MySpaceWhy lead with Hot Chip? Well nothing else especially newsworthy came down the pipe yesterday and their new one One Life Stand came out this week. I’ve been spinning it moderately the last little while, though not enough to try and assemble a proper review. Sufficed to say that while I’ve never been a massive Hot Chip fan in the past and this effort doesn’t sound/feel too different from what I recall of their earlier records, I’m enjoying this one alright. Maybe I should revisit their earlier records – mayhap my ears are more attuned to their chilled-out electro-pop than before.

There’s feature pieces on the band at Dose, Spin, Spinner, The National Post and The Irish Times and there’s also an album making-of video streaming this week at PitchforkTV. They are scheduled to be at the Kool Haus in Toronto on April 20, but the date is not appearing on their website itinerary – not sure if that’s something to be concerned about or not…

Video: Hot Chip – “One Life Stand”
Stream: Hot Chip / One Life Stand

NPR has a World Cafe session with The xx, who are also playing that Kool Haus show with Hot Chip as well as their own headlining gig at the Phoenix on April 4.

Spinner talks to Victoria Hesketh, aka Little Boots, about the long delay between the UK release of her debut album Hands and the impending North American release on March 2. She plays the Phoenix on April 30.

JAM and The AV Club have interviews with Elly Jackson of La Roux.

Drowned In Sound has details on the new album from The Futureheads – The Chaos is being released independently by the band and will be out in the UK on April 26.

Check out the first video from Jonsi’s Go. It’s out March 23 and he plays two nights at the Sound Academy on April 30 and May 1.

Video: Jonsi – “Go Do”

Stereogum has the MP3 and video for the title track from Under Byen’s new record Alt Er Tabt, out April 6.

Video: Under Byen – “Alt Er Tabt”

Swede Kristian Matsson, who plies his musical trade as The Tallest Man On Earth, is staging a North American tour in support of his new record The Wild Hunt, out April 13, and will be at the El Mocambo in Toronto on April 17. Check out a track from the album and another song he recorded as a theme song for the Yellow Bird Project charity out of Montreal – details here.

MP3: The Tallest Man On Earth – “King Of Spain”
MP3: The Tallest Man On Earth – “A Field Of Birds”

Check out a couple tracks from Bettie Serveert’s new record Pharmacy Of Love, due out March 23.

MP3: Bettie Serveert – “Semaphore”
MP3: Bettie Serveert – “The Pharmacy”

Paste reports that Josh Ritter will release a new record entitled So Runs The World Away on May 4 – they’re giving away an MP3 from his website in exchange for your email.

Falls Church News-Press and SF Station interview The Antlers. They’re at the Phoenix on February 16.

Muzzle Of Bees has a video performance from Sharon Van Etten, who will be at the Horseshoe on April 5.

Paste talks to Phantogram as part of their “best of what’s next” series. They have a show at the Drake Underground on February 20.

Daytrotter has your first preview of new material from Nicole Atkins & The Black Sea, recorded in a session last Fall. Her new record is currently in production and will be out later this year.

Lara Meyerratken of El May talks to Spinner about nearly getting fired from Luna and her new self-titled solo record.

Dan Mangan has released a new video from Nice, Nice, Very Nice. He’s got two shows as part of Canadian Musicfest, March 11 at The Great Hall and March 12 at The Courthouse.

Video: Dan Mangan – “Road Regrets”

Frank YangIf I’m being totally honest, I wasn’t that excited for last night’s Magnetic Fields show at the Queen Elizabeth Theatre. After all, their last few records didn’t especially bowl me over and I was feeling somewhat pessimistic about what to expect from a performer who’s very much on record as being disdainful of the entire phenomenon of live performance.

I had seen them before at their last visit to Toronto in July 2004 and while my memories of that show are fond, I couldn’t say it was an especially overwhelming performance. But some classic album cramming over the last few days including a 69 Love Songs marathon Sunday night was definitely putting me the right frame of mind. A chance to hear even a few of these songs live for the first time in over half a decade wasn’t to be missed, even if some degree of disappointment was to to be expected.

Or not.

Toronto’s own Laura Barrett had gotten the nod to open up the North American tour, and so as a former bandmate from way back in the day, I couldn’t help but feel super-proud of her for the achievement. And even more so upon hearing just how good she and her band sounded onstage, not a bit out of place in such a large and formal setting. No longer just a quirky girl with a kalimba, Barrett’s set was impressively confident and full-sounding, with well-arranged violin, banjo, glockenspiel and flute enriching her decidedly odd yet wholly accessible songs, and I was especially surprised at how strong and expressive her vocals have gotten. The warm reception she received was based on far more than just cheering for the home team. To co-opt her joke about it rhyming with her name, it was pure merit.

From the very first song of The Magnetic Fields’ set, I knew that my fears for the evening were going to be completely out of place. Rather than a number from their latest effort Realism or reaching back into their extensive repertoire for a crowd-pleaser, Stephin Merritt and company went sideways in their catalog to the second 6ths effort Hyacinths & Thistles and “Lindy-Lou”. No sir, this was not going to be a typical night. The expected Magnetic Fields lineup of Merritt, John Woo, Sam Davol and Claudia Gonson were in place, seated in a semi-circle, but also on the tour was Shirley Simms, who was a major presence on 69 Love Songs and subsequent records. She would take lead on a number of tracks as well as providing wonderful harmonies on others, also helping compensate a bit for Gonson, who battled through a case of laryngitis to deliver her own numbers. And if Merritt wasn’t enjoying touring, he was hiding it well. Though typically deadpan in his stage banter, he definitely seemed to be in a better mood than on their last visit – he cracked more than the requisite amount of jokes, playfully bantered with Gonson and even laughed out loud at one point. If I didn’t know better, I’d have said he was having fun, which would have been appropriate because the audience certainly was.

The acoustic arrangements of all the songs were also gorgeous to behold. Many still equate the synth/drum machine aesthetic of the early records with classic Magnetic Fields, but those songs are so good that they really lost nothing when translated to acoustic guitar, cello, ukulele, piano and autoharp and I would go so far as to say they sounded even better. After all, my reservations about Realism had nothing to do with the sonics – it’s a gorgeous-sounding record – just the songwriting. And the set list did draw substantially from Realism – and I’ll admit the new stuff sounded better live and mixed in with the other material than it did collected and standalone – but the biggest treats (and gasps of surprise from the audience when introduced) were the old stuff.

With the depth of the Magnetic Fields/Stephin Merritt catalog, it would have been impossible to hear everything everyone would have wanted, but over two sets and almost two hours, they did a pretty good job of touching all the bases, from The Wayward Bus, through all of the Merge-era stuff including a half-dozen Love Songs and through the no-synths trilogy. All were great to hear, but for me the best moments came from having the 6ths material in the mix, including one of my all-time favourite songs in “Falling Out Of Love With You”. It was well-picked as the first set closer because it took me the 15-minute intermission to stop feeling giddy about it. If you were to ask me what my dream concert would be, the answer may well be to hear both 6ths records played live – with the original vocalists. As that’s an impossibility, this was a pretty good substitution. And as a concert, this was pretty well amazing. Stephin Merritt may not like to hit the road very often, but when he does – at least this time – he brought his A-game. One to remember.

The Toronto Star, The Varsity, The AV Club and Paste have interviews with Stephin Merritt.

Photos: The Magnetic Fields, Laura Barrett @ The Queen Elizabeth Theatre – February 8, 2010
MP3: The Magnetic Fields – “Everything Is One Big Christmas”
MP3: The Magnetic Fields – “The Book Of Love”
MP3: Laura Barrett – “Bluebird”
MP3: Laura Barrett – “Decepticon Island Optimists Club”
Video: The Magnetic Fields – “We Are Having A Hootenanny”
Video: The Magnetic Fields – “Born On A Train”
Video: Laura Barrett – “The Wood Between The Worlds”
MySpace: The Magnetic Fields

Download and savour the new MP3 from The Radio Dept.’s Clinging To A Scheme, finally coming on April 20. SAVOUR IT.

MP3: The Radio Dept. – “Heaven’s On Fire”

Black Cab Sessions takes Jonathan Meiburg of Shearwater for a ride in exchange for a song and NPR is streaming their new album The Golden Archipelago right now, a couple weeks in advance of its February 23 release date. They’re at Lee’s Palace on April 1.

Stream: Shearwater / The Golden Archipelago

And some concert announcements – San Diegans The Soft Pack, whose self-titled debut is out now, will be at the El Mocambo on April 7 tickets $10 in advance. There’s so A/V materials to help your decision to attend and The Los Angeles Times has a brief interview.

MP3: The Soft Pack – “Answer To Yourself”
Video: The Soft Pack – “C’Mon”
Video: The Soft Pack – “Answer To Yourself”

Fanfarlo have finally scheduled a make-up date for their cancelled December appearance – they will make their Toronto debut on April 9 at Lee’s Palace. Keep an eye on those passports this time, fellas!

MP3: Fanfarlo – “Luna”
MP3: Fanfarlo – “Finish Line”

British post-punk legends Killing Joke bring the reunion to North America including a May 25 show at the Phoenix. The Quietus talks to Jaz and Youth about the reunion and their new album Feast Of Fools, due out in April

Video: Killing Joke – “Pandemonium”

Reported a couple weeks ago and then redacted for jumping the gun on the announcement, The National have added a second show at Massey Hall, this one on June 9. Tickets on sale this Friday at 10AM. No presale this time, so if you’re looking for tickets, get your clicking finger warmed up and do NOT use Firefox.

And cheers to Apple support for getting me my laptop back to me – fully repaired – not four days later as they’d estimated, but four hours. That’s the second time they’ve replaced a logic board in this computer in an afternoon. I’ll just be grateful and not question why the logic board would need to be replaced in the first place…

Wilkosz + WayUnder normal circumstances, it’d be logical to consider the record that followed a band’s breakthrough album through the lens of how those successes might have affected their creative process and output. You can’t quite do that in the case of Woodpigeon’s newest record Die Stadt Muzikanten, however, because even though its predecessor Treasury Library Canada was the album that brought the Calgary outfit national recognition via the Polaris Prize long list, Muzikanten was already completed and in the can before the Treasury roller coaster ride began.

That makes the growth in sound and style from one record to the next that much more natural. The basic Woodpigeon recipe hasn’t changed much – Mark Hamilton’s compositions continue to be exemplary folk-pop rendered with delicacy in a widescreen scale, but this time the songs are delivered with more confidence and verve than before and are simultaneously more musically rangy and focused. Relative to what’s come before, Muzikanten is both louder – “My Denial In Argyle” is an unqualified rocker while “The Street Noise That Gives You Away” is epic in scope – and softer, with record closer and Jamie Fooks duet “Our Love Is As Tall As The Calgary Tower” one of their loveliest moments to date. Though it’s Hamilton’s vision that defines Woodpigeon, the record wouldn’t be nearly what it is without the contributions of his ever-expanding cast of supporting players, whose ability to bring to life the sounds in his head can’t be overstated. In particular, the backing vocals of Annalea Sordi-McClure and Foon Yap are a persistent, angelic choir hovering overhead throughout. Much of the charm of Treasury came from how it felt like a perfectly-matched collection of individual, snowglobe-like vignettes – Muzikanten pulls all those vignettes together into a single wondrous diorama, alive with song.

CMJ, Log Driver’s Waltz, Spill, The Record and Xtra all have feature pieces on Woodpigeon, who kick off their tour of Ontario and Quebec this week. They play the Drake Underground this Thursday, February 11, and will do an in-store at Soundscapes on February 14 at 5PM. Die Stadt Muzikanten will be released in the US on March 9 and in Europe on April 19.

MP3: Woodpigeon – “Empty-Hall Sing-Along”
MySpace: Woodpigeon

Beatroute and Spill have features on Woodhands, who are playing the Opera House on March 11.

The Wooden Sky are profiled by Beatroute and The Manitoban. They’re at the Horseshoe on March 13 as part of the Chart showcase for Canadian Musicfest.

Southern Souls has posted a video session with Forest City Lovers, of which one of the songs is “If I Were A Tree” and thus continues the “wood” meme running through the first bit of this post. Hey, I make my own fun.

Beatroute and The Winnipeg Free Press talk to The Rural Alberta Advantage, who will be performing on March 13 at the Royal York Hotel as part of the Indie Awards at Canadian Musicfest. Yeah, the Indie Awards. That’s right.

Chart talks to Zeus, whose Say Us arrives February 23 and who will be at Lee’s Palace on March 10.

Spinner talks to Laura Barrett about how she found herself opening up for The Magnetic Fields on their current North American tour, which stops in at the Queen Elizabeth Theatre tonight.

Vue, Alive Sydney and The Gateway have feature pieces on Dan Mangan, who has two showcases (at least) at Canadian Musicfest this year – March 11 at The Great Hall and March 12 at The Courthouse.

Ottawa X-Press and Aux interview Basia Bulat. She has an in-store at Soundscapes on February 16 at 7PM.

The Montreal Gazette, The Globe & Mail and PopMatters have interviews with Owen Pallett, whose next hometown show is April 8 at the Queen Elizabeth Theatre.

Good news for those who were still in diapers the last time Thrush Hermit were an active band – a third reunion show has been added to go along with their two sold-out gigs at Lee’s Palace – there’s now a dry, all-ages matinee show scheduled for March 28 at 4:45PM – tickets are $17.50 and go on sale Wednesday. Joel Plaskett has also just announced details of a Thrush Hermit Complete Recordings box set coming out in time to coincide with the reunion tour and consisting of all of the band’s albums and EP as well as a wealth of rare and unreelased material and a DVD. Seven discs in all, and suitable for kids of all ages.

Sloan announced via Twitter that they will be releasing a digital compilation of all their official b-sides this week, aptly entitled B-Sides Win.

The Sadies give Exclaim a guided tour of their equipment.

NOW and The National Post pay tribute to Wavelength, whose weekly concert series wraps up for good this weekend with the 500th show blowouts.

Updates could be slim/intermittent/non-existent this week – woke up to a laptop with a DOA logic board, so until that gets fixed, I’ve got my work machine (which is for work – ahem), my iPhone and my 7-year old Windows machine which is going to be pressed back into emergency service. Sounds like fun, right? Right? Wrong.

The AntlersNot done with the Magnetic Fields covers yet, nope. They’re so rarely active and there’s so many great re-interpretations of Stephin Merritt’s compositions that when I get the chance to post some of them, I’m going to run with it.

And this is one of my favourite Magnetic Fields covers that, until recently, I didn’t even know I had. It comes from The Antlers, whom while preparing their 2009 breakthrough record Hospice, released a short EP entitled New York Hospitals for free, its title clearly pointing at the themes of the full-length that would follow and consisting of two covers and a preview of one of Hospice‘s high points, “Sylvia”. The reinterpretation of one of 69 Love Songs‘ loveliest moments is more in line with their hazier, pre-Hospice sounds, wrapping it in layers of aural gauze and reverb and could well be the sound of nothing else mattering.

The Antlers are in town next Tuesday night at The Phoenix, opening for Editors. The Magnetic Fields are here tomorrow night for a show at the Queen Elizabeth Theatre and the vinyl edition of 69 Love Songs will be out April 20. Sharon Van Etten, who contributes vocals to the cover, was just in town last night and will return for a show at the Horseshoe on April 5.

MP3: The Antlers – “Nothing Matters When We’re Dancing”
Stream: The Magnetic Fields – “Nothing Matters When We’re Dancing”

MySpaceThere’s something deliberately amateurish in the Leslie & The LYs aesthetic, what with the over-top-top costumes, unapologetic homebrew-ness of her videos and the lo-fi GarageBand beats and bleeps that back her raps, but that can’t hide the fact that Iowa’s Leslie Hall can write some seriously catchy and kind of hilarious tunes.

So with that kind of larger-than-life online persona, one can only imagine what to expect from the live show – well actually, we already sort of know – the press release for her upcoming tour in support of new album Back 2 Back Palz promised “video projection & 3-6 costume changes (all lovingly hand sewn by her mother)” and “laserbeam dance moves have been known to cause near blindness in the fans that gather at her shows”. Sooooo yeah, how can you say no to that?

The Toronto stop comes next Tuesday, February 16, at The Garrison. Tickets are $12 in advance but courtesy of REMG, I’ve got two pairs of passes to give away to the show. To enter, email me at contests AT chromewaves.net with “I want to see Leslie & The LYs” in the subject line and your full name in the body. Contest closes at midnight, February 11, and I will not be held responsible for any near blindness that may occur as a result of attending the show.

Video: Leslie & The LYs – “Tight Pants / Body Rolls “
Video: Leslie & The LYs – “Craft Talk “
Video: Leslie & The LYs – “Zombie Killer Revisited “
MySpace: Leslie & The LYs