Claire BoucherWhereas the Polaris Music Prize already has a seven year track record of honouring the top Canadian album, the Prism Prize is new on the scene – unaffiliated but sharing a similar mandate, but focused on the art of the music video rather than the album.

And while some may have assumed the art form was on the decline due to the fact that their traditional medium – broadcast television – no longer plays them, the internet as well as the low cost of entry to powerful high-definition recording equipment and editing software has given creators unprecedented means to make some seriously impressive shorts. And the Prism Prize aims to reward them with both recognition and a $5000 prize to be split between the artist and the video production team.

A jury of Canadian music media types have been voting on any video created in the 2012 calendar year and as of yesterday, the short list of ten finalists was announced. It’s not an unfamiliar set of names for those who keep up with the Can-indie – congratulations to Rich Aucoin, Drake, Grimes (twice), METZ, Mother Mother, Maylee Todd, Yamantaka//Sonic Titan, and Young Rival – but what’s nice about this sort of prize is a) even if you don’t care for the artist or the song, you can still find the video worthy, and b) it takes well under an hour to get through every candidate. Handy if you’re a juror. Which I am, I should mention, and I should probably get started on my ballot.

The winner will be announced on March 24.

Video: Arcade Fire – “Sprawl II” (Vincent Morriset)
Video: Rich Aucoin – “Brian Wilson Is A.L.I.V.E.” (Noah Pink)
Video: Drake – “HYFR” (X)
Video: Grimes – “Genesis” (Claire Boucher)
Video: Grimes – “Oblivion” (Emily Kai Bock)
Video: METZ – “Wet Blanket” (Scott Cudmore)
Video: Mother Mother – “The Sticks” (Chad VanGaalen)
Video: Maylee Todd – “Baby’s Got It” (Reynard Li)
Video: Yamantaka//Sonic Titan – “Hoshi Neko” (Emily Pelstring & Ruby Kato Attwood)
Video: Young Rival – “Two Reasons” (John Smith)

And this seems a good time to point out some recent domestic video released. Hayden just put out one to coincide with the release of Us Alone. There’s conversations with Mr. Desser at The National Post, NOW, Exclaim, and Spinner. He plays The Dakota, Cameron House, and Rivoli next week on February 20, 21, and 22 respectively.

Video: Hayden – “Rainy Saturday”

Two Hours Traffic have put out the first video from their new record Foolish Blood as well as making a stream of the whole thing available at Exclaim. It’s out next Tuesday, February 19, and they’re at Lee’s Palace on March 21 for Canadian Musicfest.

Video: Two Hours Traffic – “Amour Than Amis”
Stream: Two Hours Traffic / Foolish Blood

This would be the second video from the second Suuns record Images du Futur. It’s out March 5 and they headline Lee’s Palace on March 23, the Saturday night of Canadian Musicfest.

Video: Suuns – “2020”

Brasstronaut have a new clip from last year’s Mean Sun.

Video: Brasstronaut – “Bounce”

It’s not an official video, but this live clip of Evening Hymns covering Big Star in France (I think) is well worth watching. They play The Great Hall on Saturday night as part of Wavelength’s thirteenth anniversary series, which is underway now and is the subject of features in NOW and BlogTO. And tangentially, Wavelength talks to The Magic – also featuring Evening Hymns’ Sylvie Smith and playing Wavelength’s Sunday night showcase at The Garrison.

Video: Evening Hymns – “Thirteen” (live)

Spinner talks to Rachel Zeffira about her solo debut The Deserters, which is out March 12. A new, non-album bonus track is streamable at Chart.

Stream: Rachel Zeffira – “Wintertime”

Consequence Of Sound has premiered a new song from the forthcoming Chains Of Love album Misery Makers, due out this Summer. Surely I can’t be the only one to notice that singer/guitarist Rebecca Marie Law Gray is no longer in the promo photos, or audible on this recording…?

Stream: Chains Of Love – “Come And Play”

Daytrotter has posted a studio session with Destroyer.

A.C. Newman records a World Cafe session for NPR.

Beatroute talks to Purity Ring, who’ve made a new Soulja Boy cover available to download. Because apparently there exists someone called Soulja Boy and he writes songs.

MP3: Purity Ring – “Grammy”

Canadian University Press has a sit-down with Jay Ferguson of Sloan.

aux.tv talks to some of the artists who contributed rarities to the Have Not Been The Same compilation of ’90s Can-rock that soundtracked the book of the same name.

Justin JayThe Strokes has got themselves a nice little racket going. Most bands who’ve been at it for over a decade would be critically if not commercially pilloried for not changing up their style, but The Strokes get drubbed when they do. Luckily for them, they’re very good at doing what they do and they’re smart enough to know their business model as a band relies on actually doing just that while releasing a new album (or solo record that doesn’t fall too far from the tree) and some fitful, big paycheque touring.

But that doesn’t mean they don’t like to have a little fun with their fans, who are curiously anxious for such a consistent and predictable band. Case in point, the lead-up to their fifth album Comedown Machine. Considering they let five years elapse between their previous two albums, it’s a bit of a surprise that they’d have a follow-up to 2011’s Angles together so quickly. More surprising was their choice for a first preview, though, the synth- and falsetto-powered, to say nothing of a-ha-cribbing, “One Way Trigger”, which impressed some with its un-Strokes-iness but terrified other for the same reason.

The latter camp are probably feeling a lot more settled now, however, with yesterday’s release of a second preview of and first official single from the new record. “All The Time” is almost unremarkable in its boilerplate Strokes qualities, all insouciant vocals, precisely downstroked guitars, and unmistakable air of leather and denim, but while it’s not a song that’ll feature on any career-summing compilations, to those whose faith was shaken it probably sounded like hearing “The Modern Age” for the first time. Cue excitement, declarations that The Strokes are back and better than ever, etc, etc. Somewhere in New York, The Strokes are high-fiving each other or, at least, smirking.

Comedown Machine is set for a March 26 release.

MP3: The Strokes – “One Way Trigger”
Stream: The Strokes – “All The Time”

NOW and The Waterloo Record have interviews with Ken Stringfellow, who has released a new video from Danzig In The Moonlight, with Margaret Cho filling in for The Head & The Heart’s Charity Rose Thielen, who duets on the album. Stringfellow is at The Drake Underground on February 19; it’s unlikely either Cho or Thielen will join him.

Video: Ken Stringfellow – “Doesn’t It Remind You Of Something”

Black Cab Sessions takes Solange and Dev Hynes for a ride in exchange for a song. They drop her off (figuratively) at the Danforth Music Hall on February 22.

Stereogum talks to Alan Sparhawk of Low, whose new album The Invisible Way is out March 19. They play The Great Hall on March 16.

Pitchfork and aux.tv have interviews with Local Natives, who’ve just released a new video from Hummingbird. They play The Phoenix on March 28.

Video: Local Natives – “Heavy Feet”

New Orleans pop duo Generationals have put together an extensive tour behind their new record Haze, in stores April 2. They play The Garrison on May 2.

MP3: Generationals – “Greenleaf”

The Postal Service are streaming one of the unreleased tracks that will make the 10th anniversary edition of Give Up a must-buy for many when it comes out April 9.

Stream: The Postal Service – “A Tattered Piece Of String”

Spin has a chat with Hutch Harris about the first track from the new Thermals record Desperate Ground, out April 16. Watch the lyric video or trade your email for a download.

Lyric Video: The Thermals – “Born To Kill”

The Line Of Best Fit, Salon, and Spin talk to Jim James, who has a new video from Regions Of Light And Sound Of God to share. He’s at The Phoenix on April 24.

Video: Jim James – “A New Life”

New York singer-songwriter Jamie Seerman – aka Jaymay – pretty much fell off my radar completely following the release of her debut album Autumn Fallin’ some five years ago. And a pity, too, as her lyrically dense, emotionally overcast, yet melodically light folk-pop really caught my ear at the time. But to my surprise, she’s not only still active – she’s released a series of EPs since that first full-length – but she’s touring. She’ll be at The Drake Underground on April 28, tickets $10.50. And I just revisited Autumn Fallin’ – holds up quite nicely.

MP3: Jaymay – “Blue Skies”

If you thought rock artists assuming new identities for their synth-pop endeavours was a strictly Toronto phenomenon… you’re wrong. Jenn Wasner of Wye Oak will answer to Dungeonesse when discussing her solo debut of the same name when it comes out May 14. Exclaim has details, and you can stream one new song and watch a video for another.

Stream: Dungeonesse – “Shucks”
Video: Dungeonesse – “Drive You Crazy”

NPR has a video session with Wild Nothing, who’ve put out a new video from Nocturne.

Video: Wild Nothing – “Only Heather”

NOW talked to Yo La Tengo ahead of last weekend’s show at The Phoenix, from which Mechanical Forest Sound is sharing some recordings. NPR also welcomed the band for a World Cafe session and NorthJersey.com had a chat.

Those catching Mark Eitzel on tour in Europe this Winter may notice an album of new material entitled Glory for sale at the merch table. It won’t be made available in stores but remaining copies will be available online starting in April.

The 405 talks to Dinosaur Jr.

Vogue welcomes Widowspeak for a Valentine-themed video session.

Frank YangIt was an odd thing to realize about a third of the way through The Maccabees’ debut Canadian performance at The Mod Club on Monday night, but it dawned on me that I wasn’t so much a fan of the band than their excellent latest album, last year’s Mercury-shortlisted Given To The Wild. Not that this points to any enmity towards the Brighton-based Brits, but I tend to form longish-term – or at least in-depth – relationships with the bands I like and go and see, but no such bond had been formed with The Maccabees and their almost decade-long history, perhaps because of their until-now reluctance to actively cultivate a North American fanbase.

This was not to say that they didn’t already have one. Though the show wasn’t sold out, the years of pent-up demand ensured that there was a strong showing of those who did have long-term relationships with the band. And while the set did feature an abundance of Wild material, fan service was very much in effect with their first two records Colour It In and Wall Of Arms very well-represented, with the mission statement being less about being a recital of Wild‘s carefully-crafted arc than just putting on a powerful show.

Observations on this new (to me) material from their catalog was that the elegant, atmospheric anthemicism of Wild seemed a bit of a left turn for the band, as the older material felt more straight-ahead with their roots in the Bloc Party-led post-punk scene of some years back clearly evident. It may have been less sophisticated, but it definitely helped make for an energized show with the band’s three-guitar attack helpfully turned up in the mix, though often to the point of obscuring vocalist Orlando Weeks’ powerfully delicate tenor.

Another new dimension to the band that I hadn’t picked up on from the record was that they were quite a charismatic rock band, particularly the shaggy hair and leather jacket-clad, guitar hero-posing White brothers. I don’t know why I had thought they’d be more conservative, art-rock aesthetes but I did and they certainly weren’t. They were unabashedly pleased to finally be playing in this country and the Toronto faction of their fanclub – or Facebook likers, I guess – were most pleased to have them. That said, I would have expected the show to go longer than the hour and change that it did but couldn’t complain about “Grew Up At Midnight” as a main set finale – almost as grandiose live as on record, even with Weeks taking a mulligan on it after botching the opening, nor about the “Heave”/”Pelican” double-header to wrap the encore. A solid show and plenty of incentive to have properly done my homework on the band by the time they return.

Exclaim also has a review of the show, and CBC Music and The National Post both have interviews with the band, though CBC goes one further offering a stream of Given To The Wild for the rest of week.

Photos: The Maccabees @ The Mod Club – February 11, 2013
MP3: The Maccabees – “Go”
Video: The Maccabees – “Ayla”
Video: The Maccabees – “Went Away”
Video: The Maccabees – “Feel To Follow”
Video: The Maccabees – “Feel To Follow” (alternate)
Video: The Maccabees – “Pelican”
Video: The Maccabees – “Empty Vessels”
Video: The Maccabees – “Can You Give It”
Video: The Maccabees – “Love You Better”
Video: The Maccabees – “No Kind Words”
Video: The Maccabees – “Toothpaste Kisses”
Video: The Maccabees – “Precious Time”
Video: The Maccabees – “About Your Dress”
Video: The Maccabees – “First Love”
Video: The Maccabees – “Latchmere”
Video: The Maccabees – “X-Ray”
Stream: The Maccabees / Given To The Wild

MTV Hive chats with Veronica Falls, in town at The Garrison on March 12.

Esben & The Witch have released a new video from their second album Wash The Sins Not Only The Face. They play The Drake Underground on March 25.

Video: Esben & The Witch – “When The Head Splits”

British Sea Power have posted a stream of the title track of their next album Machineries Of Joy, due out April 1.

Stream: British Sea Power – “Machineries Of Joy”

Cool Hunting interviews the directors of Foals’ video for “My Number”, off their just-released Holy Fire; they’ve gone super lo-tech – CCTV-style – for a new rehearsal space clip they’ve shared and are interviewed by BBC. Foals are at The Kool Haus on May 11.

Video: Foals – “Milk & Black Spiders” (CCTV)

Vogue gets Natasha Khan of Bat For Lashes to strap on the Telecaster for an on-video, in-studio reading of “Marilyn”.

Flagpole talks to David Gedge of The Wedding Present about taking their 1991/92 Hit Parade collection on tour.

Keyboardist Gillian Gilbert and graphic designer Peter Saville reminisce about the making of New Order’s “Blue Monday” to The Guardian.

Pitchfork is doing the advance stream thing for Iceage’s new album You’re Nothing, out next Tuesday.

MP3: Iceage – “Coalition”
Stream: Iceage / You’re Nothing

Efterklang have released a new video from last year’s Piramida. Look for them at The Mod Club on March 21.

Video: Efterklang – “The Living Layer”

Indians film a Takeaway Show for Le Blogotheque. They play The Drake on March 4.

Phoenix have come clean on some details of their next album, Bankrupt!. It’s out April 22 and Rolling Stone has the artwork and track listing.

And it hardly answers all the questions raised a couple week back, but the Toronto Urban Roots Fest now has a website and more information for the curious. Like how the already-announced She & Him and Camera Obscura bill of July 4 is only the first of four days – two evenings and two full days – taking place largely at Fort York’s Garrison Commons, though with some club-level overflow. New acts will be announced every week for the new couple months, but if you’re doing some digging then checking out who’s playing Montreal’s Jazz Festival and Ottawa’s Bluesfest are probably good starting points. Think about it.

Jamie-James MedinaBoth The xx and Grizzly Bear have pretty well established their bona fides as a couple of the biggest names in what we colloquially call “indie rock” circa 2013, and while neither are quite at the point where they could headline a top-tier festival, they can sure as heck team up for a pretty impressive standalone bill in a festival setting. En route to New York City to play the Governor’s Ball, the two acts – last seen hereabouts in the elegant setting of Massey Hall both – will show off their big outdoor stage chops with a show at Downsview Park the evening of June 6, in support of last year’s Coexist and Shields, respectively.

Tickets for the show are $59.50 in advance for general admission and $99.50 VIP, though a limited number of early bird GAs will be available this Friday for $49.50. Courtesy of Collective Concerts, however, I’ve got one pair of VIP passes plus a copy of Coexist on vinyl to give away ahead of the on-sale. To enter, email me at contests@chromewaves.net with “I want to see The xx and Grizzly Bear” in the subject line and your full name in the body and have that in to me before midnight, February 14 – winners will be notified before tickets go on And note that while the general admission area is all-ages, VIP is 19+ so you must be of age to enter.

And if you’re wondering what The xx would be like on a big outdoor stage, it’ll probably be the complete opposite of this Tiny Desk Concert they played for NPR.

And please note that management is not responsible for any sexytimes that may ensue in the grass, in the dark, during The xx’s set.

MP3: The xx – “Reconsider”
MP3: Grizzly Bear – “Yet Again”

Ducktails – perhaps better known as the solo endeavour of Real Estate guitarist Matt Mondanile – will be hitting the road in support of the just-released The Flower Lane. Exclaim has all the tour dates, which include an April 3 date at The Garrison, tickets for which are $12.50. DIY has an interview with Mondanile.

Stream: Ducktails – “The Flower Lane”

Any way you look at it, whether counting off eight months from the release of their excellent Researching The Blues, the almost five years since they played a one-off NXNE appearance, or the who knows how long it’s been since an east coast tour – well over a decade – it’s great to be able to welcome Redd Kross back to town – they’ll be at The Horseshoe on April 11.

MP3: Redd Kross – “Stay Away From Downtown”

Brighton two-piece rock machine Blood Red Shoes are back again on April 23 – this time at The Horseshoe – again in support of last year’s In Time To Voices but also their new Water EP, which they give DIY a track-by-track guide through and which you can stream below. Tickets $11.50 in advance.

Video: Blood Red Shoes – “In Time To Voices”
Stream: Blood Red Shoes / Water

In today’s good news/bad news department, Foals have announced a North American tour in support of Holy Fire – out today – and will be at The Kool Haus on May 11, tickets $24. The bad news, besides it being the same night as Charles Bradley and The Breeders, is their support act will be Surfer Blood, who were terrible even before their singer’s predilection for domestica abuse came to light. Go see Foals, by all means, but feel free to turn around or talk right through Surfer Blood’s set, and if you find you have some litter with you, the stage is as good a place as any to discard it. Clash and Filter have feature pieces on Foals, the Filter one with a rather unfortunate headline all things considered.

MP3: Foals – “Inhaler”

Trevor Powers, aka Youth Lagoon, is prepping for the March 5 release of his new album Wondrous Bughouse and has announced a brace of North American dates – May 13 at The Great Hall, Toronto, $16.50 in advance – as well as made a couple new track from the album available to stream. CMJ also has an interview.

Stream: Youth Lagoon – “Mute”
Stream: Youth Lagoon – “Dropla”

Twin Shadow has announced a return engagement in support of last year’s Confess – he and his dad (really) will be at The Phoenix on June 7, tickets $26.50 in advance.

MP3: Twin Shadow – “Changes”

Buoyed by the success of the first four installments – and the fact that March is still mostly part of Winter – Fucked Up has extended their Long Winter concert series to include, well, March. No details on the who, what, or when, but if the scheduling pattern holds it will be on March 8 at The Great Hall. Update: Pattern schmattern – it’s March 23. Which is not Winter.

Speaking of scheduling, Canadian Musicfest – running March 19 to 23 – has published their first pass at the festival schedule and I’m excited to see that a handful of acts I’d been happy to see on the initial artist listings are now nowhere to be found. Way to keep with tradition, CMF! Still, there’s some good stuff in there and not all of it is opposite Nick Cave, so if you’re attending, have a look.

Marino ThorlaciusI didn’t actually bring back a lot of souvenirs from my trip to Iceland in Fall 2011; a super-warm Kaldi hat (which has served me quite well this Winter), a package of Cronions (though I should have brought back a case), a whackload of photos (ponies!), my first car accident (cars on the inside lane of their roundabouts have the right of way, fyi), and a deep appreciation for the music of Ólafur Arnalds.

I didn’t even catch the entirety of his set at Iceland Airwaves, but what I did see from the 25-year old electronic/classical composer – he on piano and laptop, leading a string quartet and accompanied by elegant animated birds – left a deep impression. I immediately got a copy of his 2010 album …And They Have Escaped The Weight Of Darkness – still one of my go-to escapist records, not least of all because it transports me back to Reykjavik, and have been eagerly awaiting the follow-up ever since.

That album is For Now I Am Winter and after offering the first preview track a few weeks ago, he’s now made a second track available to both listen to and play with, as it’s streaming as an interactive web application on his website that allows you to play with the mix in real time, turning channels on and off as you like. Obviously it sounds best as a fully-realized composition, but being able to isolate and analyze the finer details of his work also offers insights into the work. Both advance tracks represent a pretty familiar aspect of Arnalds’ work, but Winter should offer more than a few surprises as well – in addition to enlisting American composer Nico Muhly to assist on the orchestrations, Arnór Dan of Icelandic band Agent Fresco also contributes vocals – yes, vocals – to three tracks. For Now I Am Winter is out February 25 in Europe and April 2 in North America.

Stream: Ólafur Arnalds – “Only The Wind”
Stream: Ólafur Arnalds – “This Place Was A Shelter”

Sweden’s Deer Tracks will release their new album The Archer Trilogy, Pt. 3 tomorrow and are streaming the whole thing right now at Rdio. Yeah, you have to sign up for their streaming service but my understanding is that a) it’s great, and b) it’s free – at least for now and for Canadians; Americans I’m sure can find a similar deal. The Deer Tracks are here at The Silver Dollar on February 28.

MP3: The Deer Tracks – “W”
Stream: The Deer Tracks / The Archer Trilogy, Pt. 3

The Line Of Best Fit has debuted a stream of another track from the new Shout Out Louds record Optica, due out February 26. They play The Opera House on May 14.

Stream: Shout Out Louds – “Illusions”

Spin has an interview with German electro-gaze auteur Ulrich Schnauss, as well as a stream of his new album A Long Way To Fall, out tomorrow.

Stream: Ulrich Schnauss / A Long Way To Fall

Weird World Record Co has posted a stream of a new/old song from Melody’s Echo Chamber, the original version of the song that would be transmogrified into “IsThatWhatYouSaid” on last year’s self-titled debut.

Stream: Melody’s Echo Chamber – “Je Me Perds de Vue”

Clash talks to Veronica Falls about their new record Waiting For Something To Happen, out tomorrow. They play The Garrison on March 12.

Foals guitarist Jimmy Smith talks to Consequence Of Sound and frontman Yannis Philippakis to The Fly about their new record Holy Fire, in stores tomorrow.

James Blake has offered some context to the Spring tour that brings him to the Danforth Music Hall on May 4; Under The Radar reports his new album Overgrown will be out April 8 and the first video from it surfaced this weekend.

Video: James Blake – “Retrograde”

Hat tip to Gorilla Vs Bear for pointing out the HD video of Jessie Ware’s radio session for KCRW. She’s in town at The Opera House on April 6.

State has an interview with Frightened Rabbit, who also offer up a video session to The Line Of Best Fit. They’re at The Phoenix on March 31.

Magnet interviews The Joy Formidable for the position of guest editor of their website for this week. They play The Phoenix April 12.

DIY has details on the debut album from Ireland’s Little Green Cars. Absolute Zero will be out on May 13, which means they won’t have copies for sale when they play The Drake on March 28. The first video from it is also geoblocked in Canada/North America because sometimes people are awful.

Video: Little Green Cars – “Harper Lee”

Nick Cave & The Bad Seeds are streaming their new record Push The Sky Away at The Guardian ahead of its official release on February 19. They’ve also released a new video starring Ray Winstone and various seedy goings-on. Nick Cave and company are at Massey Hall on March 23.

Video: Nick Cave & The Bad Seeds – “Jubilee Street”
Stream: Nick Cave & The Bad Seeds / Push The Sky Away

The Line Of Best Fit has an interview with Shugo Tokumaru.