Archive for the ‘General’ Category

Tuesday, November 13th, 2012

If You Still Want Me

Veronica Falls not Waiting to drop second album

Photo via FacebookFacebookEveryone has heard the old saw about bands having “a lifetime to write the first album, a year to write the second”. Similarly, most people can think of an instance or two of “sophomore slump” being more than just a clever bit of alliteration. London’s Veronica Falls seem set on not letting the former be any kind of obstacle and sidestepping the latter entirely. Their self-titled debut came out just over a year ago, but they’ve just announced the follow-up.

Waiting For Something To Happen will be out on February 12 of next year and the first teaser track from it has been made available to stream, and as expected/hoped it’s another slice of deliciously retro, garage-punk-jangle-pop that might sound a bit sunnier with more major key wistfulness than you would have found on the debut, but it’s only one song of thirteen – there’s surely at least some of their trademark darkness still lurking in the corners. Exclaim has the full tracklisting, album art, and other bits and bobs announced about the record.

Stream: Veronica Falls – “Teenage”

A Music Blog, Yea runs some questions by guitarist Paul Rains of Allo Darlin’.

The Joy Formidable have released a new video from their own sophomore effort, Wolf’s Law. It’s out January 23 and they’re at The Sound Academy on November 25 supporting The Gaslight Anthem.

Video: The Joy Formidable – “The Ladder Is Ours”

Natasha Khan of Bat For Lashes talks about her experience in the music industry with Exclaim. A new track from The Haunted Man has also been made available to download.

MP3: Bat For Lashes – “Oh Yeah”

MXDWN and Los Angeles Magazine talk to Laura Marling.

NPR welcomes Neil Halstead for a World Cafe session.

Johnny Marr has released a video for the title track from his solo debut The Messenger, due out February 26. Hear that, son? That’s the jangle.

Video: Johnny Marr – “The Messenger”

DIY has some updates on the next album from Primal Scream, targeted for release in Summer of next year.

Atlanta Music Guide has a short interview with Ash; they’re at Lee’s Palace this Saturday night, November 17.

The Fly interviews Trailer Trash Tracys.

One of the tracks from Charli XCX’s new Super Ultra Mixtape has been made available for download, if you prefer things in sub-three minute chunks.

MP3: Charli XCX – “Glow”

Rolling Stone talks to Richard Thompson about his new album Electricity – due out February 5 – and also have a stream of one of the new songs on it.

Stream: Richard Thompson – “Good Things Happen To Bad People”

Blurt reports that Dutch indie-rock veterans Bettie Serveert have targeted a February release for their new album Oh, Mayhem! and released a first video from it. Here’s hoping they take this opportunity to make up that 2010 Toronto show canceled at the eleventh hour due to visa issues.

Video: Bettie Serveert – “Had2Byou”

Sambassadeur have made the flipside of their forthcoming single “Memories”/”Hours Away” available to stream, helping to tide you over until the single is out November 20 and the new album is out sometime next year.

Stream: Sambassadeur – “Hours Away”

Under The Radar talks to Carl and Adam of Shout Out Louds about how work is progressing on their fourth album. They hope to release it near the end of February 2013.

Much Sigur Rós to report; they’ve premiered another video from the Valtari Mystery Film Experient over at Nowness, this one set to four of the songs from Valtari. Maybe it will be one of those screened at The Bloor on December 8. Further, the band have announced another North American tour for next Spring. The band made a total triumph of their last visit to Echo Beach in August, but instead of returning to their former home of Massey Hall for indoor digs, they’ll be setting up at the Air Canada Centre on March 30, albeit in the more-intimate theatre configuration. And lest you worry that arenas in any configuration are acoustic nightmares, know that The National made the same setup sound amazing last December and the magical elves that work sound for Sigur Rós did wonders with Echo Beach’s PA, so I have full confidence that this will sound incredible. Ticket details still forthcoming but public on-sale is this Saturday, so they’ll be available soon. And on top of all that, they will release a new EP to go with the tour on March 22. Hoo-rah.

MP3: Sigur Rós – “Hoppípolla”
Video: Sigur Rós – “Valtari”

Björk has also rolled out a new video from last year’s Biophilia.

Video: Björk – “Mutual Core”

Tame Impala have released a new video from Lonerism; The Chicago Tribune also has an interview.

Video: Tame Impala – “Feels Like We Only Go Backwards”

Friday, November 9th, 2012

Violent Youth

This Crystal Castles album stream was brought to you by the letter “C” and the number (III)

Photo By Marc PannozzoMarc PannozzoIt’s true that Crystal Castles had to push the release of their third album (III) back a week from this past Tuesday to next, but they only barely needed the extra time. The record went up as an advance stream earlier this week at MuchMusic, offering further evidence that the Toronto duo of Alice Glass and Ethan Kath have come a long way since the glitchy, more spectacle than songcraft hype of their 2008 self-titled debut. (III) is still built on bent beats, shrieked vocals, and chopped-up synths, but is far less confrontational, far more melodic and sophisticated, and is arguably more about something – talking points around the record are decidedly social-political – than just acting out. And you can still dance to it like a spaz.

Pitchfork has an interview with the duo. It went better than The Village Voice’s.

MP3: Crystal Castles – “Wrath Of God”
MP3: Crystal Castles – “Plague”
Stream: Crystal Castles / (III)

The 405 meets Japandroids, back in town at The Phoenix on December 11.

Blurt and The Georgia Straight meet METZ.

PS I Love You have released a new video from Death Dreams, and CBC Music has both an interview and video featurette on the making of the clip.

Video: PS I Love You – “Saskatoon”

The Alternate Side has a session, and Beatroute and The Santa Cruz Sentinel interviews with Diamond Rings, back home for a show at The Mod Club on November 29.

The Province, The Globe & Mail, Beatroute talks Metric, headlining the Air Canada Centre on November 24.

Billboard and Beatroute have features on Stars, who are opening up that Metric show at the ACC.

Evening Hymns are giving away an EP of live recordings made on their recent European tour via Facebook; warning – you may have to “like” them. Forewarned. They play The Church Of The Redeemer on December 15.

Daphni have released a video from Jiaolong.

Video: Daphni – “Ahora”

DIY talks to Chains Of Love.

Brasstronaut have released a new video from their latest record Mean Sun.

Video: Brasstronaut – “Mean Sun”

Poster boys for, “never believe us when we say we’re breaking up again”, The Lowest Of the Low are the latest Canadian institutions who’ll be helping The Horseshoe turn 65, setting up shop at the bar for two nights, December 19 and 20, tickets $26.50 in advance.

MP3: The Lowest Of The Low – “Bleed A Little While Tonight”

DIY talked to Damian, Jonah, and Sandy of Fucked Up prior to this year’s Polaris Prize gala, while CBC Music gets Mike Haliechuk to talk about his writing process for the band. They play The Great Hall tonight for the first installment of Long Winter.

The Vancouver Sun, Georgia Straight, Beatroute chats with A.C. Newman.

DIY has a video session with Patrick Watson. He plays Massey Hall on December 6.

Beatroute and The Vancouver Sun chat with Rose Cousins.

DIY has an interview with Kathleen Edwards.

Exclaim have got a stream of Have Not Been The Same, the compilation of Canadian indie rock rarities from the likes of Sloan, Weeping Tile, and Doughboys, and companion to Have Not Been The Same: The CanRock Renaissance 1985-1995, due out next week.

Stream: various artists / Have Not Been The Same

Thursday, November 8th, 2012

To Here Knows When

My Bloody Valentine’s new album is– no wait, come back.

Photo via FacebookFacebookI don’t think that anyone out there would suggest that Kevin Shields is not a man of his word; it’s just his punctuality that people take issue with. After all – those remastered reissues of My Bloody Valentine’s Loveless, Isn’t Anything, and their collected EPs did eventually see the light of day this Spring – it just happened that they were about four years later than they’d originally been promised.

So when NME came out yesterday and quoted Shields as saying that the new My Bloody Valentine album – the proper follow-up to 1991’s Loveless, which they’ve ostensibly been working on off and on (but mostly off) for the past 20 years – will be out before the end of the calendar year, with a companion EP due out in 2013, it’s hard to figure out if that churning feeling in the stomach is due to excitement, skepticism, or burrito. But wait – he offers details, including the band’s intention to play Tokyo’s Ajinomoto Stadium next Spring, and the fact that it will be released independently via the MBV website. Which, if we dig a little, is what was told to Billboard… in 2007. Well he’s consistent, if nothing else.

More information as it becomes available – if he’s going to be good to his word, there’s not a lot of time left to get this sucker out – but in the meantime, perhaps reflect on the last time MBV were in town, or glance over at that new Godspeed You! Black Emperor record and remind yourself that anything is possible.

Video: My Bloody Valentine – “Soon”

Much more certain is the second album from Amor de Dìas, the project from The Clientele’s Alisdair Maclean and Pipas’ Lupe Núñez-Fernández. They’ll release The House at Sea, the follow up to 2011’s Street Of The Love Of Days, on January 29. Details on the release can be had at Exclaim. And as nice as this will be, it’s with sadness that I note the press materials are now referring to The Clientele in the past tense.

Also locked in for the new year is the new record from Frightened Rabbit. Their first full-length for Atlantic Records will be called Pedestrian Verse and be released on February 5. Details and some words on the record from frontman Scott Hutchison are over at DIY.

English electronic duo Bondax clearly don’t think that December is too late to slate a North American tour; they’ll be at The Drake Underground on December 8.

MP3: Bondax – “All Inside”

When English glam-metal revivalists The Darkness rolled through town back in February, they were still six months off from releasing their comeback record Hot Cakes. Now that it’s out, they’re coming back – look for them again at The Phoenix on January 21, tickets $35, though we all know you’re only going to hear “Street Spirit” and “I Believe In A Thing Called Love”. Who’s kidding who.

Video: The Darkness – “Nothing’s Going To Stop Us”

Charli XCX has made good on her promise to release a new mixtape – Super Ultra Mixtape is available to either stream or download.

Stream: Charli XCX / Super Ultra Mixtape

NPR welcomes Bloc Party for a World Cafe session.

The Quietus and This Is Essex talk to Darren Hayman about his new witch trial-themed album The Violence. The whole thing is available to stream, and a video was recently released.

Video: Darren Hayman & The Long Parliament – “Impossible Times”
Stream: Darren Hayman & The Long Parliament / The Violence

Tuesday, November 6th, 2012

To The Beat Of A Dying World

Review of El Perro Del Mar’s Pale Fire

Photo via Memphis IndustriesMemphis IndustriesIt’s been interesting tracking the musical evolution of El Perro Del Mar, the musical project of Sweden’s Sarah Assbring. Her 2006 self-titled debut cast her as the mournful ghost of a ’50s doo-wop girl while the 2008 follow-up From The Valley To The Stars invited fuller arrangements into the mix – even getting jaunty at points – while keeping the sentiments beautifully downcast. 2009’s Love Is Not Pop was took great strides towards feeling more modern, mostly via studio-slick musical arrangements, and while surprisingly short compared to Valley – seven tracks versus its predecessor’s 16 – assuming that that the three dancey remixes appended as bonus tracks to the US edition were just filler would have been a mistake; they were more of a signpost.

In the three years between that release and her fourth album Pale Fire, Assbring seems to have completed the transition from old-school chanteuse to dance diva and also invested in a lot of keyboards in the process. Pale Fire is an unabashedly synthetic record, built on beats and loops and existing in a haze, sounding largely like a remix album of a more conventional work. Assbring’s retro stylings have been wholly subsumed by the dedication to the groove, but her signature sadness is still detectable – it seems the dancefloor isn’t necessarily any less lonely a place than one’s bedroom.

Assbring doesn’t have the sort of voice one would typically associate with dance music – it’s not an especially powerful or sensual instrument – but it’s that dissonance that helps Pale Fire stand out from the current crop of electro-pop, and when when Pale Fire reverts to a more traditional sonic form, as on “I Was A Boy”, the other would-be peers just fall away. Given the number of guises that Assbring has donned over the course of her career, it’d be presumptuous to think that Assbring will dwell in Pale Fire‘s aesthetic for too long, but it does feel like the end of the transformation that she’s been undertaking since Valley; maybe she’ll keep it on for a little while.

Pale Fire is out next week but now streaming in whole over at Hype Machine. A Heart Is A Spade has an interview with Assbring.

MP3: El Perro Del Mar – “Hold Off The Dawn”
Video: El Perro Del Mar – “Walk On By”
Video: El Perro Del Mar – “Innocence Is Sense”
Stream: El Perro Del Mar / Pale Fire

Interview talks to Joachim Läckberg of Sambassadeur, who may be releasing a new single in “Memories” in a few weeks but aren’t looking to put out their next album until late next year. Teases.

The Line Of Best Fit note that Icona Pop’s self-titled debut will be released in their native Sweden as soon as next week, November 14. A worldwide release will follow next year. They open up for Marina & The Diamonds at The Kool Haus on December 1.

Those who’ve been following along with Sigur Rós’ Valtari Mystery Film Experient and wish they could see the works on a bigger screen may be interested to know that a goodly number of the films – at least 17 – are being compiled and taken on the road for some worldwide screenings over the course of a weekend in December. Toronto gets ours on December 8 at The Bloor.

And if that’s not enough Scandi-music film action for you, 4AD has released some details on The Ghost Of Piramida, a film that documents Efterklang’s visit to the abandoned Russian town of Piramida, from which their latest album drew inspiration and its name.

Foals have confirmed the February 12 release of their next record Holy Fire with the release of the first video from the record.

Video: Foals – “Inhaler”

Pitchfork has more specifics on the solo debut from Johnny Marr; The Messenger will be out on February 26 of next year.

Justin Young of The Vaccines offers an interview to Drowned In Sound. They play The Phoenix on February 4.

The 405 meets Field Music.

NPR has a World Cafe session with Beth Orton.

Mumford & Sons enlisted Stringer Bell – that’s actor Idris Elba, for non-Wire watchers – to star in the new video from Babel.

Video: Mumford & Sons – “Lover Of The Night”

The Quietus talks to Neil Halstead about all things Slowdive, Mojave 3, and Neil Halstead. Denver Westword also has an interview.

Drowned In Sound makes a case for the importance of Manic Street Preachers’ debut Generation Terrorists, turning 20 and out in deluxe reissue form now.

The National Post and eMusic talk to Bernard Sumner and Gillian Gilbert of New Order, respectively.

The Irish Times, Burton Mail, Gigwise, and The Edinburgh Evening News talk to David Gedge of The Wedding Present.

Clash and Exclaim have features on Tame Impala, in town at The Phoenix on November 12.

Monday, November 5th, 2012

Tangled

Spinoffs, videos, and other Can-Con miscellany, featuring L Con

Photo By Andréa de KeijzerAndréa de KeijzerShaking out the “Made in Canada” box to kick off the week.

L Con is the sort-of but not-really pseudonym for Lisa Conway, perhaps better known as the voice of Toronto’s moody, art-orch ensemble Del Bel, who’ve been wholly endorsed in these parts. Conway just released her solo debut as L Con in The Ballad Project and while it doesn’t necessarily put a lot of sonic distance between itself and Del Bel’s Oneiric, as the name implies it’s less atmospheric and more song-centric, specifically with string- and horn-laden, torchy ballads that are perfectly suited to Conway’s smoky, forlorn, and strategically soaring vocals.

CBC Music talks to Conway about the new record, which is available to stream in whole, and aux.tv premiered the first video from the release a little while ago. A set of tour dates was just announced and includes a November 24 date at Cinecycle in Toronto.

Video: L Con – “Oh How Love”
Stream: L CON / The Ballad Project

BlogTO talks to emergent disco-pop outfit Diana, whose impressive collective resume includes Army Girls, Destroyer, The Hidden Cameras, and Bonjay. They play the first installment of Fucked Up’s Long Winter series at The Great Hall on November 9.

The Magic, who count Evening Hymns’ Sylvie Smith amongst their members, have released a new video from their debut Ragged Gold. OTM has an interview with the bandleading Gordon brothers.

Video: The Magic – “Call Me Up”

Little bit of trivia – once upon a time, Smith played in a band with John O’Regan of The D’Urbervilles called Habitat; I saw them back in in 2007. That project didn’t last too long but O’Regan has found a little more success with a new non-D’Urbs project he calls Diamond Rings. NOW talks to him about being voted “Toronto’s best male vocalist” in this year’s reader’s poll. He shows off those pipes at The Mod Club on November 29. The Horn also has an interview previewing this past weekend’s appearance at Fun Fun Fun Fest in Austin.

The Quietus talks to Dan Snaith about what separates his Daphni project from his Caribou project.

Evening Hymns have a new video from Spectral Dusk, directed by Bruce Peninsula’s Neil Haverty. Evening Hymns play the Church Of The Redeemer on December 15.

Video: Evening Hymns – “Spirit In The Sky”

Consequence Of Sound has premiered the latest video from Shad’s ’90s-saluting Melancholy & The Infinite Shadness mixtape.

Video: Shad – “It Ain’t Over”

CBC Music has premiered the new video from Cold Specks’ I Predict A Graceful Expulsion, and the b-side from the single release of the song is also available to stream. And if that’s not enough, DIY has a video session with Al Spx and The Coast a short interview. Cold Specks support Conor Oberst at Massey Hall on December 8.

Video: Cold Specks – “Hector”
Stream: Cold Specks – “Post-Operative #8”

Feist has squeezed another video out of Metals.

Video: Feist – “Graveyard”

The Wilderness Of Manitoba have put out a second video from their new record Island Of Echoes.

Video: The Wilderness Of Manitoba – “Echoes”

The 1st Thursday monthly series at The Art Gallery of Ontario will have Yamantaka//Sonic Titan as their musical performer at next month’s edition, happening December 6. The Coast also has an interview.

Video: Yamantaka // Sonic Titan – “Hoshi Neko”

Stereogum interviews Damian Abraham of Fucked Up. They’re also playing the aforementioned Long Winter at The Great Hall on Friday night.

Crystal Castles weren’t able to get their new album III ready for release this Tuesday as originally intended, but they have made another song from it available to stream before its officially out next Tuesday, November 13.

Stream: Crystal Castles – “Affection”

Woodpigeon has announced a February 25 release date for his new record Thumbtacks & Glue, and to hold you over until then, this Fall’s Diamonds tour-only album is now available to mail order.

DIY interviews Grimes.

A.C. Newman chats with DIY.

DIY has written up their visit to the Polaris Music Prize gala in September and in a bit of fun, have rated the respective winners of the Polaris and Mercury Prizes over the last seven years head-to-head.