Frank YangIt was the sort of pairing that seemed so perfect, that the reality almost seemed fated to disappoint. Two nights of Neko Case at Trinty-St Paul’s church, arguably the city’s best combination of intimacy and acoustics, in support of her new record Middle Cyclone – her first shows in Toronto in over three years. And to sweeten the deal, if that were at all possible, the support act would be Crooked Fingers. Was there any way it could meet these loftiest of expectations? In a word, yes. In two words, hell yes.

This was Eric Bachmann and company’s second visit to town in the past little while, following their October 2008 support slot for Okkervil River, and while I obviously have no shortage of love for the artists who bring Crooked Fingers on the road with them, there’s a small voice in the back of my head that cries out at the unfairness of an artist of the calibre and longevity as Bachmann still having to open up for others. In a just world, he would be playing his songs of gorgeous, wistful gruffness in beautiful church venues to rapt audiences… which, I guess, he just did.

I’d commented in my review of the Phoenix show that their set suffered from poor mixing – this show more than made up for that, being acoustically sublime and with songs perfectly selected from the entire Crooked Fingers discography (as well as Bachmann’s 2006 solo record To The Races) to suit the setting. Put simply, they delivered a set of staggering beauty, and one that didn’t go unappreciated by the audience who, presumably, were not nearly all as huge fans coming in as I was. Each song finished to enthusiastic applause that was far from just polite, but more akin to the sound of hearts simultaneously melting, breaking and being won over. It’s difficult to pick a high point from a set so flawless, but “Sleep All Summer” would have to be it, with Bachmann and Miranda Brown dueting over weepy steel lines contributed by guesting Neko guitarist Jon Rauhouse. Tears would not have been out of place.

And this was just the opener.

In all the times I’ve seen Neko Case live, she’s taken a decidedly dressed-down approach to stage attire so a double-take was in order when she strode onstage in a stunning red gown. As if we needed another indication that this show was an occasion. But even glammed up, Neko was still Neko, yukking it up with backing singer/comic foil Kelly Hogan and, oh yes, singing like an absolute force of nature.

Having debuted at #3 on the Billboard charts, Middle Cyclone is unquestionably a breakout record for Neko Case. But artistically, it’s not the huge leap forward that Fox Confessor was – that record took Case, the alt.country torch singer, and reinvented her as a superb and restlessly creative songwriter whom you could certainly still classify as country if you had to file her somewhere, but whose reach and vision went far beyond just the genre. Cyclone reaffirms this while delivering some of Case’s purest pop moments outside The New Pornographers and while it hasn’t supplanted Fox Confessor‘s special place in my heart, it’s still a superb record in its own right.

And damn, does it sound glorious live. If you’ve never heard Neko Case sing live, then you haven’t experienced one of the seven musical wonders of the world (a list I just made up and whose other six spots are open to nomination). I had thought that experiencing it from a couple feet away in a tiny club like the Rivoli would be an unbeatable experience, but seated in the gallery at Trinity whilst being enveloped by her voice wins. Backed by the stellar band with whom she recorded Middle Cyclone and in front of a screen displaying projected films matched to each song, Case was spellbinding in delivering songs old and new to the packed house, some of whom – like myself – I’m willing to bet hadn’t set foot in a church in many years in any religious context but on this evening, when faced with a talent as unearthly as Case’s, were finding God.

Following an hour-long set, Case returned for an extended encore that, had the fans had their way would have never ended but as it was, ran the show to a good 90 minutes. And as undeniably special as the whole performance was, they managed to take it just that little bit further when Garth Hudson joined them on accordion for the final two songs. A fitting finale to an unbelievable night of music. And if you were one of the many who weren’t able to get tickets to the show, take heart – Neko announced during the show that they’d be returning in July for another show at Massey Hall. No, the Old Lady of Shuter Street isn’t as intimate as Trinity, but it’s hosted a good show or two in its time. Expect even more magic.

Acoustic Guitar and Chart have interviews with Neko. Her North American tour continues through this week. I think it goes without saying that you should go if you can.

Photos: Neko Case, Crooked Fingers @ Trinity-St. Paul’s – April 18, 2009
MP3: Neko Case – “Middle Cyclone”
MP3: Neko Case – “People Got A Lotta Nerve”
MP3: Neko Case – “Hold On, Hold On”
MP3: Neko Case – “Star Witness”
MP3: Neko Case – “If You Knew”
MP3: Crooked Fingers – “Phony Revolutions”
MP3: Crooked Fingers – “Call To Love”
MP3: Crooked Fingers – “Big Darkness”
MP3: Crooked Fingers – “Devil’s Train”
MP3: Crooked Fingers – “New Drink For The Old Drunk”
MP3: Eric Bachmann – “Lonesome Warrior”
MP3: Eric Bachmann – “Carrboro Woman”
Video: Neko Case – “People Got A Lotta Nerve”
Video: Neko Case – “Maybe Sparrow”
Video: Neko Case – “Furnace Room Lullabye”
Video: Crooked Fingers – “Let’s Not Pretend (To Be New Men)”
Video: Crooked Fingers – “New Drink For The Old Drunk”
Video: Eric Bachmann – “Man O’War”
Video: Eric Bachmann – “Lonesome Warrior”
MySpace: Neko Case
MySpace: Crooked Fingers

Toronto has been waiting some time for Fleet Foxes to come back to town. Their only appearance so far was a year ago at the El Mocambo as support for Blitzen Trapper, just before their buzz meter went through the roof, and while well-attended it wasn’t nearly a sell-out. They were supposed to return as support for Stephen Malkmus at the Phoenix in July but cancelled due to exhaustion and haven’t made up the date, being far too busy topping almost every critic’s year-end list for 2008. The point of this ramble being that I’ve been playing a little game with myself trying to guess what size room they’ll play if/when they finally did return and, well, let’s just say the winning venue had never even crossed my mind. Fleet Foxes at Massey Hall in August. Yeah, seriously. Details still forthcoming, but wrap your head around that. There’s interviews with the band at The Times-Standard and The Times.

MP3: Fleet Foxes – “Mykonos”
MP3: Fleet Foxes – “White Winter Hymnal”

Spin talks to Wilco’s Jeff Tweedy about their new album – still title-less and release date-less – and Washington City Paper talks to the folks who put out the just-released Ashes Of American Flags DVD. Locals may note that there’s no Toronto on their just-announced Summer tour, but note that the July 19 date at Lewiston, New York is barely 90 minutes away if you’re one of those speed limit-observing types, just across the border north of Niagara Falls. So you can go, like, outlet shopping and then Wilco watching on the same day. Something to consider.

There’s a track up from Sonic Youth’s next album The Eternal, set for release June 9.

MP3: Sonic Youth – “Sacred Trickster”

Iron & Wine will release their double-disc compilation of rarities Around The Well, on May 19 and SubPop has wisely chosen “The Trapeze Swinger” as the MP3 to provide gratis to generate interest. Wisely, because this song which originally appeared on the soundtrack for the 2004 Topher Grace vehicle (you’ll not likely ever hear THOSE words again), In Good Company is one of Sam Beam’s greatest musical creations and really, one of the most beautiful things I’ve heard in the past, well, maybe ever.

MP3: Iron & Wine – “The Trapeze Swinger”

Pitchfork has info on how to get a copy of the long-awaited, previously tour-only The Mountain Goats/John Vanderslice collaborative vinyl-only EP Moon Colony Bloodbath.

I think I’m all out of adjectives for the day.

Frank YangA typical Sunday evening for me can go any number of ways. Catching up on the past week’s television, working ahead a bit on the blog, taunting the cat with a piece of string, whatever. What is not a typical Sunday evening is standing in front of a PA cabinet with obnoxious dance music being pounded into my ears and midsection. And yet, this was my past Sunday at the Drake Underground.

The why was because I had been invited out to see the next buzzy thing in British electro-pop, the ’80s-adoring duo called La Roux, who had been tipped as one of the BBC’s Sound of 2009 acts but who had yet to really begin to capitalize on that cachet – this made a tiny club show like this appealing for bragging rights, if nothing else. So I acquainted myself with their entire recorded output thus far – two singles clocking in at under 10 minutes total – liked what I heard, and off I went.

The DJ went about 20 minutes longer than I’d have liked – dude, when no one is dancing you’ve failed – but eventually gave way as the keyboard half of the band, Ben Langmaid, took the stage to kick off “In For The Kill” and frontwoman, voice and hair Elly Jackson followed soon after. Without a whole lot of material to draw on, their set was necessarily short – just seven songs – but it was enough to get a sense of where their fortunes might lay. On the plus side, they obviously have a distinctive look – Jackson’s coif was as impressively vertical as one would hope – and even separated from her backing tracks her voice is distinctive and impressive, not quite falsetto and with an almost vocoder-ed quality. And while none of the songs quite reached the inescapable catchiness of “In For The Kill”, it was mostly solid material throughout.

On the con side, it was very evident that the live performance end of things was still new to them. Langmaid was fine, hidden behind his banks of equipment, but Jackson never seemed especially comfortable onstage, preferring to perform with eyes tightly closed and microphone in death grip and occasionally working in some tense dance moves. It was good to see that her “no smiling” policy of publicity photos didn’t carry over live – she was friendly in banter if a bit awkward and cracked a couple jokes – but there wasn’t a lot of charisma on display. If there’s a positive side to that, it’s that with her nervousness and rather… eclectic fashion sense, she seemed quite genuine, and that’s not necessarily the first attribute you’d expect to find in potential electro-pop divas.

I’m sure the La Roux live experience will improve with more shows, but if there was ever a case study for a synth-based act who could benefit from some more live instrumentation, it’s them. They should look up to the top of that BBC list at Little Boots for an example of the difference a live drummer can make. Either way, I do feel fortunate to have gotten to see them perform such an intimate show – when their debut album is released in June, I’m sure that the hype will buoy them to much larger performances. I just hope they’re ready for them.

The Times has an interesting feature following La Roux as they try to convert buzz into hype into real success.

Photos: La Roux @ The Drake Underground – April 5, 2009
MP3: La Roux – “Quicksand” (Joe & Will Ask remix)
Video: La Roux – “Quicksand”
Video: La Roux – “In For The Kill”
MySpace: La Roux

The Toronto Sun talks to White Lies.

Natasha Khan discusses the distinctive style of Bat For Lashes with The Quietus. Scotland On Sunday and Digital Spy also have interviews. Two Suns is out today and their April 25 show at the Mod Club is nearly sold out.

The Rumble Strips talk about their new album Welcome To The Walk Alone, out June 8, with Clash.

Billboard talks to Mark Olson about making the Jayhawks Green Grass-era reunion official. Good Times also has an interview with Olson.

The New York Daily News talks to Bishop Allen’s Justin Rice while Art In The Age has video of a recent in-store performance in Philadelphia.

Metromix has an interview with Jenny Lewis. According to Chart, a documentary detailing the making of her last solo record Acid Tongue is in the works.

So Neil Young’s new one Fork In The Road is finally out today – don’t y’all trample each other at the store getting a copy, now – and in addition to the little webcam videos he’s been making for the songs, there’s also a mini-film entitled Get Around which basically features Neil driving his Lincvolt around America whilst singing along to the album. They do use better quality cameras, however. You can “rent” the thing at Jaman and while you have to register, it does appear to be free.

Trailer: Get Around

Son Volt will release their new album American Central Dust on July 7 – details at Billboard.

The Martlet profiles Chad Van Gaalen.

The Young & The Hungry talks food with Ra Ra Riot. The Daily Orange, despite being named for food, talks to them about music.

The Guelph Mercury and Exclaim! talk to Julie Doiron.

Bradley’s Almanac is sharing a recording of The Mountain Goats’ recent show in Somervile, Massachusetts last month including a couple of new songs.

MySpaceIt’s one of those bits and bobs days. Let’s begin.

Seattle dreampop artisans Trespassers William, who appear to once again be down to the core membership of guitarist Matt Browne and singer-guitarist Anna-Lynne Williams, have released details about their next release. The Natural Order Of Things is a five-track EP which follows 2007’s The Noble House as the band’s second consecutive mini-album since their last full-length, 2006’s exquisite Having.

It’s difficult to say what sort of direction this new release will augur for the band – The Noble House was a significant departure from Having, abandoning the trademark sonic denseness of producer Dave Fridmann for a balance between sparer, folkier material more in line with their debut release Anchor and sprawling ambient/instrumental excursions. Couple that with the surprisingly loud and heavy (though in very relative terms) live performance I caught at SxSW last year and you’ve got an act whose only constant seems to be Williams’ beautifully mournful voice and the ability to surprise without becoming too unfamiliar. Am I excited to hear this new release? Yes, I’d say so.

The Natural Order Of Things is due out on the 25th of May via UK label Gizeh, and to pique interest, they’ve provided the lead track”Sparrow” for download. I’ve also provided a track from Having for those of you who haven’t heard it, which is unfortunately probably most of you.

MP3: Trespassers William – “Sparrow”
MP3: Trespassers William – “Safe Sound

Congratulations go out to Aquarium Drunkard, who has just released a tribute album to Paul McCartney’s 1971 solo record RAM with an impressive roster of Los Angeles-based talent including Earlimart and Radar Bros. The album is available to download for free, but listeners are encouraged to make a donation to Macca-approved charity No More Landmines.

It figures, but almost immediately following last week’s post anticipating the new record and tour from Ohbijou, word came down that the album release has been delayed and the previously-announced Spring tour – including the April 18 date at the Opera House – have been postponed. Details are still forthcoming, but until then savour “Black Ice”, as it’s all there’ll be for the time being.

Death Cab For Cutie have released a new video. Update: And this just in – the Death Cab is coming back to town for a show April 5 at the Sound Academy with Cold War Kids and Ra Ra Riot as support. Tickets $40.50, on sale Thursday.

Video: Death Cab For Cutie – “Grapevine Fires”

PopMatters interviews Mac McCaughan about matters Superchunk, Portastatic and Merge. Superchunk’s new Leaves in the Gutter EP is out April 7.

New York Magazine profiles The Mountain Goats and their fans.

Le Blogotheque filmed a Take-Away Show with Johnny Flynn in Buenos Aires.

NPR talks to Neko Case, whose Middle Cyclone is out today.

Halifax’s Dog Day will release their new album Concentration on April 21 – get a taste below. They play the The Drake Underground on March 14 as part of CMW.

MP3: Dog Day – “Rome”

Amos The Transparent will also be in town next week for CMW – look for them at Rancho Relaxo at 1AM on Friday night – and they’ll have a new release along with them. The My, What Big Teeth You Have… EP will be available at live shows through the Spring and Summer and receive proper distribution come Fall – you can hear a couple tracks at their MySpace.

Magnet speaks to Wheat’s Brendan Harney about the forthcoming reissue of Hope & Adams and Medeiros and new album White Ink, Black Ink.

Pulp (online UK magazine, not band) welcomes Woodpigeon to their, uh, boardroom? for a session. Available in video and downloadable audio forms.

Grizzly Bear’s Ed Droste writes Drowned In Sound a letter about their forthcoming album Veckatimest, out May 26.

Justin Townes Earle – son of Steve, yes, but an accomplished singer-songwriter in his own right – releases his debut sophomore effort Midnight At The Movies today and has a date at the Horseshoe on April 22, tickets $12.50. Laundromatinee featured Earle in a session a little while back, and if you’ve got a van to sell, he’s looking.

MP3: Justin Townes Earle – “Mama’s Eyes”
MP3: Justin Townes Earle – “What I Mean To You”

Yes, they were here just a few weeks ago but The Pains Of Being Pure At Heart are coming back again. Can they pack Lee’s Palace again, so soon? We’ll find out April 28 – tickets for that show are $10.

MP3: The Pains Of Being Pure At Heart – “Everything With You”

Lady Sovereign has a date at Lee’s Palace on May 1, tickets $20.

Loney Dear, whose Dear John has grown on me some since I reviewed it in January, has scheduled a North American headlining tour for May and will be at the Rivoli in Toronto on May 8.

MP3: Loney Dear – “Airport Surroundings”

They’re calling it “Unwigged & Unplugged: An Evening with Christopher Guest, Michael McKean and Harry Shearer”, but what it REALLY is is Spinal Tap. Only without the wigs. And costumes. And with Folksmen songs from A Mighty Wind. Okay, maybe it’s not really Spinal Tap. But it’s as close as you’re going to get anytime soon, and it’ll be happening at Massey Hall on May 21. Billboard has complete tour dates and details and Vanity Fair has an interview with the band… in character.

MP3: Spinal Tap – “Tonight I’m Gonna Rock You Tonight”

MySpaceWhilst perusing the current issue of eye, I noticed something on the full-page announcement of the Bloc Party show at the Kool Haus on March 14 – an image and url for something called Canadian Music Fest. As it turns out, it wasn’t nearly as interesting as I’d initially hoped – just a rebrand of the venerable Canadian Music Week festivities, but with the live showcases now being presented under a slightly different banner than the conference/business-y side of things.

But what was more interesting was the fairly extensive list of artists already confirmed to play CMF/CMW/whatever the weekend of March 12 to 14, and I’m especially pleased to see that London’s 6 Day Riot are coming back to town. They beguiled this past June at NxNE and should do much the same on the return engagement, though I hope they’re prepared for a decidedly different climatological experience this time around. They’ll be spending the first bit of the new year in the studio recording album number two, so I look forward to hearing some new material.

And on the domestic side – it is a Canadian music fest, after all – expect appearances from Basia Bulat, Chad Van Gaalen, Angela Desveaux, Gentleman Reg, Human Highway, Malajube, The Acorn and The Rural Alberta Advantage, amongst many others.

Not playing this fest but hopefully coming to town sooner rather than later regardless are Woodpigeon – they’ll be releasing Treasury Library Canada on February 3 and have made available an MP3 both from it and the companion/bonus album Houndstooth Europa. They’ve also made a new video.

MP3: Woodpigeon – “Love In The Time Of Hopscotch”
MP3: Woodpigeon – “Oberkampf”
Video: Woodpigeon – “A Moment’s Peace for Mary Christa O’Keefe”

Toronto-based label Out Of This Spark will celebrate its second anniversary with a show at the Tranzac on January 10 featuring their entire lineup, which is to say The D’Urbervilles, Forest City Lovers, Timber Timbre and Jenny Omnichord. Admission is $8 with a canned food item, $10 without. And the same bill will be at the Albion Hotel in Guelph on January 16.

NME, Paste and Pitchfork talk to Win Butler about the new Arcade Fire film Miroir Noir, available now digitally and by the end of March as a DVD.

To mark the peculiar happening of “Halleleujah” placing both #1 and #2 on the UK singles charts this week (the former a cover of Jeff Buckley’s version of the song by some pop poppet, the latter Jeff Buckley’s version of the song), The Scotsman has a feature on Leonard Cohen and The Telegraph a list of the 20 most interesting things about the song that will pretty much ensure that Lenny’s financial troubles are a thing of the past.

Austin’s …And You Will Know Us By The Trail Of Dead will release The Century Of Self on February 17 and roll into Lee’s Palace on March 4, tickets $18.50.

That same day, February 17, Ben Folds is at the Kool Haus, $30.50 in advance.

Witch, who are notable largely for the fact that their drummer is one J Mascis, have a date at the Horseshoe on February 20. Tickets $10.50.

So Much Silence has graciously ripped an acoustic Hold Steady session at KEXP for your listening pleasure.

John Darnielle is offering up a handful of unreleased and really old Mountain Goats tracks for download in the spirit of the season in hopes you’ll “pay it forward”, as they say. If looking for a cause, may I suggest a donation to the Humane Society of Durham, which tragically burned down last week. Goodness knows they need the help right now.

Aubrey EdwardsNever have I claimed to be the fastest to get turned on to something, to be the one who discovers the next big thing. I’m far more tortoise than hare in these sorts of matters, but even then there’s not really any excuse for taking, oh, seventeen months to get around to writing up Bishop Allen’s last album The Broken String – or even longer if you think back to the year-long “one EP a month” series in 2006 from which much of the album is taken.

And it’s a pity I’ve waited so long, because I am very much in this record’s target market – namely fans of sprightly indie rock of the wordy variety. As such, stylistically and sonically, it’s very familiar stuff built on earnest boy lead vocals with sweet girl backing vocals and just enough interesting instrumental flourishes to disguise the fact that it’s pretty straight guitar-driven folk-pop. Where Bishop Allen stands out is in the songwriting, which is never less than solid but on a few occasions, is outstanding. Leadoff track “The Monitor” is a stirring and evocative piece about a Civil War naval battle, but that sort of lyrical grandeur is the exception rather than the rule – the standouts tend to be those the simple, slice of live observationals that are rendered in exquisite detail, as in “Flight 180” or “The Chinatown Bus”. They also handle the peppier stuff with vigor and aplomb, but it’s the slower, more thoughtful stuff such as above that really sticks.

Because of my neglect, I missed the band when they came through last Summer but I shan’t be skipping out on their just-announced January 17 date at the El Mocambo. Similarly, when their next album Grr… is released on March 10, you can be sure I won’t be taking a year and a half to give it the attention it deserves. The Justice has an interview with band principal Justin Rice.

MP3: Bishop Allen – “Click, Click, Click, Click”
MP3: Bishop Allen – “Middle Management”
MP3: Bishop Allen – “Rain”
Video: Bishop Allen – “Click, Click, Click, Click”
Video: Bishop Allen – “Middle Management”
MySpace: Bishop Allen

Ben Kweller and The Watson Twins are at the Mod Club on February 22, tickets $25. Spinner, The Smith College Sophian and The Irish Independent talk to Kweller, who will release a new album in Changing Horses on February 3. Stereogum are sharing the first single.

The Airborne Toxic Event, last spotted hereabouts for V Fest, have a date at the El Mocambo on March 4. Tickets for that are $12.50.

Blurt, Glide, ArtistDirect and The Toronto Sun make time with Rachael Yamgata, who will be at the Mod Club on Friday for an early show. She’s got not one but two new vids from Elephants… Teeth Sinking Into Heart.

Video: Rachael Yamagata – “Faster”
Video: Rachael Yamagata – “Sunday Afternoon”

Brooklyn noiseniks Dirty On Purpose have formally called it a day. A moment of silence for a great band who created my favourite trebuchet-themed video of all time.

Video: Dirty On Purpose – “Car No Driver”

The Independent, The Oxford Mail and This Is Nottingham interview Hold Steady frontman Craig Finn.

Ra Ra Riot are in session overload – Laundromatinee has a video session, NPR an audio one. They also find time to squeeze in an interview with The Courier-Journal.

Austin360 talks to Johnathan Martin of The Uglysuit.

Lots of session action lately for School Of Seven Bells with audio and video sets for for Radio K, KCRW and Spinner’s Interface and video only at Lime.

Paste reports that Hazards Of Love, the new record from The Decemberists, will be coming out on March 24 of next year.

The Long Winters have released a live DVD entitled Live At The Showbox and are giving away a few live tracks taken from it. Check it out.

MP3: The Long Winters – “Scared Straight” (live)
MP3: The Long Winters – “Clouds” (live)
MP3: The Long Winters – “Cinnamon” (live)

John Darnielle of The Mountain Goats salutes heavy metal for the The New Zealand Herald.