Kevin CumminsThere are two points about New Order that are difficult to dispute.

a) They were one of the greatest bands of the ’80s, whose run of albums from 1983’s Power, Corruption & Lies through 1989’s Technique and including 1987’s singles collection Substance templated and led that which we’d call indie, New Wave, post-punk, dance-rock, electronica, and were massively commercially successful at the same time. Their legacy is deep and far-reaching and even after their heyday, when roster changes and internal bickering overshadowed their music, they still managed to include at least one amazing song per otherwise uneven record that reminded you of why they mattered.

b) They were lousy live. Okay, that’s a deliberately polemic statement, especially for someone who’s never seen them live, but any live footage I’ve seen or heard has been some degree of cringe-worthy and in my years of being a fan, that’s always seemed the consensus opinion. Their official BBC Radio 1 Live in Concert album, which captured their 1087 Glastonbury set – which is to say the recording that they deemed good enough to release and sell – shone a bright light on Bernard Sumner’s inability to sing live. His voice is thin, off-key, and on this recording at least, punctuated with whoops and yelps that also manage to be way out of pitch. His shortcomings as a vocalist are evident on the albums as well, but what’s passable in a studio is decidedly less so amplified to stadium levels. Some of this was certainly due to some of the chemical accouterments of the era, but online footage from more recent shows don’t demonstrate much improvement.

So it’s all well and good to focus on point a) with the news yesterday that the band – who were supposed to have broken up for good back in 2009 but who’ve turned a handful of one-off gigs into a proper ongoing concern that now includes a North American tour that wraps in Toronto on October 23 at the Sony Centre, their first time here since Summer 2001, when they were part of Moby’s Area One tour at The Docks. Purists will rightly point out that it’s not really New Order without Peter Hook – he quit the band in decidedly acrimonious fashion in 2007 – but they’ve got keyboardist Gillian Gilbert, who quit circa 2005’s Waiting For The Siren’s Call, back in the fold so they’ve still got three out of four original members – better than many bands out on the nostalgia circuit.

Ticket information is still forthcoming, but considering it won’t be cheap, it may be worth giving some thought to point b) before putting your cash on the barrelhead. But then, of course, you’ll imagine hearing “Blue Monday” live and it’ll be a done deal. That’s fine, nothing wrong with celebrating the songs more than the performance. I’ll probably be there too.

Video: New Order – “Blue Monday”
Video: New Order – “Bizarre Love Triangle”
Video: New Order – “Regret”

When Don Pyle of Shadowy Men On A Shadowy Planet mentioned at their Lee’s Palace show a couple weeks ago that they were going to be playing at The Cameron House in August, I wasn’t sure if he was being serious or making a joke. turns out he was serious. Exclaim reports that the band will play a benefit double-header at the tiny Queen West venue on August 12 with proceeds from the early show going to Mindfulness Without Borders and the late show benefitting Hospice Toronto. Tickets are $20 and go on sale July 28 at the Cameron House – and maybe this time they’ll have copies of Savvy Show Stoppers to sell.

MP3: Shadowy Men On A Shadowy Planet – “13”

Boston post-rock veterans Caspian will be at The Horseshoe on September 10 in support of their new record Waking Season, out later this Fall. Tickets are $10.50 in advance.

Trailer: Caspian / Waking Season

With a new record in Nocturne out on August 28 and now more a proper band than a pseudonym for Jack Tatum’s solo project, Wild Nothing are teaming up with New York’s DIIV – themselves no strangers to the art of being buzzy – for a Fall tour that brings them to The Great Hall on September 18, tickets $15.50 in advance. Alibi talks to Wild Nothing’s Tatum while Spin talks favourite things with DIIV leader Zachary Cole Smith.

MP3: Wild Nothing – “Nowhere”
MP3: DIIV – “Sometime”

Leeds’ Alt-J will release their debut album An Awesome Wave Stateside on September 18 and as part of their Fall tour to support it, will be in town at Wrongbar on September 19; tickets are $13 in advance. Gigwise has an interview with the band.

MP3: Alt-J – “Tessalate”
MP3: Alt-J – “Matilda”

The Antlers are marking the release today of their new Undersea EP with the announcement of a show at The Great Hall on September 25, tickets $21.50 in advance. It’s almost certainly part of a full tour, but the rest of the dates are still forthcoming. While you wait, you can hear the whole mini-album on their Facebook for the price of a ‘like’.

MP3: The Antlers – “Drift Dive”
Stream: The Antlers / Undersea

Not that they should need any help selling out The Phoenix, but Crocodiles have been announced as support for The Afghan Whigs’ October 3 show at The Phoenix. Their Endless Flowers came out last month. Remaining tickets for the show are $35.

MP3: Crocodiles – “Sunday (Psychic Conversation #9)”

The powers that be won’t say what or when with regards to head New Pornographer Carl Newman putting his A.C. Newman solo cap back on, but they have confirmed a third solo record exists, will be out this Fall, and he’ll be touring in support. That kicks off October 21 at Lee’s Palace, tickets $16.50.

MP3: A.C. Newman – “Submarines Of Stockholm”

Josh Tillman must like life on the road – having just made his Father John Misty debut here back in May and returning in support of Youth Lagoon last week, he’s announced an extensive Fall tour what brings him back for the third show in five months, hitting Lee’s Palace on October 27 with La Sera opening up. Tickets are $14.50 in advance. There’s a Father John Misty interview and session at The Alternate Side and a short interview at Melbourne Times Weekly.

MP3: Father John Misty – “Hollywood Forever Cemetery Sings”
MP3: La Sera – “Please Be My Third Eye”

Their support duties for Best Coast done with, Those Darlins are free to announce another return to town, hitting The Garrison on October 30, tickets $12.50 in advance. They’re featured in pieces at Miami New Times and The Augusta Chronicle.

MP3: Those Darlins – “Red Light Love”

Emily BergerWhile it’s true that Toronto’s days of having a BIG annual music festival out on the islands appear to be over – the locally-grown, Wavelength-affiliated ALL CAPS fest has been more then happy to step in for those needing to combine a ferry crossing with live music to make their Summer worthwhile.

Since their inaugural edition in 2009, they’ve put together bills that have showcased a lot of local and a little bit of imported talent, combined with art and film components and as of last year, overnight camping but this year’s lineup – set to take place on August 11 and 12 at Gibraltar Point – has quite surprised me with its all-out aggressiveness.

The first night is headlined by Montreal’s Yamantaka//Sonic Titan, whom I’m not going to try and find new words to describe but were a real highlight of NXNE, with an eclectic undercard consisting of Maylee Todd, Choir! Choir! Choir!, Tyvek, Wet Hair, and Esther Grey. The Sunday night will be closed out by Brooklyn noise-and-strobe freaks A Place To Bury Strangers, following sets from Lioness, OG Melody, Young Mother, and Canadian Winter. Many/most of these acts are only peripherally known to me – if that – so I suggest checking out the Wavelength site for capsule descriptions, but I will say that they won’t be boring. Unless you’re bored of interesting things.

A limited number of two-day passes including camping on the island are available for $65, two-day passes that force you to go home and sleep in your own bed on Saturday night will run you $30 and single-day tickets are a very reasonable $17; ferry tickets are not included in the price. They go on sale on July 12 but you can also get them now via the IndieGogo fundraising site. And while Gibraltar Point is way on the other end of the islands from the residences at Ward’s Island and faces out into the lake, I can’t help but hope that there’s a southwesterly wind that wafts just a little bit of Oliver Ackermann’s sonic armageddon over their cottages. Just a little.

Guitar World, The Fredericksburg Free Lance-Star, and CultureMob talk to Ackermann about the new APTBS album Worship.

MP3: A Place To Bury Strangers – “You Are The One”
MP3: Lioness – “The Night”
MP3: Choir! Choir! Choir! – “I Want It That Way”
Video: Yamanta//Sonic Titan – “Hoshi Neko”
Video: Maylee Todd – “Heart Throb”
Video: OG Melody – “Change Gon Come”

Interview and The Georgia Straight profile Japandroids, who’ve made another couple track from Celebration Rock available to download.

MP3: Japandroids – “The Nights Of Wine And Roses”
MP3: Japandroids – “Younger Us”

Daytrotter has posted a session with Memoryhouse.

Rolling Stone and NPR profile Metric, bringing it home to the Air Canada Centre on November 14.

Brightest Young Things and The AV Club talk to Spencer Krug of Moonface.

Exclaim gets Brian Borcherdt to discuss the state of Holy Fuck even as he focuses on his new project Dusted, whose debut Total Dust is out on Tuesday, is available to stream now at Chart, and they open up for Chad VanGaalen at The Mod Club on July 26.

MP3: Dusted – “(Into The) Atmosphere”
Stream: Dusted / Total Dust

Beatroute and Chart have interviews with Vancouver’s Chains Of Love.

NPR gets into Americana with Neil Young, adding a World Cafe session on top of the Fresh Air interview.

The Mountain Goats celebrate their 40,000th Twitter follower by giving away an old demo track.

MP3: The Mountain Goats – “All Devils All Devils”

That first preview of the new Antlers EP Undersea is now available to download. It’s out July 24.

MP3: The Antlers – “Drift Dive”

DIY and Prefix have features on Dirty Projectors, in town tonight at the Danforth Music Hall.

Spinner talks to Alexis Krauss of Sleigh Bells.

Frank YangI don’t think Toronto necessarily has an international reputation as a destination for expatriate pop geniuses, but apparently Canadian women hold a certain appeal for them. Joe Pernice of Pernice Brothers has been up here for the better part of eight years while Norman Blake of Teenage Fanclub moved to Kitchener a couple years ago – both on account of their Canadian wives – and on Friday night, they were on stage together at The Dakota Tavern for a low-key show together. It had been advertised as a Joe Pernice show with the promise of a “special guest”, and while a show from Joe alone would be worth pencilling into the calendar, once the faintly-veiled clues as to who said guest would be got out, it turned into a must-see.

Anyone expecting a high-falutin’ musical summit between two of the finest pop songwriters around would have done well to dial down their expectations, though. The show was much more of a back porch strumalong between two old friends who just happened to have one hell of a songbook to draw from and though it had its share of sloppy moments, that arguably made it even more special and memorable than if it had been meticulously rehearsed. Pernice started out with a short solo set that drew from his many projects – Pernice Brothers, Joe solo, Scud Mountain Boys – and included a new song entitled “Surf’s Up” that he revealed was from a new, just-completed Scuds record. Scoop!

Blake was then invited onstage and the two spent the rest of the show playing each other’s songs – Pernice on a standard acoustic, Blake on a Nashville-strung parlour-body – and reminding the gathered that they were two of the funniest stage banterers in the business with some great repartee. There was plenty of time for banter as Blake’s guitar required plenty of tuning and retuning – their first run through of “Baby Lee” went further out of tune with each strum and forced a do-over – but when they were able to get onto a song, it was grand if clearly not overly rehearsed. Even with a music stand overflowing with notes onto the floor between them, they were happy to do things off the cuff – Blake had to teach Pernice the chords to “You Was Me” from his Jonny side-project with Euros Childs on the fly (it turned out fine) and even though their take on Fanclub’s “I Don’t Want Control Of You” was a bit of a comedy of errors, they still made it tremendously entertaining.

The stuff that was more properly arranged, however, was nothing sort of sublime. Hearing them trade verses on “Everything Flows” was easily the highlight of the night and their finale of “Alcoholiday” not far behind. You obviously didn’t have the wall of harmonies that Teenage Fanclub proper can offer, but Pernice’s falsetto was a pretty good stand-in. It wasn’t just about the Fanclub material, mind, as their work on “Loving Kind” off the last Pernice Brothers album Goodbye Killer was stirring and their cover of The Zombies’ “The Butcher’s Tale” darkly affecting. Though they obviously could have kept going all night, a hard curfew forced them to cap things at 90 minutes though they were permitted an encore of Fanclub’s “Start Again” that was a divine finale.

It’s not clear if this tweet is a joke or a promise, but an actual collaboration between the two – or even some more of these casual-vibe shows – would be a great treat and a far better way to enjoy having these talents as locals than going through their trash.

The Calgary Herald has an interview with Joe Pernice about his plans to release two albums this year – the aforementioned new Scuds record and the long-promised new Pernice Brothers album.

Photos: Joe Pernice & Norman Blake @ The Dakota Tavern – June 22, 2012
MP3: Pernice Brothers – “Somerville”
MP3: Scud Mountain Boys – “Grudge Fuck”
MP3: Teenage Fanclub – “Baby Lee”
MP3: Teenage Fanclub – “It’s All In My Mind”
MP3: Teenage Fanclub – “Everything Flows”
MP3: Jonny – “Candyfloss”
MP3: Jonny – “Gloria”

Dirty Projectors are giving away a couple tracks from their forthcoming Swing Lo Magellan, out July 10. They play The Music Hall on July 6.

MP3: Dirty Projectors – “Dance For You”
MP3: Dirty Projectors – “Gun Has No Trigger”
Video: Dirty Projectors – “Gun Has No Trigger”

The Alternate Side has a session and Clash, Houston Press, and Indy Week have interviews with Lower Dens. They play Lee’s Palace on July 17.

Beirut has released a video for the title track of last year’s The Rip Tide. They are at The Sound Academy on July 19.

Video: Beirut – “The Rip Tide”

The Antlers are streaming a track from their forthcoming EP Undersea, due out July 24.

Stream: The Antlers – “Drift Dive”

The Shins have rolled out a new video from Port Of Morrow; they’re in town August 4 opening up for The Black Keys at The Molson Amphitheatre.

Video: The Shins – “No Way Down”

Pitchfork talks to Cat Power about her new record Sun, due for release on September 4.

Aimee Mann has given Rolling Stone the title track of her new record Charmer to stream. It’s out September 18.

Stream: Aimee Mann – “Charmer”

The Jon Spencer Blues Explosion has taken their reunion from the stage into the studio and are set to release their first new album since 2004’s Damage in Meat & Bone, out September 18. Then they’ll take in back to the stage with a series of live dates that includes an October 18 appearance at The Horseshoe in Toronto. Stream one of the new songs below.

Stream: The Jon Spencer Blues Explosion – “Black Mold”

San Fransciso goth-gazers The Soft Moon will be at The Drake Underground on September 22, tickets $11.50 in advance.

MP3: The Soft Moon – “Tiny Spiders”
MP3: The Soft Moon – “Breathe The Fire”

Michael Gira’s Swans will make an appearance at Lee’s Palace on October 25 in support of their new double-record We Rose From Your Bed With The Sun In Our Head, tickets for that $26.50 in advance.

MP3: Swans – “Sex God Sex”

Matt & Kim are preparing for the Fall release of their new record Let’s Go with a video for the title track.

Video: Matt & Kim – “Let’s Go”

Boulder Weekly has a tete-a-tete with Jeff Tweedy of Wilco while The Daily Herald and Missoulian chat with Nels Cline.

Interview talks to Munaf Rayani of Explosions In The Sky.

Spinner documents a typical day in the life of The Flaming Lips, assuming that playing a free show in downtown Toronto as part of NXNE counts as typical for these guys. Maybe it does. You don’t know.

Okay, gotta go. San Francisco beckons.

AntiJust as yesterday offered a flurry of tour announcements, today we’ve got a few pretty high-profile artists offering details on new albums; two from artists who have been away for some time and one from an act that’s barely taken a moment to breathe.

First, you’ve got Tuscon’s Calexico. They’ve kept fans appeased with the Road Atlas compilations of previously tour-only material, but no one’s forgotten it’s been some time since they released 2008’s Carried To Dust – almost four years to the day by the time their new record Algiers is released on September 11, their first for Anti- what with their long-time label Quarterstick having folded in 2009.

The band already have a full slate of Fall tour dates lined up, but they’re mostly all in Europe – fear not, though, the chances they won’t be rolling through so soothe your soul with the sounds of the desert soon enough are slim to none. And in the meantime, there’s a new video that offers the first sample of the new album to savour.

Video: Calexico – “Para”

It’s been three years since we last heard from Brooklyn’s Grizzly Bear and their breakout Veckatimest, and while their break has been well-earned and peppered with solo projects, news that their new album will finally be out on September 18 should please many out there. And while it doesn’t yet have a name, it does have a first track available to stream and a world tour to support it; Toronto can look forward to hearing those harmonies fill Massey Hall on September 26; tickets are $45.89 – fees included – and go on sale Friday at 10AM. Album details and full tour dates can be had at Exclaim.

Stream: Grizzly Bear – “Sleeping Ute”

I don’t think anyone was necessarily expecting to hear from The Antlers anytime soon – they released Burst Apart just over a year ago and even just released a final single from it in the UK at the end of April. But clearly taking a break isn’t for them, as they’ve announced a new release – also their first for Anti- – entitled Undersea due out on July 24. No samples or specifics yet, but there is a website and a trailer. Update: Pitchfork reports that Undersea isn’t a full-length, but a four-song EP.

Trailer: The Antlers / Undersea

The final two installments in the Archers Of Loaf remaster and bonus-laden reissue program – All The Nation’s Airports and White Trash Heroes – will be released simultaneously on August 7; a track from the latter has been made available to download. While it’s great that these editions will finally be out, one hopes that this doesn’t mark the end of the Archers Of Loaf reunion… They’re at The Phoenix on June 16.

MP3: Archers Of Loaf – “Dead Red Eyes”

Bob Mould talks to Clash about the Sugar years, the recorded output of which will be re-released on July 24.

The whole of The Afghan Whigs’ set at Primavera Sound in Barcelona last weekend is available to watch in quite-good audio and video. And if you want to further pretend you were in Spain for the festival, WFMU has audio streams of many of the sets from the first two days; one assumes the third day will be forthcoming.

Video: The Afghan Whigs @ San Miguel Primavera Sound – May 31, 2012

The sixth and final part of The AV Club’s retrospective look at R.E.M. is now up.

Ted Leo writes for Spin about a youth informed by the musical works of Rush.

NPR has a World Cafe session with The Magnetic Fields.

Daytrotter has posted a session with Eisley.

The final installment of Room 205’s video session with Blouse is now up.

Spinner chats with Bethany Cosentino and The Dallas Observer with Bobb Bruno, both of Best Coast. They’re in town at The Phoenix on July 21.

Guitar World talks six-strings with Lauren Larson of Ume. There’s also an interview at Houston Press.

Frank YangWhen I think back to School Of Seven Bells’ last headlining show in Toronto in September 2010 circa Disconnect From Desire, two things leap immediately to mind. One, that it was less than a month before Claudia Deheza announced her departure from the band and two, that it was shockingly poorly attended – as in you could count the dozens of people there on one hand from where I stood. That these come to mind before the fact that it was a great show – the best I’d seen from them at and not uncoincidentally the first time I saw them with a live drummer – was unfortunate.

Wednesday night wasn’t their first time back since then – they opened up for Interpol at The Sound Academy in February of 2011 – but it was their first in support of Ghostory, their third album and first as a duo, and first in front of their own local fanbase, however many that would turn out to be. To my ears they’d recovered quite well from losing a third of the band as far as writing and recording went, but was certainly curious to see how their live show adapted. Questions about whether or not they had fans in the 416 were thankfully answered early on as The Hoxton, while not nearly sold out, was respectably full. We’ll call that last show an exception, then.

Support on this tour came from fellow New Yorkers Exitmusic, a new act – their debut EP From Silence came out last year and their first full-length Passage is due May 22 – but one whose face may be familiar to viewers of Boardwalk Empire. Not that this tidbit offered any insight into what sort of music they might make; indeed, you don’t get much further from the sounds of the prohibition era than the dark and goth-y dreamscapes that they offered. They moved at a steady, determined pace that preferred to render dynamics on the scale of their set than in each individual song. Aleksa Palladino’s voice has a great range, but rather than show it off she tended to restrict it to what was necessary for the song – a commendable approach that you don’t hear as much as you should. Utilizing plenty of electronics but with few synthetic affectations, they succeeded at creating a distinct mood but were light on melody and the songs were ultimately only intermittently memorable.

I probably make too much out of the loss of Claudia Deheza from School Of Seven Bells. Certainly it disrupted my sense of symmetry and novelty, but as Ghostory proved it didn’t adversely affect them creatively, this show proved it wasn’t even a speed bump in their ever-improving live show. Recall that when they first started performing, it was as near to a literal translation of a studio project to stage as you could get with the Deheza sisters on guitar and keys flanking Ben Curtis on guitar, all playing over dense backing tracks – it sounded note-perfect, but felt overly mechanical. Now with their sound having evolved towards a full-on dance-rock hybrid, having a live drummer and keyboardist/backing vocalist augmenting Allie Deheza and Curtis may have made them a more conventional band, but also a much better one.

With Deheza as the focal point – okay, the glowing Ghostory glyphs on either side of the stage were also eye-catching – they worked a set that had good weight and flow and stretched equally across their discography, sounding much more organic than you might have expected but still sleek and gleaming where it counted. Allie Alvarado didn’t try to replace all of Claudia’s departed harmonies, but when called on to double Deheza as on “Iamundernodisguise”, she acquitted herself alright – for the most part though, they were able to get the listener to gently accept that that facet of the band was no more but it was going to be alright. It was impressive just how many great songs they’ve produced in just three albums and half a decade, but it was the set-closing selections from Alpinisms that still got me the most – “Half Asleep”, which opened the encore, is still pure and glorious pop. And this time, there were people there to see it.

The Detroit Free Press has an interview with School Of Seven Bells’ Ben Curtis and The Daily Kansan Q&As Exitmusic’s Aleksa Palladino.

Photos: School Of Seven Bells, Exitmusic @ The Hoxton – May 2, 2012
MP3: School Of Seven Bells – “Lafaye”
MP3: School Of Seven Bells – “The Night”
MP3: School Of Seven Bells – “Windstorm”
MP3: School Of Seven Bells – “Babelonia”
MP3: School Of Seven Bells – “Connjur”
MP3: Exitmusic – “The Sea”
Video: School Of Seven Bells – “Reappear”
Video: School Of Seven Bells – “Lafaye”
Video: School Of Seven Bells – “Windstorm”
Video: School Of Seven Bells – “My Cabal”
Video: School Of Seven Bells – “Half Asleep”
Video: Exitmusic – “Passage”
Video: Exitmusic – “The Hours”

Before opening up for Bear In Heaven at The Garrison later that night, Blouse will stop in at Sonic Boom’s Kensington location this Saturday – May 5 – for a little record-shopping and in-store performing at 5PM. There’s features on the Portland dream-pop outfit at The Boston Phoenix and SSG Music.

MP3: Blouse – “Into Black”

Exclaim reports that How To Dress Well – the pseudonym of Brooklyn’s Tom Krell – will bring his take on R&B sounds backed by a full band to The Drake Underground on June 7 as part of a Summer tour, presumably in support of a new record.

Video: How To Dress Well – “Lover’s Start”

!!! have made a date for Lee’s Palace on July 7, tickets $16.50 in advance. Could a follow-up to 2010’s Strange Weather, Isn’t It? be on the way?

MP3: !!! – “AM/FM”
MP3: !!! – “Jamie, My Intentions Are Bass”

After putting on a helluva show at The Horseshoe in November, Chicago soul outfit JC Brooks & The Uptown Sound will return to that same room for a show on July 13, tickets $9. For a taste of what to expect, check out their Epitonic Saki Session and read and interview at Go Pride Chicago. They also just released a new video from Want More.

MP3: JC Brooks & The Uptown Sound – “Everything Will Be Fine”
MP3: JC Brooks & The Uptown Sound – “Sister Ray Charles”
Video: JC Brooks & The Uptown Sound – “Sister Ray Charles”

Reunited San Diego hardcore legends Hot Snakes are coming to town for a show at The Horseshoe on September 21, tickets $20 in advance.

MP3: Hot Snakes – “Who Died”

NPR welcomes Hospitality for a Tiny Desk Concert. They’re at The Garrison tomorrow night – May 5 – opening up for Eleanor Friedberger.

NYC Taper has a recording of a recent Lower Dens show and Paste, Blurt, and The Baltimore Sun have interviews. They’re at Lee’s Palace on July 17.

Design Sponge gets a tour of Sharon Van Etten’s apartment. Can’t say I’m not disappointed that she’s got one of those terribly Crossley turntables… There’s also interviews at The Pittsburgh Post-Gazette and Nashville Scene. Van Etten plays The Phoenix on July 31.

DIY interview Peter Silberman of The Antlers.

Perfume Genius has released a new video from Put Your Back N 2 It, starring Mike Hadreas and his mom.

Video: Perfume Genius – “Dark Parts”

The Alternate Side and The Guardian both have video sessions with The Magnetic Fields and The Silver Tongue an interview.