Frank YangWhen I got all effusive about seeing Austin’s Ume way back at SxSW in March, it wasn’t just because they their showcase blew me away – it did – but because I also figured that it would be my last chance to see and write about the trio until SxSW next year, so there was no point in being measured. After all, they were a small band with no label, no tour support and hailing from a long ways away from Toronto meant the odds of catching them up live again were remote. Sound logic, and also completely wrong. They found their way up here in June to play NXNE, turning in a fiery performance at Neutral that proved to everyone I’d harassed to attend that I wasn’t full of it and they were, indeed, the awesome.

And it must be true that good things come in threes because they were back – again – this past Tuesday night for a free show at the Horseshoe. This time, it was a combination of a modest Canadian tour appended onto a jaunt to CMJ in New York and the proper (read: physical) Canadian release of their Sunshower EP, which had heretofore only been available digitally. But the whys were unimportant – all that mattered was that Ume were back in town; rock would ensue.

For a review of the actual performance itself, I can really just refer you back to the other two I did, or offer the Coles/Cliffs notes: songs that balance sweet pop hooks with snarling heaviness, equal debts to punk, stoner, shoegaze and alt rock, insane guitar abuse/heroics and awesome hair-whipping from frontwoman Lauren Larsen and an audience awestruck and won over. It’s hard to say for sure, but I think there were at least a couple of new songs in the mix compared to the Neutral gig and considering that the unfamiliar stuff still sounded great; as much as I like the fact that they’re touring relentlessly hither and yon, I hope that once they’ve returned home and taken a breather, that they’re hitting the studio to work on a new album. Sunshower has done a fine job of sustaining me, but its only five songs – I need more.

There’s an excerpt of Ume’s cover feature in Austin’s Soundcheck magazine available online and the full magazine (and article) are downloadable in PDF form.

Photos: Ume @ The Horseshoe – November 3, 2009
MP3: Ume – “The Conductor”
MP3: Ume – “Pendulum”
MP3: Ume – “Wake”
Video: Ume – “The Conductor”
MySpace: Ume

Girlysound.com is offering downloads of the famous early Liz Phair demos of the same name. Oh Liz, where did it all go wrong (that’s rhetorical – everyone knows exactly where it all went wrong).

MP3: Liz Phair – “Fuck And Run”
MP3: Liz Phair – “Polyester Bride”

The Guest Apartment has a video session with Headlights.

Crawdaddy profiles White Rabbits.

State interviews Yo La Tengo.

Beatroute talks to Lou Barlow of Dinosaur Jr. Barlow will play the Phoenix on January 21 both solo and with Dino Jr.

Neko Case talks to The Seacoast.

Soundproof and Clash have features on The Dodos.

HeroHill solicits five funky stories from Oh No Forest Fires, who’ve got a show at the Horseshoe on December 12.

Jenn Grant, who plays the Glenn Gould Theatre on November 26, has released a new video from Echoes.

Video: Jenn Grant – “You’ll Go Far”

The Aquarian interviews Peter Moren of Peter Bjorn & John, who have a date at the Phoenix on November 11.

Swedish electro-soul outfit Miike Snow, who is a “they” and not a “he”, are at the Phoenix on April 3.

Video: Miike Snow – “Black & Blue”

The Music Slut asks eight questions of Mew. They have a date at the Mod Club on December 6.

The Raveonettes are giving away a free b-side from In And Out Of Control. The San Francisco Examiner and North Country Times also have interviews.

MP3: The Raveonettes – “The Chosen One”

Sigur Ros are streaming their Heima concert film at PitchforkTV for a week.

Video: Heima

Pitchfork reports that Mogwai’s live documentary film Burning will premiere at a Danish film festival next week and that an accompanying soundtrack album entitled Special Moves will follow.

New Jarvis Cocker video! Watch Jarv bring the title track and cover art of Further Complications to life.

Video: Jarvis Cocker – “Further Complications”

Radio Free Canuckistan has an interview with Jon Cook, the author of the Merge Records book Our Noise, which I look forward to picking up now that I’ve finally finished A Confederacy Of Dunces. A wonderful book which should not have taken me anywhere near the 6 months or so it took me to get through it; I just stopped reading anything, really, through the Summer. And now I have much to catch up on.

Frank YangThere are many things to like about Leeds trio Sky Larkin, not least among them their wonderfully sweet and spiky debut album The Golden Spike, but what I think I like most is how much of a good time they’re clearly having. On record, on stage, in their videos, everything Sky Larkin is permeated with a genuine, unaffected sense of fun – no brooding angst or overamped giddiness, just the natural reaction to three friends in their early 20s getting to travel around the world playing rock music without the massive weight of expectation that some of their peers are carrying (ahemxxahem). How could they not be having fun?

The band were nearing the end of a North American tour when they rolled into the Cameron House in Toronto on Wednesday night, accompanied by fellow Brits Peggy Sue, who had the co-ed trio thing in common with their tourmates but not a lot else. Fronted by the wonderfully pseudonymed (presumably) Katy Klaw and Rosa Rex with Olly Olly Olly on drums, the outfit formerly known as Peggy Sue & The Pirates (perhaps the Pirates were taken by Pete) deal in a strain of folk that’s probably too off-kilter in instrumentation and arrangement for traditionalists yet not nearly weird enough for the 21st century hippie scene. And that’s not even mentioning the fact that both Klaw and Rex have the sorts of voices that you’d normally find in soul music, rich and emotive with the right amount of rasp – they’re not equipped to create conventional folk music, even if they were inclined to do so. Their Lover Gone EP intrigued but was really too brief to get a proper handle on what they were about and while their set went a ways towards filling in the blanks, it also expanded the canvas of what they were doing enough that their net inscrutability remains unchanged. I guess I’ll just have to hear more to figure them out. I’m okay with that.

Sky Larkin don’t require nearly as much contemplation to understand – the nature of their scrappy guitar pop will be familiar to anyone who’s ever heard Sleeper or Sleater-Kinney and satisfies on an immediate and visceral level. I’d gotten to take in their live show at SxSW so I knew that the energy of the record more than translated in the live setting with the extra bonus of the fact that the band were genuinely hilarious on stage in their between-song banter. The between-banter stuff was pretty good too, with the trio turning in an energetic if a bit short set of highlights from The Golden Spike as well as their new (and free) “SMARTS” single. As befit a band that tours as much as they, they were superbly tight with frontwoman Katie Harkin effortlessly tossing off sophisticated guitar riffs and drummer Nestor Matthews literally beating his drum kit to death. A destroyed cymbal got some licks in of its own, though, inflicting a nasty bloody gash on Matthews’ hand which he insisted on playing through, finishing off the set’s last two songs with equal – if not extra – vigor. That is dedication. Sky Larkin will bleed for you.

Photos: Sky Larkin, Peggy Sue @ The Cameron House – October 28, 2009
MP3: Sky Larkin – “Fossil, I”
MP3: Sky Larkin – “Molten”
MP3: Peggy Sue – “Lover Gone”
Video: Sky Larkin – “Antibodies”
Video: Sky Larkin – “Beeline”
Video: Sky Larkin – “Fossil, I”
Video: Sky Larkin – “Molten”
Video: Sky Larkin – “One Of Two”
Video: Peggy Sue – “Lover Gone”
MySpace: Sky Larkin
MySpace: Peggy Sue

Clash has a short interview The xx, whose exhaustion-induced show cancellations haven’t affected this Fall’s North American dates opening up for Friendly Fires… yet.

Frightened Rabbit have given their third album a name – The Winter Of Mixed Drinks – and a target release date of March 2010.

Video: Frightened Rabbit – “Swim Until You Can’t See Land”

ChartAttack talks to Dog Day, who will be at the Horseshoe on November 5.

Great Lake Swimmers have released a new video from Lost Channels. They play a War Child benefit at the Dakota Tavern on November 5 and a show at Trinity-St. Paul’s on February 6 of next year.

Video: Great Lake Swimmers – “Palmistry”

Vue has a cover feature on Dan Mangan.

FFWD reports on exactly what goes on at the mysterious Banff Centre, where both Woodpigeon and Basia Bulat are currently sequestered away being turned into unstoppable cybernetic killing machines honing their musical craft with an impressive team of mentors. CBC Radio 3 has also been checking in from the the Banff Centre and Woodpigeon has posted another song.

MP3: Woodpigeon – “For Norman Luxton”

Molina & Johnson (that’s Jason and Will) have released a second MP3 from Molina & Johnson, out November 3.

MP3: Molina & Johnson – “Almost Let You In”

Gigwise chats with Glenn Kotche of Wilco.

The Loyola Phoenix has an interview with Mountain Goats bassist Peter Hughes.

eye, The National Post, NPR, The Montreal Gazette, CNN and Spinner have conversations with The Swell Season, who have a date at Massey Hall on November 3.

The Raveonettes talk to The Georgia Straight.

Johnny Marr weights in on the subject of reunions with Spinner.

Frank YangSince the schedule for SxSW was announced way back in March, I had one particular showcase circled and immutable on my schedule – Echo & The Bunnymen at Rusty Spurs on the Saturday night. One of the perks of attending SxSW is the opportunity to see big bands in venues much smaller than they’d normally play, and though the Liverpool legends were playing some bigger shows during the festival, the opportunity to see them for the first time in a tiny Texan gay cowboy bar was too good to pass up. And while that show was fine, it was a mild disappointment relative to my tremendous expectations. I had somehow wanted an arena-scale show in a club-scale setting (even though Echo & The Bunnymen have never really achieved arena-scale success), and they delivered a good club-scale show. Classic songs for sure, but considering I heard that some of their larger shows during SxSW were epic, I had to think that maybe they were a band who played up – or down – to their environs.

From that point of view, it followed that this past Tuesday night’s show at the very proper Queen Elizabeth Theatre in Toronto would be something special and the promise of an orchestrally-enhanced reading of the band’s highwater mark Ocean Rain all but clinched it. It had to be a fantastic show – it promised too much to not be, and considering the high ticket price, the 1000 or so folks in attendance would rightfully be expecting one. The show was divided into two sets, the first for “the hits” and the second for the Ocean Rain recital, and the former was largely as advertised, leaning heavily on their early material – their debut Crocodiles comprised a third of the set list – but also including highlights from the post-reunion records. Some might think that pulling two from their latest record The Fountain to be excessive, but the fact is that lead single “I Think I Need It Too” was one of the highlights, not least of all because it was written with lead Bunnyman Ian McCulloch’s reduced vocal range in mind.

Ah yes, the voice – let’s get that out of the way right now. PopMatters is correct when they suggest that Mac’s voice is a rough, gravelly shadow of the magnificent instrument it once was. He can’t hit those notes anymore, occasionally wheezes where once he bellowed and as such, some of those indelible melodies have been rejigged to accommodate the new reality – the chorus of “Bring On The Dancing Horses” now bows where once it soared. But the songs remain as potent as ever and Mac delivered them with a swagger and charisma that went a good way towards compensating for the years – and I mean that vocally, not physically. Echo & The Bunnymen live is a most stationary experience, with McCulloch’s repertoire of stage moves consisting of standing still at the mic, getting a drink of water and occasionally crouching down. But back to the voice – as I mentioned in the review of that show back in March, he still has reserves of that old power that he can tap into at key moments, as he did in the chorus of “The Cutter” and in doing so, by god, turned the clock back a quarter century for a few, brief shining moments.

The reading of Ocean Rain, however, was one sustained 40-minute shining moment. Supported by a 10-piece (I think) string section, Echo & The Bunnymen made a fine case for it as one of the best records of the ’80s and anyone hearing “Silver”, rendered as majestically as it was on this night, would have great difficulty coming up with an argument against it. It’s true that strings applied injudiciously can render songs cheesy or overly pompous, but here they were just perfect – if anything, they made me wish for more and wonder what these shows must have sounded like with full orchestras at the Royal Albert Hall or Radio City Music Hall. Performing in front of projected black and white images of the band in their youth, their crystal days, the proceedings had a lovely, elegiac tone and felt as much like a tribute from McCulloch and guitarist Will Sergeant to their former bandmates, the retired Les Pattinson and late Pete De Freitas. If there was any complaint, it was that the suite ran too short but the record clocks in at under 40 minutes – there’s not a lot that can be done about that, short of calling for an impromptu orchestra jam and no one wants that.

Though they could have justifiably called it a night after that – there’s no way to top the album’s title track as a finale – they still returned for a two-song encore, finally ending the almost two-hour show (including intermission) with “Lips Like Sugar”. Finally, this was the grand, epic Echo & The Bunnymen show I’d been hoping to see. If you get the chance to see them, choose the grandest venue possible and if they promise to bring the strings, don’t dare miss it.

The Toronto Sun, Chartattack, Exclaim and eye have reviews of the show while The National Post considers the trend of bands performing classic albums in their entirety, using Echo & The Bunnymen as a case study. You can also grab a track from the new record over at RCRDLBL, in addition to the one linked below.

And yes, the photos from the show are nigh pointless – Mac hates light, and the folly of it all was compounded by having to shoot from the back of the theatre. But that’s okay, I got him good back in Austin to check those out if you want to see how well he’s aged.

Photos: Echo & The Bunnymen @ The Queen Elizabeth Theatre – October 20, 2009
MP3: Echo & The Bunnymen – “I Think I Need It Too”
Video: Echo & The Bunnymen – “The Killing Moon”
Video: Echo & The Bunnymen – “Bedbugs & Ballyhoo”
Video: Echo & The Bunnymen – “The Cutter”
Video: Echo & The Bunnymen – “The Game”
Video: Echo & The Bunnymen – “Seven Seas”
Video: Echo & The Bunnymen – “Bring On The Dancing Horses”
Video: Echo & The Bunnymen – “In The Margins”
Video: Echo & The Bunnymen – “It’s Alright”
Video: Echo & The Bunnymen – “Back Of Love”
Video: Echo & The Bunnymen – “Lips Like Sugar”
MySpace: Echo & The Bunnymen

Out digitally this month in line with the UK release, Editors’ new one In This Light & On This Evening will get a proper physical North American release on January 19 and will yet-to-be-specified bonus material not available on the UK release. This news comes the day my import of the UK release arrives, of course.

altsounds talks to Charlotte Hatherley about her new record New Worlds. Stereogum also has a new song from the record available to newsletter subscribers and a brief chat with Charlotte about the tune.

The Quietus has an interview with Florence Welch of Florence & The Machine and walks away unimpressed. Massive commenting ensues. Florence plays the Mod Club on November 2.

Paste catches up with Alasdair Maclean of The Clientele.

The Daily Growl solicits a list of seven songs from Rose Elinor Dougall.

Spinner talks to The Horrors.

eMusic and Interview have features on El Perro Del Mar, who’s just released a new video from her latest album Love Is Not Pop. She opens for Peter Bjorn & John at the Phoenix on November 11.

Video: El Perro Del Mar – “Change Of Heart”

Chartattack, The Detroit News, Metro and NOW chat with The Raveonettes. They’re at the Phoenix tonight.

HeroHill gets five funky stories from Iceland’s Sprengjuhollin, who have two dates in Toronto this weekend – Saturday night at the Rivoli and Sunday at Rancho Relaxo.

Camilla StephanI commented in passing last week that I was surprised how much I was enjoying The Raveonettes’ latest record In And Out Of Control, and that “they no longer sound like a band that I always feel like I should like more than I do, and like a band that I could actually really like”. And by that, I meant that past records seemed a little heavy on concept and aesthetic but light on actual execution, but with just enough hookery and substance to provide a decent sugar buzz.

In And Out Of Control still has those qualities in spades as well as all the Spector/Wilson-worshipping fuzz-pop production, but just feels more substantial and satisfying somehow, like they’ve found a way to infuse sugar bombs with actual nutritional value. Or maybe they’ve just made them so irresistibly sweet and poppy that you don’t care that they’re wholly empty calories. I actually think that’s it. Either way, those first three songs are fizzy-pop bliss and the rest of the record measures up pretty well as well.

The Danish duo will be in town this Thursday night, October 22, for a show at the Phoenix. Tickets are $18.50 in advance but courtesy of Against The Grain, I’ve got two pairs of passes to give away to this show. To enter, email me at contests AT chromewaves.net with “I want to Rave On (ette)” in the subject line and your full name in the body. Contest closes at midnight, October 20. And if you enter this one and the David Bazan one for the same night, note which you’d prefer.

Out has an interview with The Raveonettes – who else could get away with asking, “Are either of you gay?” – and there’s a couple more pieces at hour.ca and The Quietus. There’s also tons of performance videos and interview bits at their own website.

MP3: The Raveonettes – “Last Dance”
Video: The Raveonettes – “Last Dance”
MySpace: The Raveonettes

MySpaceIf it were possible to monetize pure musical oddity, then not only would Iceland’s economic problems be a thing of the past, they might well be the world’s top fiscal superpower. Yes, the likes of Bjork and Sigur Ros would guarantee a GDP many times greater than the rest of the planet, but the tiny country’s smaller exports would also help push things forward – case in point, Sprengjuhollin (it’s pronounced the way it’s spelled. Go on, try).

The Reykjavík quintet don’t wave their freak flag nearly as high as their more famous countrymen, preferring to draw inspiration from their no-doubt substantial collection of Mod-era LPs rather than by communing with snow fairies out on the fjords, but assuming them to be straight pop purveyors, as their English-language singles might imply, would be unwise. Because while tracks like the orchestral folk-pop of “Worry Till Spring” might act as an easily accessible point of entry for their second self-titled album, once inside it’s a much stranger place. The majority of songs are in Icelandic and are given to more warped trajectories, at times recalling Dungen in their psychedelic inclinations, but always remaining concise and more importantly, hooky. You don’t need to speak the language to hum along.

Sprengjuhollin were around back in the Winter for Canadian Musicfest and both won folks over and were won over themselves – they’re returning for an eastern Canadian tour that will start and end in the Maritimes but swing through Ontario next week for a couple of Toronto dates – one on October 24 at the Rivoli and another on October 25 at Rancho Relaxo. The band were also an eMusic Selects pick last Summer – check out the feature piece for an interview with the band and a guided tour of the last record.

MP3: Sprengjuhollin – “Worry ‘Til Spring”
MP3: Sprengjuhollin – “Tonight”

Peter Bjorn & John have released a video for the title track of their latest Living Thing, which they’ll (again) bring to the Phoenix on November 11.

Video: Peter Bjorn & John – “Living Thing”

The National Post has an interview with Sune Rose Wagner of The Raveonettes, whose new album In And Out Of Control is shockingly good. By shockingly, I mean they no longer sound like a band that I always feel like I should like more than I do, and like a band that I could actually really like. They’re at the Phoenix on October 22.

MP3: The Raveonettes – “Last Dance”
Video: The Raveonettes – “Last Dance”

Spinner is featuring an Interface session with Mew. Babelgum is also presenting a 30-minute feature on the band recorded at a special gig at London’s Institute of Contemporary Arts.

Donewaiting has an interview with Wye Oak.

The deluxe edition of School Of Seven Bells’ 2008 debut Alpinisms is out today and available to stream – second disc of remixes and bonus tracks included – at Spinner. They also recently announced they’ve given their second album, due out next year, a title – Disconnect From Desire – expect to hear some of those new songs on Thursday night when they play Lee’s Palace.

Stream: School Of Seven Bells / Alpinisms

Anika In London discusses matters of cosmic import, such as take-out food, with The Antlers.

Clash talks to Wayne Coyne of The Flaming Lips. Embryonic is out today

The Decemberists have released a first video from this year’s The Hazards Of Love.

Video: The Decemberists – “The Rake’s Song”

John Darnielle of The Mountain Goats gives eMusic a list of his favourite religiously-themed records and offers a more conventional interview to Tiny Mix Tapes.

Over at Asthmatic Kitty, Sufjan Stevens interviews current tourmate and bandmate Nedelle Torisi of Cryptacize. They’re at the El Mocambo on November 7.

Ume – the toast of both SxSW and NXNE if I’m to be believed – are embarking on another northeast/Canadian tour and will be at the Horseshoe on November 3 for a free show. The occasion is the Canadian release of their Sunshower EP on October 27.

MP3: Ume – “Pendulum”
MP3: Ume – “The Conductor”

The Dodos talk to Spinner, Chartattack, New York Press, The Brooklyn Paper, The AV Club and The Diamondback. They’re at Lee’s Palace on Friday Saturday night.

I Heart Music has ripped a CBC session from Woodpigeon for you to keep for your very own. Their new album Die Stadt Muzikanten is out January 12.

The first part of the Wooden Sky tour documentary A Documentary In Pieces is now online for your viewing pleasure. They have a date at Lee’s Palace on November 13

In addition to their November 7 show at the North York Central Library, Bruce Peninsula have set two dates at the Music Gallery for November 27 and 28.