Amanda MarsalisCognizant, perhaps, of the fact that Other Worlds, her third album as Taken By Trees, comes out the exact same day that her North American tour supporting both it and Jens Lekman begins – that’d be next Tuesday, October 2 – Victoria Bergsman has thoughtfully made the album available to stream in its entirety; you can hear it over at Prefix.

It’s a record that keeps the wanderlust feel of its predecessor, East Of Eden, as filtered through Bergsman’s signature shy, sleepy vocals. But where that album immersed itself in the sounds and spirit of Pakistan, Worlds draws influences from a variety of places, from the Mediterranean to Caribbean to South Pacific, to create a gentle, yet danceable aural vacation.

Taken By Trees are at The Phoenix on October 4. Work has a brief Q&A with Bergsman.

Stream: Taken By Trees / Other Worlds

Room 205 has poste the third and final video from their session with I Break Horses. You can also just stream the audio of the session via Soundcloud if you don’t want to deal with the… interesting camera work.

Video: I Break Horses – “Load Your Eyes”
Stream: I Break Horses @ Room 205

Stereogum and The Toronto Star have interviews with First Aid Kit.

DIY gets to know Icona Pop.

Sigur Rós have released another instalment from their Valtari “Mystery Film Experiment” series.

Video: Sigur Rós – “Ekki múkk”

In conversation with Drowned In Sound, Andy Bell discusses what’s next for Beady Eye, what was for Ride and Oasis, and what probably should never have been with Hurricane #1.

DIY, Cool Hunting, and Drowned In Sound talk to Efterklang.

Still Corners have released a new single to precede a Fall European tour. It’s pretty.

MP3: Still Corners – “Fireflies”

CBC Music talks to Beth Orton, in town at the Mod Club on Sunday night in support of Sugaring Season, out Tuesday.

Paste is streaming Don’t Be A Stranger, the new album from Mark Eitzel, ahead of its official release date next Tuesday. He’s at The Rivoli on November 28 and another career advice video is up at SF Weekly.

MP3: Mark Eitzel – “I Love You But You’re Dead”
Stream: Mark Eitzel / Don’t Be A Stranger

Exclaim and The National Post have features on Grizzly Bear, who’ve released a new video and download from Shields.

MP3: Grizzly Bear – “Speak In Rounds”
Video: Grizzly Bear – “Yet Again”

Annie Clark of St. Vincent submits to an Exclaim questionnaire.

CBC Music and SF Weekly talk to Victoria Legrand and The Georgia Straight to Alex Scally of Beach House; they’re at The Kool Haus on October 13.

A couple of noteworthy support acts announced this week – Jason Lytle will be peddling his new solo record Dept. Of Disappearance at Massey Hall on December 5 before Band Of Horses take the stage. The album is out October 16, and a new song is available to stream.

Stream: Jason Lytle – “Get Up And Go”

And DIIV are back again, warming up for Japandroids at The Phoenix on December 11.

MP3: DIIV – “Sometime”

FacebookAfter writing up some bands lately whose names have either undersold or misrepresented the music they present, it’s rather refreshing to have an artist whose public identity promises exactly what they have to offer. And that artist is Beth Jeans Houghton & The Hooves Of Destiny. A grandiose name, to be sure, and one that’s matched by the title of their just-released debut album Yours Truly, Cellophane Nose.

There’s no way that labels like those could herald anything less than grandiose ambitions, so the question is really whether the 21-year old Newcastle-Upon-Tyne native who gives the band their name can deliver on them. And the answer is an unequivocal, “yes”. Nature has given Houghton not only a richly smoky voice and operatic range, but a tremendously vivid imagination upon which to draw on for her songwriting. All these gifts are combined to impressive effect on Cellophane Nose, which is by turns whimsical and dramatic, dark and technicolour and enchanting throughout.

Houghton’s roots as a folkish/singer-songwriter are perceptible in the record’s quieter moments, but more often they take a backseat to the ornate, often baroque-ish arrangements that adorn everything. By rights they should be overpowering, even with veteran producer Ben Hillier on hand to keep things on track; a case of too much too soon for an artist let loose in the sonic costume shop filled with horns, strings, choirs and harpsichords. And yet, rather than collapsing under the weight of it all, Cellophane Nose finds Houghton not only standing straight and tall in all her finery, but galloping off towards greater things. Hooves of destiny, indeed.

DIY and The Quietus have interviews with Beth Jeans Houghton.

MP3: Beth Jeans Houghton & The Hooves Of Destiny – “Dodecahedron”
Video: Beth Jeans Houghton & The Hooves Of Destiny – “Sweet Tooth Bird”
Video: Beth Jeans Houghton & The Hooves Of Destiny – “Liliputt”
Video: Beth Jeans Houghton & The Hooves Of Destiny – “Dodecahedron”

NPR is streaming the whole of the new Field Music LP Plumb, ahead of its release next week. MusicOhm also has an interview with the David half of the Brewis brothers.

MP3: Field Music – “A New Town”
Stream: Field Music / Plumb

Though The Big Pink’s second album Future This has been out a few weeks now, the band has only now made a track from it available to download. So download it. And read these interviews with Milo Cordell at The Skinny and The Province.

MP3: The Big Pink – “Give It Up”

The video for M.I.A.’s new single surfaced last week, just in time for her appearance at the Super Bowl halftime show this weekend. It’s her video that’s got everyone talking, right? Right?

Video: M.I.A. – “Bad Girls”

The Line Of Best Fit welcomes Lianne La Havas for a video session; her debut album is due out in the Spring, to be preceded by the Forget EP on March 6 in North America.

Video: Lianne La Havas – “Forget”

Daytrotter sessions up with Anna Calvi.

The 405 enlists Summer Camp’s Elizabeth Sankey as an advice columnist.

A Heart Is A Spade and STV have interviews with The Twilight Sad and Le Blogotheque offers up a Take-Away Show with the band. No One Can Ever Know is out today and they’re at Lee’s Palace on February 29.

Band Of Skulls will follow up the release of Sweet Sour next week with a North American tour that hits Lee’s Palace on May 15, and if you can’t wait that long they’re also at The Phoenix on March 30 opening for We Are Augustines. The band takes Gigwise and Spin through the new record track-by-track, with Spin also offering a stream of the whole thing. And over at The Independent, bassist Emma Richardson talks about her painting.

MP3: Band Of Skulls – “Sweet Sour”
MP3: Band Of Skulls – “The Devil Takes Care Of His Own”
Video: Band Of Skulls – “Sweet Sour”
Stream: Band Of Skulls / Sweet Sour

Ca Va Cool caught up with Los Campesinos! on their recent Canadian tour for an interview.

In conversation with The Daily Mail, Noel Gallagher reveals he thought that the Iron Lady was great. No, not the movie.

Liam Gallagher of Beady Eye sounds off to The Daily Mail about fashion, fitness and family.

The Quietus talks to XTC’s Andy Partridge about the making of English Settlement.

Dose gets to know First Aid Kit, in town at The Great Hall on April 4.

The video for the first single from Ladyhawke’s forthcoming Anxiety is now out. The album arrives March 27 in North America.

Video: Ladyhawke – “Black White & Blue”

FacebookThey’d announced some time ago that these were coming, but to actually see the dates and have something on the calendar to circle is still pretty exciting. I am referring, of course, to The Wedding Present’s just-announced North American tour wherein they will not only preview material from their forthcoming eighth album – title and release date still to come – but mark the twentieth anniversary of their third full-length Seamonsters by performing it live, in its entirety.

They did this on their last visit in April 2010, celebrating Bizarro turning 20 with a recital, but this show is extra-special because Seamonsters is, quite simply, the band’s best record. It took the romantic casualty archetype that populated David Gedge’s earlier compositions and rather than make him hapless again, it took the jilt and turned it into anger. At the same time, producer Steve Albini – who’d worked with the band on some EPs – was brought in to give the record a correspondingly dry, rough and muscular sonic signature; whereas the band’s signature churning guitars had previously been more effective as bludgeons, now they carried blades and weren’t afraid to use them. The result was the band’s most aurally and emotionally dynamic album and it’s going to be amazing to see and hear live.

Of course, it won’t be the same lineup performing it as who recorded it – Gedge has long been the only constant in The Wedding Present and his bandmates all many years his junior, but it will be odd to not see Terry de Castro on bass for the first time. She left the band in August of last year, ending a 12-year run as Gedge’s bassist and backing vocalist, dating back to his tenure as Cinerama. The new girl is one Pepe le Moko. I am guessing that’s not her real name but it’d be awesome if it was.

The Toronto date goes March 25 at The Horseshoe. Tickets are $18.50 in advance and as it comes at the tail end of Canadian Music Week, a limited number of wristbands will be admitted.

Video: The Wedding Present – “Dalliance”
Video: The Wedding Present – “Crawl”

Los Campesinos! will kick off 2012 with a North American tour in support of Hello Sadness that includes a two-night stand at Lee’s Palace, January 21 and 22. Tickets for each show are $20 in advance. DIY has an interview with the band.

MP3: Los Campesinos! – “By Your Hand”
Video: Los Campesinos! – “By Your Hand”

Hey, remember The Darkness? They had a huge hit in 2003, kind of broke up amidst drugs and booze abuse, had some unremarkable side projects and then reunited earlier this year? Yeah, that Darkness. Well they’re crossing the pond next year and will kick off their tour at The Phoenix on February 1, tickets $29. I’m not sure why I posted this bit of news – maybe just to have an excuse to listen to that song. You know the one.

Video: The Darkness – “I Believe In A Thing Called Love”

Bombay Bicycle Club have slated an enormous North American tour in support of their third album A Different Kind Of Fix; the Toronto date is March 1 at the Mod Club and tickets are $18.50 in advance.

Video: Bombay Bicycle Club – “Shuffle”

And because the karmic balance of concert announcements must be maintained, take note that Still Corners have had to cancel their upcoming North American tour in support of The War On Drugs, including the December 9 show at The Horseshoe. Similarly, those looking forward to a (relatively) intimate club show from Kasabian on March 29 may be disappointed to know that it’s been moved to the twice-as-large Kool Haus. Those who missed out on tickets when they sold out in hours, however, will be pleased. See? Karma.

Loud & Quiet interview Veronica Falls, in town at The Garrison on February 14. They’ve also put together a mixtape for your listening pleasure over at Clash.

Summer Camp has a sit-down with Loud & Quiet.

Clash checks in with Scott Hutchison of Frightened Rabbit, hard at work on album number four.

Loud & Quiet talk to Mogwai, a band who knows a thing or two about both loud and quiet.

LA Weekly solicits some choice quotes from Liam Gallagher of Beady Eye.

And while most people are still busy listifying 2011, BBC has their eyes squarely on the future with the long list of their annual Sound Of 2012 poll. Guaranteed that at least some of the artists listed, you will be hearing about in the near future. If just in the context of not winning the BBC Sound Of 2012 poll.

Nic ShonfeldAlongside labelmates and countrymen The Twilight Sad and Frightened Rabbit, Glasgow-via-Edinburgh’s We Were Promised Jetpacks should have formed a 21st century dream team of new Scottish acts, dispensing their peoples’ distinctive brand of angst through their respective brands of rock. And yet while those other two won and maintain places in my heart, Jetpacks’ 2009 debut These Four Walls did’t quite win me over.

The specifics of why aren’t entirely clear, but I suspect that it was just a little too shouty, too unrelenting. Granted, those are the band’s key strengths – guitarist/vocalist Adam Thompson’s bellows overtop the breakneck musical churn – but I found Walls a bit exhausting to get through. That hardly warranted writing the band off, however, so I was more than happy to give their sophomore effort In The Pit Of The Stomach, released last month, a few spins and it’s almost as though the band heard about my complaints and decided to meet me partway. Which is awful gracious of them.

To either casual followers or die-hard fans of the band, Stomach probably sounds perfectly familiar and satisfying. It’s still loud and punishing – album closer “Pear Tree” is a six-and-a-half minute flurry of face punches – but those crescendos are now better tempered with quieter passages and a greater emphasis on melody, both vocally and instrumentally. By reining things in a bit and singing rather than shouting while the drums and guitars steadily build, “Act On Impulse” comes across far more dynamically and interesting than anything I can recall on Walls. Similarly, the instrumental front half of “Sore Thumb” is evocative of Mogwai in their gentler moods before bringing the hammer down like Mogwai in their angrier moods; which is to say it’s kind of Mogwai-ish, in a good way.

In The Pit Of The Stomach evidences the sort of artistic growth and sophistication you’d hope a young band who’re probably not given to turning their sound upside down would develop. It certainly won’t lose them any fans but it may well sway some who had been on the fence onto their side. Trust me on this.

The Dallas Observer talks to the band about guitarist Michael Palmer’s cancer scare between albums one and two.

MP3: We Were Promised Jetpacks – “Act On Impulse”
Video: We Were Promised Jetpacks – “Human Error”

I now have a Valentine and her/their name is Veronica Falls. The London quartet will be back in town for a show at The Garrison on February 14, tickets $10.50 in advance. DIY has an A-to-Z with/of the band.

MP3: Veronica Falls – “Come On Over”
MP3: Veronica Falls – “Found Love In A Graveyard”

Arena-sized in the UK, club-sized in North America, Kasabian will bring their latest album Velociraptor to The Phoenix on March 29, tickets $24.50 in advance. Perhaps they’ll be able to commiserate with Toronto about the (lack of) wisdom in naming things after dinosaurs that were briefly in fashion 20 years ago.

Video: Kasabian – “Switchblade Smiles”

Drowned In Sound gets their turn in the Los Campesinos! media-go-round.

Clash checks in with Milo Cordell of The Big Pink as they put the finishing touches on their new record Future This, out January 17.

Slow Club have a new video from Paradise.

Video: Slow Club – “If We’re Still Alive”

Similarly, Noah & The Whale have released a new clip from Last Night On Earth

Video: Noah & The Whale – “Give It All Back”

Two videos – or animations, as they’re being called – from the new Kate Bush album 50 Words For Snow have been released. It’s reasonable to expect more.

Video: Kate Bush – “Misty”
Video: Kate Bush – “Wild Man”

The New York Times Q&A’s Noel Gallagher, who has just released a short film that uses three of the songs from his solo debut as accompaniment.

Video: Noel Gallagher’s High Flying Birds – “Ride The Tiger”

NME reports that Liam Gallagher has declared Oasis material may be on the table for future Beady Eye live performances.

The Guardian proxies questions from readers to Jarvis Cocker. The Jarv answers.

The Alternate Side has posted an Elbow studio session to watch and interview to read while Under The Radar reports that the band has been tapped to record the soundtrack to the 2012 Summer Olympic Games in London.

Adele is capping off what’s been a pretty good year for her (except for all those canceled shows and throat surgery) with the release of the Live At The Royal Albert Hall DVD/BR today – Spin is streaming the audio from the document while you can watch 25 minutes of the thing at Vevo.

Stream: Adele / Live At The Royal Albert Hall
Video: Adele / Live At The Royal Albert Hall (excerpt)

Kate Jackson talks to NME about her post-Long Blondes solo ambitions.

State chats with Clock Opera, whose debut album should be out in the new year.

NME follows Wild Beasts around on tour for a while.

The Stool Pigeon chats with Robyn Hitchcock.

Frank YangIt’s hard to believe it was only a month ago that I was roaming the streets of Reykjavik, getting ready to dive headlong into Iceland Airwaves. Not that long ago, but enough to welcome a reminder of how much fun it all was, which I got from the Toronto Iceland Arts Festival at the El Mocambo on Sunday night, which as part of its celebration of all things Icelandic included the importing of a couple of the country’s finest up-and-coming bands.

I had thought that being the relative veterans, For A Minor Reflection would close out the evening but the quartet was instead up first, perhaps as a public service announcement as to what happens when you forget your earplugs at home. Which is to say they were loud. Really loud. But then volume is necessarily part of the equation for instrumental post-rock bands, and that’s unequivocally what For A Minor Reflection are – imagine Explosions In The Sky without the foreplay, combined with some of the hard rock riffage of Mogwai and you’re about there. Though more dynamic and punishing live than on record, they push no boundaries but are instead deft and enthusiastic practitioners of what’s already been mapped. Or in more appropriate cinematic terms, they’re a genre film that stays true to formula but is superbly executed and thrills all the same.

Of Monsters & Men were the first band I saw at Airwaves and the experience gave me a crash course in just how rabid Icelandic music fans were. Though the band had only just released their first album domestically in My Head Is An Animal, NASA – one of the city’s larger venues – was jammed with fans and the atmosphere was electric. I would later come to understand just how hot this seven-piece was their native land, having just signed a worldwide deal with Universal and being tapped to be the country’s next big musical export. Starting, it would seem, with Canada.

Though the crowd was obviously smaller than they had in Reykjavik, there were still at least a few hundred people in attendance and to judge from their enthusiasm, many seemed to already count themselves as big fans of the band. And it’s not hard to understand why – though I maintain their sound is easily summed up as Stars meets Fanfarlo, thanks to their catchy tunes, big arrangements and the boy-girl lead vocals of Raggi Þórhallsson and Nanna Bryndís Hilmarsdóttir, that should in no way diminish its catchiness or ability to inspire swoons from the listener. And while they clearly didn’t have far to go to win over the audience, they came across more focused than I found their hometown set as though they were bound and determined to impress. That was one reason I enjoyed this show more than the Airwaves one, the other being that I wasn’t distracted with trying to acclimate to the Airwaves experience – trust me, 800 screaming Viking descendants at your back are distracting.

Of Monsters & Men didn’t offer any timetable for when My Head Is An Animal might be available in Canada and blamed their not having any copies for sale on their own stupidity but made amends by burning sampler CD-Rs and tossing them into the audience; I know that physical media is passe these days, but it was still fun seeing folks scramble for the freebies. And it was also great to see that the phenomenon I witnessed at Airwaves, of foreign acts arriving in that country to play for the first time without knowing what to expect and being greeted by raving fans, worked in reverse as well.

I miss Iceland. Airwaves 2012 is already scheduled for October 31 to November 4 of next year. You should go.

Photos: Of Monsters & Men, For A Minor Reflection @ The El Mocambo – November 13, 2011
MP3: For A Minor Reflection – “Dansi Dans”
MP3: Of Monsters & Men – “Little Talks”
Video: For A Minor Reflection – “A Moll”

While director Vincent Morriset has handled most of the press duties surrounding the release of Sigur Rós’ live film and album Inni – out today – the band have stepped up to talk to The Wall Street Journal and The Guardian, revealing that they’re intending to release a new album in the Spring. You can also watch a video of the band at a Q&A for the film at the British Film Institute.

And over at NPR, Jonsi has premiered a stream of a new song from the soundtrack to Cameron Crowe’s We Bought A Zoo, the album of which is out December 13.

Stream: Jonsi – “Gathering Stories”

NPR solicits a Tiny Desk Concert from Jens Lekman.

Beat has a quick Q&A with Niki & The Dove.

The San Francisco Chronicle talks to Lykke Li, in town at the Sound Academy tonight.

Head over to The Quietus to download a free compilation of Scandinavian tunes put together by Scandinavian music blog Ja Ja Ja.

France’s Herman Dune have made a date at The Horseshoe for January 19.

Video: Herman Dune – “Be A Doll And Take My Heart”

DIY talks to Twilight Sad frontman James Graham about their new album No One Can Ever Know, which has been given a release date of February 7 – Exclaim has details on the release and the first video from the album has just been made public.

Video: The Twilight Sad – “Sick”

Clash chats with Veronica Falls.

Los Campesinos! are celebrating the release of their new record Hello Sadness with a video for the title track.

Video: Los Campesinos! – “Hello Sadness”

Friendly Fires have released a new video from Pala.

Video: Friendly Fires – “Hurting”

Summer Camp have a new video for a song that doesn’t appear on their just-released debut Welcome To Condale; it was written for a nail polish. But don’t let that put you off – the song and the vid are both super-cute. JUST LIKE THE NAIL POLISH. Wait, what just happened.

Video: Summer Camp – “You Might Get Stuck On Me”

Emmy The Great and Tim Wheeler have premiered a video from their forthcoming This Is Christmas album over at The Guardian.

Video: Emmy The Great & Tim Wheeler – “Home For The Holidays”

And on the “oh no not the holidays already” tip, Darren Hayman has put his Christmas EP Christmas In Haworth up for stream and for sale. And less seasonally, he’s released a new video from his latest album The Ship’s Piano.

Video: Darren Hayman – “I Taught You How To Dance”
Stream: Darren Hayman / Christmas In Haworth

Ladytron have put out a new video from Gravity The Seducer; the band are profiled in The Signal and Rolling Stone.

Video: Ladytron – “Mirage”

The Quietus has an interview with Kate Bush, whose new record 50 Words For Snow is out next week.

Stream: Kate Bush / 50 Words For Snow

The Sydney Morning Herald talks to Florence Welch of Florence & The Machine.

Little Boots has released a stream of the first single from her forthcoming second album, presumably due in 2012. And a sort-of video. But probably not the real video.

Stream: Little Boots – “Shake”
Video: Little Boots – “Shake”

Le Blogotheque have posted a Take Away Show with Wild Beasts.

The Quietus talks to Esben & The Witch about their just-released Hexagons EP.

Noel Gallagher extends an olive branch to brother Liam, telling The Mirror that the guy who attacked him onstage in Toronto in 2008 should have been targeting his younger brother. All in jest. I think. He’s a little more on topic with music and his solo career in this chat with MusicRadar and offers a guide to life via MTV.

Over at The Telegraph, meanwhile, Liam Gallagher talks Beady Eye.

The Von Pip Musical Express interviews The Jezabels, in town at The Phoenix on November 24 and 25 supporting Hey Rosetta!.