Annabel MehranIt’s been a long week – I hope you’ll allow me to decompress with some much-needed link dumping.

And it’ll begin with St. Vincent, who wrap an extensive leg of North American touring tonight in Brooklyn before spending July in Europe in support of her second album Actor. Then come August, it’s back onto the highways of America for a short northeastern jaunt which will wrap with an August 8 show in Toronto at the Horseshoe, a gig which perplexingly isn’t yet sold out, so if you’ve been dithering about whether to go or not, the following should these video sessions with Ms Clark which surfaced over the past week should certainly nudge you off the fence, and if you’ve already got the date saved, they’ll serve to simultaneously whet and appease your appetite to see St Vincent live.

Her Lake Fever Sessions set sees her dazzling in a solo acoustic setting, while the inaugural “Cemetary Gates” series at Pitchfork TV sets Clark and her band in a Brooklyn graveyard (well, in a church in a graveyard), plugged in and presumably with a mandate to wake the dead. She was also on Letterman last night, performing “Marrow” – it’s probably too much to hope that the horn section is coming on tour with her – and You Ain’t No Picasso posted up an interview conducted a few weeks back in Kentucky.

Video: St Vincent – “Marrow” (live on Letterman)

Oregon Public Broadcasting welcomed Neko Case to their studios for a session and interview. Her tourmate Jason Lytle just released a new video. Both are at Massey Hall on July 14.

Video: Jason Lytle – “It’s The Weekend”

SpinEarth talks to Emily Haines of Metric.

Patterson Hood discusses his new solo record Murdering Oscar with Paste and The Washington Examiner. You can currently stream the whole thing at Spinner.

Stream: Patterson Hood / Murdering Oscar (And Other Love Songs)

Aquarium Drunkard and Paste talk to Jay Farrar about Son Volt’s new record American Central Dust, out July 7.

Acoustic Guitar asks Elvis Costello about his acoustic guitar (and other stuff). Costello is at Massey Hall on August 28.

Also at Massey Hall, this show on July 11, is Steve Earle. He has a Q&A with Magnet.

Interview talks to Swedish singer-songwriter Anna Ternheim. She has been added to the bill alongside Loney Dear and Asobi Seksu at the Horseshoe on October 13. Her new record Leaving On A Mayday will be out in North America on August 11.

MP3: Anna Ternheim – “To Be Gone”

eye talks to Casey Mecija of Ohbijou, who are playing the Opera House tonight.

Woods have a date at Sneaky Dee’s on August 8.

MP3: Woods – “To Clean”
Video: Woods – “To Clean”

Lemonade and Cale Parks will be at the El Mocambo on August 24.

MP3: Lemonade – “Big Weekend”
MP3: Cale Parks – “One At A Time”

Here’s a peculiar bill – The Happy Mondays and The Psychedelic Furs are teaming up for a North American tour this Fall, including a stop at the Kool Haus on October 14. I call it peculiar because the two acts were hardly contemporaries and probably wouldn’t have shared the same fanbase even if they were. But I guess they have the demographic now – nostalgic Anglophiles who wish they were twenty years younger.

They’re here in a couple weeks on July 9 opening up for Beirut at the Phoenix, but since that gig is plum sold out, The Dodos have announced a full North American tour for this Fall in support of their new record Time To Die, out September 15. Their tourmates will be kiwis The Ruby Suns and the local stop will be October 17 at Lee’s Palace.

MP3: The Dodos – “Fools”
MP3: The Ruby Suns – “Tane Mahuta”

Brantley GutierrezIt’d be foolish to suggest that the guitar has fallen out of its place of supremacy in the indie rock universe – the six-string remains ubiquitous – but there’s a case to be made that the guitar solo is on the wane. And I’m not talking about the concise melodic instrumental break but the full-on, 32 bar, eye-closing, fuzz-spraying, fret-shredding SOLO. That, you don’t see as much of these days.

So for those of us for whom that’s not a positive development, the impending June 23 arrival of Farm, Dinosaur Jr’s new record and second since reforming the original lineup, is good news. Because where there’s Dinosaur Jr, there’s soloing. Lots and lots of soloing. Farm doesn’t stray far from the template J Mascis has worked from for pretty much his entire career – sleepy, croaked vocals over loud, hook-laden tunes and saturated with guitar – but definitely maintains the sense of rejuvenation that made their last album, Beyond, so much better than most expected.

I’ve still not seen Dinosaur Jr live in any of their incarnations – the 2006 Broken Mascis Scene benefit concert with Broken Social Scene was as close as I came – so I’m hoping that the rumours that they’ll be playing Pop Montreal implies a Toronto date come October. In the meantime, a session the band recorded for Daytrotter has been made available to download, featuring a couple of songs from their debut Dinosaur as well as Beyond. There’s also an interview with drummer Murph at Chart.

MP3: Dinosaur Jr – “I Want You To Know”
Video: Dinosaur Jr – “Over It”

Doug Martsch is another fellow who’s been known to take a guitar excursion or two, and there’s sure to be more than a few of them on the next Built To Spill album, which should be arriving this year. Martsch talked to both Pitchfork and Sterogum about how things are going on There Is No Enemy, due out in October. Denver Westword also has an interview, and there’s also rumours of a Toronto live date percolating… more on that when its available.

Sonic Youth are also no strangers to the abuse of six-stringed instruments. Their latest, The Eternal, leans towards the more conventional side of their oeuvre, but with Sonic Youth that’s a very relative statement. They’re the subject of an interview at Billboard and another on-camera two-parter at Pitchfork TV. PFTV also has another installment in their A>D>D video session with the band, who’re at Massey Hall on June 30.

Guitar heroics aren’t necessarily the first thing one thinks of when they think of Wilco, but with Nels Cline in the band, they shouldn’t be much further than the second or at most, third. CityBeat has a conversation with with Cline about his work both within and without Wilco, while Metromix caught up with Jeff Tweedy while the band was in Spain to discuss their new record Wilco (The Album), due out June 30.

Muzzle Of Bees asks five questions of Son Volt’s Jay Farrar. Their new album American Central Dust is in stores July 7.

JAM talks to Steve Earle. He’s playing Massey Hall solo on July 11.

Under The Radar has details on the forthcoming Drive-By Truckers rarities compilation The Fine Print (A Collection Of Oddities and Rarities 2003-2008), out September 1. The band’s performance for Austin City Limits will also be released on CD and DVD on July 7, and Patterson Hood’s new solo record Murdering Oscar (and other love songs) is out June 23.

MP3: Patterson Hood – “I Understand Now”

Blurt has information on goings-on in Pernice Brothers-land. Joe’s first novel It Feels So Good When I Stop is set for an August 6 release and it will be accompanied by the release of a soundtrack album – essentially a cover album – which will be out August 4. There will also be string of live dates that seek to combine the book reading/concert performance mediums into, well, some combination of the two. Only a few of the dates have been announced yet, none in Pernice’s adopted hometown of Toronto. Come on, Joe. Do it.

Wheat are offering an MP3 from their forthcoming album White Ink Black Ink, which has pushed back May and June release dates and is now set to be out July 21. Any bets on August? PopMatters readies itself for the new record by revisiting the greatness of their first two, Medeiros and Hope & Adams, both recently reissued together.

MP3: Wheat – “H.O.T.T.”

MPR is streaming a session with Grizzly Bear.

Killabeez talks to Caroline Polachek of Chairlift, who’ve just released a new video.

Video: Chairlift – “Bruises”

Jet will be at the Mod Club on July 6, tickets $25.50.

Amber DawkinsSo Polaris Prize ballots are due in less than a week and as is seems to be habit with me, I haven’t listened to nearly as many of the eligible albums as my fellow jurors, or at least that’s how it seems from the discussions going on at our top-secret, private BBS. But besides making me feel inadequate, the forum has been invaluable for pointing me to records that are sitting in my promo piles and might otherwise go uninvestigated for lack of time or whatever.

One such record, and one which may very well make it onto my submissions ballot, was Superioryouareinferior, the 2008 release from Calgary singer-songwriter Rae Spoon. Though Spoon’s fourth album, I’d never heard of him before his name began cropping up in early recommendation lists from other jurors and lo and behold, I had a copy of the CD and so popped it into the player before carrying on with what I was doing. And then I almost immediately stopped what I was doing.

The lead track, “Great Lakes”, just floored me. It’s a simple tune, the simple arrangement led by guitar and slowly built up with glockenspiel, keys and bass and drums, but it’s Spoon’s voice that gives it transcendence. Singing paeans to each of the bodies of water noted in the title, his voice is so wracked with yearning such that if you’re in a place where your emotional defenses are down, just a little, it’ll cut right into the heart, straight and true. I have a feeling that my reaction to that resonance may be disproportionately strong, but there it is.

And if that one song hits the bullseye squarely, the rest of the album doesn’t stray far from the mark. It’s evident that Spoon comes from a folksinger tradition, but he also incorporates electrified instruments, strings and electronic textures in a most subtle and natural manner to make Superioryouareinferior much more than just a folk record. As a songwriter, Spoon is thoughtful and introspective, drawing inspiration from history and identity, and is able evoke a lot with few words. And what’s not explicitly said is implied through the emotiveness and phrasing of his voice, a thing of high, pure beauty with just the right amount of twang and vibrato.

With each listen, Superioryouareinferior reveals more depths beneath its placid surface and I think I just talked myself into putting on the ballot.

MP3: Rae Spoon – “Come On Forest Fire Burn The Disco Down”
Stream: Rae Spoon / Superioryouareinferior
MySpace: Rae Spoon

Clash has a chat with Emmy The Great.

PopMatters checks in to see what Nellie McKay is up to – activisim, theatre, a new album and still refusing to perform in Canada.

Out and New York Press talk to Stephin Merritt about his work on the Coraline musical.

I Am Fuel You Are Friends interviews Thao Nguyen.

Annie Clark of St Vincent talks to The Chicago Tribune, Los Angeles Times, Minneapolis Star-Tribune and Decider about her new record Actor. She’ll be at the Horseshoe on August 8.

JAM discusses the success of Lost Channels with Great Lake Swimmers’ Tony Dekker.

Thick Specs has an interview with Joel Plaskett.

Crawdaddy has questions. Patterson Hood has answers. His new solo record Murdering Oscar (And Other Love Songs) is out June 23.

Steve Earle talks to The Telegraph and Indy Week about his new album Townes and gives Aquarium Drunkard a track-by-track annotation of the record. Earle is at Massey Hall on July 11 for a solo show.

Frank YangI’ve been to a LOT of shows in the past decade or so, and as such my list of bands whom I’m still waiting to see live is pretty short by this point – and last week, it got one big name shorter when I got to see reclusive Swedes The Radio Dept not once but twice in New York thanks to their headliner status at NYC Popfest. The venue for the big show was the Bell House in Brooklyn, a good-sized venue with a vibey bar/lounge up front and a nicely-laid out if horribly-lit live music room in back. Though The Radio Dept remain very much a cult band, the show was well sold out – probably with no shortage of fans like myself willing to make a pilgrimage to catch one of their rare live performances. And do some shopping. Hey, any excuse to plan a trip to New York City.

In addition to The Radio Dept was a lineup of four other bands who, like those who played the previous night were all unknown to me but who hopefully would make more of an impression. Leadoff hitters Computer Perfection, a five-piece outfit hailing from the Detroit suburb of Ferndale, were a promising start, blending sunny indiepop staples (jangly guitars, he-she harmonies) with more electronic elements and some unconventional song structures. They had a lot of ideas going on and mostly got them to work – they’re coming to Toronto for NxNE with a show at Holy Joe’s on Friday, June 19.

California’s Eux Autres traded in some of the preceding act’s sophistication for a more direct and classic tact, relying on great tunes, melodies and a lot of energy to make their point. The trio, led by brother and sister Heather and Nicholas Larimer delivered the right balance of sweet pop and punchy rock to impress – thumbs up.

The Secret History, from New York, took things big again, with a seven-piece band including two female singers and an impressive lineage. Lead singer Lisa Ronson is the daughter of former Bowie guitarist Mick Ronson and many members, including chief songwriter Michael Grace Jr, used to be in cult pop heroes My Favourite. Stylistically, they were rooted in big, lush retro-pop but willing to turn up and rock out – no twee merchants here. Versatile and tight, their set was upbeat and enjoyable and their sound decidedly different from what I’d been subsisting on most of the weekend to that point. Good stuff.

Pants Yell! had made the drive down from Boston and brought with them some of that city’s unmistakable college rock vibe. Relative to the other bands on the bill, they were more taut and jaggy, though still highly melody-friendly and not out of place as something called Popfest. To close out their set, they brought out Suburban Kids With Biblical Names, with whom they would be playing some shows, to sing a couple songs with them. By this point I was starting to fade and was conserving my energy for the final act, so I can’t really tell you more than that.

Now even though I was anxious enough to see The Radio Dept live to make a road trip out of it, that doesn’t necessarily mean that I expected them to put on a great show. After all, this was an outfit that was famously reclusive, played out very infrequently and whose records were very much studio creations (even if the studio in question sounded like a bedroom) – not really a recipe for an epic live show. But regardless, an opportunity to see they who’d created music so dear to me was not to be passed up and so I went.

The Friday night show at Don Hill’s was advertised as a “warm-up show” but it was hardly a dry run. Their eight-song set ran over half an hour – a full showcase at some festivals – and even though they had no drummer, no bassist and played over a significant amount of pre-recorded backing tracks – usually things that’d put me right off – they still grabbed the heartstrings. It’s the songs. It didn’t matter how they did it, but they came off with all the beautiful melancholy the records carried without sounding like a karaoke act. Favouring the cleaner sonic aesthetic of their more recent works, both Martin Carlberg and Johan Duncanson reproduced their surprisingly intricate guitar parts flawlessly, Carlberg’s vocals were resonant with yearning and resignation and the feeling of being wrapped in a fuzzy blanket of sound very much in effect. True, their onstage charisma was nearly non-existent – they seemed awkward and uncertain how to respond to the enthusiasm of the audience – but even that fit perfectly with their persona.

And that again was much the case at the Bell House show, and though they didn’t necessarily sound better or seem more assured onstage – they may actually have seemed less, with much conferring between songs about what they were playing even though a set list had been drafted. But despite all that, this show felt grander and more momentous – even though the occasion of finally seeing them live had been taken care of the night before, this still felt like the show that I had come to see.

The set was longer, though at maybe 50 minutes still much shorter than most everyone in attendance would have liked, and both Lesser Matters and Pet Grief were well represented, as well as some EP and b-side tracks and a few new tunes which should appear on Clinging To A Scheme if/when it’s finally released – when asked when to expect it, Carlberg guessed, “August? September?” (their new EP David is confirmed for a June 24 release).

As far as musical pilgrimages go, this one was decidedly on the understated side but it – and the just getting away from home if just for a few days – was just what I needed. It’s been intimated that upon the record’s release, there’ll be more touring on this side of the Atlantic. I’m not holding my breath on that but do hope there’s truth to it. A Radio Dept show will always be a good excuse for a trip.

Photos: The Radio Dept, Pants Yell!, The Secret History, Eux Autres, Computer Perfection @ The Bell House – May 16, 2009
MP3: The Radio Dept – “Freddie and the Trojan Horse”
MP3: The Radio Dept – “The Worst Taste in Music”
MP3: The Radio Dept – “A Window”
MP3: The Radio Dept – “Pulling Our Weight”
MP3: The Radio Dept – “Why Won’t You Talk About It?”
MP3: Pants Yell! – “Kids Are The Same”
MP3: Pants Yell! – “Your Feelings Don’t Show”
MP3: Pants Yell! – “My Boyfriend Writes Plays”
MP3: Pants Yell! – “Onward Sailboat”
MP3: Pants Yell! – “The Not Society Life”
MP3: Eux Autres – “When I’m Up”
MP3: Eux Autres – “Ecoutez Bien”
MP3: Computer Perfection – “Able Archer”
MP3: Computer Perfection – “The Fool Is Hurt”
MP3: Computer Perfection – “How I Won The War”
MP3: Computer Perfection – “Sweetie Pie”
Video: The Radio Dept. – “The Worst Taste In Music”
Video: The Radio Dept. – “Where Damage Isn’t Already Done”
Video: The Radio Dept. – “Pulling Our Weight”
Video: Eux Autres – “Anne Boleyn”
MySpace: The Radio Dept.
MySpace: Pants Yell!
MySpace: Eux Autres
MySpace: Computer Perfection

Apparently someone thought that revealing the NxNE schedule via Twitter would be a good idea. That person was wrong. In addition to the Thursday showcases announced yesterday, it seems that No Age’s showcase will be happening on Friday, June 19, at Lee’s Palace.

MP3: No Age – “Eraser”

Dirty Projectors will be supporting TV On The Radio at the Sound Academy on June 2 but for those who can’t or won’t go to that show, take heart – they will return for their own show at Lee’s Palace on June 24. Their new album Bitte Orca is out June 9.

MP3: Dirty Projectors – “Rise Above”

Punk legends The New York Dolls will be at Lee’s Palace on June 30, tickets $29.50, Black Joe Lewis & The Honeybears support. The Doll’s new album Cause I Sez So is out now.

Steve Earle will bring Townes to Massey Hall on July 11. Earle talks to NPR about the new record.

MP3: Steve Earle – “To Live Is To Fly”

Norway’s Casiokids have a date at the El Mocambo on August 5.

Video: Casiokids – “Fot I Hose”

As promised, Glasvegas are returning to North America this Fall… but it’s as support for Kings Of Leon. Dates have been announed for September 17 at Scotiabank Plaza in Ottawa, September 19 at Copp’s Coliseum in Hamilton and September 20 at the John Labbat Centre in London. Obviously there’s a conspicuous open date and no Toronto gig – Kings Of Leon were here last month, can they swing another arena show so soon while playing these other nearby markets? And if not, will Glasvegas be doing their own show to satisfy those who didn’t make it into their Mod Club gig in April? I don’t know but I suspect yes.

Also back again following their sold out club gig in March – White Lies, this time for a show at the Phoenix on September 26.

MP3: White Lies – “Death”

Ingram BarssWhen it comes to rock music, there’s few things that can be said to be asking to fail more than the double album and the concept album. To the former, most artists have trouble coming up with enough quality material to pad out a conventional 10-song set and to the latter… well, I don’t think there’s any explanation needed there. And let’s not even get started on the double- concept album. So the fact that Joel Plaskett’s latest is a triple-album with a running theme should be a recipe for glorious catastrophe… and yet it’s not. Far from it, actually.

But let’s be clear – Three may be ambitious, but it doesn’t overreach. The only real “concept” at work is the number three, which applies to the number of CDs in the set, manifests itself in a number of song titles (“Pine, Pine, Pine”, “Run, Run, Run” for example) and crops up in the lyrics from time to time – hardly a rock opera. And all 27 songs could have easily fit on two compact discs, but that would have spoiled the fun. And besides the numeral three, fun is the prevailing theme of this set – proceedings are dominated by an easy, laid-back vibe that finds Plaskett knocking off the sort of genial, unpretentious roots-pop/rock that has earned him the mantle of one of this country’s most reliable songsmiths.

And that reliability applies across the entire set. By sticking to what he does best and keeping the delivery simple and straightforward, Plaskett manages the remarkable feat of not including a single standout clunker. They’re certainly not all classics – many drift by with just an amiable nod – but anything that does catch jump out and grab the ear does so because it’s exceptional, and there’s no shortage of those, particularly on disc two. Generally, these are the quieter, more thoughtful compositions – a fact that may mark Plaskett’s transition from rocker to balladeer complete, but one that should be celebrated. Unless you still light a candle nightly in hopes of a Thrush Hermit reunion, in which case I cannot help you.

Plaskett has just begun a cross-Canada tour that will place him at Massey Hall on May 23, and courtesy of Maple Music I have a pair of tickets to give away to the show, along with an autographed copy of Three. To get in on this, email me at contests AT chromewaves.net with “I want to see Joel Plaskett” in the subject line and your full name and mailing address in the body, and get that to me by midnight, May 19.

There’s interviews with Plaskett about his reasonings behind crafting a triple-album at The Edmonton Journal, The Gateway, Vue, FFWD and The Vancouver Courier.

MySpace: Joel Plaskett

PopMatters and The Sun talk to Steve Earle about his new album Townes, which you can stream in its entirety right now at Spinner.

Stream: Steve Earle – “Townes”

The Arkansas Times checks in with Richard Buckner. He’s beginning work on his next album which will be out next year.

There’s a new MP3 available from Iron & Wine’s forthcoming rarities collection Around The Well, out next week. You can also stream the whole double-disc collection at their MySpace.

MP3: Iron and Wine – “Belated Promise Ring”
Stream: Iron & Wine / Around The Well

Blurt talks to Andrew Kenny of The Wooden Birds, whose debut Magnolia is out now. Imagine American Analog Set unplugged, sans vibraphone and Farfisa and you’re pretty much there. Check out a track from the album and also their WOXY Lounge Act session from SxSW in March. Muzzle Of Bees and Black Book have interviews.

MP3: The Wooden Birds – “False Alarm”
MP3: The Wooden Birds – “Sugar” (live at WOXY)
MP3: The Wooden Birds – “The Other One” (live at WOXY)
MP3: The Wooden Birds – “Believe In Love” (live at WOXY)

Bowerbirds have released the first MP3 from their new album Upper Air. It’s out July 7 and they’re at Sneaky Dee’s on July 14.

MP3: Bowerbirds – “Northern Lights”

NPR has a session with Vetiver, who will be at the Horseshoe on May 15.

Bob Dylan has a new video.

Video: Bob Dylan – “Beyond Here Lies Nothin'”

Beatroute and Canadian Press interview Grizzly Bear. Veckatimest is out May 26, they’re at the Phoenix June 5.

Wayne Coyne tells Billboard that the next Flaming Lips album, due out later this year and still untitled but possibly to be called Embryonic, is looking like it’ll be a double-album.

Metromix interviews Thao, whom I won’t be seeing in New York tomorrow night because I will instead be hoofing it to Connecticut to see Leonard Cohen. I’d like to think Thao would understand.

Drowned In Sound, Express Night Out and Charleston City Paper interview The Thermals’ Kathy Foster.

KEXP has a session with Telekinesis, in town at the Horseshoe on June 10.

The Bygone Bureau talks to John Vanderslice about Romanian Names, out next week. He plays the Horseshoe July 10.

Ohbijou, who are currently gallivanting around Europe, have set a CD release show for Beacons when it comes out on June 2. The party will be on June 25 at the Opera House, tickets $13.

MP3: Ohbijou – “Black Ice”

The Veils and Foreign Born will be at the Horseshoe on July 27, both with new albums to promote – Sun Gang for the former and Person To Person, out June 23, for the latter. Tickets for that are $13.50.

MP3: The Veils – “The Letter”
MP3: The Veils – “Killed By The Boom”
MP3: Foreign Born – “Vacationing People”

Lykke Li is coming back to town yet again on August 9, and this time she’s playing the Sound Academy. Tickets are $26.50.

Caribou are returning to live action this year and have something special planned for their September 10 show at the Opera House. They’ll be performing as The Caribou Vibration Ensemble and according to Exclaim, that means “Four Tet’s Kieran Hebden, Koushik, John Schmersal, Kathryn Bint and Ahmed Gallab, along with a choir, a horn section and a quartet of drummers”. Um, okay. Bring it.

MP3: Caribou – “Melody Day”