Frank YangTerrible news yesterday out of Athens, Georgia as it was announced that Bill Doss, co-founder of The Olivia Tremor Control and The Sunshine Fix and one of the original members of the Elephant 6 movement, had passed away at the too-young age of 43. Details on the cause of death have not been revealed, but it must have come as a shock considering that Doss had been playing with The Olivia Tremor Control as recently as last week at a hometown show in Athens.

I feel extra-fortunate to have caught the recently reunited Olivia Tremor Control when they came through Toronto last September but had really hoped that the vague intentions Doss and Will Cullen Hart had for new recordings would come through and bring them back again and again with new material. Alas, it was not to be but there is some comfort to be found in the two masterpieces of psychedelic-pop he made with the OTC – Dusk At Cubist Castle and Black Foliage: Animation Music Vol. 1 – and the more classically pop work he did with The Sunshine Fix is also worth hearing.

A lack of details on what happened and an overall sense of shock have mostly limited coverage of Doss’ death to straight reportage, but expect heartfelt tributes from friends and fellow musicians in the coming days and weeks. A couple worth reading are already up at Chunklet, You Ain’t No Picasso, Pitchfork, and NOW. And if you’re new to or unfamiliar with the legacy of the Elephant 6, this primer at Spin is a good entry point; they’ve also assembled a playlist of some of his work. NPR still has the Olivia Tremor Control’s New York show from that Fall 2011 tour available to stream and a couple of clips from their appearance at Pitchfork Fest a couple weeks ago are up on YouTube; hopefully more will follow.

Rest in peace, Bill Doss.

MP3: The Olivia Tremor Control – “Love Athena”
MP3: The Olivia Tremor Control – “A Familiar Noise Called Train Director”
MP3: The Sunshine Fix – “Age Of The Sun”
Video: The Olivia Tremor Control – “Jumping Fences” (live at Pitchfork Festival 2012)
Video: The Olivia Tremor Control – “The Games You Play In Your Head” (live at Pitchfork Festival 2012)

For a while it seemed like Rich Aucoin was never going to play a regular, non-festival-type show in Toronto. Well now he is. He and presumably his crowd-surfing surfboard will be at Lee’s Palace on September 20, tickets $12.50.

MP3: Rich Aucoin – “It”

If you thought that Lee’s Palace was an awful small a venue for an artist having as good a year as Grimes, you’d be right. She’s added a second show at Lee’s on September 22 to go with the one on the 21st, tickets again $20. The Globe & Mail has a feature piece on Ms Claire Boucher.

MP3: Grimes – “Circumambient”

John Lydon brings his Public Image Limited to The Opera House on October 18 in support of their first record in some twenty years, This Is PiL, tickets $39.50.

Video: Public Image Limited – “(This Is Not A) Love Song”

As the October 2 release date of Transcendental Youth draws lazily closer, The Mountain Goats have announced the first leg of North American touring in support, which includes a Toronto date at The Phoenix on October 20, tickets $21.50 in advance. Word is they’re bringing horns! And also in Goats news, they recorded the theme song for this week’s episode of Weeds so you can download that if you want to hear it but don’t want to watch the show. Which is totally reasonable.

MP3: The Mountain Goats – “Cry For Judas”
MP3: The Mountain Goats – “Little Boxes”

London’s Wolf Gang are at Wrongbar on October 22, part of an extensive North American tour in support of their debut album Suego Faults.

Video: Wolf Gang – “The King And All Of His Men”
Video: Wolf Gang – “Lions In Cages”

It’s been hard to say if this counts as a reunion or if they’ve been reunited for years but just not very active, but in any case The Super Friendz will be getting off their duffs for a show at Lee’s Palace on November 16, tickets $15. Power pop will ensue.

Video: The Super Friendz – “Up And Running”

Because some folks were asking – tickets for the New Order show at the Sony Centre on October 23 go on sale tomorrow. No they’re not remotely cheap. Why did you think they would be cheap?

Pitchfork and Spin talk to Jack Tatum about Nocturne, the new Wild Nothing album due out August 28. They’re at The Great Hall on September 18.

Bob Dylan discusses his new record Tempest, out September 11, with Rolling Stone. He brings it to the Air Canada Centre on November 14.

Pitchfork is has posted the first sample of the new Dum Dum Girls EP End Of Daze, out September 25.

MP3: Dum Dum Girls – “Lord Knows”

The Phoenix New Times and Minnesota Daily talk to Sharon Van Etten.

Another of Wilco’s New York shows from this past week are up to download at NYC Taper.

That unexpected Feist/Mastodon split 7″ released for Record Store Day has yielded a cool interactive video that allows you to choose your preferred ratio of Feist-to-Mastodon. Check it out at Pitchfork.

Video: Feistodon – “A Commotion”

Kathleen Edwards picks her top five albums of the last two decades for CBC Music.

The 405 has a video interview and session with Memoryhouse.

David GourleyFrightened Rabbit’s 2008 album The Midnight Organ Fight earned itself many adjectives – “grand”, “anthemic” and “gobsmacking” from these parts, and less subjectively, “folk-rock” from most everyone. It certainly wasn’t afraid to get loud and electrified, but the foundation of the record was homespun and acoustic and the Scots rode that formula to great acclaim and a place as one of my favourites of the year.

For this year’s follow-up The Winter Of Mixed Drinks, the sonic dressings have received a significant bump in density and volume. More of the instrumentation is plugged in and turned up and the songs delivered with more aggression and intensity. The extra bombast and general tumult in the production can make for a bit of an exhausting listen and does take a while to adjust to, but thankfully Scott Hutchinson’s familiar thick brogue and the sentiments of angst and melancholy that it delivers are there to anchor things. And just as Mixed Drinks is the most musically confident thing the band has done, the lyrics offer a patina of hopefulness over their signature emotionally fragile core. Whereas Organ Fight was gloriously wracked with self-doubt, Mixed Drinks finds there’s nothing better to bolster one’s confidence than a brace of songs that cry out for mass sing-alongs and dares to stand up, even if its uncertain what it’s going to do once upright.

Though they missed a few dates due to the Icelandic volcanic eruption, Frightened Rabbit’s North American tour is now underway and they have a sold-out show at the Opera House in Toronto next Tuesday, May 4. There’s features on the band at Death & Taxes, NOW and The Boston Herald.

MP3: Frightened Rabbit – “Swim Until You Can’t See Land”
Video: Frightened Rabbit – “Nothing Like You”
Video: Frightened Rabbit – “Nothing Like You” (alternate version)
Video: Frightened Rabbit – “Swim Until You Can’t See Land”

And if you didn’t get tickets to said Frabbits show or are looking for something else to do the evening of the 4th, let me again make by strongest recommendation for Welsh trio The Joy Formidable, whose debut mini-album A Balloon Called Moaning will officially be out in North America that day and who are making their Toronto debut with a free show at the Horseshoe that night.

MP3: The Joy Formidable – “Whirring”
Video: The Joy Formidable – “Whirring”

Under The Radar talk to The Big Pink, who are giving away a free remix EP right now.

ZIP: The Big Pink / Tonight Remix EP

NPR is streaming a World Cafe session with The Clientele. They’re promising a new release soon, as well as more shows – some west coast dates are already up, hopefully they come east again as well.

Hot Chip guitarist Al Doyle discusses their latest album One Life Stand with The Quietus.

Over at her MySpace, Kate Jackson is offering a taste of what she’s been up to since the dissolution of The Long Blondes last year – namely hanging out on Twitter, working with Bernard Butler and piecing together her solo debut. There’s no timetable as to when said record might be finished, but if “Homeward Bound” accurately sets the tone then it will be worth whatever the wait is.

Ian McCulloch of Echo & The Bunnymen talks to Spinner about his feud with Bono in the ’80s about who had the tallest hair.

QRO and Interview talk to a random sample of Los Campesinos!.

Florence Welch of Florence & The Machine gives BBC an update on how sessions for album number two are going.

Doves tell Spinner that following the shows in support of their new best-of compilation The Places Between, they’ll be taking a break of around two years.

Public Image Limited’s May 7 show has been moved from the Kool Haus to The Phoenix.

Pitchfork endorses the brilliant Phonogram comics series, both volumes of which are now available in trade paperback form – on sale no less. The complete first issue of volume two is available to preview online. Also note that artist Jamie McKelvie will be in town next weekend for the Toronto Comics Arts Festival at the Toronto Reference Library, so if you like, swing by and say hi.

Chris GergleyOne of my very favourite developments in the Toronto music scene over the past few years has been the rise of the in-store performance – whereas not so long ago there were maybe just a handful a year, they’re now occurring all the time at most of the independent record stores in the city and featuring bigger and bigger acts. Not only is it giving fans the opportunity to see artists in an intimate setting, it’s also often the only chance for underagers to see them live. And while I’ve often bemoaned the lack of a day show culture during either of the two major music festivals during the year, in-stores have done a good job of adding that extra layer of excitement to the official proceedings, with most stores hosting at least a few events during the weeks of festivities.

And Criminal Records is doing a good job of keeping that trend going through this year’s Canadian Musicfest. In addition to the triple-bill of Aidan Knight, Dan Mangan and Hollerado on Saturday March 13, announced last week, they’ve landed The Besnard Lakes to perform on March 10 at 6:30PM, their first show post-release of their new record The Besnard Lakes Are The Roaring Night the day before. Their official festival showcase goes the following night, March 11, at the Horseshoe at midnight. Jace Lasek of the band talks to The Fly, Chart and Exclaim about the new record, which is epic. But with the Besnards, epic kind of goes without saying.

MP3: The Besnard Lakes – “Albatross”

Further, their Friday night lineup will kick off at 5PM and feature locals faves The Balconies and Calgary’s Ghostkeeper. The Balconies’ official Canadian Musicfest show is at 9:20PM the Horseshoe on Saturday night while Ghostkeeper can be found on the 11th at Bread & Circus at 11PM and the 12th at The Garrison at 8PM.

MP3: The Balconies – “Serious Bedtime”
MP3: Ghostkeeper – “By Morning”

And a reminder that Kurt Vile is playing at Criminal tonight at 6:30PM. eye, hour.ca and NOW have interviews.

Not presently hosting anything during CMF but also not being left out is Sonic Boom, who’ve got some different but exciting fare lineup next week. On March 3, time TBA, they’ll have Malian legends Tinariwen in the house and the next evening at 6:30PM, Tuvan throat singers Huun Huur Tu will perform. Admission is free with the donation of a canned good. Tinariwen will be at the Phoenix on March 4 and Huun Huur Tu will be at the Mod Club on March 5. The Province has a feature piece on Tinariwen.

Video: Tinariwen – “Lulla”

Soundscapes’ upcoming in-store schedule has only one entry, but it’s a good one – Zeus on March 6 at 6PM. They’re the co-cover boys of this month’s Exclaim, alongside sometime bandleader and tourmate Jason Collett, while Metro has a piece on Zeus alone. Both are at Lee’s Palace on March 10.

Filter has some initial impressions of Born Ruffians’ new album Say It, due June 1 on Paper Bag in Canada and Warp elsewhere – check out the first MP3 below. They’ve got a show at the Phoenix on March 14.

MP3: Born Ruffians – “Sole Brother”

CBC, Vue, FFWD and The Gateway profile Basia Bulat.

PopMatters has not one but two interviews with The Hidden Cameras.

Singing Lamb chats with Gentleman Reg.

The Music Slut asks 8 questions of Fucked Up’s Damian Abraham. They play the Opera House tonight.

California girl Best Coast, recently named by Paste as one of the “Best Of What’s Next”, is hitting the road and has a date at The Garrison on April 13. We All Want Someone To Shout For has an interview with Beth Cosentino.

Los Angeles post-rockers Red Sparrowes are at The Garrison on April 17 presenting their new album The Fear Is Excruciating, But Therein Lies The Answer, which is out April 6.

MP3: Red Sparrowes – “Giving Birth To Imagined Saviors”

Dead Meadow have a date at Lee’s Palace on April 22. Their new record/soundtrack/film Three Kings is out March 23.

MP3: Dead Meadow – “I’m Gone”
MP3: Dead Meadow – “What Needs Must Be”

With the Sex Pistols reunion perhaps providing diminishing returns, John Lydon has kicked Public Image LTD back into gear. A North American tour has been announced and brings them to the Kool Haus in Toronto on May 7.

Video: Public Image Ltd – “(This Is Not A) Love Song”

Massive Attack are bringing their latest Heligoland across the pond for a North American tour which will kick off with two nights in Toronto at the Sound Academy, May 7 and 9. On the 8th, they will be going to Dave & Busters to play skee-ball.

Video: Massive Attack – “Paradise Circus”
Video: Massive Attack – “Splitting The Atom”

Thee Silver Mount Zion will take their new record Kollaps Tradixionales out on tour with a stop at Lee’s Palace on May 29, tickets $15.

MP3: Thee Silver Mount Zion – “I Built Myself A Metal Bird” (Live VIdeo Version)

Tom Petty & The Heartbreakers will play the Air Canada Centre on August 25 with Crosby Stills & Nash. I’ve never seen Tom Petty live. I should do something about that. Their new album Mojo is due out this Spring.