John ShearerThe era of the touring festival has by and large given way to massive destination and regional festivals – it seemingly being easier to bring a bunch of bands and tens of thousands of fans to one place than it is to bring a bunch of bands to hundreds of thousands of fans in a bunch of places – but sometimes a touring bill is so impressive that it warrants a fancy name of its own. And the bill of Bob Dylan, Wilco, My Morning Jacket, and Richard Thompson which will be hitting amphitheatres across North America this Summer is one of those bills; ergo “AmericanaramA”.

Even though he’s the headliner and by far the biggest act – though if there was justice in the world, Thompson wouldn’t be far behind – Dylan is also the biggest question mark on the lineup. As I mentioned last Summer when the Fall tour in support of his latest album Tempest, Dylan is not someone who suffers nostalgiasts lightly and based on the tweets I saw the night of that Air Canada Show about people walking out after just a few songs, his penchant for rendering his songs nigh unrecognizable live remains undiminished. So caveat emptor, but also know that each of Wilco, My Morning Jacket, and Richard Thompson are also absolute known quantities at the other end of the spectrum – they’re incapable of putting on a bad show, even if they’ll most likely be allotted much less than their usual marathon set times.

So whether that math is persuasive enough to convince you to shell out the $49.50, $69.50, or $89.50 for reserved seats or $35.50 for lawns to see them at The Molson Amphitheatre on July 15 is between you and your accountant. But don’t forget to factor in the cost of an “AmericanaramA” t-shirt. The presale goes Saturday, April 27 Tuesday, April 30, at 10AM, with the regular onsale following on Friday, May 3, at 10AM.

MP3: Bob Dylan – “The Times They Are A-Changin'”
MP3: Wilco – “Whole Love”
MP3: My Morning Jacket – “Heartbreakin’ Man”
MP3: Richard Thompson – “The Sights & Sounds Of London Town”

Austin shoegaze aficionados Ringo Deathstarr have made a date at The Shop Under Parts & Labour for June 3 in support of their second album, last year’s Mauve. Tickets for the show are $7 in advance.

MP3: Ringo Deathstarr – “Imagine Hearts”

Aussie-fronted Swedish electro-pop up-and-comers Kate Boy have slated a short North American tour that includes a Toronto stop at Wrongbar on June 9. Tickets are $12.50 and if you need to catch up on some of the buzz behind them, there are these features at Pitchfork and Billboard.

MP3: Kate Boy – “Northern Lights”
Video: Kate Boy – “In Your Eyes”
Video: Kate Boy – “Northern Lights”

There was both curiosity and concern when London’s Still Corners canceled their North American tour in support of the forthcoming Strange Pleasures, out May 7, and the reasons for the itinerary change was made clear yesterday – instead of headlining their own Summer tour, they will supporting CHVRCHES on theirs. Exclaim has the new dates, which still include a Toronto date – June 12 at The Hoxton – but raises questions about their participation in NXNE. On one hand, even though that CHVRCHES date falls on the first night of the festival, there’s no sign that it will be associated with it at all – get your $16 ticket while you can – but on the other hand, they’ve got two off days before they need to be in Montreal so there’s technically no reason that their previously-announced June 14 NXNE showcase can’t still happen. Anyways.

MP3: Still Corners – “Berlin Lovers”

With a new album out in Change Becomes Us, British post-punk legends Wire will be at Lee’s Palace on July 10, tickets $25. There’s interviews with the band at Rolling Stone, PopMatters, and Rock Cellar.

MP3: Wire – “Dot Dash” (live)

Born Ruffians will be playing a presumably free show at Harbourfront Centre on July 13 as part of their Sound Clash festival thing.

MP3: Born Ruffians – “Sole Brother”

Guelph’s Hillside Festival announced their 2013 lineup this year, and if you were interested in seeing the likes of Fucked Up, Colin Stetson, Diamond Rings, Hayden, Jim Guthrie, Lee Ranaldo, METZ, The Sadies, Yamantaka//Sonic Titan, or World Party (!) with easy access to swimming, camping, and drum circles, then Guelph Lake the weekend of July 26 to 28 is probably where you want to be. If you hate hippies, you may want to reconsider.

Further cementing the possibility that he might just be homeless, Josh Tillman will bring Father John Misty back to town for his fifth show in 15 months, this time headlining the Danforth Music Hall on August 3 with Minneapolis’ Night Moves as support. Tickets will run from $15.50 to $19.50, depending on floors or balcony.

MP3: Father John Misty – “Nancy From Now On”
MP3: Night Moves – “Headlights”

With the new Guided By Voices album English Little League out next week, April 30, the five lead-up 7″ singles have been conveniently collected into a single Soundcloud playlist, and while The Quietus has collected all of the b-sides, as well.

Stream: Guided By Voices / English Little League sampler
Stream: Guided By Voices / English Little League b-sides

Deerhunter have put their new album Monomania up on NPR to stream before it comes out May 7.

Stream: Deerhunter / Monomania

MTV Hive talks to Robert Levon Been of Black Rebel Motorcycle Club about his relationship with his late father. BRMC are at The Kool Haus on May 9.

Exclaim, Creative Loafing, The Island Packet, and Charleston City Paper interview Charles Bradley, in town at The Phoenix on May 11.

Mudkiss checks in with Nicole Atkins, who continues work on her third album Slow Phaser, due out later this year.

Janelle Monáe has made the first track from her new album The Electric Lady available to stream, and Erykah Badu has helped her do it. The record is due out later this year.

Stream: Janelle Monáe (featuring Erykah Badu) – “Q.U.E.E.N.”

CBC Music and Exclaim have interviews with Steve Earle about his new album, The Low Highway.

Sam Beam of Iron & Wine discusses his new album Ghost On Ghost with Clash.

Elle profiles Kim Gordon of Sonic Youth, covering topics including her brush with breast cancer, the end of her marriage to Thurston Moore, and what’s next.

Chan Marshall of Cat Power discusses her personal style with MTV Style.

As much as I love Galaxie 500, they’ve never struck me as a band that required multiple books to be written about them. Of course, Dean Wareham’s Black Postcards obviously had its bias, so maybe Temperature’s Rising – Galaxie 500: an oral and visual history – released last week and featuring input from all three members – will be more balanced and accurate. And if not, it will at least be larger and offer more pictures.

Renata RakshaLouise Burns must not have gotten the memo. You know, the one that stated that any Canadian artist who sought to change up their sound by trading guitars for synths had to adopt a new stage persona to go with it. Or maybe it’s just a Toronto thing? In any case, anyone expecting The Midnight Mass – the follow-up to her 2011 Polaris long-listed debut Mellow Drama – to stick to the same template on account of her name appearing on both records might be a touch surprised.

On the surface, Mellow Drama sounded like a slice of throwback country-pop, but to pigeonhole it as such was to ignore the lead guitar lines which sounded as though they’d been lifted from an early Pretenders session, all jangle and chorus and belying an affection and affinity for ’80s New Wave. If the first sample from Midnight Mass, due out July 9, is any indication, album number two will flip that equation on its head, bringing those ’80s Brit-accented sounds and textures to the fore and running any residual twang through layers of period-correct reverb. What should remain unchanged, though, is Burns’ stellar vocals and songwriting, and her continued ascension as one of the country’s most exciting new talents, whatever name she chooses to operate under.

Of course, it’s possible Burns was able to check off “new band name” on her Can-indie Bingo card when she became a full member of Vancouver’s Gold & Youth between releasing her debut and recording the new record. And it’s not unreasonable to think that her time touring and recording their debut full-length Beyond Wilderness, coming May 14, influenced the direction of Midnight Mass. It also proudly displays its ’80s roots, equally sleek and gloomy and danceable if your preferred dance move is a downcast shuffle or some varient thereof. Anticipation for this full-length has been building for some time – their “Time To Kill / City of Quartz” came out back in November but The Guardian was singing their praises almost a year ago. If both Beyond Wilderness and Midnight Mass take off this Summer, Burns won’t need a new identity as much as clones to help promote them both to the extent they deserve. Not a bad problem to have.

Exclaim has some more details on the new record and We’re A Big Deal has a quick chat with her about her tenure in Gold & Youth.

Stream: Louise Burns – “Emeralds Shatter”
Stream: Gold & Youth – “Jewel”

No Joy discuss their new record Wait To Pleasure, out this week, with Exclaim. They’re at The Garrison tomorrow night supporting Clinic.

That music runs through The Sadies’ veins goes without saying, and anyone who’s seen them live knows not to be surprised if either of Dallas and Travis’ parents or uncle from The Good Brothers joined them on stage. But it is a bit of a surprise that it’s taken this long to officially make a record together. That day has come, however, and on April 30 The Good Family will release The Good Family Album and beyond that, they’ll be playing a couple of shows on May 9 and 10 at The Dakota Tavern. And if you’re thinking that the room is small enough capacity-wise before having to factor in their family-heavy guest list, then you also know not to dawdle on tickets – $15 in advance and on sale now.

Stream: The Good Family – “Coal Black Hills”

NPR has the advance stream of the new Colin Stetson album New History Warfare Vol 3: To See More Light, coming out April 30. He performs songs from it at The Great Hall on May 19.

MP3: Colin Stetson – “High Above A Grey Green Sea”
Stream: Colin Stetson / New History Warfare Vol 3: To See More Light

NYC Taper is sharing a recording of METZ’s show at The Bowery Ballroom in New York last week. They play Lee’s Palace on May 17.

The last time The Besnard Lakes were in town, it was for CMF and they were previewing their new record Until In Excess, Imperceptible UFO, which was still a couple weeks away from release. The next time they’re in town will again be for a festival – though the date was redacted from the Canadian tour itinerary announced by Exclaim – presumably to allow the festival to make the announcement themselves – the band should be playing NXNE on June 13 with Toronto’s July Talk before hitting the road together. And tangentially, Spinner gets head Besnard Jace Lasek to talk about how he came to host an Arcade Fire secret show at his studio last December while The 405 solicits his thoughts on why the Canadian music industry is turning out so much interesting work (The 405 are British so they’re curious).

Exclaim and Teen Vogue get to know Born Ruffians.

Billboard and Rolling Stone both tracked Grimes down at Coachella to ask about how her next album is coming. It’s expected either late this year or early next.

Anna Isola CrollaIf you were thinking that Friday meant another housecleaning, link-aggregating post – this time from all points abroad – then you are correct. You get a cookie. From someone else. I have no cookies to give.

Nor do I technically have the new single from Camera Obscura to give, since it’s not mine to allocate, but since it was rolled out in streamable form to the internet earlier this week, I can certainly point you to it. It comes from their forthcoming fifth album Desire Lines, and while it’s been four years since My Maudlin Career, that time hasn’t been spent reinventing their sound. “Do It Again” is very much in keeping with the big, buoyant pop side of their skill set, but if you have a problem with more singles along the lines of “French Navy” or “Lloyd, I’m Ready To Be Heartbroken”, well God, Jed, I don’t even wanna know you.

Desire Lines is out June 4, and while the band had to cancel a brace of North American dates in March around SXSW, their Summer tour supporting She & Him is all systems go and will bring them to Garrison Commons at Fort York on July 4 to open the inaugural Toronto Urban Roots Fest.

Stream: Camera Obscura – “Do It Again”

Consequence Of Sound, Pretty Much Amazing, Gigwise, and DIY have interviews with Charli XCX, whose debut True Romance hit the shelves earlier this week. She opens for Marina & The Diamonds at Echo Beach on May 23.

Under The Radar and Billboard talk to Jessie Ware on the occasion of the North American release of Devotion earlier this week.

Pitchfork checks in with Anthony Gonzalez of M83 about the experience of scoring a big Hollywood film. Said film – Oblivion – is out today.

Sweden’s Junip have been streaming their forthcoming self-titled album over at Pitchfork ahead of its formal release on April 23. They’re in town at The Great Hall on May 10.

MP3: Junip – “Your Life Your Call”
MP3: Junip – “Line Of Fire”
Stream: Junip / Junip

Pitchfork and Stuff have feature interviews with Phoenix, who’ve gotten around to making their new album Bankrupt! available to stream via iTunes before it comes out on Tuesday, April 23. They headline the Grove Fest at Fort York on August 3.

Stream: Phoenix / Bankrupt!

Johnny Marr answers questions about Skrillex, Margaret Thatcher, and his solo record from Noisey, Rolling Stone, and The Chicago Tribune, respectively. He plays The Phoenix on April 27.

The Georgia Straight and Filter chat with Palma Violets, coming to town for a headline gig at Lee’s Palace on May 3 and again as part of The Grove Fest at Fort York on August 3.

The 405 interviews Victoria Hesketh of Little Boots about her new album Nocturnes, coming May 7.

Savages have released a new video from their forthcoming debut album Silence Yourself, coming May 7.

Video: Savages – “Shut Up”

Florence & The Machine’s contribution to The Great Gatsby soundtrack has been made available to stream. The album is out May 7, a few days before the film’s release on May 10.

Stream: Florence & The Machine – “Over The Love”

Swede-pop vetereans Club 8 have released the first video from their next record Above The City, coming out May 21.

Video: Club 8 – “Stop Taking My Time”

Spin points out a stream of another new song from Laura Marling’s next record Once I Was An Eagle, out May 28.

Stream: Laura Marling – “Master Hunter”

Spinner has an interview with Stone Roses biographer Simon Spence about researching his book The Stone Roses: War and Peace, while The Guardian has got a trailer for the Made Of Stone documentary coming out June 5 in the UK

Trailer: The Stone Roses: Made Of Stone

Billboard talks to Oliver Sim of The xx about the writing of their third album, Huffington Post to Romy Madley Croft about the band’s success, and Rolling Stone and MTV Hive have some words with Jamie Smith about his projects. They’re at Downsview Park with Grizzly Bear on June 6.

Empire Of The Sun are streaming the first complete sample of their new album Ice On The Dune, out June 17.

Stream: Empire Of The Sun – “Alive”

New Order details their strategy of releasing EPs of new material to justify their continued existence to Billboard.

The Quietus has an interview with Richard Thompson.

The AV Club gets Frightened Rabbit to step into their studio to cover Cheap Trick’s “Surrender”.

Veronica Falls have rolled out a new video from Waiting For Something To Happen.

Video: Veronica Falls – “Waiting For Something To Happen”

Rolling Stone checks in with the lads of Two Door Cinema Club, getting ready to work on album number three.

Filter has a conversation with Nick Cave.

Billboard has a video session and interview with Little Green Cars.

The Knife put out a new video from their latest, Shaking The Habitual.

Video: The Knife – “A Cherry On Top”

Very sad to hear about the passing of Storm Thorgerson, graphic designer of album art for the likes of Pink Floyd, Led Zeppelin, and Catherine Wheel. This was always my favourite of his pieces. For purely artistic reasons, of course.

And finally, noting that tomorrow is indeed Record Store Day, The Fly interviewed record collecting geeks in British Sea Power, The Joy Formidable, and TOY, amongst others.

Vanessa HeinsThey couldn’t have known it at the time, but when naming their 2011 album Shapeshifting, Montreal’s Young Galaxy were describing not only their sonic shift from well-worn dream-pop to sleek, futuristic disco, but in their fortunes as well. Their first couple records had failed to launch them into an orbit commensurate with their band name but Shapeshifting would make them, if not stars, then an act who were genuinely doing something fresh and interesting and well worth watching. It was a fresh start that not many artists get.

It would also put whatever they did next under a next-level degree of scrutiny to see if Shapeshifting genuinely the start of a fruitful new direction for the band or just a lucky aberration. Doing everything they could to ensure the former and acknowledging that Swedish producer Dan Lissvik’s job mixing Shapeshifting was an essential part of the record’s magic and success, Young Galaxy doubled down on his input and traveled to Gothenburg to record with him fully-credited as producer, and it’s a gamble that has paid off handsomely. To say an album sounds like its predecessor is usually interpreted as a sign of creative stagnation, but for Ultramarine to be considered an equal to Shapeshifting is actually rather high praise.

The space-age, synthesized aesthetic that so surprised on its predecessor still feels fresh and more importantly, natural. It provides the perfect setting for now-sole vocalist Catherine McCandless’ vocals and their peripheral iciness, but also allows draws out some of her most affecting performances to date, particularly on album bookends “Pretty Boy” and “Sleepwalk With Me”. Also interestingly, Ultramarine doesn’t find the band venturing any further into dancey territory despite being tooled up for it, funky expedition “Out The Gate Backwards” being the notable exception but even that does its work by way of Madchester, rather than via any contemporary EDM affectations. Ultramarine is a strong record that cements Young Galaxy’s place in the Can-rock firmament, and if Shapeshifting posited the question of, “this is Young Galaxy?”, Ultramarine definitively answers it with “this is Young Galaxy”.

Exclaim talks to Catherine McCandless and The Advocate to drummer Andrea Silver about the making of Ultramarine. It’s out April 23 but streaming now in whole at Pitchfork. They play Lee’s Palace on May 31.

Stream: Young Galaxy / Ultramarine

Odonis Odonis have released a video for the title track of their just-out new EP Better. They’re at Lee’s Palace on May 17 supporting METZ.

Video: Odonis Odonis – “Better”

PopMatters talks to Kevin Drew of Broken Social Scene and Arts & Crafts about the label’s tenth anniversary. The corresponding compilation Arts & Crafts 2003-2013 is now available to stream in its two-CD entirety at CBC Music, and the festival to go along with the comp – Field Trip – hits Garrison Commons on June 8.

Stream: various artists / Arts & Crafts 2003-2013

Spin has posted a stream of Moon King’s new Obsession II EP, though the Soundcloud link below is a bit more reliable in performance. Speaking of in performance, their NXNE appearances have been confirmed – look for them on June 13 at The Garrison, June 14 at The Drake, and June 15 at Yonge-Dundas Square.

MP3: Moon King – “Appel”
Stream: Moon King / Obsession II

Paste gets to know Born Ruffians, whose new record Birthmarks came out this week.

The Belle Game are celebrating this week’s release of their debut Tradition Ritual Habit by giving away another download from the album via Rolling Stone.

MP3: The Belle Game – “Blame Fiction”

The Line Of Best Fit interviews No Joy, who are streaming their new album Wait To Pleasure ahead of its April 23 release date over at Pitchfork. They’re also at The Garrison that night opening for Clinic.

Stream: No Joy / Wait To Pleasure

Stereogum talks to Colin Stetson about his forthcoming New History Warfare Vol. 3: To See More Light, out April 30. He and his lungs are at The Great Hall on May 19.

Arts Journal and NPR talk to Rachel Zeffira, who makes her local debut at The Drake Underground on May 2.

NPR has posted a Mountain Stage video session with Kathleen Edwards, who is part of the CBC Music Fest at Echo Beach on May 25.

Japandroids are coming back to town for a show at the Adelaide Music Hall on June 17, tickets $25. What the hell is the Adelaide Music Hall, you ask? Don’t worry – The Grid is on it.

MP3: Japandroids – “Younger Us”
MP3: Japandroids – “The House That Heaven Built”

Patrick Watson will be playing a free show at Pecault Square on June 20 as part of this year’s LuminaTO festivities.

MP3: Patrick Watson – “Words In The Fire”
MP3: Patrick Watson – “Into Giants”

BrooklynVegan has premiered a Moog Sound Lab video with Diamond Rings, who’s opening up for OMD at the Danforth on July 11 and 19.

The Vancouver Sun and Georgia Straight have feature interviews with Two Hours Traffic.

DIY and Under The Radar talk to The Besnard Lakes.

Dan CurwinAs much as I’d like to be able to claim to have seen Charli XCX’s latent stardom from the get-go, a quick look back at my writeup from SXSW 2012 confirms that I was not, in fact, overly impressed with the set I caught, but this also acknowledges that performing in a stripped-down setting accompanied only by a keyboardist isn’t really putting an electro-pop artist’s best foot forward. She came across much better five months later at Osheaga, kicking off the festival with a good balance of energy, songs, and showmanship – plus a solid cover of “The Killing Moon”.

The young Englishwoman’s star has steadily continued to rise since then, and the buzz will come to a head – for now, at least – with the release next week of her debut album True Romance, a convincing collection of party-friendly, synth-built anthems with plenty of confidence and personality. As is the custom, the record is getting an advance stream before its release, this time courtesy of Pitchfork. There’s also feature interviews with the Charlotte Aitchison at MXDWN and Idolator. She is in town at Echo Beach on May 23 opening up for Marina & The Diamonds.

MP3: Charli XCX – “Nuclear Seasons”
Stream: Charli XCX / True Romance

NOW and A Music Blog, Yea? talk to The Joy Formidable ahead of their show at The Phoenix tonight, April 12.

Mashable is streaming the M83-powered soundtrack to the new Tom Cruise flick Oblivion. The soundtrack came out this week but the film doesn’t open until the 19th of this month.

Stream: M83 / Oblivion soundtrack

Spin and KQED talk to Jessie Ware, who finally gets a North American release for her debut Devotion next week, on April 16.

The Line Of Best Fit has premiered the new video from the Junip self-title, coming out April 23. They play The Great Hall on June 10.

Video: Junip – “Your Life Your Call”

Filter and Billboard have feature pieces on Phoenix, whose new album Bankrupt! comes out April 23. They’ve just released an acoustic performance video from it and will headline The Grove Fest at Garrison Common on August 3.

Video: Phoenix – “Entertainment!” (acoustic)

Palma Violets have released a new video from their debut 180. They’re also interviewed by WhatCulture and have a headlining show at Lee’s Palace on May 3 as well as being part of The Grove Fest lineup.

Video: Palma Violets – “We Found Love”

James Blake has released a video for the title track of his just-released new album Overgrown. He plays The Danforth Music Hall on May 4.

Video: James Blake – “Overgrown”

Topman Magazine talks to Primal Scream’s Bobby Gillespie about their forthcoming album More Light, out May 13.

Pigeons & Planes have premiered the new video from Elliphant, making her local debut on June 7 supporting Twin Shadow at The Phoenix.

Video: Elliphant – “Make It Juicy”

NME confirms details of the new Beady Eye album, which will be called BE – acronym or shouting, take your pick – and be out June 10.

CHVRCHES have released a new live video. They play The Hoxton on June 12 and their debut is out in September.

Video: CHVRCHES – “Lies” (live)

The Line Of Best Fit has an interview with Iceage and Matablog has got a new studio performance video and download from their latest, You’re Noting. They’ll be in Toronto for NXNE on June 15, and Iceage spin-off Vår is streaming a new track from their debut No One Dances Quite Like My Brothers, coming out May 14.

MP3: Iceage – “Morals”
Video: Iceage – “Morals” (live)
Stream: Vår – “The World Fell”

DIY and Glamour get to know Icona Pop, who will be playing the aforementioned Grove Festival at Garrison Common on August 3.

Swedish punks Holograms are streaming the first track from their second album Forever, now confirmed for a September 3 release.

Stream: Holograms – “Flesh And Bone”

Loud & Quiet, Dazed, and MTV Hive all have feature pieces on The Knife.

Daytrotter has posted a session and A Heart Is A Spade, Fractured Air, and Buzzine interviews with Ólafur Arnalds.

Efterklang performs a Tiny Desk Concert for NPR.

The AV Club talks to Nick Cave.

And thanks to PopMatters for unearthing an excellent quality video of an almost-complete concert from the very end days of Catherine Wheel. Never forget.