Eliot HazelDays like yesterday are kind of my favourite. Those are the days where the inbox/RSS/Twitter feed is like a non-stop barrage of concert announcements and they’re great because not only do they put interesting things on my calendar to look forward to, but they also make the next day’s blog post an easy one.

Of all the announcements to come down the pipe, the one that I’m most pleased about is that Swedish electro duo Niki & The Dove will be at The Drake Underground on October 2, tickets $15 in advance. I had originally been disappointed that their first proper North American tour supporting Twin Shadow didn’t include his two nights at Lee’s Palace at the end of July, but they tacked on a handful of headlining dates after that tour wrapped including Toronto. I’m a bit surprised about the size of the venue – having seen them at both Iceland Airwaves last Fall and at SXSW this Spring, their stardom seemed assured and considering those dates were coming a good while after the August 7 release of their debut Instinct, I would think that the buzz would demand a decidedly larger room.

All of which is to say that when tickets go on sale this Friday, if you’re at all interested in seeing this band – which you should be – you should get on tickets quick.

MP3: Niki & The Dove – “Tomorrow”
MP3: Niki & The Dove – “Mother Protect”
MP3: Niki & The Dove – “The Drummer”

Also confirmed rolling through the 416 in the last few days, in chronological order:

Peppy Louisiana five-piece Givers, who had one of the songs of the Summer last year with “Up Up Up” hope that their debut In Light has the legs to keep toes tapping through another Summer tour. They’re at The Drake on July 31, tickets $10.50 in advance.

MP3: Givers – “Up Up Up”

Echo Beach is a far, far cry from the intimate environs of The Drake Underground where Perfume Genius played in April, but the sum beauty that the pairing of him and Sigur Rós could bring to the waterfront gives me goosebumps just thinking about it. They open for the Icelanders there on August 1, one of four dates they’re doing with them.

MP3: Perfume Genius – “Hood”
MP3: Perfume Genius – “Dark Parts”

I had thought that Franco-Finnish duo The Dø might be giving us a pass in support of their latest album Both Ways Open Jaws – it came out in November and they hadn’t been through since September 2010, but they’ve just taken their time getting around to it. They’ll be at Lee’s Palace on August 3, tickets $15 in advance.

MP3: The Dø – “Slippery Slope”

With their new, self-titled album out today, Australia’s Temper Trap have made a date at The Phoenix for August 7 since they’ll be over this way for Lollapalooza anyways. Tickets for that are $26.50 in advance. There’s interviews with the band at MySpace and FasterLouder.

Video: The Temper Trap – “Trembling Hands”

San Franciscan country/garage-pop – maybe barn-pop? – outfit Sonny & The Sunsets have put together a Summer tour in support of their new record Longtime Companion, out June 26. They’re at The Silver Dollar on August 11, tickets $11.50.

MP3: Sonny & The Sunsets – “Pretend You Love Me”
MP3: Sonny & The Sunsets – “I See The Void”

Having made his name with The Frames and The Swell Season (and The Commitments, but we don’t talk about that), Glen Hansard is looking to do the same for Glen Hansard. His solo debut Rhythm & Repose is out June 16 and he’s put together a North American tour that brings him to The Music Hall on September 16; tickets range from $25.50 to $35 in advance. There’s chats with Hansard at Spinner and Exclaim.

Video: Glen Hansard – “Philander”
Video: Glen Hansard – “Love Don’t Leave Me Waiting”

Los Angeles art-rock weirdos Ariel Pink’s Haunted Graffiti have yet to formally announce their follow up to 2010’s Before Today, but that they’ve announced a Fall tour that includes a September 19 date at Lee’s Palace – tickets $20 – implies that it’s not far off.

MP3: Ariel Pink’s Haunted Graffiti – “Round And Round”

Chairlift are coming back to town for Something and they’ve graduated from The Horseshoe to The Molson Amphitheatre! Of course, it’s in support of Gotye, whom you may know from that one song and whom you won’t remember in a year, but still. That’s September 20, and I suspect if you sit tight there’ll be a lot of tickets made available super-cheap in the days leading up to the show. PopMatters has a feature on the Brooklyn band.

MP3: Chairlift – “I Belong In Your Arms”
MP3: Chairlift – “Cool As A Fire”

Though they released the Into The Night EP this Spring as a stopgap, The Raveonettes also have a new album in the works and some Fall tour dates to go with it. They’ll be at The Phoenix on October 2, tickets $18.50.

MP3: The Raveonettes – “Into The Night”

Punk rock veterans Social Distortion have announced a Fall tour that brings them to the Sound Academy on October 20.

Video: Social Distortion – “Machine Gun Blues”

With their Americana album of traditional folk songs grunged the hell up out today, Neil Young & Crazy Horse decided it’s as good a time as any to announce their Fall tour in support of it. They’ll be at The Air Canada Centre on November 19 with Los Lobos as support, tickets on sale June 15. Pricing still not announced but odds are it won’t be cheap; it never is and yet it’s always worth it. Rolling Stone talks to Neil to find out why it’s Crazy Horse and not Buffalo Springfield.

Video: Neil Young & Crazy Horse – “God Save The Queen”

Frank YangI’m sure that the timing was just coincidence, but if Friday night’s Wavelength show at the Buddhist temple at 918 Bathurst featuring Bry Webb and Del Bel was meant as a last-minute bit of lobbying for my Polaris Prize ballot – long-list voting had opened that day – then I salute them. Well played. Though I’ve had a year to mull it over, there was very little actually locked down on my list of the top five Canadian “albums of the highest artistic integrity, without regard to musical genre, professional affiliation, or sales history”, and both Webb’s Provider and Del Bel’s Oneric were very much in the running.

I’d seen Del Bel at another Wavelength in January and Webb’s record release show in February, and while the live show is not supposed to have any bearing on the nomination process, this wasn’t going to hurt with keeping them front of mind. But this show was intended to mark Del Bel’s return from a couple weeks of Canadian touring and celebrate the release of their new single – a collaboration with Webb – and not to squeeze their way onto any Polaris ballots at the 11th hour. I think.

Del Bel’s set was structurally quite similar to the one in January – Webb’s guesting on the new single “No Cure For Loneliness” was obviously different – but better from the band’s point of view for having been road-tested the past weeks and better from mine for having had many more months to spend with Oneric. Some combination of the two points – probably more the latter – made it much easier to extract and appreciate the songs from their atmospheric cinematic-noir style, and as far as the performance went, the shifts in mood felt more natural and dextrous than before and while singer Lisa Conway still preferred to stand behind her bandmates while she sang, she had less of a wallflower air about her this time out, coming across more mysterious than just shy. Touring: it does a band good.

I don’t think Bry Webb has taken his band out on the road for any extended jaunts since Provider came out, but with over a decade of fronting Constantines before they went on hiatus to his name, he hardly needs the practice of getting in front of an audience. If there was an immediate difference between this night’s show and the one at the Music Gallery in the Winter, it was that Webb had found his guitar strap and was playing standing up although it still wouldn’t mean forays into the audience – electrical noise on stage kept him fairly rooted to one spot to avoid interference. It also featured a few new songs to augment the Provider material but the enlistment of Del Bel’s horns and drummer for a good portion of the set really gave things an extra kick to augment the more solemn, low-key tone of the material. And while Webb’s solo material exists a good distance from what the Constantines were about, there was a taste of the old band’s fire when Webb stepped up for a righteous lead break on “Low Life” which he dedicated to former bandmate Will Kidman. On the other hand, it was impossible to imagine the Cons covering Seals & Croft’s “Summer Breeze” as Webb and seven-ninths of Del Bel (two of whom, it should be noted, are also full-time Providers) did to end their main set.

There’s little question that Oneric and Provider are two of the finest releases to come out of Toronto/southern Ontario in the past year; this evening was strong proof of that. But would that be enough to get them on the Polaris long-list, short-lists, or my ballot for either? To the first two, I’ve no idea and to the last, well we’ll just have to wait and see.

NOW had both a preview piece on Del Bel for the show and a review of the show; Singing Lamb and BlogTO were also in attendance.

Photos: Bry Webb, Del Bel @ 918 Bathurst – June 1, 2012
MP3: Bry Webb – “Rivers Of Gold”
MP3: Del Bel with Bry Webb – “No Cure For Loneliness”
Stream: Del Bel / Oneric

NPR is streaming a short film that Neil Young has made to coincide with the release of his new album with Crazy Horse Americana, out this week.

The June 12 release date of Synthetica not far off, Metric is ramping up the media cycle with a complete stream of the new record, a cover story in this month’s Exclaim, and a fans-only show on the day of release at The Opera House; details on how to win tickets will be available by hanging out on the band’s various social media sites.

Stream: Metric / Synthetica

Spinner and The Winnipeg Free Press talk to Japandroids about not breaking up. They’re at Lee’s Palace on June 23.

Willamette Weekly and San Francisco Bay Guardian chat briefly with Dan Bejar of Destroyer, whose previously Record Store Day-only vinyl edition of Destroyer’s Rubies is now available for anyone/everyone to own and spin.

Grimes has made another MP3 from her breakout album Visions available to download; she’s at Historic Fort York as part of the Full Flex Express on July 13.

MP3: Grimes – “Circumambient”

And speaking of shows at Fort York, I’ve made some jokes about how Toronto seems to be commemorating the bicentennial of the War Of 1812 with nothing but raves, but there’s now something a little more musically patriotic and family-friendly happening to mark the anniversary. On July 14, The Garrison Commons at Fort York will host a free show featuring performances from Sarah Harmer, Shad, The Rural Alberta Advantage, and Alex Cuba. Specifics are still forthcoming so keeping up with the Facebook page probably isn’t a bad idea.

MP3: Shad – “Rose Garden”
MP3: The Rural Alberta Advantage – “Stamp”
Video: Sarah Harmer – “Almost”
Video: Alex Cuba – “Cabello”

Macleans talks to Don Pyle about the Shadowy Men On A Shadowy Planet reunion, which hits Lee’s Palace on July 14.

Exclaim and The Grid have feature pieces on Cold Specks and Exclaim also ups the ante with a video session. Cold Specks are at The Great Hall on August 8.

Daytrotter has a session and NOW and interview with Great Lake Swimmers, who will be at The Molson Amphitheatre on August 18 opening up for Blue Rodeo.

Leonard Cohen has added a second Toronto show at the Air Canada Centre for December 5, to go along with the December 4 one that is just about sold out now. Tickets range from $72.50 to $250 plus fees. And while you mull that over, check out Clash‘s liste of ten things you didn’t know about Lenny.

Their show at The Music Hall sold out and in the books, Patrick Watson has announced another Toronto date for December 6 at Massey Hall with The Barr Brothers supporting; tickets are $24.50 to $35.00 plus fees, on sale now. NPR also has a Tiny Desk Concert, PostCity and interview, and a second MP3 from Adventures In Your Own Backyard has been made available to download.

MP3: Patrick Watson – “Words In The Fire”

BlogTO has the full lineup of this year’s Open Roof Festival, which pairs bands and movies for a night under the stars at the Amsterdam Brewery all Summer. You’ve got bands like Army Girls, Bruce Peninsula, and The Magic and films like Moonrise Kingdom, Charles Bradley: Soul of America, and Indie Game: The Movie – a bad time can’t be had (okay it can but it shouldn’t). Tickets for each night are $15.

Young Galaxy are releasing a new 7″ single tomorrow and the B-side is available to download courtesy of Stereogum. And if you liked what they accomplished on Shapeshifter working with producer Dan Lissvik electronically across the ocean, imagine what they could do working directly with him in the studio. If you’d like the see that happen, the band would like you to help out.

MP3: Young Galaxy – “Youth Is Wasted On The Young”

77 Square, Pioneer Press, City Pages, Isthmus, and Columbus Alive talk to Feist.

AmazonIt’s always amused me the amount of hand-wringing there seems to occur here in North America over the use of the word “independent” – or “indie”, as the kids say – as a musical adjective and/or genre while over in the UK, its been accepted as a legitimate descriptor for decades, even to the point of there existing compilation albums dedicated to celebrating its endurance. That was ostensibly the mandate of Independents Day: ID08, released in 2008 and featuring one disc of covers with current independent artists covering their forbears and a second featuring recommendations of up and coming acts by those same artists. Kind of a multi-generational group hug thing,

One of the participating artists was Newcastle’s Maxïmo Park, who chose to pay homage to one of Australia’s greatest pop bands in The Go-Betweens. They don’t mix it up too much, only goosing the tempo and tension to more Maxïmo-friendly levels and transferring Amanda Brown’s violin solo to synths, but the original is such a great tune that to try and tweak it too much would only result in a poorer version – I suspect the band knew this. Or they were just being lazy.

After a few years’ break, Maxïmo Park return with their fourth album The National Health next week. The Go-Betweens ceased being a band with the untimely death of singer-guitarist Grant McLennan just over six years ago. Co-founder Robert Forster continues on as a solo artist; his last solo record The Evangelist was released in 2008.

And if you were curious, the band that Maxïmo Park recommended on the second disc of the comp was Cougar.

MP3: Maxïmo Park – “Was There Anything I Could Do?”
Video: The Go-Betweens – “Was There Anything I Could Do?”

FacebookWho: Deer Tick
What: Rhode Islanders led by John McCauley arguably as well-known for their all-Nirvana covers sets as “Deervana” as their alcohol-friendly, roots-rocking ways
Why: With this being an election year, they’re doing their democratic duty to hit the road and stump for life, liberty, and their fourth album Divine Providence,
When: Monday, June 11, 2012
Where: Lee’s Palace in Toronto (19+)
Who else: Nashville’s Turbo Fruits are supporting on this tour.
How: Tickets for the show are $22.50 in advance but courtesy of Collective Concerts, I’ve got one pair of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see Deer Tick” in the subject line and your full name in the body, and have that in to me before midnight, June 7.
What else: A cross-Canada tour brings the band into conversation with The Calgary Herald, The Saskatoon Star-Phoenix, Edmonton Metro, Edmonton Sun, and Planet S.

MP3: Deer Tick – “Born At Zero”
MP3: Deer Tick – “Miss K”
MP3: Deer Tick – “Twenty Miles”

Frank YangWho: Zeus
What: Toronto quartet who want to be to ’70s-styled pop-rock what their namesake is to lightning.
Why: Though they played a raucous club set just ahead of the release of their second album during Canadian Musicfest, they’ve not had a hometown show since Busting Visions was set upon the world. That changes now.
When: Saturday, June 9, 2012
Where: The Phoenix Concert Theatre in Toronto (19+)
Who else: It’s a Canadian power-pop jamberoo with support coming from Two Hours Traffic and The Elwins.
How: Tickets for the show are $16 in advance but courtesy of Collective Concerts, I’ve got one pair of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see Zeus” in the subject line and your full name in the body, and have that in to me before midnight, June 7.
What else: There’s interviews with the band at Planet S, Uptown, and The Victoria Times Colonist and NPR has a World Cafe session to listen to.

MP3: Zeus – “Anything You Want Dear”