high and pleasantly pinched, but the overall experience is just bigger, in both dynamics and sonic scope – some of Player Piano is M83-scale ambitious. I do find myself wishing there was a little more weight in the low end, be it in the drums or bass, to give it that extra bit of presence but that’s a minor complaint and weighed against Player Piano‘s many merits, a negligible one. File under one of the best dream-pop records you’ll likely hear this year.

Memory Tapes is currently on tour and will be at Wrongbar in Toronto on August 13. Tickets for the show are $12 in advance but courtesy of Embrace, I have two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want Memory Tapes” in the subject line and your full name in the body, and have that in to me before midnight, August 10.

SF Weekly has an interview with Dayve Hawk.

MP3: Memory Tapes – “Wait In The Dark”
MP3: Memory Tapes – “Today Is Our Life”
Video: Memory Tapes – “Yes We Know”

After some time off turned into a hiatus turned into a disbandment, James Mercer and a new passel of bandmates have reconvened as The Shins and while a new record won’t be out until next year, there will be some Fall tour dates to get folks reacquainted and one of them is September 22 at The Phoenix in Toronto. Ticket prices still TBA but they’ll go on sale Friday.

MP3: The Shins – “So Says I”
MP3: The Shins – “Kissing The Lipless”

Everyone’s favourite family-friendly hip-hop collective Odd Future are coming back to town as part of a massive Fall tour that will allow them to get up close and personal with their fans, and possibly kick them in the faces. The Toronto date comes October 16 at the Sound Academy. Interview has a talk with Wolf Gang leader Tyler The Creator and the collective are featured on the cover of this month’s Exclaim

Video: Tyler The Creator – “Yonkers”

The Black Angels will be back in town at Lee’s Palace on October 24 with Dead Meadow; both are continuing to work 2010 releases – the former with Phosphene Dream and the latter with Three Kings.

MP3: The Black Angels – “Telephone”
MP3: Dead Meadow – “Good Moanin'”

New York DFA-affiliated electro-poppers Holy Ghost! will be at 69 Bathurst on November 1 in support of their self-titled debut.

MP3: Holy Ghost! – “Do It Again”
MP3: Holy Ghost! – “I Will Come Back”
MP3: Holy Ghost! – “Wait & See”

Wears The Trousers interviews Merrill Garbus of tUnE-yArDs. She plays Lee’s Palace on September 24.

Spin finds out some of Mates Of State’s favourite things. The indie-pop duo are readying their latest album Mountaintops for a September 13 release and will be at The Phoenix on September 28.

They Shoot Music has a video session with Wye Oak, who will be at The Sound Academy on October 7 opening up for Explosions In The Sky.

My Morning Jacket have released a video from their latest record Circuital.

Video: My Morning Jacket – “Holdin’ On To Black Metal”

Pitchfork has got a nice Yours Truly-shot video of EMA at the recent Pitchfork Festival.

Magnet Q&As Richard Buckner in advance of making him their website guest editor for the week.

The Montreal Gazette, Boston Herald, Detroit Free Press and Tourisme Montreal talk to members of Death Cab For Cutie.

Aylin Güngör DedeogluReally, I’ve only myself to blame. Upon hearing The Radio Dept. and the deliciously forlorn and fuzz pop of their 2003 debut Lesser Matters, I did what any good music obsessive would do after hearing what would become one of their favourite bands of the century (so far) and scoured the eBay for any and all of their releases. In their case this amounted to a number of singles and EPs which offered a good amount of non-album tracks – most as wonderful as the songs that did make the long-players – to pad out the collection.

So when it was announced that the band would follow their breakout third album, 2010’s Clinging To A Scheme with a double-compilation of rarities, one couldn’t help but hope that meant that a heretofore untapped vault of musical goodness would be let loose onto the world, a sort of reward for the faithful who’d evangelized the band for years until the rest of the world caught on. This, of course, was bunk. Passive Aggressive: Singles 2002-2010 is exactly what the title implies – a collection of the band’s singles over the course of their existence arranged chronologically with a the second disc collecting b-sides and compilation tracks from over that same time period. In other words, mostly everything I’d already bought.

But as I said, that’s my own fault; for everyone else, Passive Aggressive is pretty much essential. There are no deep cuts from their three records, only the singles – and just one song from the sublime second record Pet Grief – so for newcomers to the band using the collection as an introduction, the incentive to buy those studio records remains and for those who’ve already made their acquaintance but not gone all trainspotting on their back catalog, there’s over 20 tracks that are likely to be new to their ears. Pretty much the definition of win-win. And any way you come at it, the set is a testament to just how superb, consistent and unique the band has been over the course of their career, filtering the confluence of synth-pop, shoegaze, and C86 tweeness through a distinctly Swedish melancholy for irresistible results.

So while Passive Aggressive doesn’t provide me hours of new Radio Dept. listening, it does save me the trouble of swapping out all those CDEPs and most importantly, remind me in the most enjoyable way possible what an amazing band they are. And there’s nothing disappointing about that.

Spinner talks to Martin Carlberg about the band’s vault of unreleased songs – which clearly DOES exist – although there’s no plans to mine it for release anytime soon. The band’s North American tour kicks off tonight in Washington DC and hits Toronto on February 7. Tickets for the show are $12.50 in advance but courtesy of The Musebox, I’ve got a grand prize to consisting of a pair of passes to the show and a copy of Passive Aggressive on CD to give away and a second prize of just the CD. To enter, email me at contests AT chromewaves.net with “I want to join The Radio Dept” in the subject line and your full name and mailing address in the body. If you’re in the Toronto area and want to be eligible for the passes and CD, say so and if you’re just a resident of Canada looking for the CD, say that as well. Contest closes at midnight, February 3.

MP3: The Radio Dept. – “The One”
MP3: The Radio Dept. – “The New Improved Hypocrisy”
MP3: The Radio Dept. – “Freddie & The Trojan Horse”

The artist anointed by the BBC as “The Sound of 2010” – Ellie Goulding – will be releasing her debut album Lights Stateside on March 8 and follow it up with dates that include a March 27 stop at The Great Hall in Toronto. Tickets for that are $17.50 in advance.

Video: Ellie Goulding – “Starry Eyed”

The Raveonettes have slated a Spring tour in support of their fifth album Raven In The Grave, which according to this interview with Sune Rose Wagner at The San Francisco Examiner is due out on March 22. The itinerary includes an April 2 date at The Phoenix, tickets for which are $20, and there are still plans to release a compilation of b-sides and rarities at some point this year.

MP3: The Raveonettes – “Last Dance”

The Black Angels return for an April 14 date at Lee’s Palace, tickets $18.50, as part of a tour in support of last year’s Phosphene Dream. Montreal’s Suuns will support.

MP3: The Black Angels – “Telephone Blues”
MP3: Suuns – “Up Past The Nursery”

Pixies have added a second Doolittle show at Massey Hall for April 19. Tickets $44.50 and $64.50 in advance.

Video: Pixies – “Monkey Gone To Heaven”

Fleet Foxes have announced their second album Helplessness Blues will be out on May 3 and the title track is available to download.

MP3: Fleet Foxes – “Helplessness Blues”

Vivian Girls’ new record Share The Joy has been given an April 12 release date, just days before they hit The Phoenix with The Black Lips on April 16. Pitchfork has details and the first MP3 is up for grabs.

MP3: Vivian Girls – “I Heard You Say”

NPR is streaming Bright Eyes’ new album The People’s Key in advance of its February 15 release and Spinner has got an MP3 available to download in exchange for your email. Bright Eyes plays The Sound Academy on March 13.

Stream: Bright Eyes / The People’s Key

Also streaming at NPR and out February 15 is 12 Desperate Straight Lines, the new album from Telekinesis. They play The Horseshoe on March 6 and Pepper Rabbit appear to have replaced The Love Language as support.

Stream: Telekinesis / 12 Desperate Straight Lines

Miyuki SamataA whole pile of concert announcements big and small came down the wire yesterday, but none more exciting – personally, at least – than this one. Self-proclaimed Japanese action comic punk band Peelander-Z – hands down highlights of our Hot Freaks! showcases at SxSW in 2008 and in 2009 – are finally bringing their absurd (and entertaining) beyond words show to Canada… well, southern Ontario and Montreal, at least. And that includes two nights in Toronto – September 1 at the Velvet Underground and September 2 at the Silver Dollar, tickets $8 in advance for each show.

Describing the Peelander experience isn’t so easy, particularly when their videos say so much, but punk rock power rangers is really about the size of it. Now neither of these venues offers either the open space or climbing apparatus to stage the kind of sheer insanity that they brought to the Mohawk in ’08 and ’09, but I have the utmost faith that Peelanders Red, Green and Yellow will find a way to make it memorable… and now that I think about it, the width of the Silver Dollar would make a great human bowling lane. They’ll ostensibly be touring behind their new record P-TV-Z, due out on September 28, but let’s be honst – the music is secondary to the antics. Which I’m not usually so fond of, but when the antics are as ridonk as theirs, it’s a-ok with me.

And photogs, you won’t want to miss this. It’s a good time. Mad Tiger!

MP3: Peelander-Z – “S.T.E.A.K.”
MP3: Peelander-Z – “Rocket Gold Star”
MP3: Peelander-Z – “Champion”
MP3: Peelander-Z – “Panda Punk”

Yesterday’s poorest-kept secret goes to the fact that Metric will be doing a free show outside of Union Station at 7PM tonight as part of the launch of a new cell phone. Odds that it will be a mad house and that Emily Haines will ramble nonsensically between songs are pretty much even.

Video: Metric – “Stadium Love”

Boston’s Caspian will be hitting the road this Fall and set up at the Soybomb space in Toronto (Bathurst south of Queen) on September 17.

MP3: Caspian – “Of Foam And Wave”

Obviously intending to be around town in time for the Polaris Prize gala the following Monday, Caribou have scheduled a show at the Phoenix for September 17. Tickets are $15 in advance.

MP3: Caribou – “Odessa”

The midwest rises as Indianapolic gothic country-rockers Murder By Death team up with Oklahoma’s Samantha Crain for a Fall tour that stops in at the Horseshoe on September 26.

MP3: Murder By Death – “Foxglove”
MP3: Samantha Crain – “Traipsing Through The Aisles”

Holy Fuck are at the Phoenix on September 29.

MP3: Holy Fuck – “Latin America”

Scout Niblett has slated a Fall tour in support of her latest, The Calcination Of Scout Niblett. She’s at The Garrison on October 2.

MP3: Scout Niblett – “Kiss”

Perfume Genius, the pseudonym of singer-songwriter Mike Hadreas, will undertake a short Learning that includes an October 7 date at the Drake Underground. Check out the video session he did for Matador Records, a short interview with him conducted by Huh

MP3: Perfume Genius – “Learning”

Basia Bulat will be joining Josh Ritter on his Autumn cross-Canada tour that includes an October 26 date at The Phoenix. Paste debuted Ritter’s latest video from And So The World Runs Away.

MP3: Basia Bulat – “Gold Rush”
Video: Josh Ritter – “Rattling Locks”

I guess calling it the “None More Black” tour would have been overly obvious, not to mention probably karmically putting their drummers at risk, but The Black Angels are teaming up with Black Mountain for a Fall tour that they’ve dubbed “Dropout Boogie” that will stop in at the Phoenix on October 31, tickets $20.50. Even odds that everyone in attendance will be dressed up as stoners for Hallowe’en and will be fully committed to the role. Both acts have new albums out on September 14 – Mountain with Wilderness Heart and Angels with Phosphene Dream. Spin has a chat with singer Alex Maas about the new record as well as a song to download, while Pitchfork has a tour-previewing download of Black Angels covering Black Mountain.

MP3: Black Mountain – “Hair Song”
MP3: The Black Angels – “Telephone Blues”
MP3: The Black Angels – “No Satisfaction” (Black Mountain cover)

With the magic eight ball apparently having come up, “keep milking Wolfgang Amadeus Phoenix for all it’s worth”, Phoenix are doing North America again and this leg includes a Toronto date – October 22 at the Ricoh Coliseum with Tokyo Police Club and Wavves as support, tickets $40 to $45.

MP3: Wavves – “Cool Jumper”
Video: Phoenix – “Lisztomania”
Video: Tokyo Police Club – “Wait Up (Boots Of Danger)”