FacebookOn paper, London’s Big Deal doesn’t really bring a lot to the table. Two guitars – one acoustic, one electric – and two voices – one American male, one English female – and that’s about it. There’s not much in the way of virtuosity in the former and neither Kacey Underwood or Alice Costelloe’s vocals would stop anyone in their tracks either alone or in harmony. To hear it described, you’d be forgiven for expecting it to lean towards being rather conventional and/or pedestrian.

And yet their debut album Lights Out carries with it enough ineffable magic to demand you take notice, despite being rather determinedly low key. Some of that could be attributed to the duo’s backstory, assuming you know it (late-twenties Underwood taught the teenage Costelloe to play Sonic Youth and Dinosaur Jr on guitar and they ended up forming a band) and the questions about whether their relationship is strictly friends and bandmates or something more (a Guardian interview from last Summer rather firmly dismisses that speculation), but even without any of that colouring things, Lights Out is much more than the sum of its parts.

Both singers possess a certain intrinsic yearning and weariness to their voices that’s particularly effective for the lyrics that hint at (or even overtly reference if metaphorically) a bare, emotional intimacy. Combine that with the warm, wooly sonic blanket that’s created by Underwood’s lightly fuzzy electric guitar and Costelloe’s strummed acoustic – capable of switching to delicately interwoven guitar lines or rocking distorted leads for for punctuation – and out of these basic ingredients come a dozen tracks that don’t range too far apart but instead do their work by drawing you right in. Their band name might be a bit tongue-in-cheek but don’t underestimate for a minute how much Big Deal have to offer.

Lights Out is out on Tuesday. The Guardian declared them “New Band Of The Day” a couple of weeks ago.

MP3: Big Deal – “Chair”
Stream: Big Deal – “Homework”
Video: Big Deal – “Distant Neighbourhood”
Video: Big Deal – “Chair”
Video: Big Deal – “Homework”

NPR has a session and interview with Elbow recorded at WFUV, while Noise11 talks to bassist Pete Turner about their anthem for the 2012 London Olympics.

Loud & Quiet acts as an intermediary for Ghostpoet to interview The Big Pink.

Check out a session video by Beth Jeans Houghton, whose Yours Truly, Cellophane Nose comes out February 28.

Video: Beth Jeans Houghton & The Hooves of Destiny – “Sweet Tooth Bird” (Lightship Session)

The Yorkshire Evening Post and The Courier-Mail talk to Noel Gallagher.

NOW ran an interview with Los Campesinos! ahead of this weekend’s two-night stand at Lee’s Palace.

Music News interviews James Graham of The Twilight Sad. No One Can Ever Know is out February 7 and they’re at Lee’s Palace February 29.

The Alternate Side has posted a video session and interview with Loney Dear.

DIY and NPR mark this week’s release of The Lion’s Roar by running interviews with First Aid Kit. They play The Great Hall on April 4.

Swedish electro-pop outfit Miike Snow have made a May 1 date at The Sound Academy in support of their forthcoming album Happy To You, out March 27. The first single is available to stream over at Spin.

Stream: Miike Snow – “Paddling Out”

Interview gets to know Iceland’s next great pop hope, Of Monsters & Men.

Filter marks their ten-year anniversary by reaching back into their archives for a 2002 vintage interview with Bjork.

And while on the topic of things Icelandic, check out this mini-documentary film on Iceland Airwaves. I actually think I watched a version of this on the plane on the way back from last year’s festival, but they’ve since spliced in footage from 2011. And I may even see myself at 7:00… In any case, watch it and then make plans to go. You know you want to.

Video: Iceland Airwaves – a Rockumentary

War ChildWhen The Hold Steady get likened to Bruce Springsteen & The E Street Band, it’s usually in reference to the big, raucous, arena-sized bar-rock that the latter invented and the former aspire to. So it kind of made sense that the two would be paired up for the 2009 War Child: Heroes benefit compilation wherein artists covered their inspirations, but the song selection was a bit curious. “Atlantic City” comes from Springsteen’s 1982 record Nebraska and being a solo-billed album with a stark, acoustic presentation it doesn’t feature Springsteen’s usual backing band doing what they do. Not that that stopped The Hold Steady from pretending they were on their redo, doing it up big with piano and sax and all those E Street accoutrements.

Hold Steady frontman Craig Finn’s solo debut Clear Heart Full Eyes comes out this week and it doesn’t go quite as far as Springsteen did with Nebraska in switching things up from the expected, it’s a leaner, darker work as well. And just this week, Springsteen announced the March 6 release of his new record Wrecking Ball; Rolling Stone has details on that while DIY and The New York Times have feature pieces on Craig Finn. And oh, a new Hold Steady record is also in the works.

MP3: The Hold Steady – “Atlantic City”
Video: Bruce Springsteen – “Atlantic City”

Shervin LainezWho: Jukebox The Ghost
What: Philly-based, fun-infused, power-pop trio whose last album was Everything Under The Sun.
Why: They’re a little ways removed from the release of their second album, but getting invited along to open up and road-test new material is rarely a bad thing. So they’re doing that.
When: Tuesday, January 31, 2012
Where: The Sound Academy in Toronto (all-ages)
Who else: They’re opening up for Jack’s Mannequin on this tour.
How: Tickets for the show are $28.50 in advance but courtesy of the band, I’ve got a pair of passes to give away for the show, and also a poster. To enter, email me at contests AT chromewaves.net with “I want to Jukebox The Ghost” in the subject line and your full name and mailing address in the body. Contest closes at midnight, January 26.
What else: The band talked to PopBytes last November about their plans for album number three.

Video: Jukebox The Ghost – “Half Crazy”
Video: Jukebox The Ghost – “Schizophrenia”

Paul Valencia PIWho: Cass McCombs
What: American singer-songwriter of many accolades and no fixed address.
Why: After garnering praise for his dark and stark 2011 release Wit’s End, McCombs attempted to let a little light in with his second album of the year, Humour Risk.
When: Friday, January 27, 2012
Where: The Garrison in Toronto (19+)
Who else: Opening up are Frank Fairfield and Jennifer Castle.
How: Tickets for the show are $14.50 in advance but courtesy of Domino Records, I’ve got a pair of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see Cass McCombs” in the subject line and your full name in the body. Contest closes at midnight, January 24.
What else: College Times and The Phoenix New Times have interviews with McCombs.

MP3: Cass McCombs – “The Same Thing”
Video: Cass McCombs – “The Same Thing”

Autumn de WildeBen Gibbard’s songwriting is kind of emo/heart-on-sleeve on the best of days, so how could he ratchet up the melancholy quotient now that he’s officially Mr. Ex-Zooey Deschanel? By adding strings, of course! To be fair, Death Cab For Cutie’s just-announced Spring tour was probably in the works well before news of his break-up was announced, but it seems appropriate that the Death Cab canon will be getting performed with an extra layer of drama thanks to the contributions of San Francisco’s Magik*Magik Orchestra, who will be accompanying the band for these dates, including April 19 at Massey Hall in Toronto.

Details on the tour were announced earlier this week and the fan club presale goes today at noon, with a Friends of Massey Hall presale at 10AM on Tuesday, January 24, a Collective Concerts presale that same day at 1PM and whatever tickets are left go on sale via Ticketmaster on Saturday, January 28.

And if you were wondering, this is indeed Death Cab’s third show in Toronto in the past year, as they’ve pogoed from clubs (The Phoenix last May) to amphitheatres (The Molson Amphitheatre last July) and now a theatre – all in support of last year’s Codes & Keys.

Video: Death Cab For Cutie – “Underneath The Sycamore”
Video: Death Cab For Cutie – “Stay Young Go Dancing”
Video: Death Cab For Cutie – “Home Is A Fire”
Video: Death Cab For Cutie – “You Are A Tourist”

San Francisco’s fuzzy pop fiends Young Prisms will be at The Drake Underground on March 10, part of a Winter tour that may or may not be in support of a new record. They were last here in February 2010 supporting The Radio Dept..

MP3: Young Prisms – “Sugar”
MP3: Young Prisms – “Weekends And Treehouses”

Pitchfork has posted some news on Fleet Foxes that involve members leaving Fleet Foxes, both temporarily and permanently. Bassist Christian Wargo and and keyboardist Casey Wescott are striking out as Poor Moon with a debut EP entitled Illusion due out March 27; they’ll be in town at The Drake on April 6 supporting Lost In The Trees. And gone for good is drummer and live banter specialist J. Tillman, presumably to concentrate on his solo career. His last album was 2010’s Singing Ax.

MP3: Poor Moon – “People In Her Mind”
MP3: J. Tillman – “Three Sisters”

The Phoenix New Times checks in with John Stirratt of Wilco, while The San Diego Union-Tribune talks to Jeff Tweedy and North Country Times gets Nels Cline on the line.

NPR has posted a World Cafe session with Crooked Fingers.

Austin360 talks to John Darnielle of The Mountain Goats.

PopMatters has a sit-down with Wayne Coyne of The Flaming Lips.

Rolling Stone gets Matt Berninger’s thoughts on The National getting shortlisted (though not yet nominated) for a “Best Original Song” Academy Award. The tune, “Think You Can Wait”, came from the soundtrack for Win Win and sounds a little like this.

MP3: The National – “Think You Can Wait”

KCRW is streaming the whole of Chairlift’s new album Something. It’s out January 24 and they’re at The Horseshoe on March 28.

MP3: Chairlift – “Sidewalk Safari”
Stream: Chairlift / Something