Norman WongOkay, since I am posting this from the north of Quebec – okay, not really that north, but considerably further north than Bloor St. in Rouyn-Noranda for this year’s Festival de musique émergente – I figure this is as good a time as any to run a pretty sweet giveaway for – wait for it – The North. As in the new record from Stars, out this coming Tuesday.

Thanks to the folks at Universal Music Canada, I have numerous copies of The North to give away in both analog and digital formats – the the former, a pair of LPs on blue vinyl, and to the latter, five silver CDs. To enter, leave a comment below with your email (it will be hidden from prying eyes), album format in order of preference, and tell me the furthest north point in Canada you’ve ever been. If you want to be precise, Google will tell you the latitude of anywhere if you ask nicely. Interestingly, Rouyn-Noranda is one degree further south than Vancouver, making that my northernmost sojourn in our fine country. Anyways, the contest is open to residents of Canada only and winners will be chosen on September 15.

The North was made available to preview via NPR stream at the start of this week, but The National Post has made their hosted stream worth checking out by adding track-by-track commentary from Torq Campbell. Consequence Of Sound also talks to Campbell about the new record.

Stars open up for Metric at The Air Canada Centre on November 24.

MP3: Stars – “Hold On When You Get Love And Let Go When You Give It”
MP3: Stars – “The Theory Of Relativity”
Stream: Stars / The North

The Wilderness Of Manitoba’s second album Island Of Echoes will be coming out on September 18 and they’ve booked a hometown record release show at Trinity-St. Paul’s for October 26. Fancy!

MP3: The Wilderness Of Manitoba – “Morning Sun”

The Wooden Sky have been touring their latest Every Child A Daughter, Every Moon A Sun over hill and through the dale since its release back in February, and they’re bringing it back home for a show at The Phoenix on December 1, tickets $17.50.

MP3: The Wooden Sky – “Child Of The Valley”

Andrew Scott of Sloan lists his five favourite records of the past two decades for CBC Music. Their super-deluxe Twice Removed reissue arrives September 4.

Exclaim has some details on the next album/project/thing from Yamantaka/Sonic Titan. The 33 // 渦 rock opera will debut at Pop Montreal on September 21; no details on encore performances more local to here or a recording release, but we can hope. Their YT//ST gets a re-release on September 11.

Pitchfork talks to Grimes about the making of her latest video for “Genesis”. She plays two nights at Lee’s Palace, September 21 and 22.

How excited is Woodpigeon to be opening for Patrick Wolf on his upcoming North American tour, including September 25 at the Music Gallery? So excited that there’ll be a new, tour-only album entitled Diamonds for sale throughout the journey and they’re giving away a cover of Michael Jackson and Paul McCartney’s “Say Say Say”. That’s pretty excited.

MP3: Woodpigeon – “Say Say Say”

Talk Rock To Me chats with Paul Saulnier of PS I Love You. They play the Friday night of the Paper Bag Records 10th anniversary shows at The Great Hall, September 28.

Toronto Life has an extensive feature piece on Diamond Rings, and Macleans solicits some scholastic advice from John O for those just starting school. The new album Free Dimensional will be out on October 23 and to support that release, he will be on Letterman on October 26. That is bananas. B-a-n-a-n-a-s.

Modern Superstitions’ self-titled debut album finally has a release date – it’ll be out and about on October 23.

Shad has released a video from his recent Melancholy & The Infinite Shadness mixtape.

Video: Shad – “A Milli Vanilli”

MTV lists off some things you may not have known about Coeur de Pirate.

Moonface have a new video from With Siinai: Heartbreaking Bravery.

Video: Moonface – “I’m Not The Phoenix Yet”

They Shoot Music has a video session with Memoryhouse.

Andy WhiteOkay not the whole internet – Obama’s AMA probably did more to clog those tubes yesterday – but for a certain demographic, an interview Neil Halstead gave to MTV Hive certainly registered as a major event. Not because Neil doesn’t talk – he’s got a new solo record in Palindrome Hunches coming out on September 11, of course he’s talking – but because he addressed the topic of a potential Slowdive reunion not with denials or dismissals, but with a rather positive-sounding “It’s definitely possible at some point”.

He goes on to point out that there’s no bad blood to be overcome – three-fifths of the shoegazing/ambient trailblazers went on to a long and fruitful career as Mojave 3 following Slowdive’s dissolution in 1995 – and presumably if the stars aligned and the offer was right, it could happen. Obviously this is far from definite, but considering it seemed a non-starter for as long as Mojave 3 and his solo career have been going concerns – he’s always declined to even play Slowdive songs live in either of those contexts – it’s certainly a more open door than we’ve seen, and seeing as how he’s playing a few M3 gigs (in China!) before beginning the Palindrome Hunches promo circuit, the man can multi-task and keep his musical identities straight.

Of course, the current Mojave 3 lineup doesn’t include bassist Rachel Goswell, who largely retired from music after fighting a debilitating ear ailment a few years back. I’d be happy enough to see her back in Mojave 3, but if we’re dreaming, why not go all the way? Further, it’s been pointed out to me that Halstead has begun playing Slowdive songs live… someone call out “Alison” when he’s at The Dakota on October 8, please? Toronto was the site of the final live Slowdive show; maybe we can talk Neil into the symbolic value of making it the site of the first reunion show… Or not. Anyways. It’s something to dream about. Ideally while Souvlaki plays in the background.

There’s another, less momentous interview with Haltead at LA Music Blog and another track from Palindrome Hunches has been made available to download.

MP3: Neil Halstead – “Digging Shelters”
Video: Slowdive – “Alison”

Richard Hawley chats with State and Worksop Guardian; his latest Standing At The Sky’s Edge came out in North America this week.

Two Door Cinema Club have made their new album Beacon available to stream at NME ahead of its September 4 release date. They play The Sound Academy on October 11.

Stream: Two Door Cinema Club / Beacon

The Guardian, NPR, MTV.ca, and JAM talk to Kele Okereke of Bloc Party. They play The Danforth Music Hall on September 10 and 11.

The xx are streaming another new song from Coexist, out September 11, and aux.tv have made the cover feature on the band from their iPad magazine available online.

Stream: The xx – “Sunset”

Django Django’s self-titled debut still isn’t out in North America until September 25, but the band have got a new EP in Hail Bop ready to release back in the UK on September 4, and have made it available to stream. They play Wrongbar on September 29.

Stream: Django Django / Hail Bop

Dramatic atmospheric rock sister act 2:54, who made their local debut at NXNE, return for a date at The Horseshoe on October 22 – tickets are $14.50 in advance.

MP3: 2:54 – “The March”

That Saint Etienne show I was so excited about last week will still be happening on October 24, but has been moved from The Mod Club to The Opera House. Tickets are $28.50, go on sale today at 10AM, and sorry – still no sign of the other North American dates.

The Guardian has got some new music from Anna Calvi – not as a precursor to a new album, but a cover she recorded of a song by The Invisible from their latest album Rispah – but hey, new music from Anna Calvi.

MP3: Anna Calvi – “The Wall”

Mogwai’s Stuart Braithwaite walks The Quietus through some of his favourite albums.

DIY interviews Charli XCX.

And Pluck Your Strings has an interview with Maxïmo Park.

Clash and The Limerick Leader grab a quick word with Metronomy.

NPR welcomes Spiritualized for a World Cafe session.

DIY catches up with The Cribs at Reading & Leeds Festival.

State talks to Faris Badwan of The Horrors ahead of their appearance at Electric Picnic in Ireland.

Stefano GiovanniniIt seems counter-intuitive to not look forward to hearing an artist’s first album of new material in half a decade – the follow-up to arguably her best work, no less – but then things are rarely straightforward when you’re talking about Cat Power. With all respect to those who’d bestow the honour on You Are Free or Moon Pix, but The Greatest was as good as its title as far as I was concerned. It may not have been as musically adventurous or emotionally bare as some of her other works, but I found the document of an artist trying something new with the Memphis soul style and sounding so in her element irresistible.

So why fear for the follow-up? Well, there was 2008’s Jukebox, which took the aesthetic of The Greatest and applied it to a selection of classic songs and somehow ended up feeling utterly bloodless, with Chan Marshall seemingly falling into the diva trap of now being an impressive voice overemoting the words of others; it was like the feeling of comfort that permeated The Greatest had turned into complacency. Further, while the two shows I saw in 2006 in support of The Greatest were, with a few hiccups, outstanding shows that seemed to put Marshall’s reputation as a shaky live bet to bed, her appearance at the 2007 Rogers Picnic was uneven and uncomfortable and while she was certainly more together at Matador at 21 in 2010, that set didn’t really point to her leaving her Dirty Delta comfort zone anytime soon. In other words, my greatest fear for Sun, promised as far back as 2007 but only arriving next Tuesday, would that it would be an overworked, underwhelming rock’n’soul pastiche that showcased Marshall’s voice but shortchanged her songwriting. And I didn’t want to hear that happen.

Well as it turns out, there was nothing to fear. Nothing. At. All. Marshall’s soulful rasp is as rich as it ever was, but there’s little trace of the gospel-blues singer that she wore a little too well. Sun is a wildly eclectic record, and even those who’ve kept up with Cat Power through her various creative phases may be taken aback by the introduction of electronic textures, programmed beats, and even some autotuning effects, but no one would dare dismiss this as genre tourism. It’s more as if Cat Power has been captured through a prism and refracted into a spectrum of musical colours – perhaps new and unfamiliar when taken in bits, but all still very much parts of the whole.

As tempting as it would be to make the new sonic direction the story of the record, or dwell on the remarkable fact that it was not only self-produced but that Marshall played virtually every instrument on the record, to do so would be to not focus on the most crucial aspect of Sun and that the songs are fantastic. The frailties of her early work have given way to a swaggering confidence that permeates everything; Marshall is focused, confident, and not only willing to take on anything, but determined to succeed. A closer examination of the lyrics reveals as much emotional honesty as she’s ever offered – after all, you can’t raise the sun without casting some shadows – but the darkness only adds depth, it never defines. Sun is an astonishing statement from Chan Marshall that shows that rather than banish the demons of her earlier work as The Greatest might have inferred, she’s utterly made them her bitches and put them to work.

The New York Times, News.com.au, and Spin have feature pieces on Cat Power and NPR is streaming Sun ahead of its release next week. She plays The Kool Haus on October 20.

MP3: Cat Power – “Cherokee”
MP3: Cat Power – “Ruin”
Stream: Cat Power / Sun

Another stellar effort from a veteran performer out next week is Silver Age from Bob Mould; it’s also now available to stream along with an interview at Rolling Stone. The first video from said record also surfaced last week.

Video: Bob Mould – “The Descent”
Stream: Bob Mould / Silver Age

To mark the release of the Divine Fits debut long-player A Thing Called Divine Fits this week, there’s feature interviews with Britt Daniel and/or Dan Boeckner at Consequence Of Sound, The 405, Interview, 680 News, Seattle Weekly, Pitchfork, The AV Club, and The National Post. Divine Fits play Lee’s Palace on September 5.

Also out this week was Nocturne, the second album from Wild Nothing. Accompanying that were features at eMusic, The Fader, Clash, DIY, Austinist, The Line Of Best Fit, and Paste. They’re at The Great Hall on September 18.

A goodly number of show announcements to get through. We’ll start with The Killers, because statistically speaking some of you must be fans, just as some of your must be human and others dancer. Their new record Battle Born is out September 18 and they’re at The Sound Academy on September 22, tickets $54.50. That seems undersized for them so I figure this counts as the “intimate club gig” before they return in a few months at the arena level.

Video: The Killers – “Runaways”

Presumably having sorted themselves out following the departure of bassist Jen Turner, Here We Go Magic will be at The Garrison on September 23 as part of a tour support of their latest record A Different Ship. Tickets for that are $12.50 in advance. Spin has a feature on the band.

MP3: Here We Go Magic – “Casual”

Having been through for festivals and as support, Exitmusic finally have their own proper headlining show in support of their debut Passage. They’re at The Horseshoe on October 1, tickets $10.50.

MP3: Exitmusic – “The Sea”

Californian psych-poppers Woods will have a new record in Bend Beyond out on September 18, and they’d like to play some of it for you. Be at The Garrison on October 2 if you’ld like that too; tickets are $12.50 in advance.

MP3: Woods – “Wind Was The Wine”

There’s no measure by which this isn’t a strange tour, but it must make sense to someone. That’d be The Psychedelic Furs, The Lemonheads, and Juliana Hatfield, who will also be reprising her Ray-era bass duties in The Lemonheads. She’ll sort of have a new record to push in her self-titled cover album, a sort of companion piece to The Lemonheads’ last release, the all-cover Varshons. Wouldn’t it be weird if both their sets were all covers? Or maybe all Psychedelic Furs covers? Yeah I have no idea what this is, besides at The Danforth Music Hall on October 16. Ticket info still forthcoming.

Video: The Psychedelic Furs – “Love My Way”
Video: The Lemonheads – “It’s A Shame About Ray”
Video: Juliana Hatfield Three – “My Sister”

They are from Brooklyn, they are seventeen members strong, they are disco, they are Escort, their 2011 debut album was also Escort, I hear they were awesome at SXSW, and they’re at The Horseshoe on November 10. Tickets are $16.50 – that’s less than a dollar a band member!

MP3: Escort – “Starlight”

Yellow Ostrich are at The Garrison on November 12 in support of their second album Strange Land. $12 gets you in the door, full dates at Plug In Music.

MP3: Yellow Ostrich – “The Shakedown”

San Diego’s Pinback return with their first album in five years in Information Retrieved, and are touring in support. Said tour wraps up at Lee’s Palace on November 21, tickets $16.50.

MP3: Pinback – “From Nothing To Nowhere”

Rolling Stone has premiered the surprisingly dark new video from Bob Dylan’s forthcoming Tempest. It’s out September 11 and the man hits the Air Canada Centre on November 14.

Video: Bob Dylan – “Duquesne Whistle”

Exclaimtalks to Lou Barlow about the new Dinosaur Jr album I Bet On Sky, out September 18. They play three nights at Lee’s Palace from September 24 to 26.

The first video from Band Of Horses’ forthcoming Mirage Rock is now available to watch. It’s out September 18.

Video: Band Of Horses – “Knock Knock”

Stereogum chats with John Darnielle of The Mountain Goats. Their new record Transcendental Youth is out October 2, they play The Phoenix on October 20.

Benjamin Gibbard – you may know him as just Ben – has released the first sample of his forthcoming solo record Former Lives, out October 16. He plays The Danforth Music Hall on October 14.

MP3: Benjamin Gibbard – “Teardrop Windows”

Exclaim has details on a new release from Andrew Bird, a companion piece to this year’s Break It Yourself. Hands Of Glory is out October 30.

Sleigh Bells’ Reign Of Terror has yielded another new video.

Video: Sleigh Bells – “End Of The Line”

NPR welcomes Beachwood Sparks for a video session. LA Weekly also has a feature on the band.

The Rock & Roll Hall Of Fame, SF Weekly, The Pitch, Colorado Daily, and Boulder Weekly have interviews with Sharon Van Etten.

KnotanArtists lose record deals; it happens all the time. But when it happens to an international artist and rather than find a new deal, they disappear off your radar entirely, well that’s just a shame. Swedish singer-songwriter Frida Hyvönen was represented by Secretly Canadian for her first two albums, 2005’s Until Death Comes and 2008’s Silence Is Wild, but after that they parted ways and as such, the release of her third pop album To The Soul back in April escaped my notice completely.

Which is a shame, because I quite liked both of Hyvönen’s other releases (the above ‘pop’ distinction is necessary because her two albums under the Frida Hyvönen gives you: marque are soundtracks for a poodle-inspired dance recital and photographic exhibition and outside the scope of my experience). Death was a more skeletal affair, built largely around Hyvönen’s voice, piano, and idiosyncratic worldview, but when she toured behind it in Spring 2007, it was perfectly suited for her to perform solo, showcasing both her musical talents and genuinely eccentric personality. Silence, in comparison, filled out her sound with both bigger pop numbers and more pointedly personal compositions and I’m genuinely disappointed that she didn’t come back on tour with it – I would have loved to hear “London!” and “Dirty Dancing” live.

That disappointment pales to having to not hearing the follow-up until some four months after it was released not just because I couldn’t find a copy, but because I didn’t even know it existed. To The Soul continues the trajectory marked by the previous two data points in Hyvönen’s discography, taking her songwriting into sonically and emotionally richer territory while she’s arguably never been in finer voice. There’s more variety between her jaunty pop and sweeping ballads, as she swaps piano for synth textures on the New Wave-y “Terribly Dark” and enlists orchestral assistance on the dramatic “In Every Crowd”. Most striking about Soul is how the sort of material which was presented as grandiose pop on Silence has evolved to become almost theatrical in scale; it’s no stretch to imagine “Saying Goodbye” or “Gold” as a show-stopper in a Broadway production, and it’s not just in the presentation – the songs are just that big. The only bigger shame than the fact that the album is only available in North America via iTunes is that people probably don’t even know that much. So if you’re any kind of Hyvönen fan, know that To The Soul is out there and that it’s worth the hunt.

PSL has a video session with Hyvönen. Yes, it’s in Swedish.

Video: Frida Hyvönen – “Terribly Dark”

Pitchfork has details on Pale Fire, the finally-confirmed new record from El Perro Del Mar Pale Fire. It’s out November 13, a new single is available to stream, and tour dates are apparently forthcoming. Huzzah.

Stream: El Perro Del Mar – “Walk On By”

For Folk’s Sake talks to Anna Ternheim about her new record The Night Visitor.

The Alternate Side has a session with Niki & The Dove, with whom DIY caught a word with at Reading & Leeds Festival. They play the slightly smaller Drake Underground on October 2.

Jens Lekman talks to MTV, Playground, and The Sydney Morning Herald about his glorious new album I Know What Love Isn’t, out September 4 and arguably his best record yet. Yes, better than those other ones you love so much. Don’t believe me? The Quietus is streaming the whole thing right now. He plays The Phoenix on October 4. And if you need a refresher as to why all of Lekman’s records are so good, Paste has compiled a list of his best lyrical turns of phrase.

MP3: Jens Lekman – “Erica America”
Stream: Jens Lekman / I Know What Love Isn’t

NPR has a World Cafe session with The Tallest Man On Earth.

The Hives have released a new video from Lex Hives.

Video: The Hives – “Wait A Minute”

Denmark’s Choir Of Young Believers will be at The Drake on October 22 supporting Daughter. Their latest Rhine Gold came out back in March. Full tour dates at BrooklynVegan.

MP3: Choir Of Young Believers – “Sedated”
MP3: Choir Of Young Believers – “Patricia’s Thirst”
MP3: Choir Of Young Believers – “Nye Nummber Et”

Danish disco outfit The Asteroids Galaxy Tour return to a North American orbit for a show at The Danforth Music Hall on November 5, tickets $20. Their second album Out Of Frequency came out back in January.

MP3: The Asteroids Galaxy Tour – “Major”
MP3: The Asteroids Galaxy Tour – “Around The Bend”

DIY has a video session with Of Monsters & Men, and DigitalSpy, The Bay Bridged, Tone Deaf, and The Guardian have interviews.

German ambient-electronic duo Mouse On Mars will be at Lee’s Palace on October 19 in support of their new EP Wow, even though it’s not out until November 2. Tickets for that are $15.

Video: Mouse On Mars – “They Know Your Name”

Daytrotter has a session with The Jezabels, in town at The Mod Club on October 24.

The Los Angeles Times and Rolling Stone talk to Nick Cave about writing and scoring the film Lawless.

Frank YangWe’ve certainly come a long way since late Summer, 2009 when Diamond Rings was that curious synth-pop side-project from the guy who fronted local garage-rock fixtures The D’Urbervilles (now Matters). That infectious Summer song turned into a breakout debut album in Special Affections that would take John O’Regan, his guitar and laptop and unicorn tapestry, on a glitter-and-eyeshadow-fuelled journey around the world. Quite a tale, and one that had many anxious for the sequel.

That part the second officially arrives with the release of Free Dimensional on October 23, but a small audience of industry types and fans got a sneak preview last Thursday night at the Drake Underground with a showcase that wrapped up a short US tour to road-test the new material and band. Yes, that’s right – the days of Diamond Rings being just O’Regan juggling guitar, vocal, laptop, and dance duties are a thing of the past as he’s recruited a backing band and dressed them up in matching caps, jackets, and sunglasses. The move may dismay those who loved the resolutely DIY solo setup, but it was the logical thing to do – being forced to restrict his songwriting to what he could reasonable recreate onstage on his own would have been creatively limiting and there really doesn’t exist a live act that’s not better with a full band. Fact.

O’Regan really benefitted from being freed up to fully inhabit the frontman role and decked out in an impressively shiny white leather jacket and matching jeans – oh the things you can buy with major label money – was all choreography, guitar riffs, and audience invasions – it might have been a bit familiar to those of us who’d seen The D’Urbs live, but in the Diamond Rings context made for a solid step up in live presentation. Also familiar to D’Uberville followers was Tim Bruton on guitar, though his crossover status was only a temporary one as O’Regan mentioned this would be his last gig with the band. One expects that someone else will don his coat, cap, and shades, though, because in addition to taking some of the workload off of O’Regan’s generously-padded shoulders, they really made the new material sound good – perhaps more conventional with the guitar, synth, and (electronic) drums setup, but more immediate and engaging.

Hearing how the Special Affections material would sound so arranged would have to wait for a more conventional show, as their half-hour set was all about previewing Free Dimensional. And while Diamond Rings fans who were won over by his distinctive baritone, future-first style, and danceable anthems are well attended to, long-time fans might be pleasantly surprised how much O’Regan allows his rock roots – impeccably coiffed and styled they might be – to show. At its best moments, which proudly echo the likes of Pet Shop Boys or New Order in their shine and sparkle, songs like “Runaway Love” and “I’m Just Me” make you wonder what The D’Urbs might have sounded like had O’Regan brought them along on his glam-synth journey rather than taking it solo. We might yet find out, as Matters is still technically an ongoing concern, but it’s hard to imagine O’Regan being able to trade in his Diamond Rings outfits back in for the plaid shirt and Jays cap too soon.

Diamond Rings has another local appearance on September 9 at the Sony Centre as part of Elton John’s Fashion Cares extravaganza, but those waiting for a regular, proper show will have to wait until they’re done supporting Stars across the US in September and October, but the fact that those dates wrap up right before the new record comes out can’t be a coincidence. Hometown record release show, anyone?

Exclaim was also on hand (and enjoying the hors d’oeurves), The Globe & Mail and Seattle Weekly have interviews and Boing Boing just made one of the songs from the new record available to download.

Photos: Diamond Rings @ The Drake Underground – August 23, 2012
MP3: Diamond Rings – “I’m Just Me”
MP3: Diamond Rings – “Mellow Doubt”
MP3: Diamond Rings – “Something Else”
MP3: Diamond Rings – “Wait And See”
MP3: Diamond Rings – “All Yr Songs”
Video: Diamond Rings – “I’m Just Me”
Video: Diamond Rings – “You And Me”
Video: Diamond Rings – “Something Else”
Video: Diamond Rings – “Show Me Your Stuff”
Video: Diamond Rings – “Wait & See”
Video: Diamond Rings – “All Yr Songs”

Speaking of Stars, their new album The North is up to stream over at NPR. It’s out September 4 and they open up for Metric at The Air Canada Centre on November 24.

MP3: Stars – “Hold On When You Get Love And Let Go When You Give It”
MP3: Stars – “The Theory Of Relativity”
Stream: Stars / The North

Pitchfork talks to A.C. Newman about his new solo record Shut Down The Streets. It’s out October 9 and he plays Lee’s Palace on October 21.

Spinner chats with Dan Mangan and The Calgary Herald talks to Nils Edenloff of The Rural Alberta Advantage. The two of them play The Danforth Music Hall on October 25.

Halfway House has a video session with Patrick Watson, back in town at Massey Hall on December 6.

Rolling Stone compiles what is known about the next Neil Young & Crazy Horse album Psychedelic Pill, which is due out sometime in October. They are at The Air Canada Centre on November 24.

And not that you should need extra incentive to support HeroHill in his Ride To Conquer Cancer, but the good people at New Scotland Records are giving away to one donor a prize pack consisting of their full label catalog on CD *and* vinyl and with everything that Joel Plaskett is involved in autographed by the man himself. It’s a hell of a prize and oh yeah, you’re also helping fight cancer. You know, cancer. That thing that sucks incredibly hard.