Julia MårdYou can probably scientifically and quantitatively prove that there is nothing fresh or original about what Swede Kristian Matsson does under his stage name of The Tallest Man On Earth. He’s a folk-oriented singer-songwriter who’s armed with just an acoustic guitar and a raspy, Dylan-ish twang and in those terms, is indistinguishable from an infinite number of performers in coffee houses around the world at any given moment in time.

What sets Matsson above and apart is something more ineffable; a fine sense of melody, deft guitarwork and evocative turn of phrase, certainly, but what I like most is his enthusiastic romanticism – he’s occasionally wistful but never downbeat or morose. The cap always sits at a jaunty angle, the step always has just enough spring. It comes across well on his latest record The Wild Hunt but is so much more irresistible live – I only caught him play a short in-store at Criminal Records back on Record Store Day but it was enough to be won over by his charm and charisma as a performer, and I’m a pretty hard sell on “guy with a guitar”.

His show at the El Mocambo that evening was all kinds of sold out, but those shut out will be pleased to know that Matsson will be spending a goodly chunk of the next few months on the road – in Chicago for Pitchfork next week, but Europe the rest of the Summer before returning to North America for a continent-crossing September that includes a September 24 date at Lee’s Palace in Toronto. Support on all North American dates comes from S. Carey of Bon Iver; his solo debut All We Grow is out August 24.

MP3: The Tallest Man On Earth – “Burden Of Tomorrow”
MP3: The Tallest Man On Earth – “King Of Spain”
MP3: S. Carey – “In The Dirt”

In other concert announcement news – Scissor Sisters bring their new record Night Work out on tour and stop in at the Sound Academy on August 31; tickets $35 in advance.

Video: Scissor Sisters – “Fire With Fire”

New York’s Ratatat are also now apparently big enough to play the Sound Academy – their latest album LP4 brings them to the aforementioned venue on September 8; tickets $20 in advance.

MP3: Ratatat – “Party With Children”

Maryland’s Cotton Jones, whose new record Tall Hours In The Glowstream is out August 24, will be at the Drake on October 9 supported by Pepper Rabbit, who were just there the other night.

MP3: Cotton Jones – “Gotta Cheer Up”
MP3: Pepper Rabbit – “Red Wine”

And speaking of just here – with the Toronto Islands gig over and done, Band Of Horses are coming back to town on October 21 for a show at the Kool Haus as part of a full North American tour. Tickets are $27.50 in advance.

MP3: Band Of Horses – “Factory”

Veteran punks Social Distortion have set a date at the Kool Haus on October 23 as part of a Fall tour.

Video: Social Distortion – “I Was Wrong”

The Line Of Best Fit interviews Swedish duo jj. Awkwardness ensues.

Jonsi talks to The Quietus about his days as a Metallica fan.

Wye Oak chats with NPR; they’re at the Horseshoe on August 28.

Daytrotter has served up a session with Drive-By Truckers.

The Quietus talks to Greg Edwards of Autolux. Their Transit Transit is out August 3 and they play Lee’s Palace on August 24.

Cults, who’re at the Horseshoe on August 7 opening up for Maps & Atlases, have a new video that is awash in balloons.

Video: Cults – “Oh My God”

Ted Leo takes to the blog to address rumours circulating about his impending retirement from music.

Local Natives are featured in a Spinner Interface session and interview with Filter. They play the Mod Club on October 19.

NPR has a World Cafe session with Holly Miranda.

That Imagine Concert that was supposed to bring the spirit of the ’60s to Downsview Park this coming weekend but never announced boo about boo? It’s not dead yet. They’re now targeting Labour Day weekend to get all up in your face with peace and love – lineup and ticket details coming soon. I can’t wait.

Amanda SchenkTwo and a half weeks after announcing what a panel of unadventurous, sexist, regionally biased and indie-rockist media types had collectively decided were the 40 best Canadian albums of the past year, the Polaris Music Prize yesterday whittled said list down to a short list of ten, thus helping narrow the pool of records that everyone will complain are unworthy of recognition for the next two and a half months until a final overrated and predictably mainstream record is selected by a jury of people who are obviously pursuing their own agendas and wouldn’t know the best album in the country from a hole in the ground.

Okay, that was a bit over the top cynical but probably isn’t too far off from how some regard the prize awarded to what is deemed the Canadian album “of the highest artistic integrity”, now entering its fifth year and having gone in that time from a curious Juno upstart to an internationally recognized honour. And yeah, if so inclined you can pick holes in the prize’s methodology, jury and validity but the fact is, it’s done a pretty great job of supporting and spotlighting great Canadian artists and records over the past half decade and with this year’s list of finalists, continues to do so. Some would point to the presence of five past nominees – including two winners – on the list as proof that things are too narrow or predictable, but that’s what happens when you’ve got artists who’re at the top of their game turning out great records, and should really be cause for celebration rather than disdain.

I’ve talked at some length about many of the nominees, but haven’t really said much about Darker Circles, the latest from Canadian music veterans and first-time nominees The Sadies, and that’s probably because I’ve been following the band for so long that I pretty much take them and their awesomeness for granted now. It’s a given that they’ll tour incessantly and turn in incendiary shows every night, back up countless legendary artists on stage and on record and do it all while dressed impeccably and making it look easy. And lost in all of that is the fact that each album they’ve put out in recent years has been much more than just an excuse to tour – the brothers Good have also become excellent songwriters, making their unique psych-country-punk-surf-rock hybrid not only a showcase for their astounding musicianship, but their storytelling abilities. That Darker Circles made the short list only surprised me in that it felt like a logical progression in their growth and not a quantum leap ahead that demanded your notice, but I won’t complain either way.

That said, I still believe that Shad absolutely should and very well could win. Though if we get a repeat winner for the first time this year… I’m okay with that too.

The Polaris Prize short list for this year is as follows; a winner will be selected the evening of September 20.

The Besnard Lakes / The Besnard Lakes Are The Roaring Night
MP3: The Besnard Lakes – “Albatross”

Broken Social Scene / Forgiveness Rock Record
MP3: Broken Social Scene – “World Sick”

Caribou / Swim
MP3: Caribou – “Odessa”

Karkwa / Les Chemins De Verre
Video: Karkwa – “Moi-Lèger” (live)

Dan Mangan / Nice, Nice, Very Nice
MP3: Dan Mangan – “Robots”

Owen Pallett / Heartland
Video: Owen Pallett – “Lewis Takes His Shirt Off”

Radio Radio / Belmundo Regal
Video: Radio Radio – “Dekshoo”

The Sadies / Darker Circles
Video: The Sadies – “Postcards”

Shad / TSOL
MP3: Shad – “Yaa I Get It”

Tegan & Sara / Sainthood
Video: Tegan & Sara – “Alligator”

Chart gets inaugural prize winner Owen Pallett’s thoughts on being nominated a second time, as well as second-time nom Shad. They also talk to Dan Mangan and The Sadies about being first time short-listers.

Ca Va Cool and The Korea Times talk to Caribou’s Dan Snaith.

They Shoot Music has posted a video session with The Hidden Cameras, whose contribution to the Buffet Libre Peace compilation – a fundraiser for Amnesty International – is now available to download. They play two nights at the Lower Ossington Theatre on August 5 and 6 as part of Summerworks.

MP3: The Hidden Cameras – “The Mild Mannered Army”

Also doing the video session thing are The Acorn; they’ve got performances up at The Fly and Southern Souls.

Toronto’s Zeus have released a new ninja-powered video.

Video: Zeus – “How Does It Feel”

Blurt profiles Wolf Parade.

ABC News examines the musical and marketing stratagems of Arcade Fire, whose new record The Suburbs arrives August 3. They play the Toronto Islands on August 14.

Spinner has the album art for and tour dates in support of Land Of Talk’s new record Cloak & Cipher, out August 24. They’ll be at Lee’s Palace on September 16 and presale packages consisting of the new album on CD and concert tickets are available. There’s also a live session with the band from last Fall available to stream or download at CBC Radio 3 (talking stops and music starts at around 1:50).

Magnet has an interview with Evan Cranley of Stars as they take over their website for the week. They also play Massey Hall on October 23.

Spinner solicits opinions from various Canadian musicians on the G20 clusterfuck that went down in Toronto a couple weekends ago.

Abbey DruckerSo yes, it was a wonderful little vacation, thanks for asking. Lots of sun (maybe too much), friends (never too much), good food and not a little shopping. And since it was a long weekend on both sides of the 49th, there wasn’t a whole lot of interesting stuff showing up in the inbox but there was some, including the fact that School Of Seven Bells had begun streaming their new record Disconnect From Desire at Rolling Stone, more than a week ahead of its July 13 release date.

Its predecessor, 2008’s Alpinisms, was one of my favourites of the year with its soaring synth-gaze anchored by tribally rhythmic underpinnings, and so obviously the follow-up was on my “hotly anticipated” list. And, a few listens in, there’s no chance it will end up on my “disappointments” list. The key facets of the Seven Bells sound – which is to say the gorgeous vocals and harmonies of the Deheza sisters and the guitars of Benjamin Curtis cutting through the meticulously programmed beats and textures – are wholly intact and even more refined than on their debut, but delivered with a sleekness that was only invoked only sparingly on Alpinisms. In doing so, Disconnect sheds some of the more experimental nooks and crannies that made its predecessor an occasionally difficult listen but also gave it much of its character. Luckily, the new record has opted to trade those quirks for more melodies and hooks as well as being more overt in its 4AD-ishness and love of ’80s synth-pop, and that’s a deal I’ll accept any day. It’s too early to state conclusively, but Disconnect doesn’t seem to reach the same stratospheric heights as Alpinisms, but does maintain a more consistently high cruising altitude throughout.

And speaking of cruising, the band’s upcoming Fall tour took an interesting and exciting dimension when I heard some first-hand accounts of their shows at New York’s Mercury Lounge last month – specifically, the fact that the trio were now playing with a live drummer. The couple times I’d seen them perform, they’d sounded great but the show’s energy definitely suffered for their reliance on prerecorded backing tracks. Now with live drums in the equation, I’m extra excited for their upcoming September 15 date at the Mod Club – not just to hear the new material, but to hear how it all sounds live. Now if they could just get Claudia Deheza a keytar so she can move around a bit on stage, we’d be cooking with gas.

MP3: School Of Seven Bells – “Windstorm”
MP3: School Of Seven Bells – “Babelonia”
Stream: School Of Seven Bells / Disconnect From Desire

Spinner has details on exactly what lineup of Guided By Voices will be taking the stage at the Palms in Las Vegas on the weekend of October 1 to 3, and they’re not kidding when they say it’s the classic lineup. Seeing as how they’ll be sticking to period-correct material, expect to hear lots of Alien Lanes, Bee Thousand and Under The Bushes, Under The Stars. Oh yes. Rolling Stone talks to some of the folks at Matador about how the sure-to-be-epic Matador 21 birthday bash came together; tickets and packages go on sale this Friday and the theatre that it’ll all be taking place in holds 2100. I’ll leave you to figure out just how long you can afford to dither. And yes, I am talking to myself there.

Bradley’s Almanac is sharing a recording of the Pixies doing Doolittle in Boston last Fall.

James Mercer talks to Spinner about his timeline for taking The Shins out of mothballs and making a new record.

Spin checks in with The Submarines as they plug away on a new album.

Sharon Van Etten has released details of her second album, and though Epic will only contain seven tracks, on scales of emotionality and beauty, it’s sure to more than live up to its name. It will be released on October 5.

MP3: Sharon Van Etten – “Love More”

And a slew of show announcements, big and small. Well, mostly mid-sized. Phosphorescent will follow up their show at the Horseshoe this Saturday night (July 10) in support of new album Here’s To Taking It Easy with an in-store at Soundscapes on the following afternoon (July 11) at 5PM. American Songwriter has an interview with Matthew Houck.

MP3: Phosphorescent – “It’s Hard To Be Humble (When You’re From Alabama)”

You may want to lump them in with the reunion bandwagon, but when Polvo and Versus roll into Lee’s Palace on August 13 for their first local shows in forever and a day, it’ll be in support of new albums – Polvo’s In Prism came out last year and was their first album in 12 years while Versus’ On The Ones And Threes will mark their first release in a decade when it finally comes out on August 3. Tickets for the show are $16.50 in advance, and yes of course they’ll play some of the old stuff.

MP3: Polvo – “Beggar’s Bowl”
MP3: Versus – “Invincible Hero”

Admiral Radley may not be a familiar name but the principals – Jason Lytle and Aaron Burtch, both formerly of Grandaddy, and Aaron Espinoza and Ariana Murra of Earlimart, might be. And if they are, you may be inclined to check them out on their upcoming tour, which stops in at the Horseshoe on August 15, tickets $13.50 in advance. Their debut I Heart California is out next week and is streaming in whole at NPR. Filter also has an interview.

MP3: Admiral Radley – “I Heart California”
Stream: Admiral Radley / I Heart California

Denmark’s Efterklang will bring this year’s Magic Chairs back to town for a show at Lee’s Palace on September 8; tickets are $12.

MP3: Efterklang – “Modern Drift”

Having conquered England, Marina & The Diamonds sets her sights across the Atlantic with a Fall tour in support of her debut The Family Jewels that’s still to be formally announced but will include a September 8 date at the El Mocambo in Toronto. Tickets for the show are $16.50 in advance, and I’m pretty sure this one will sell out fast. The Queen just visited; our Anglophilia is at a fever pitch. The San Francisco Examiner talks to Marina Diamandis.

Video: Marina & The Diamonds – “Oh No!”

Swedish psychedelic merchants Dungen will trip people right out when they play the Horseshoe on October 10; tickets are $17.50 in advance. Their new album Skit | Allt is out on September 14 – details and full tour dates at Pitchfork.

MP3: Dungen – “Satt Att Se”

The legendary Nick Lowe will return to the Mod Club on October 13 and while it’s true he was here a few years ago at the same venue, this time he’s bringing a full band. Ticket $34.50.

Video: Nick Lowe – “Cruel To Be Kind”

And another legend coming to town – same-ish era, also immeasurably influential but different stylistic wheelhouse – is Gary Numan. Look for him at the Opera House on October 24.

Video: Gary Numan – “Cars”

Josh Ritter and his new record And So The World Runs Away will be at the Phoenix on October 26.

Video: Josh Ritter – “The Curse”

WikipediaFor a band often credited as proudly waving their freak flag wherever it may lead them, The Flaming Lips have a pretty healthy respect for classic rock. Okay, “respect” might not be the word some purists would use to describe their re-imagining of Pink Floyd’s Dark Side Of The Moon, but even though they clearly had their fun with it, there was obviously a deep respect for the source material.

Interestingly, their cover of “Bohemian Rhapsody”, which was their contribution to the 2005 Queen tribute album Killer Queen, was pretty straight although that may have been because the original was already more inherently ridiculous than anything the Lips could possibly think to do to it. It’s a great song and an undisputed classic, yes, but come on. It’s just nutso.

The Flaming Lips are at the Molson Amphitheatre on Thursday night. Volume 3 of four super-deluxe Queen singles compilations was released at the end of May. Queen Elizabeth II is currently on a cross-country tour of Canada and will be in Toronto tonight.

MP3: The Flaming Lips – “Bohemian Rhapsody”
MP3: The Flaming Lips – “Bohemian Rhapsody” (live)
Video: Queen – “Bohemian Rhapsody”

Nacho AlegreIt’s Summer! How do we know? Well, the Summer solstice is behind us, for starters, and that means that technically the days are getting shorter (noo!). It’s also frequently hot as hades out there and we’ve got records like Subiza from Barcelona’s Delorean to spin.

This isn’t to say that Subiza‘s blissfully danceable electro-pop wouldn’t go over well in the dead of Winter – its vibes could probably sub in for a space heater in a pinch – but at some point you will probably realize that you not, in fact, on a sunny beach in Barcelona surrounded by beautiful frolicking people in appropriate states of undress. But I digress. It’s Summer now, and Subiza is as good a soundtrack as anything. And if you want to surround yourself with frolicking people whilst listening to it – the beautiful and undress are not guaranteed – then perhaps going to see them at Wrongbar on July 14 as they conduct a short tour of North America would be a sensible move?

Tickets for the show are $12 in advance, but courtesy of Embrace, I’ve got two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see Delorean” in the subject line and your full name in the body. Contest closes at midnight, July 10.

MP3: Delorean – “Stay Close”
Video: Delorean – “Stay Close”