Emil SchultWhy yes, it is another deck-clearing, pre-vacation post. Bit of a Euro theme to this one because I am headed over to the Old World tonight, spending the next week and a bit in Berlin and Stockholm – so no, I won’t be anywhere near the autobahn, but I may fly over them en route and anyways as part of my cultural preparation for the trip, I’ve discovered the wonder of Kraftwerk. Anyways, let’s get to it – I still have to pack.

Video: Kraftwerk – “Autobahn” (live)

The Guardian are advance streaming the Belle & Sebastian b-sides compilation The Third Eye Centre ahead of its release next week, and to go along with the listening Under The Radar has a track-by-track commentary from the band.

Stream: Belle & Sebastian / The Third Eye Centre

Spin talks to Alex Kapranos of Franz Ferdinand. Their new record Right Thoughts, Right Words, Right Action is out next week and they’re at The Kool Haus on October 24.

Stereogum sets up a Turntable Interview with Empire Of The Sun. They play The Danforth Music Hall on September 9.

Drowned In Sound talks to Emiliana Torrini about her new record Tookah, due out September 10.

Gorilla Vs Bear is streaming a new track from London Grammar’s debut album If You Wait. It’s out September 10 and their October 4 show at BLK BOX has been moved upstairs to The Great Hall.

Stream: London Grammar – “Interlude”

Frightened Rabbit will release a different, North American version of their Late March, Death March EP on September 10 with a different track listing from the European version which came out back in June; Stereogum has a stream of one of the new songs and Paste an acoustic performance video of the same tune. Frightened Rabbit play The Kool Haus on October 17.

Stream: Frightened Rabbit – “Radio Silence”

Savages have announced their third local show in six months, coming back to town for a date at The Opera House on September 12 – tickets for that are $20.

Video: Savages – “Shut Up”

The Darcys list off five of the albums that influenced their studio time in making their new record Warring for CBC Music. It’s out September 17.

The resuscitated The Dismemberment Plan are streaming another tune from their new record Uncanney Valley, due out October 15.

Stream: The Dismemberment Plan – “Invisible”

Emotive Irish newcomers Kodaline – one of the longlisted bands for the BBC’s Sound of 2013 list way back in January – are staging a North American tour around a CMJ appearance and behind their debut album In A Perfect World; they’ll be at The Garrison on October 20.

Video: Kodaline – “All I Want”

Los Angeles synth-rock trio Sir Sly have made a date at The Horseshoe for October 21.

MP3: Sir Sly – “Ghost”

The Dumbing Of America talks to Mark Van Hoen, one of Neil Halstead’s collaborators in Black Hearted Brother. Their debut Stars Are Our Home is out October 22.

The National Post interviews Raphaelle Standell-Preston of Braids. They play The Great Hall on November 10.

Spin has got the latest video from English psych-rock newcomers Temples as well as confirmation that their debut album won’t be out until 2014, not that that’s stopping them from being here to play The Horseshoe on November 20.

Video: Temples – “Keep It In The Dark”

Under The Radar talks to former Ride frontman Mark Gardener about a new collaborative project he’s working on with former Cocteau Twin guitarist Robin Guthrie. The swirly swirly fruits of that project could see the light of day before the year is out.

Tim Burgess of The Charlatans remembers their late drummer Jon Brookes in a blog post at NME.

Montreal’s Valleys have released a new video from their debut Are You Going To Stand There And Talk Weird All Night?.

Video: Valleys – “Absolutely Everything All The Time”

Toronto’s shoegazing Breeze, whose live show helped kick off this week, have a new video.

Video: Breeze – “Dolls”

Phoenix drop in on NPR to record a World Cafe session, while Pitchfork talks to both Thomas Mars and R. Kelly about their unlikely collaborations.

NPR has a World Cafe session with Shout Out Louds.

Beatroute talks to Icona Pop.

Billboard examines Annie’s impact on Norwegian pop.

Okay, bye for now.

Frode & MarcusI get why people have such affection for Shout Out Louds’ 2005 debut Howl Howl Gaff Gaff; the way it tapped into the scrappy, garage-rock sound in vogue at the time but rather than the insouciant attitude that typically came with the aesthetic, it offered a wide-eyed and sincere charm and stood apart from the pack for it. That said, it was only with 2007’s Our Ill Wills, which polished up their pop and expanded it to widescreen dimensions, that I was personally won over by the band. Happily for me and less so for those on Team Howl, it’s been this template that has informed each Shout Out Louds record ever since, this year’s Optica being no exception.

They did tweak their approach a bit with 2010’s Work tweaked the formula by going for a more organic, live-off-the-floor sound, but while Optica lets things drift back to the more produced side of things a bit, those holding out hope that the band might let things get raucous again should probably just go and find themselves a new, charmingly rough Scandi-pop band to patronize. Shout Out Louds have got this elegant pop thing down pat – “Blue Ice” is tastefully orchestrated and “Walking In Your Footsteps” may offer the best flute hook of the year – and even when they get relatively dark or heavy, they do it more through tone and atmosphere than volume; “14th Of July” is the riffingest number on the record and it really just jangles. Mostly, though, Optica adopts a pleasant midtempo pace and relies on its immaculate popcraft and melodicism to win the listener over.

Shout Out Louds’ North American tour kicks off in early May and will stop in at The Opera House in Toronto on May 14. Tickets for the show are $18.50 in advance, but courtesy of LiveNation, I’ve got three pairs of passes to give away to their show and as a bonus, courtesy of Big Hassle and Merge, a copy of the band’s “Blue Ice” 7″ – no, not the actual ice one, don’t be ridiculous. To enter, email me at contests@chromewaves.net with “I want to Shout Out Loud” in the subject line and your full name in the body, and if you would also like the 7″, say so and include your mailing address. Have all that to me by midnight, May 6.

Rolling Stone just premiered the newest video from Optica.

MP3: Shout Out Louds – “Blue Ice”
Video: Shout Out Louds – “Illusions”
Video: Shout Out Louds – “Walking In Your Footsteps”
Video: Shout Out Louds – “Blue Ice”

Spin and The San Francisco Examiner check in with Palma Violets, coming to town on May 3 for a show at Lee’s Palace and again on August 3 as part of The Grove Fest at Garrison Commons.

Los Campesinos! have announced details of and a track from their first-ever live album, entitled A Good Night For A Fistfight, recorded last December and to be released digitally May 5. DIY has specifics and some words from Gareth Campesinos! about the recording.

MP3: Los Campesinos! – “We Are Beautiful, We Are Doomed” (live at Islington Assembly Hall)

Noah & The Whale are streaming the title track from their forthcoming album Heart Of Nowhere, due out May 6, and it guest stars the wonderful Anna Calvi. The Yorkshire Evening Post and Gigwise have interviews with frontman Charlie Fink.

Stream: Noah & The Whale – “Heart Of Nowhere”

7 Digital interviews Victoria Hesketh of Little Boots about her second album Nocturnes, slated for a May 7 release.

MTV Hive gets to know Charli XCX; she opens for Marina & The Diamonds at Echo Beach on May 23.

The 405 interviews Elliphant, who is streaming a new song and making her local debut on June 7 supporting Twin Shadow at The Phoenix.

Stream: Elliphant – “Make A New Breed”

Interview chats with Jose Gonzalez of Junip, whose new self-titled album came out this week. They play The Great Hall on June 10.

While the May 13 UK release of Primal Scream’s new long-player More Light was long-confirmed, there’s only just come word that there’ll be a domestic release in North America, coming June 18. Details on that at Spin.

Under The Radar has an interview with Pet Shop Boys, whose new album Electric comes out in June.

Spin, eMusic, The 405, The Guardian, MTV, The Daily Beast, NPR, and Exclaim all have feature interviews with Phoenix with Exclaim offering a sidebar piece on the band, Spin the fruits of their photo shoot, and NPR a KCRW video session. Phoenix headline The Grove Fest at Garrison Commons on August 3.

Filter hangs out with the girls of Icona Pop. You can do the same at The Grove Fest at Garrison Commons on August 3.

MTV Hive takes fashion tips from Hot Chip, also playing The Grove Fest on August 3.

Nick Cave & The Bad Seeds are streaming one of the tracks that appeared on their Record Store Day 7″ release.

Stream: Nick Cave & The Bad Seeds – “Animal X”

Mystery Jets have made their Record Store Day release, the self-explanatory Live At The Royal Festival Hall, available to stream for those who missed out on getting a copy on Saturday or who never even had the opportunity what with it only being available in the UK and all.

Stream: Mystery Jets / Live At The Royal Festival Hall

Kate Nash has released a new video for the a-side from her Record Store Day 7″, and later this week she’ll roll out the next clip from Girl Talk. But not yet.

Video: Kate Nash – “Free My Pussy”

Clash gets into the heads of British Sea Power.

The Big Takeover has an interview with Veronica Falls.

PopMatters and Black Book interview Ólafur Arnalds.

Stereogum points out a stream of a new Jens Lekman song, written for an Esopus magazine compilation and about a fan who mailed him a dead bird.

Stream: Jens Lekman – “Regarding A Package”

Rolling Stone sits down with Thom Yorke and Nigel Godrich to talk about Atoms For Peace and the state of dance music, and somehow the conversation drifts to the topic of Radiohead.

Rolling Stone got a moment of Jason Pierce’s time at Coachella to talk about things of a Spiritualized nature.

Jon ShardIt’s been a while since both Morrissey and Johnny Marr have been in the news simultaneously, and not just issuing denials of Smiths reunions. Moz, unfortunately, is making headlines for his health issues and resulting tour cancellations – though that’s probably better than for making outrageously offensive comments – but Marr’s press cycle is decidedly more positive as he’s now just a week out from the release of his new record The Messenger.

It’s not entirely clear to me why The Messenger is being called his solo debut; even though 2003’s Boomslang was credited to Johnny Marr & The Healers, I don’t think anyone looked at it as a songwriting partnership between Marr and Zak Starkey. Of course, the fact that that record wasn’t very good may play a part in why they’d rather present The Messenger as its own standalone thing rather than a follow-up. In any case, with the February 26 release date of the new record almost upon us, the whole of it is now available for advance stream at Rolling Stone.

I’m not sure what general expectations around the record are. It’s great to have Marr and his guitar back and not just playing sideman, even though that’s the role through which his legend was largely formed. For my part, I just wanted it to be better than Boomslang which was disappointingly lacking in personality and sounded like a late-era Britpop also-ran. The Messenger feels sprightlier, more melodic, and more classically Marr – more jangle than riff. Whereas I couldn’t wait for Boomslang to be over, I’ve been hitting repeat on The Messenger – consider it endorsed?

Pitchfork, Clash, and Time have interviews with Marr and NME got him to play “Heaven Knows I’m Miserable Know” for the first time in a quarter-century by way of a guitar lesson. Marr’s North American tour – backed by The Healers but not the same Boomslang Healers – kicks off in April and will stop in Toronto at The Phoenix on April 27.

Stream: Johnny Marr / The Messenger

The Sun, The Guardian, and eMusic have features on Nick Cave & The Bad Seeds on the occasion of the release of Push The Sky Away today. They play Massey Hall on March 23.

The Fly interviews Iceage. Their new album You’re Nothing is out today.

Esquire has an interview with Thom Yorke, usually of Radiohead but lately of Atoms For Peace. Yorke and his AFP compatriots hosted a Reddit AMA yesterday in advance of the release of AMOK on February 26, and have also begun streaming the new album in whole at NPR. Oh, and if a Thom Yorke-Flea collaboration doesn’t float your boat, know that Radiohead will be reconvening this year to work on a new album.

Stream: Atoms For Peace / AMOK

NPR is streaming Shout Out Louds’ latest effort Optica ahead of its February 26 release date. They play The Opera House on May 14.

Stream: Shout Out Louds / Optica

The Line Of Best Fit interviews Søen Løkke Juul of Indians, who are at The Drake on March 5.

The Independent talks to Kate Nash about her third album Girl Talk, due out on March 5. She plays The Horseshoe on March 15.

For Folks Sake talks to Stornoway about their second album Tales From Terra Firma, coming March 19. They’ve just released the first video from the album.

Video: Stornoway – “Knock Me On The Head”

Clash interviews The Joy Formidable about their new record Wolf’s Law, which they bring to The Phoenix on April 12.

Phoenix have premiered the first sample of Bankrupt! at Pitchfork by way of lyric video, and yes it sounds like Phoenix. Bankrupt! is out April 22.

Lyric Video: Phoenix – “Entertainment”

Primal Scream have released the first video from their new record More Light, which is due out on May 6.

Video: Primal Scream – “2013”

The Line Of Best Fit talks to Foals, in town at The Kool Haus on May 11.

Though there’s maddeningly no word on an actual full-length release, Kate Jackson – ex-Long Blondes – has made the whole of her recording sessions with Bernard Butler available to stream. Which will have to suffice for the foreseeable future.

NPR welcomes Bat For Lashes for a World Cafe session.

Marino ThorlaciusI didn’t actually bring back a lot of souvenirs from my trip to Iceland in Fall 2011; a super-warm Kaldi hat (which has served me quite well this Winter), a package of Cronions (though I should have brought back a case), a whackload of photos (ponies!), my first car accident (cars on the inside lane of their roundabouts have the right of way, fyi), and a deep appreciation for the music of Ólafur Arnalds.

I didn’t even catch the entirety of his set at Iceland Airwaves, but what I did see from the 25-year old electronic/classical composer – he on piano and laptop, leading a string quartet and accompanied by elegant animated birds – left a deep impression. I immediately got a copy of his 2010 album …And They Have Escaped The Weight Of Darkness – still one of my go-to escapist records, not least of all because it transports me back to Reykjavik, and have been eagerly awaiting the follow-up ever since.

That album is For Now I Am Winter and after offering the first preview track a few weeks ago, he’s now made a second track available to both listen to and play with, as it’s streaming as an interactive web application on his website that allows you to play with the mix in real time, turning channels on and off as you like. Obviously it sounds best as a fully-realized composition, but being able to isolate and analyze the finer details of his work also offers insights into the work. Both advance tracks represent a pretty familiar aspect of Arnalds’ work, but Winter should offer more than a few surprises as well – in addition to enlisting American composer Nico Muhly to assist on the orchestrations, Arnór Dan of Icelandic band Agent Fresco also contributes vocals – yes, vocals – to three tracks. For Now I Am Winter is out February 25 in Europe and April 2 in North America.

Stream: Ólafur Arnalds – “Only The Wind”
Stream: Ólafur Arnalds – “This Place Was A Shelter”

Sweden’s Deer Tracks will release their new album The Archer Trilogy, Pt. 3 tomorrow and are streaming the whole thing right now at Rdio. Yeah, you have to sign up for their streaming service but my understanding is that a) it’s great, and b) it’s free – at least for now and for Canadians; Americans I’m sure can find a similar deal. The Deer Tracks are here at The Silver Dollar on February 28.

MP3: The Deer Tracks – “W”
Stream: The Deer Tracks / The Archer Trilogy, Pt. 3

The Line Of Best Fit has debuted a stream of another track from the new Shout Out Louds record Optica, due out February 26. They play The Opera House on May 14.

Stream: Shout Out Louds – “Illusions”

Spin has an interview with German electro-gaze auteur Ulrich Schnauss, as well as a stream of his new album A Long Way To Fall, out tomorrow.

Stream: Ulrich Schnauss / A Long Way To Fall

Weird World Record Co has posted a stream of a new/old song from Melody’s Echo Chamber, the original version of the song that would be transmogrified into “IsThatWhatYouSaid” on last year’s self-titled debut.

Stream: Melody’s Echo Chamber – “Je Me Perds de Vue”

Clash talks to Veronica Falls about their new record Waiting For Something To Happen, out tomorrow. They play The Garrison on March 12.

Foals guitarist Jimmy Smith talks to Consequence Of Sound and frontman Yannis Philippakis to The Fly about their new record Holy Fire, in stores tomorrow.

James Blake has offered some context to the Spring tour that brings him to the Danforth Music Hall on May 4; Under The Radar reports his new album Overgrown will be out April 8 and the first video from it surfaced this weekend.

Video: James Blake – “Retrograde”

Hat tip to Gorilla Vs Bear for pointing out the HD video of Jessie Ware’s radio session for KCRW. She’s in town at The Opera House on April 6.

State has an interview with Frightened Rabbit, who also offer up a video session to The Line Of Best Fit. They’re at The Phoenix on March 31.

Magnet interviews The Joy Formidable for the position of guest editor of their website for this week. They play The Phoenix April 12.

DIY has details on the debut album from Ireland’s Little Green Cars. Absolute Zero will be out on May 13, which means they won’t have copies for sale when they play The Drake on March 28. The first video from it is also geoblocked in Canada/North America because sometimes people are awful.

Video: Little Green Cars – “Harper Lee”

Nick Cave & The Bad Seeds are streaming their new record Push The Sky Away at The Guardian ahead of its official release on February 19. They’ve also released a new video starring Ray Winstone and various seedy goings-on. Nick Cave and company are at Massey Hall on March 23.

Video: Nick Cave & The Bad Seeds – “Jubilee Street”
Stream: Nick Cave & The Bad Seeds / Push The Sky Away

The Line Of Best Fit has an interview with Shugo Tokumaru.

FacebookI don’t know what you’ve got planned this weekend – me, I’m going to go buy a curtain rod – but if you think you’ll require a ray of musical sunshine to brighten up the proceedings or, conversely, need a soundtrack to an itinerary full up to the gills with fun, you could do far worse than to fire up the advance stream of Shugo Tokumaru’s new record In Focus?, available to stream now at Under The Radar.

It’s the Japanese composer and multi-instrumentalist’s fifth album, and like its predecessors its overflowing with creative instrumentation, chock full of mesmerizingly intricate pop compositions, and imbued with a childlike whimsy designed to beguile and delight. Its melodicism transcends any language barrier, and really – do you know how to say, “la la la” in Japanese? It’s “la la la”.

MP3: Shugo Tokumaru – “Decorate”
Video: Shugo Tokumaru – “Decorate”
Stream: Shugo Tokumaru / In Focus?

Nick Cave & The Bad Seeds have made a second track from their forthcoming Push The Sky Away available to preview by way of a lyric video. The album is out February 19 and they play Massey Hall on March 23.

Lyric Video: Nick Cave & The Bad Seeds – “Jubilee Street”

Aquarium Drunkard has posted a session with Melody’s Echo Chamber that you can download for your listening pleasure, perhaps while you read this interview with Melody Prochet at Tonedeaf.

The 405 reports that Phoenix are getting ready to release the follow-up to 2009’s absurdly successful Wolfgang Amadeus Phoenix, and the record will be called Bankrupt!. Which the band hopefully are not.

Pitchfork checks in with Denmark’s Iceage about their forthcoming album You’re Nothing, due out February 19.

Under The Radar talks to Maria Lindén of I Break Horses about the highs and lows of her 2012, the latter of which included having to cancel their Fall North American tour due to lack of funds. On the plus side, they’re recording a new record this year and will hopefully be making up those aborted dates with new material to play.

The Deer Tracks are ready to mark the February 12 release of The Archer Trilogy Pt. 3 properly – which is to say with a North American tour that includes a February 28 date at The Silver Dollar. They were incredible at NXNE 2012 so you can be sure expectations are high for this show. They’ve also released the first video from the new album, premiering it along with the full routing of their Spring trek at All Things Go. Do catch them if it’s at all possible, and if you happen to make it over to their hometown of Gävle, Sweden, use this handy guide of bands to see they provided to CMJ.

MP3: The Deer Tracks – “W”
Video: The Deer Tracks – “Lazarus”

CBC Music talked to Gustaf Karlöf of Niki & The Dove ahead of their Canadian shows earlier this week.

The Line Of Best Fit has premiered the second video from the new Shout Out Louds album Optica, in stores February 26. They’re in town at The Opera House on May 14.

Video: Shout Out Louds – “Walking In Your Footsteps”

Junip have streamed the first track from their new self-titled album, due out April 23.

Stream: Junip – “Line Of Fire”

Ólafur Arnalds has premiered a sample from his next album For Now I Am Winter over at Drowned In Sound. The album is out February 25.

Stream: Ólafur Arnalds – “This Place Was A Shelter”