Posts Tagged ‘Two Hours Traffic’

Friday, September 4th, 2009

Harvest Time

The Clientele stokes Bonfire

Photo via MySpaceMySpaceI should be packing for my trip to New York City instead of blogging, so I’m just a-gonna clear out a pile of stuff that had been gathering over the last little while. Y’understand.

And what better way to begin than with a second taste of what is one of my most-anticipated new records of the Autumn – Bonfires On The Heath from The Clientele. It was exciting enough that Stereogum premiered the new MP3 yesterday, but I was over the moon later in the day when a digital promo of the album – not out till October 6 – showed up in my inbox. I’m not gloating, honest.

“Harvest Time” is a slow, sepia swoon bidding farewell to the Summer with the band’s signature tremolo-ed arpeggios and is a fine counterpoint to the jauntier first-released MP3, “I Wonder Who We Are”. Together they’re a good representation of the loveliness that resides behind this also-lovely album cover. Expect further gushing as I immerse myself in the record with further listens, but know that if it’s true this record will be the band’s last, they go out on a true high note.

There will be touring to support, but don’t expect the band on these shores before mid-Winter. Or so I’ve been told.

MP3: The Clientele – “Harvest Time”
MP3: The Clientele – “I Wonder Who We Are”

The Daily Mail gets to know Florence Welch of Florence & The Machine. Her debut Lungs is out in North America on October 13.

Spinner and The Wrexham Chronicle talk to Noah & The Whale frontman about the heartache that inspired their second album First Days Of Spring, set for a North American release on October 6. For Folk’s Sake also reports that the band’s drummer and Fink’s brother Doug has left the band to attend medical school.

They Shoot Music filmed an acoustic session with Micachu in Berlin recently. They will be at the El Mocambo on September 29.

LiveDaily has a rather gorgeous black-and-white video session with Fanfarlo.

The Skinny talks to The Twilight Sad. Their second album Forget The Night Ahead is out September 22 and they play The El Mocambo on October 10.

PitchforkTV has been running a Cemetery Gates video session with Camera Obscura all week. See them in the slightly livelier environs of the Phoenix on November 26.

Out chats with Patrick Wolf.

Echo & The Bunnymen’s Ian McCulloch discusses the band’s new record The Fountain, out October 12, with Rolling Stone. They play the Queen Elizabeth Theatre on October 20 with an orchestral rendition of Ocean Rain and presumably a few more tunes – because that record isn’t all that long. And sad news – former Bunnyman keyboardist Jake Brockman was killed in a traffic accident.

Johnny Marr gives an extensive interview to The Daily Mail about his current projects, his love of guitars and the polite answer to the question of whether there’ll ever be a Smiths reunion. Marr is currently playing with The Cribs, whose new record Ignore The Ignorant, is only going to be available digitally in North America starting next Tuesday. If you want the CD, you’ll have to do the import thing.

Video: The Cribs – “Cheat On Me”

Filter solicits a list of her favourite things from Ladyhawke’s Pip Brown. They also point out that a deluxe edition of her self-titled debut has just been released, featuring five bonus tracks. She’s at the Opera House on September 17.

Entertainment Weekly has premiered a new track from The Raveonettes, whose new album In And Out Of Control is due out on October 6. They play The Phoenix on October 22.

MP3: The Raveonettes – “Last Dance”

Letter To Jane has an interview with Peter Moren of Peter Bjorn & John. They’re at the Phoenix on November 11.

Chartattack chats with the boys of Two Hours Traffic, whose new album Territory is out next Tuesday and who play Lee’s Palace on October 16.

Soundproof talks to Ohbijou’s James Bunton about the Friends In Bellwoods project and community.

Shout Out Out Out Out have scheduled two dates at Wrongbar on October 16 and 17.

MP3: Shout Out Out Out Out – “Bad Choices”

American Songwriter talks to the American songwriters who comprise the Monsters Of Folk while Black Book solicits some of their favourite traveling tunes. Their self-titled debut is out September 22 and they play Massey Hall on November 2.

Soundproof and American Songwriter profile St. Vincent’s Annie Clark.

The Daily Texan talks to Lauren Larson of Ume.

Venice Is Sinking are sharing an MP3 from their forthcoming Okay EP, out September 22 and accurately named as it features the track of that name from their AZAR album and two covers of San Francisco band Okay and rounded out by two more alternate versions of AZAR songs that are better than okay. They band have also raised sufficient funds via Kickstarter to finance their third album.

MP3: Venice Is Sinking – “Compass”
Stream: Venice Is Sinking / Okay

The Bird & The Bee have released a new DLR-saluting video from Ray Guns Are Not Just For The Future.

Video: The Bird & The Bee – “Diamond Dave”

Paste catches up with Flaming Lips frontman Wayne Coyne. Their new album Embryonic is out October 13.

R.E.M.’s forthcoming live record Live At The Olympia In Dublin, out October 27, will come with a bonus live DVD entitled This Is Not A Show and comprised of footage from those same shows. There’s a trailer and performance clip from the film now available to watch.

Video: R.E.M. – “Drive” (live in Dublin)
Trailer: This Is Not A Show

Magnet plays over/under with the Husker Du catalog. And speaking of the Du, The Guardian reports that Grant Hart will release his first solo album in a decade in Hot Wax, out October 6. Bob Mould kicks off his tour in support of last year’s Life And Times next month, starting here in Toronto with a date at the Mod Club on October 5. Support for the first few dates of that tour comes from Miles Anthony Benjamin Robinson, whose new album Summer Of Fear is out October 20.

Rolling Stone talks to Black Francis of Pixies about gearing up for their Doolittle tour.

Wednesday, August 26th, 2009

If I Don't Come Home You'll Know I'm Gone

The Wooden Sky at Sonic Boom in Toronto

Photo by Frank YangFrank YangIt’s funny that though I offered readers an introduction to The Wooden Sky just last month, watching them play an in-store at Sonic Boom on Monday night, the eve of release for their new album If I Don’t Come Home You’ll Know I’m Gone, it felt like I was the one being introduced to them for the first time.

Previously, I’d regarded them as very good with moments of great roots-rock band – terrific at what they did but unlikely to turn anyone’s world upside down. And initial listens to the new record backed that up – it was a definite step forward for the band in terms of concept and execution, but not a giant leap. But this understated show in the sweaty basement of a local record store was a real eye- and ear-opener. Just coming off a cross-country tour that saw them playing unusual and intimate venues – not for nothing was it called the “Bedrooms and Backtstreets Tour” – The Wooden Sky were perfectly comfortable in the cozy setting and their performance mesmerizing.

Drawing heavily on the new record with a couple selections from When Lost At Sea and a Townes Van Zandt cover thrown in for good measure, The Wooden Sky focused on their quieter side to stunning effect. In stripping things down and trading some of the crescendos on the record for a slow burn, they were able to emphasize their more emotionally resonant side. And while Gavin Gardiner’s raw twang has always been front and centre, I was particularly impressed with how effective and musically sympathetic his bandmates were – guitarist/keyboardist Simon Walker, in particular, was nothing short of astonishing with his high harmonies and the tones and textures he coaxed out of his instruments. It was like he was able to take the ghosts and bittersweet memories that inhabit Gardiner’s lyrics and give them sound and form.

In talking about the Wooden Sky in the past, I inevitable mention that I’ve been following them for over half a decade, as though that gave me some particular insight into the band that newcomers might not have. Now I think that it might have actually clouded my perceptions, convincing me I knew what to expect and what they were capable of when I quite obviously didn’t. Either way, with If I Don’t Come Home You’ll Know I’m Gone and the way they’re translating it to the stage, The Wooden Sky are set to take their place as one of the finest bands this city has to offer – or maybe they already were, and we’re only now noticing.

Aux.tv has a rooftop video performance with the band from late last year and the same director – Scott Cudmore – accompanied the band on their recent tour, filming all the while – that footage will be coming out in the coming weeks. There’s also an interview with the band at Sky. Aside from an appearance at the Friends In Bellwoods launch party at the Tranzac on Saturday, The Wooden Sky have no upcoming hometown dates. Americans can get a taste in October, however, as they’re heading south as support for Elliott Brood.

Photos: The Wooden Sky @ Sonic Boom – August 24, 2009
MP3: The Wooden Sky – “Something Hiding For Us In The Night”
MP3: The Wooden Sky – “North Dakota”
MP3: The Wooden Sky – “The Wooden Sky”
Video: The Wooden Sky – “Oh My God (It Still Means A Lot To Me)”
Video: The Wooden Sky – “When Lost At Sea”

That Elliott Brood tour covers more than the US – they’re also going to be traversing most of Canada this Fall including an October 30 date at the Opera House.

MP3: Elliott Brood – “Write It All Down For You”

Final Fantasy recently taped a Black Cab Session while in the UK for the Field Day Festival. Final Fantasy plays an unrevealed location in Toronto September 5 and his new album Heartland is out in early 2010. Ambiguous much?

Thick Specs and Exclaim have interviews with Amy Millan, whose Masters Of The Burial is out September 22 and who will be at the Mod Club on October 14.

Cover boys for this month’s Exclaim are Two Hours Traffic. Their new one Territory is out September 8 and they play Lee’s Palace on October 16.

Spinner is streaming all ten nominees for the Polaris Music Prize this week – though I suspect they’re only available in Canada. The prize will be awarded on September 21.

Blurt talks to Kevin Barnes of Of Montreal.

Bradley’s Almanac is sharing live MP3s from The Pains Of Being Pure At Heart, recorded in Vermont way back in February on Valentine’s Day. Awwwww. They’ll be at the Horseshoe on September 7.

Laundromatinee is sharing a video session with The Avett Brothers. Look for them at the Horseshoe on September 30 and their new album I And Love And You in stores the day before.

Magnet plays over/under with The National. Interestingly, four of their five most overrated picks are some of my least favourite National tunes – I stand by “Green Gloves” – and their five most underrated are some of my most favourite. Make of that what you will.

The Wooden Birds have released a new MP3 and video from Magnolia. They’ve also announced Fall tour dates with Great Lake Swimmers but nothing in this neck of the woods.

MP3: The Wooden Birds – “Hometown Fantasy”
Video: The Wooden Birds – “Hometown Fantasy”

Uber-producer John Leckie reflects on the making of The Stone Roses’ debut album for The Quietus.

Grand Crew has an acoustic session with Camera Obscura. They’re at the Phoenix on November 26.

The Quietus talks to The xx. Their debut XX is out domestically on October 20 and they play the Phoenix on December 2.

The Mars Volta have a date at The Kool Haus on October 4 in support of their latest album Octahedron.

Video: The Mars Volta – “Since We’ve Been Wrong”

Silversun Pickups’ new record Swoon bring them to the Sound Academy on October 15 with Cage The Elephant and An Horse as support, tickets $29.50. There’s interviews with the band at Canada.com, The Examiner and The Georgia Straight.

MP3: Silversun Pickups – “Panic Switch” (Bobby Evans remix)
Video: Silversun Pickups – “Panic Switch”

Rain Machine, the new project from TV On The Radio’s Kyp Malone, will release their self-titled debut on September 8 and play Lee’s Palace on October 19 as part of a North American tour. Pitchfork premiered the first track from the album.

MP3: Rain Machine – “Give Blood”

La Roux returns to Toronto for her third show in seven months with a gig at the Guvernment on October 23, tickets $20.

MP3: La Roux – “Bulletproof” (Joe & Will Ask remix)
Video: La Roux – “Bulletproof”

The King Khan & BBQ Show will release Invisible Girl on November 3 and tour to support, including a December 4 date at Lee’s Palace.

Thursday, August 13th, 2009

Noisemaker

Two Hours Traffic mark their Territory

Photo By Scott MunnScott MunnIt’s been a pretty lousy Summer, not just for myself and many I know, but for anyone who prefers theirs to be warm, sunny and generally not perpetually cloudy and rain-soaked. It’s only been this week that we’ve gotten some proper heat (accompanied by massive thunderstorms, sure), and I can’t believe that it’s just coincidence that the weather has improved just as Prince Edward Island’s finest, Two Hours Traffic, are gearing up for the release of their second album Territories on September 8.

They shared an MP3 of the title track last month, but have now followed that up with not only a first video, but a stream of the entire record on their website. And a couple of listens verifies that name of the record notwithstanding, the quartet haven’t gone out and explored much new ground with their sophomore effort. This is not a complaint. Little Jabs was note-perfect power pop infused with the optimism of youth and while Territory‘s shoulders inevitably sag a bit more from the weight of age and experience, its still got hooks and harmonies to spare.

Two Hours Traffic built their nationwide fanbase the old fashioned way – touring, touring and more touring – and as previously reported, they’re totally doing it again. Torontonians can catch them on October 16 at Lee’s Palace, tickets $15.

MP3: Two Hours Traffic – “Territory”
Video: Two Hours Traffic – “Happiness Burns”
Stream: Two Hours Traffic / Territories
MySpace: Two Hours Traffic

Young Galaxy have prepared their second album Invisible Republic for release on August 25 and will follow that up with a show at the Drake Underground on September 10.

MP3: Young Galaxy – “Long Live The Fallen World”

In town for the Polaris Music Prize awards gala on September 21, where he surely hopes to take home the giant cheque, Chad Van Gaalen will play a show at the Church Of The Redeemer on September 19 with Castlemusic as support. The show is all-ages and tickets are $20 in advance. The Quietus has an interview with Van Gaalen.

MP3: Chad Van Gaalen – “City Of Electric Light”
MP3: Castlemusic – “Heaven”

And now’s as good a time as any to mention Van Gaalen’s electronic-oriented alter-ego/side-project Black Mold, whose debut album Snow Blindness Is Crystal Antz was released this week. If you thought the musical fruits of Van Gaalen’s day job were too aimless or meandering… stay away.

MP3: Black Mold – “Metal Spider Webs”
MP3: Black Mold – “Tetra Pack Heads”

And speaking of staying away, if you like your vocalists clean and pristine, you’ll want to not be at the Horseshoe on October 1 (and you’ll probably be at Lee’s for Sufjan Stevens anyways). But if you like a little/lot of grit and whiskey in the mix, then the ‘Shoe is where it’s at as that night it’ll host a double-bill of Bruce Peninsula and Sunparlour Players.

MP3: Sunparlour Players – “Battle Of 77”
MP3: Bruce Peninsula – “Crabapples”

Spinner and The Vancouver Sun talk to Murray Lightburn of The Dears.

Pink Mountaintops have rolled out a new video from Outside Love.

Video: Pink Mountaintops – “Execution”

Also under new videos – the volcano-themed clip for Ohbijou’s “New Year”!

Video: Ohbijou – “New Year”

Exclaim reports that Neil Young will be making a free appearance at Yonge-Dundas Square on September 14 to mark the appearance of the Jonathan Demme-helmed concert doc Neil Young Trunk Show at the Toronto International Film Festival. And yeah, he’s probably bringing his guitar. Joan Baez will do the same on September 18.

Saturday, August 8th, 2009

Bay Of Pigs

New Destroyer single confounds, delights

Photo via MergeMergeAlright, everyone who expected Dan Bejar to follow up Destroyer’s last record, 2008’s excellent but still underappreciated (hey, it took me months to “get”) Trouble In Dreams, with a 14-minute, absent-mindedly poetic, gently meandering yet almost-danceable synth-pop single ostensibly about the almost-US invasion of Cuba but probably about anything but, hands up? Yeah, uh huh. Liar.

Trying to predict where Bejar’s muse will take him is an exercise in folly that probably even he wouldn’t want to partake in, so it’s probably best to just try to keep up and enjoy the trip. The new tune, which is currently streaming at Stereogum, is the a-side of a limited edition 12″ single due out August 18. I find it quite pleasant and soothing, but I’ve learned to not try and comprehend Destroyer – just accept. eye doesn’t seem quite as zen about it, attempting to liveblog their first listen to it. Pitchfork, of course, loves it a lot.

Destroyer is doing a smattering of touring this Fall and my question is, considering his October 3 show at the Horseshoe in Toronto is billed as a solo performance, will he perform his latest opus? Conventional wisdom would imply that it’s impossible to recreate in that context which means, of course, that he’ll open with it and extend it out to nearly 30 minutes in length. And it will be glorious.

Stream: Destroyer – “Bay Of Pigs”

Your – and I mean my – other primary musical option that same evening of October 3 is Yo La Tengo, who will be down the street (though some distance) at the Opera House. They’re ramping up to the September 8 release of Popular Songs with a series of videos, so far one for each of the promo MP3s already let loose on the world.

MP3: Yo La Tengo – “Here To Fall”
MP3: Yo La Tengo – “Periodically Double Or Triple”
Video: Yo La Tengo – “Here To Fall”
Video: Yo La Tengo – “Periodically Double Or Triple”

Spin has excerpted a portion of their interview in this month’s issue with Jarvis Cocker.

Rolling Stone has, a mere eight months into the year, boldly named their artists to watch for 2009. Included amongst them are two British ladies with anatomically-oriented debut albums – first is Little Boots, whose Hands still awaits a North American release and whom you can watch in person on September 14 at Wrongbar, and also Florence The Machine, whose debut Lungs will be out here on October 13. They’re also offering up an MP3 from the album and The Yorkshire Evening Post has an interview with Florence Welch.

MP3: Florence & The Machine – “I’m Not Calling You A Liar”

Also deservedly getting a North American release is Fanfarlo, whose Reservoir will be out here on October 6. They’re doing a smattering of touring in September, but nothing up this way.

MP3: Fanfarlo – “Luna”

But a bunch of bands have just announced visits. Swedes The Sounds will be at the Phoenix on September 13 in support of their new record Crossing The Rubicon.

MP3: The Sounds – “Beatbox”
MP3: The Sounds – “Dorchester Hotel”

Born Ruffians and The Acorn are teaming up to fill the Opera House on September 19, tickets $15.

MP3: The Acorn – “The Flood, Pt 1”
MP3: The Acorn – “Crooked Legs”
Video: Born Ruffians – “Hummingbird”

Two Hours Traffic will mark the release of their new album Territory on September 8 with relentless touring – look for them on October 16 at Lee’s Palace.

MP3: Two Hours Traffic – “Territory”

Having retired the Pedro The Lion pseudonym, David Bazan will set out on tour in support of his debut album under his own name Curse Your Branches, due out September 1. He and Say Hi will be at Lee’s Palace on October 22. There’s a feature piece on Bazan at The Chicago Reader and his struggles with spirituality.

MP3: David Bazan – “Bless This Mess”
MP3: Say Hi – “Oh Oh Oh Oh Oh Oh Oh Oh”

Dan Deacon is at Sneaky Dee’s on November 3. His latest album is Bromst, tickets to the party are $12. I suspect this will be bedlam.

MP3: Dan Deacon – “Crystal Cat”

Fuck Buttons and Growing seek to make a racket at the El Mocambo on November 23. Witness said racket for $10.

MP3: Fuck Buttons – “Bright Tomorrow”
MP3: Growing – “Swell”

Their show at Lee’s Palace on Monday night long sold out, Friendly Fires have made yet another date to visit Toronto, this one on December 2 at the Mod Club, tickets $16.50, and accompanying them on this trek are The XX.

MP3: Friendly Fires – “Jump In The Pool”
MP3: The XX – “Basic Space”

An immovable medical appointment has forced Dinosaur Jr to postpone their September 30 show at the Phoenix all the way into the new year, with the new date set for January 21, 2010. Seriously.

MP3: Dinosaur Jr – “I Want You To Know”

The Toronto Star looks at how the soon-to-wrap production of Scott Pilgrim has stayed faithful to the image of Toronto both in the comics and in real life.

Tuesday, June 2nd, 2009

Imaginary Friend

Review of Telekinesis' self-titled debut

Photo By Jenny JimenezJenny JimenezAs I’ve been complaining to anyone who’ll listen, the fact that it was the first of June yesterday – less than three weeks to Summer – and only ten degrees centigrade on my bike ride to work (that’s 50 Fahrenheit for you residing in non-metric backwaters) was simply unacceptable.

But maybe it’s the result of some sort of climatological karmic balancing act to make up for one of the Summeriest records of the year so far, the almost self-titled debut (the record title has an “!” tacked on) from Seattle’s Telekinesis, being released in the dead of Winter back in February. The brain-child of Michael Lerner, Telekinesis is a delicious glob of chewy power-pop goodness that has moments as infectious as anything you’ve heard this year – hear the chorus to “Tokyo” just once and you’ll be ready to sing right along by the time it comes around again. The record strays from the recipe enough to offer sufficient variety over its barely-half an hour running time to establish that they’ve got range beyond just peppy hooks – there’s some quieter, melancholic moments and slightly more ragged rockers – but all share the most important ingredients, namely Lerner’s unaffected vocals, the unfussy and effective arrangements, and an unerring sense of melody. There’s not much new here, but complaining about that is like complaining your cold drink on a sunny afternoon is like your last cold drink on a sunny afternoon. Shut up and enjoy.

Telekinesis, who gear up as a full band for live performances, are currently on the road and will be in town next Wednesday, June 10, for a show at the Horseshoe. God willing, it’ll have warmed up some and feel a bit more like Spring, never mind Summer, by then. Decider interviews Lerner and Rolling Stone has a profile of the band, and another one on Aussies An Horse, who are also on the bill with locals Oh No Forest Fires. This will be an excellent show.

MP3: Telekinesis – “Coast Of Carolina”
MP3: Telekinesis – “I Saw Lightning”
Video: Telekinesis – “Tokyo”
Video: Telekinesis – “Awkward Kisser”

Daytrotter has The Submarines in for a session.

Clash and MusicOhm have interviews and Spinner’s Interface a session with Grizzly Bear. And Drowned In Sound has basically gone Grizzly-crazy the last week and a bit. The Grizz are at the Phoenix on June 5.

Stereogum gets a status report on Heartland from Final Fantasy – look for it before the year is out, but no further specifics were forthcoming.

Pitchfork reports that Sigur Ros are working on a new album with an eye towards an early 2010 release.

Son Volt have a new album in the can called American Central Dust and will be releasing it on July 7.

MP3: Son Volt – “Down To The Wire”

Exclaim has the official announcement of Ohbijou as the newest signing to Last Gang Records. Which makes perfect sense, as I’d always thought they would be the perfect labelmates to Crystal Castles. Beacons is out now in the UK and here digitally and will get a physical release June 16 – there’s a release party at the Opera House on June 25.

VIMBY has a backyard performance and video interview with Great Lake Swimmers’ Tony Dekker. Paste also has a video performance, but they stay indoors.

Two Hours Traffic tell CBC Radio 3 that they’ve completed work on their sophomore effort and will be releasing Territory on or around September 8. More endless touring to follow.

Sprung from the ashes of Mclusky, Wales’ Future Of The Left are staging a North American tour this Summer in support of their new album Travels With Myself And Another, out June 23, and will be at the El Mocambo on July 15, tickets $10. The Washington Post and Clash have interviews with the band’s Andy Falkous.

MP3: Future Of The Left – “Arming Eritrea”
Video: Future Of The Left – “The Hope That House Built”

Minnesota’s Now Now Every Children have a date at the El Mocambo on August 2 with Bad Veins. Their new album Cars has been on fairly heavy rotation all this past weekend – there’ll be a proper review sometime in the future – but for now I’ll just say I’m very much looking forward to this show.

MP3: Now, Now Every Children – “Everyone You Know”
MP3: Now, Now Every Children – “Sleep Through Summer”
MP3: Now, Now Every Children – “Cars”
MP3: Bad Veins – “Gold And Warm”

The Weakerthans are returning this Fall for a gig decidedly more intimate than their April Phoenix gigs – look for them at the Mod Club on September 23. Via NXEW.

And if you think late September is way too far into the future to start blocking off time, you may not want to know about the Destroyer date just announced for the Horseshoe on October 3, or the fact that tickets will be $13.50. There’s no new album news to report but there will be a new vinyl/digital EP released on August 18 with the epic-length “ambient disco” track “Bay of Pigs” as the a-side. In the meantime, here’s some stuff from his last excellent full-length, Trouble In Dreams.

MP3: Destroyer – “Dark Leaves Form A Thread”
MP3: Destroyer – “Foam Hands”