Robert SemmerOn the list of ideal days on which to announce a tour itinerary, there’s not many occasions better than the day the album you’re actually going to promote goes on sale. And so yesterday, with the official release of their latest full-length Monomania, Atlanta’s Deerhunter have announced the itinerary for their Fall tour behind it. It’s an outing that brings them to The Phoenix in Toronto on September 12, and that leg of the tour also includes support from Marnie Stern, who herself released The Chronicles Of Marnia in March. Tickets for the show will run $20 in advance.

Also good to run on or around the release date of an album are feature pieces on them. And so, peruse these interviews with the ever-quotable Bradford Cox at The Salt Lake Tribune, MTV Hive, Pitchfork, and Interview. Marnie Stern is interviewed by The Washington Examiner, Soundcheck WNYC, MTV Hive, and Heeb.

Video: Deerhunter – “Monomania”
Video: Marnie Stern – “Immortals”

Also coming to town – chiptune champtions Anamanaguchi are going to be at The Hoxton on May 23, tickets $12. Their Kickstarted new album Endless Fantasy is out May 14.

MP3: Anamanaguchi – “Meow”

Los Angeles indie-R&B sibling duo Inc. have announced a North American tour that brings them to The Garrison on June 4. Their debut No World came out back in February.

MP3: Inc. – “5 Days”
MP3: Inc. – “The Place”

Also from LA but working a more electro-pop yet still soulful angle are Superhumanoids, who will be in town at The Drake on June 18. Yours Truly recently posted a video session with the band.

MP3: Superhumanoids – “Simple Severin”

Bear In Heaven have been announced as support for Wire for their July 10 date at Lee’s Palace.

MP3: Bear In Heaven – “The Reflection Of You”

Following her triumphant local debut in February, there wasn’t much question that Solange would be back sooner rather than later. And just like that, she’s made a date at The Kool Haus on July 13, tickets $26.50.

Video: Solange – “Losing You”

Also subscribing to the Deerhunter model of “announce your tour the day your record comes out” are Savages, who accompanied yesterday’s release of their debut Silence Yourself with a brace of North American dates announced via Matablog; they’ll be back in Toronto on July 16 for a show at The Mod Club, tickets $16.50. Interview has a brief feature on the band.

Video: Savages – “Shut Up”

Australian songstress Lenka – she did that adorable song in Moneyball, that Aaron Sorkin film about baseball that you of course would remember adorable songs from – will be at The Drake on July 24, tickets $15. Her new album Shadows will be out on June 4.

Video: Lenka – “The Show”

Brooklyn’s Oberhofer haven’t released a full-length follow-up to last year’s Time Capsules II yet, but the Nostalgia EP that came out last month seems to be enough pretence to hit the road; they’re at The Garrison on August 1, tickets $11.50.

MP3: Oberhofer – “Dontneedya”

We’ve only just started gotten to enjoy Spring and/or Summer, but if you need a reason to look forward to Autumn, perhaps the double-bill of Toro Y Moi and The Sea & Cake – the former touring this year’s Anything In Return and the latter last year’s Runner – will do it. The solid double-bill will be at The Phoenix on October 27, tickets $20. The Independent has an interview with Toro Y Moi’s Chaz Bundick.

MP3: Toro Y Moi – “Saturday Love”
MP3: The Sea & Cake – “On And On”

That star-studded yet endlessly contentious Great Gatsby OST came out this week and has also been streaming at NPR. So if you want to hear what next year’s CD dollar bin – if such a thing still existed – sounds like, head on over.

Stream: The Great Gatsby original soundtrack

Pitchfork has an advance stream of the self-titled debut from Dungeonesse, due out next week on May 14.

MP3: Dungeonesse – “Nightlight”
Stream: Dungeonesse / Dungeonesse

Vampire Weekend are a week out from the release of their new record Modern Vampires Of The City, and so of course it must be streaming. And so it is, at iTunes. They’re at the Sony Centre on May 16 and are the subject of feature interviews at Pitchfork and The New York Times.

Stream: Vampire Weekend / Modern Vampires Of The City

FVCKTHEMEDIA and CMJ have interviews with Laura Stevenson about her new record Wheel, which she’s in town to promote at The Drake Underground on May 21.

aux.tv, Blurt, Georgia Straight, and The Fly talk to Hutch Harris of The Thermals, coming to town to play The Horseshoe on May 21.

Paste has an advance stream of the new Saturday Looks Good To Me record One Kiss Ends It All, out May 21.

Stream: Saturday Looks Good To Me / One Kiss Ends It All

NPR has premiered the first video from Kurt Vile’s latest, Wakin’ On A Pretty Daze. He and his Violators play the Toronto Urban Roots Fest at Garrison Commons on July 7.

Video: Kurt Vile – “Never Run Away”

Yeah Yeah Yeahs have released a video for the title track of their latest, Mosquito.

Video: Yeah Yeah Yeahs – “Mosquito”

The Flaming Lips have a new video from The Terror – the NSFW caveat pretty much goes without saying, doesn’t it? – and there’s interviews at Stereogum, Loud & Quiet, and Bon Appetit.

Video: The Flaming Lips – “You Lust”

Janelle Monáe has released the first video from her next album The Electric Lady, due out later this year.

Video: Janelle Monáe w Erykah Badu – “Q.U.E.E.N.”

NPR, Seattle Weekly, and Aquarium Drunkard talk to Caitlin Rose.

Blurt profiles The Men.

NPR has a World Cafe session with Low.

Pitchfork gets an update from the studio from Spoon. Who are in the studio.

Ruth SwansonSeeing San Francisco’s Ty Segall at Halifax Pop Explosion 2010 was one of the most unexpectedly rowdy/violent shows I’ve ever been in the middle of, which was a bit surprising considering that as rough and garage-y as his stuff is, it’s not all that heavy. Certainly not the obvious soundtrack for the bedlam that ensued that evening. Maybe it was just Halifax. Anyways, despite enjoying his music well enough, I’ve made a point of avoiding his shows as the odds of me getting kicked in the head seem to increase exponentially when we’re in the same room.

So you won’t be finding me at The Horseshoe on May 12, as that’s the day that Segall and Tim Presley, who plays in Los Angeles’s Darker My Love but also operates solo as the mellow if trippy ’60s psych-rock act White Fence, roll into town. The show will be in support of their forthcoming California garage rock summit LP Hair, as well as their respective latest releases. Segall put out Goodbye Bread last Summer, White Fence will release the two-volume Family Perfume set in April and Hair is due out in late April.

Spin talks to Segall about the collaborative record. Tickets for the show – which also feature Austin’s Strange Boys on the bill – are $16.50 in advance, and do not cover first aid costs for if you get kicked in the head. Update: Full tour dates now up at Pitchfork.

MP3: Ty Segall – “You Make The Sun Fry”
MP3: White Fence – “It Will Never Be”
MP3: The Strange Boys – “Me And You”

And if the garage rock isn’t your speed, that same evening will find Justin Townes Earle at The Opera House to play songs from his new record Nothing’s Gonna Change The Way You Feel About Me Now, out March 27. It’s part of a massive world tour and will cost you $18.50 to get in.

MP3: Justin Townes Earle – “Nothing’s Gonna Change The Way You Feel About Me Now”

Good news! Portland’s Blouse, who were featured in the first post of this year, are coming to town on May 5 as support for Bear In Heaven at The Garrison. Bad news! It’s the same night as Spiritualized at The Phoenix. I will be making catching them at SXSW a priority, but if you’re free that evening I’d highly recommend this bill.

MP3: Blouse – “Into Black”

And speaking of Bear In Heaven, they released a regular-speed preview of their new record I Love You, It’s Cool a few weeks ago. It’s out April 3.

MP3: Bear In Heaven – “The Reflection Of You”

NPR has premiered the first video from The Magnetic Fields’ forthcoming long-player Love At The Bottom Of The Sea, due out March 6. They play The Sound Academy on March 30.

Video: The Magnetic Fields – “Andrew In Drag”

The first taste of M. Ward’s new one A Wasteland Companion comes by way of a video. The record is out April 10.

Video: M. Ward – “The First Time I Ran Away”

NOW, The Boston Globe, Metro, The Montreal Mirror and Washington Examiner interview The Kills, in town at The Kool Haus on February 7. And if you want a preview of it, NPR will have a stream of last night’s show in Washington DC up in the next few hours.

Spin has a video of Death Cab For Cutie playing “You Are A Tourist” on PBS’ Live from the Artists Den, the full episode of which is set to air February 17. Death Cab are at Massey Hall on April 19.

NPR welcomes Centro-Matic over for a World Cafe session. Pegasus News talks to Will Johnson about the Woody Guthrie tribute project with Anders Parker, Jay Farrar and Jim James called New Multitudes which will release an album of the same name on February 28.

NPR is streaming a KCRW session with Ryan Adams.

Marcelo KrasilcicThe Magnetic Fields are back. But wait, you might argue, they never really went away. Sure, three albums in the past decade doesn’t really match the rate of output that Stephin Merritt was maintaining in the ’90s – particularly when you take into account his other projects – but it ain’t nothing. And yet it’s accurate on many levels that The Magnetic Fields are back: they’re back on Merge, the label that released their greatest records including the risky and magnificent 69 Love Songs, after a decade on Nonesuch; they’re back to their signature mix of synths and acoustic instruments after largely abandoning keys and the like on those last few albums in favour of strictly electric and acoustic arrangements; and they’re back with a new record that makes both these points salient on March 6 with Love At The Bottom Of The Sea. Their last few records got mixed reviews, but with the number of resets that seem to accompany this one, it’s hard not to be a little optimistic.

And the band will also be back on the road immediately following the album’s release with an extensive itinerary that brings them to Toronto’s Sound Academy on March 30. It’s an interesting choice of venue considering their last couple visits have been at the acoustically sterling Queen Elizabeth Theatre in February 2010 and Trinity-St. Paul’s in July 2004, and the last thing that the everyone’s favourite lakeside shoebox can be accused of is being a sympathetic venue. But hey, maybe they’re going for the big rock show this time and they need somewhere they can set off pyrotechnics. In any case, tickets are $30 for floors and $37.50 for balconies, and while the fan pre-sale is on now, the Live Nation mobile app presale is Friday at 10 and the regular on-sale is Saturday.

There’s no preview track from the album available yet, but here’s a seasonal one from the last record and a classic one from 69 Love Songs.

MP3: The Magnetic Fields – “Everything Is One Big Christmas”
MP3: The Magnetic Fields – “The Book Of Love”

In other, “guess who’s coming to town” news, earnest folk-poppers The Head & The Heart will be in town on March 13 at The Opera House, tickets $18.50 in advance. Their last visit was back in February and considering how much their star has risen since then, I’m surprised it will have taken them over a year to make it back here. In any case, here’s a World Cafe session at NPR to hold you over until then.

MP3: The Head & The Heart – “Down In The Valley”
MP3: The Head & The Heart – “Lost In My Mind”

Also making a return engagement is EMA, last sighted hereabouts in July. No venue upgrade this time out – she’s at The Garrison again on March 13 – but considering that Past Life Martyred Saints will be showing up on at least a few year-end lists, expect this show to have a little less elbow room than that one. Tickets are $13.50 in advance and Rolling Stone has an interview.

MP3: EMA – “Milkman”
MP3: EMA – “The Grey Ship”

Texas family act Eisley will be in town to help kick of Canadian Musicfest, playing The Drake Underground on the Wednesday night, March 21. They’ll be touring both this year’s The Valley as well as a new EP entitled Deep Space, due out on February 14. Examiner.com has some info on the EP and their tour itinerary.

MP3: Eisley – “Smarter”
Video: Eisley – “The Valley”

Howler may hail from Minnesota, but their rough and retro garage rock is making them all kinds of fans in the UK. Their debut America Give Up is out January 17 and they’ve got a date at The Drake on April 5.

Video: Howler – “Back Of Your Neck”

Oh hey Cults are coming back. Look for them at The Phoenix on April 25, tickets $20 in advance.

MP3: Cults – “Most Wanted”
MP3: Cults – “Go Outside”

Bear In Heaven’s new album I Love You, It’s Cool isn’t out until April 3 but the band already has the whole thing up for stream on their website – it’s just slowed down by 400,000%. Pitchfork has the what and why, as well as tour dates which include a May 5 date at The Garrison, tickets $11.50 in advance. Here’s a track from 2007’s Red Bloom Of The Boom, played at regular speed.

MP3: Bear In Heaven – “Bag Of Bags”

NOW and hour.ca talk to St. Vincent’s Annie Clark in advance of tonight’s show at The Phoenix.

The Shins have announced details of their long-awaited new record. Port Of Morrow will be out in March – Pitchfork has some specifics.

Daytrotter has posted a session with Wilco, recorded at the band’s Chicago loft.

NPR has Beirut’s final show of the year from last night available to stream, or will shortly. Check back.

Steve Earle offers his thoughts on the Occupy Wall Street movement to Knoxville.com.

Spin talks to Sleigh Bells about their forthcoming Reign Of Terror, which begins February 14.

The Atlantic talks to the director of Okkervil River’s video for “Your Past Life As A Blast”.

The AV Club gets Bob Mould to go One-Track Mind interview/performance sessions with Sugar’s “Hoover Dam”.

Another new Guided By Voices track is available to stream; it’s a super-short b-side from “Donut For A Snowman” written by Tobin Sprout. Let’s Go Eat The Factory is out January 1.

Stream: Guided By Voices – “One Two Three Four”

Bill Janovitz, he of Buffalo Tom and many covers, has posted something special: a Tom Waits cover which is credited as, “featuring Tanya Donelly but in fact features he on lead vox throughout. Usually Bill gives his covers away, but this one is being made available via The Right Track for a minimum donation of $0.99 to TargetCancer. Do it, the cause is good, the track is beautiful and we don’t get to hear Tanya’s voice nearly enough these days. And speaking of Buffalo Tom, The Boston Globe and The Phoenix talk to them about marking their 25th anniversary as a band.

Nick HeldermanWho: Bear In Heaven
What: Brooklyn-based crew who can be accurately and inaccurately described as psych/prog/electro/rock
Why: They will be re-releasing last year’s Beast Rest Fourth Mouth accompanied by a remix disc on September 14
When: July 15, 2010
Where: The El Mocambo
Who else: Twin Sister support
How: Courtesy of Collective Concerts, I’ve got two pairs of passes to give away for the show. Email me at contests AT chromewaves.net with “I want to see Bear In Heaven” in the subject line and your full name in the body before midnight, July 13.

MP3: Bear In Heaven – “Bag Of Bags”
MP3: Bear In Heaven – “Lovesick Teenagers”
MP3: Bear In Heaven – “Whole Hearted Mess”

Frank YangWhenever I see reviews of Kate Nash’s just-released sophomore effort My Best Friend Is You that put forward the tracks that represent her well-documented discovery of Riot Grrl as the standouts and bemoan the number of pure pop numbers on the record, I have to wonder if the writers of said pieces actually like Kate Nash. Because as commendable as it is that she’s seeking to branch out beyond her precocious piano girl image and explore her interest in louder, rawer sounds, the inescapable fact is is that she’s not very good at it.

In its finest moments, Best Friend finds Nash taking what made Made Of Bricks such a delight – the fast-talking sass and hooky piano-led melodies – and honing them further, exhibiting the growth you’d expect over three years without sounding too grown-up. Tracks like “Paris”, “Don’t You Want To Share The Guilt” and lead single “Do Wah Do” are immediate and indelibly catchy sugar bombs that hold up over repeat listens, and the like thankfully outnumber those where Nash attempts to get her punk on. While “Mansion Song” actually works better than you’d expect, segueing from profanity-laced spoken word intro into a clattering, stomping sing-along, other stylistic forays like “I Just Love You More” find Nash tries to sound angry and guttural but instead comes across as on the verge of laughing hysterically – probably not the desired effect – and the lo-fi “I’ve Got A Secret” just wobbles aimlessly. But missteps aside – Bricks had its share as well – Best Friend is a largely enjoyable listen that gives Nash fans what they want… and sometimes you have to take the crunchy with the smooth.

That said, the balance of the two wasn’t what many would have liked on Monday night at the Mod Club in Toronto. It marked the kickoff of her North American tour and in rounding up support acts, she didn’t have to look too far. Rachel Trachtenburg opened for Nash before – The Trachtenburg Family Slideshow Players opened up for her on a number of her 2008 dates – but this time, she was fronting her new band Supercute!, which teamed the 16-year old with 13- and 14-year old accomplices in shiny outfits and giant hair bows, playing Led Zeppelin and Pink Floyd covers alongside self-penned songs about candy, hula-hooping and boys. It was short, sweet and strange. Considering that there would have been an hour wait between the end of Supercute!’s set and the start of Nash’s, the unbilled set by Nash guitarist Brett Alaimo was a welcome one. Playing mostly solo, except for one song where he was accompanied by the rest of Nash’s band, he was part Libertines, part Billy Bragg and part spoken-word poet/stand-up comic. Certainly a more enjoyable way to pass the time than constantly checking my mail (especially since I wasn’t getting much mail).

At this point it’s worth noting that this show was a) all-ages and b) sold-out, which is generally a recipe for a) feeling old and b) losing a few degrees of hearing from the squealing that inevitably occurs when the headlining act comes on stage. And so it was that the crowd went mad when Kate Nash finally followed her band onstage and seated herself at the keyboard with the empowering message, “A c*nt is a useful thing” emblazoned across a sheet draped off it (the message itself wasn’t censored, just my transcription). Grinning ear to ear at the enthusiasm of the crowd, she kicked off with Best Friend‘s “Paris”, which proved as excellent a set opener as it is an album opener, and straight into “Do Wah Do” and then Bricks’ “Mouthwash”, all sounding great and setting the tone for what was looking like a terrific show. She then surprised by moving over to guitar for the next song and remaining there for the next few numbers, all scrappy pop selections from the new record and all also sounding quite good.

The second half of the show was decidedly less triumphant, with the more questionable bits of her repertoire making appearances and Nash seemingly determined to redefine herself as guitar-wielding rocker chick right then and there. While some fans indulged her, even attempting to pogo or mosh a bit, most waited patiently for her to get back to doing what she did best. They were repaid with the likes of “Foundations” and “Very Merry”, but the show failed to end on a high note. Both main set closers “Mansion Song” and “I Just Love You More” came across more awkward live than on record – and as stated, the latter was pretty awkward to begin with – and the encore selection was b-side “Model Behaviour”, which gave Nash leave to do more shrieking and sent many heading for an early exit.

Poor finish aside, the night still went in the win column though only barely. This was my first time seeing Nash live and it was great to finally hear some of those songs done live – though more than three selections from Bricks would have been nice – and Nash’s rapport with her very devout fanbase was charming and fun to watch. But if she’s going to continue to try and be the second coming of Bikini Kill, she’s really going to have to work on her screaming.

The Toronto Sun, Spin, Exclaim, Chart and Panic Manual also have reviews of the show while The Daily Mail and Nylon have interviews with Nash.

Photos: Kate Nash, Brett Alaimo, Supercute! @ The Mod Club – April 26, 2010
MP3: Kate Nash – “I Just Love You More”
MP3: Kate Nash – “We Get On” (live at the BBC)
MP3: Supercute! – “Not To Write About Boys”
Video: Kate Nash – “Do Wah Doo”
Video: Kate Nash – “Foundations”
Video: Kate Nash – “Mouthwash”
Video: Kate Nash – “Pumpkin Soup”
Video: Supercute! – “Not To Write About Boys”
MySpace: Kate Nash

The San Francisco Examiner and The Portland Mercury interview The Wedding Present’s David Lewis Gedge.

Under The Radar talks to Ian McCulloch and The Centre Daily Times to Will Sargent, both of Echo & The Bunnymen.

The Music Slut asks eight questions of Los Campesinos!, who’ve finally beat the volcano and made it over to North America.

Camera Obscura, who were already on this side of the Atlantic when Iceland blew up, talked to Under The Radar at Coachella.

The Boston Herald interviews Frightened Rabbit’s Scott Hutchison. They’re at the Opera House on May 4.

Many – myself included – thought that two nights at the Sound Academy was overambitious for Jonsi, so it’s not surprising that the May 1 show has been canceled, leaving just this Friday’s April 30 performance. However the official reasons given aren’t ticket sales, but the logistics involved with tearing down the elaborate stage sets in time for a later event at the venue. Both nights were originally supposed to be with the venue in a theatre configuration, holding around 1200 if memory serves, but now the Friday show will be with the Sound Academy at full size. All Saturday tickets will be valid for Friday and refunds are also available. Unfortunate venue aside, all reports from the tour have been that the show is astonishing so if you can swallow the Sound Academy, it could be worth your while. Or even more disappointing.

The Summer concert season continues to shape up with a bunch more announcements to go with the slew that came yesterday. The Gaslight Anthem will be at the Sound Academy on July 14, presale already open. Their new album American Slang is due out June 14 and New Zealand City, Spinner and Gibson Guitars have features on the band.

Bear In Heaven and Twin Sister are teaming up for a Summer tour that stops in at the El Mocambo on July 15. Spoonfed interviews Bear In Heaven.

MP3: Bear In Heaven – “Bag Of Bags”
MP3: Twin Sister – “Dry Hump”

Their show at the Mod Club tomorrow having sold out in a hiccup, MGMT are playing a more appropriately-sized room in the Kool Haus when they return on August 5. Tickets are $35 in advance, on sale Friday.

I’m a little surprised that Australia’s Empire Of The Sun is fixing to do a few North American dates around their Lollapalooza appearance – 2008’s Walking On A Dream didn’t exactly do mad business over here. I still prefer The Sleepy Jackson to EOTS’ electro-disco-glam, but am intrigued by the Toronto date at the Sound Academy on August 8 as apparently the live show is a spectacle and a half.

Video: Empire Of The Sun – “Walking On A Dream”
Video: Empire Of The Sun – “We Are The People”

And CBC Radio 3 has revealed the first wave of acts playing this year’s Hillside Festival in Guelph on July 23, 24 and 25. Lots of familiar names, but still immensely quality – you’ve got Los Lobos, The Hidden Cameras, Basia Bulat, Calexico and Sarah Harmer, to name but a few. Tickets go on sale this Saturday.