Saturday, October 9th, 2004
When I got up yesterday morning, I knew pretty much nothing of The Brian Jonestown Massacre and I knew that I didn’t like The Dandy Warhols. After seeing Dig! last night, I know that BJM mastermind Anton Newcombe is a total nutbar and I really don’t like the Dandy Warhols. The documentary film follows the two bands over the course of seven years, tracking them from total obscurity to world stardom, in the case of the Dandys, and cult obscurity, in the case of the Massacre. The Dandy Warhols come off as the epitome of vacuous fashion victims, eager – even desperate – to play the major label game to and make a grab for that brass ring. It’s especially surprising considering that Dandy’s frontman Courtney Taylor acts as the film’s narrator and doesn’t seem at all self conscious about being cast as the artistically bankrupt but commercially successful foil. In contrast, the BJM are portrayed as constantly teetering on the edge of self-immolation, despite Newcombe’s acknowledged musical brilliance. Particularly entertaining was Newcombe’s decision to start a public feud with the Dandy’s for publicity purposes without actually informing the other band of his plan. At one point, he sends each of the Dandy Warhols shotgun shells with their names on them. They got restraining orders. Regardless of the original intent, the film is pretty much a documentary on Newcombe, and understandably so – he’s utterly fascinating to watch, with his rages, rants and generally over-the-top behaviour. Not surprisingly, Newcombe disavows the film and the way he’s portrayed in the film, and while he probably has a fair point about context, the video doesn’t lie. But if you want to see for yourself, the Brian Jonestown Massacre is at Lee’s Palace on October 31.
Columbus Alive talk to Ben Gibbard of Death Cab about why The Photo Album didn’t work, why Transatlanticism does and the inevitability of losing their fanbase by growing their fanbase. From Donewaiting.
David O Russell tells The Toronto Star that he’s dead serious about everything in his new screwball existential comedy I Heart Huckabees.
So I suppose I should make the formal announcement that Lake Holiday is no more. In what may have been the most painless and amicable band dissolution ever, it was mutually decided that in addition to numerous practical and logistical hurdles, the spark had dwindled in the last few months and that it was probably time to move on. The record will still be coming out eventually in some form and there may be a performance to celebrate it, but as an ongoing concern and in anything resembling its current incarnation, after almost three years, Lake Holiday is done. I’m obviously saddened by all this, but you know what they say about doors closing and windows opening and all that jazz. Thanks to everyone who’s supported us over the duration, it was really appreciated.
So what next? Well, I need a band. I’ve still got the rehearsal space and would like an excuse to hold onto it, which basically means needing people to play with. I’m not entirely sure how I’ll go about that – it took me such a long time to find this band, I’m not especially looking forward to it. It’s like I have to dust off my musical resume and go applying for jobs, or starting to date again after a divorce. On the other hand, the idea of maybe trying something new with different musicians is appealing. I’ll have to take a little time and figure out what I want to do, and then we’ll see what happens… Psst – if anyone in the Toronto area is looking for a guitarist with modest abilities and a pretty eclectic range of interests and influences, drop me a line. Thanks.
Wilco tonight! That should recharge my creative batteries…
np – American Music Club / Love Songs For Patriots
Friday, October 8th, 2004
I had decided to go see Tift Merritt at Lee’s last night some time before I knew I’d have a cold, so I briefly considered ditching in favour of staying home and sleeping. Eventually, I elected to dope myself up on medication and head down anyway and I’m glad I did. I liked her first album Bramble Rose well enough but her new one, Tambourine, is a far superior collection. Some have criticized her for branching off from the pretty but rather formulaic alt.country of her debut, but her decision to add rock, soul and gospel into the mix has really paid off. In addition to the honeyed twang her voice gives the countrier stuff, she’s a very effective belter on the more up material, evoking at times Luncida or Emmylou.
I had thought Lee’s would be an overly large venue for her, and while it wasn’t packed by any means, she drew a larger and more enthusiastic crowd than I’d expected. Tift and the band’s easy Southern charm made sure everyone was enjoying themselves, even when they were interrupted for several minutes early on by malfunctions in the keyboards department. The set was an excellent mix of gentler, weepier numbers, some performed solo acoustic by Tift, and all-out electric rockers. I was particularly interested to see her guitarist Brad Rice, who was just announced as part of the new Son Volt lineup. No question, the guy can play, but it was hard to picture the flashy and somewhat goofy guy onstage with Tift alongside the dour Jay Farrar. We’ll have to see how that turns out. Anyway, it was a perfectly entertaining and enjoyable show, and I think I’d say that even if I hadn’t been doped to the gills on antihistamines.
More pics to come later – I tried shooting in RAW and they take ages to process. Update: Pics are done, up here.
Also on the slate last night was the advance screening for I Heart Huckabees, the new film from David O Russell. This has been on my short list of most-anticipated movies all year, and I can give it a head-scratching thumbs up. This movie is weird. I mean, it’s about an existential detective agency – how can it not be weird? It’s certainly the most original movie of the year, that’s for sure. I should admit that I have pretty much no background in philosophy, nihilism, existentialism or other such highbrow cosmic issues, so I had no idea if they were talking sense or smack. I did glean enough from the dialogue to have a good enough understanding of what was going on to follow the film, however, and there were enough moments of laugh-out-loud comedy to keep me entertained, even if I may not have appreciated the broader context. The top-notch cast (Jason Schwartzman, Dustin Hoffman, Lily Tomlin, Isabelle Huppert, Mark Wahlberg, Jude Law, Naomi Watts) all seem to be having a good time with the material, Hoffman and Tomlin as the husband-and-wife investigators, in particular. It was also nice to see Schwartzman get a decent post-Rushmore role though his unbelievably thick eyebrows were a little distracting. It’s not a film for everyone, very much a “you get it or you don’t” proposition, but if you go and are willing to not shut off your mind for the duration, it could well be worthwhile. If you’re looking for a popcorn flick, however, keep walking.
np – Mission Of Burma / Vs
Thursday, October 7th, 2004
The final word has come down on the Son Volt reunion, and it’s this – Jay and the band name are back, but the Boquists and Mike Heidorn are not. They were “unable to reach acceptable business terms” and the Son Volt lineup will now feature all-new players. Says Jay:
“Times change, and so do people, I guess. While I was looking forward to the reunion aspect of working with those guys, it just wasn’t meant to be. It’ll be liberating to get down to work with a different group of musicians. I had always envisioned Son Volt as a vehicle for my songwriting and expected it to evolve over the years. When I reformed the original band this year to record our track for Por Vida it seemed like we might be able to extend that two-day session into two years of recording and touring–but it doesn’t look that way now.
There is naturally much grumbling from the faithful about using the Son Volt name with a whole new lineup (some are calling it “Guns’N’Volts” though I think “Sons’N’Roses” sounds better) – me, I don’t know how I feel about it, necessarily. I’m disappointed that things didn’t work out but what’s in a name, really? I will wait and see what the music is like before giving it a ‘yay’ or ‘nay’. I do think they totally blew it in making the announcement before all i’s were dotted and the t’s crossed – they had gotten everyone so worked up that now it can’t help but seem like a disappointment. The negotiations and breakdown thereof absolutely should not have been done in public, now everyone just looks bad. Regardless, the studio webcam will be going live on October 12, with the album hopefully coming out mid-next year. There will also be an anthology compiling album cuts along with rare or unreleased material coming out around the same time for those still craving a taste of the original lineup.
Fear Of Speed talks to American Music Club drummer Tim Mooney and singer Mark Eitzel in separate interviews about how the reunion came about and the making of Love Songs For Patriots. Apparently Mark is having trouble making heads or tails of cascading style sheets for his website. Love Songs should be out everywhere very very shortly, if not already. Get it. They also have a nice interview with Jesse Sykes. It’s a nice site – why have I not heard of it before?
CNN talks to Paul Westerberg about Folker and the ‘Mats reunion that never was. From Largehearted Boy.
NOW and eye both profile Interpol in advance of their show at The Docks next Wednesday. And if that’s not enough Interpol for you, bassist Carlos Dengler will be doing a DJ set at the Dance Cave that night at 10:00, cover $8.
A couple shows… UK buzzband of the moment Razorlight are at Lee’s Palace November 4, tickets on sale now for $12.50, and The Unicorns play an all-ages Hallowe’en show at the Vatikan (no I don’t know where that is) October 27, cover $8. And some ticket prices – Luna at Lee’s November 7 is $17.50, Matthew Sweet and Velvet Crush at the Mod Club November 8 is $25 (ouch!), Sufjan Stevens at Lee’s November 16 it $14. All on sale now. Doing the math for all the tickets I need to get, including those for other people, and… ow. Better hit a bank machine. Update: Razorlight appears to have been cancelled. Don’t ask me, I don’t know.
np – Sonic Youth / Sonic Nurse
Wednesday, October 6th, 2004
Dean Wareham has posted his reasons for retiring Luna on their website, in a playful and enigmatic top-10 list format:
1. Rock and Roll is killing my life.
2. The Universe is Expanding.
3. There are too many bands out there, travelling around, singing their songs etc.
4. Too much time spent in 15-passenger vans. According to 20/20, these things flip over.
5. Too many hands to shake, that means germs.
6. Too many dinners at Wendy’s.
7. People are dying in Iraq.
8. This is what bands do (with a few exceptions, like R.E.M. and Metallica, and the Rolling Stones). Those bands, however, are multibillion dollar corporations. You don’t break that up unless the government forces you to.
9. Hotel Electravision.
10. Time to Quit.
In other words, he’s tired. Understandable – he’s been doing the touring musician thing for sixteen years. But not too tired to release swan song Rendezvous on October 26 and hit Lee’s Palace on November 7.
Thanks to Morecowbell.net for the tip-off that the long-rumoured (by me, mostly) Matthew Sweet/Velvet Crush tour is finally happening and it’s stopping at the Mod Club in Toronto on November 8. It’s expected that Matthew will play guitar with the Crush and they will in turn act as his backing band. The Weakerthans are also supporting on at least one other date on the tour, but there’s no information as to whether that’s a one-off or an ongoing thing – more information as it comes. My formerly quiet November has now been transformed into a tsunami of rock – six shows in ten days, two of them in a foreign country, eight in November altogether, and quite possible more to come. Wheee.
That’s all I got for today. Come back tomorrow.
Update: Okay, one more thing – did anyone else see the Vice-Presidential debate last night? Notice when Cheney told people to go to Factcheck.com? He better hope that the viewership was as apathetic as everyone says, cause that’s not the website he meant to refer them to… Go – it’s pretty funny. Slate has a full writeup on the gaffe.
np – Drive By Truckers / The Dirty South
Tuesday, October 5th, 2004
Well that was one crazy-ass traffic spike yesterday. Yow.
Just for the record, I’m writing this post in a not inconsiderable amount of discomfort. I seem to have pinched an incredibly painful nerve in my back, I had another muscle spasm in my left calf the other night and I’m coming down with a cold. NOT HAVING A GOOD TIME. But I’m here for you.
Haven’t had much Wilco content lately… let’s rectify that. I realize my jones for Jeff and the boys is a bit of a running joke, but the Britney-watch has sorta been done to death. I need a different angle. Anyway:
Firstly – much sleuthing has revealed the openers for this Saturday’s show at Massey Hall will be The Priscillas. Not these Priscillas, but THESE Priscillas. Apparently they’re a group of local scenesters (Tara from Elevator, Colleen from By Divine Right) who don beehive wigs and perform covers and originals. Should be interesting.
Secondly – The Chattanooga Pulse nabs not only a terrific interview with Jeff Tweedy about the tour, his anti-Bush rants and religion, but a crank call to the writer’s girlfriend.
Thirdly – the CD tracks from The Wilco Book have officially leaked. I’m not going to tell you where to get them, but they’re out there. And they’re… interesting.
And finally, Bradley’s Almanac has an mp3 of their performance of “Theologians” from Late Night With Conan O’Brien last week. I’ve never heard John Stirratt’s backing vocals so high in a mix before.
</Wilco content>
This week, I rule the school… press, anyway. My pics from Friday’s Arcade Fire show will be gracing both University of Toronto newspapers this week – The Varsity’s current issue is borrowing one pic and The Newspaper is running two other photos, including one for the cover, and my entire review in their next issue (out Thursday I think?). Reminds me of my days writing for the University of Waterloo student rag, The Imprint. Sure, the free CDs and concerts were nice but I really did it to associate with someone – anyone – who wasn’t an engineer for a change. Didn’t work, but hey.
The Independent gets Wayne Coyne to reflect a bit on the career of The Flaming Lips and look ahead into the future.
Great thanks to Dave Weiss who has graciously provided a much better quality mp3 of Lush’s cover of “Outdoor Miner”, the bonus cover for this week. I’ve uploaded it so if you grabbed the lousy-quality one earlier this week, try it again. Tangential thought – I really need to get some Wire. Pink Flag is the place to start, obviously?
I won passes to see an advance screening of I Heart Huckabees this Thursday from NOW! Yay. Reviews have been somewhat mixed, but I’m looking forward to it anyway. Watch for a review here Friday.
np – Saturday Looks Good To Me / Every Night
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