Frank YangFull writeup of the day’s activities over here.

Ringo Deathstarr
– Austin-based shoegazing revivalists who released their debut full-length Colour Trip earlier this month. Cheers for using the Canadian/British spelling despite being an American band. Spoonfed has an interview.
Photos: Ringo Deathstarr @ Annie’s West – March 16, 2011
MP3: Ringo Deathstarr – “Imagine Hearts”
MP3: Ringo Deathstarr – “So High”
Video: Ringo Deathstarr – “Two Girls”
Video: Ringo Deathstarr – “So High”
Video: Ringo Deathstarr – “Imagine Hearts”
Video: Ringo Deathstarr – “Some Kind Of Sad”

Ume
– Austin rock machine led by Lauren Larson of the whipping hair and shredding guitar are finally preparing to release their new full-length album later this year.
Photos: Ume @ Lustre Pearl – March 16, 2011
MP3: Ume – “The Conductor”
MP3: Ume – “Pendulum”
MP3: Ume – “Wake”
Video: Ume – “The Conductor”

Alessi’s Ark
– English folksinger Alessi Laurent-Marke recently signed to Bella Union for the release of the follow-up to 2009’s Notes From The Treehouse.
Photos: Alessi’s Ark @ The French Legation Hill Stage – March 16, 2011
MP3: Alessi’s Ark – “The Robot”
Video: Alessi’s Ark – “Birdsong”
Video: Alessi’s Ark – “The Asteroids Collide”

The Jezabels
– Co-ed Australian quartet led by the dramatic vocals of Hayley Mary released their debut Dark Storm at the start of 2010. Blast has an interview.
Photos: The Jezabels @ The Mohawk – March 16, 2011
MP3: The Jezabels – “Mace Spray”
Video: The Jezabels – “Mace Spray”
Video: The Jezabels – “Easy To Love”
Video: The Jezabels – “Hurt Me”

Mark Eitzel
– Legendary (and legendarily underappreciated) frontman for American Music Club put out two solo records – Klamath and Brannan St. – in 2009 and AMC are currently working on the follow-up to 2008’s The Golden Age.
Photos: Mark Eitzel @ Red-Eyed Fly – March 16, 2011
MP3: American Music Club – “Only Love Can Set You Free”
MP3: American Music Club – “All The Lost Souls Welcome You To San Francisco”
Video: American Music Club – “All The Lost Souls Welcome You To San Francisco”
Video: American Music Club – “Rise”
Video: American Music Club – “Wish The World Away”
Video: American Music Club – “Electric Light”

Frank YangInformation is king when it comes to SxSW and scheduling, and inevitably there’s a lot of bad info floating around. This I was reminded of on the very first morning of the 2011 edition of the festival when I headed down 6th St to try and start things off with English atmospheric-pop outfit Still Corners at Peckerheads, only to discover that the show I was looking for was either happening in 12 hours (the old AM vs PM gag), in 48 hours (according to some unofficial guides) or not at all (my own gut feeling). But what was certain is that it wasn’t happening now. So for plan B – and you always need a plan B – was to about face and head to the west end of downtown for Austin’s own Ringo Deathstarr.

The trio had been getting some attention for their clever name and debut album Colour Trip, which makes no secret of their love of My Bloody Valentine. And while the record is loud, fuzzy and fun enough to make up for its general lack of originality, their live show wasn’t able to get over that hump. Granted, no one is at the top of their game at noon on a Wednesday, but you didn’t get the sense they were off, necessarily – the general lack of presence and charisma was probably a consistent thing. But still they were loud, the tunes were alright and bassist/guitarist Alex Gehring does a pretty decent Belinda Butcher impersonation so it’s okay. And there’s nothing quite like watching ear-bleeding shoegaze at lunchtime in the back of an empty restaurant to remind you that yes, it’s SxSW time again.

I then headed clear across downtown to Lustre Pearl for another Austin trio, though one that’s pretty much a Sx tradition for me and a guaranteed good show – Ume. They were one of the great fest discoveries back in 2009 and I always make it a point, now, to catch one of their shows. Though this show was similar in structure and selection as ones past – the band have a new record in the can but weren’t showing off too much of it yet – it was different in one key point with new drummer Rachel Fuhrer behind the kit, replacing Jeff Barrera. She proved more than up to the job, though, teaming with bassist Eric Larson to lay down the foundation for Lauren Larson’s guitar and vocal pyrotechnics. Seeing her play never gets old, though I will say that I am anxious for the new album – the Sunshower EP was and is great, but they’ve gotten about all the mileage out of it that they can.

After a stop-in for some free food and drink at the Canadian Blast BBQ – hey now, we all know why we’re here – I headed to Red 7 to see Lower Dens, only to find I’d beaten them to the venue… by a day or so. The band’s van had broken down somewhere around Tennessee and thus their Wednesday shows were scotched. But, as already said, that’s why you have backups. And mine was just across the I-35 at the French Legation museum for the already once-missed Still Corners. They would not evade me.

Except that they would. The Legation is a wonderfully laid back outside venue, all hills and lawns for lounging and lolling. The fact that there was no security at the door, nor at the beer tent – just buckets of beer for the taking by anyone which I’m sure, even in the land of the free, is all kinds of illegal – should have been my first hint that this was not going to be a tightly-run ship. The second hint was when Alessi’s Ark, who’d been scheduled for 2:20PM, got on stage at almost 4PM. How you fall 90 minutes behind just a couple hours into the day is a mystery to me, but the Legation had managed to do it. And while Alessi’s languid solo acoustic folk was nice enough and well-matched to the pastoral setting, the cumulative agitation of the day was really distracting me and I can’t say I paid a whole lot of attention.

Deciding that waiting around for Still Corners to finally come on in a couple hours would be a waste of the day, it was back down across the highway to The Mohawk where Australia’s Jezabels were already underway. I’d missed a few of their Toronto appearances, including last week during Canadian Musicfest, but was glad we’d finally found a way to meet up as their nicely dramatic rock – clearly intended for larger stages than the inside of the Mohawk – began redeeming the day. They had a balance of attack and atmosphere that was certainly pleasing to these ears and delivered with a level of polish that showed this was a band who’d been honing their craft for some time.

Abandoned schedules did work to my favour by the afternoon’s end, though, as the party at Red-Eyed Fly had fallen behind sufficiently that I was able to get in to see Mark Eitzel play. He was at the festival in both a solo capacity and as frontman for American Music Club and though this was the former, his set drew heavily on material from the latter, particularly their excellent reunion record Love Songs For Patriots, but the configuration of Eitzel and a keyboardist gave it a very different cabaret-like feel. It was actually very fitting that he was performing as people were clearing out of the back room following the Dodos’ set as it was as though he was a sideshow performer desperately trying to get their attention. Those who kept walking definitely missed out, though, as Eitzel was in fine sardonic form and huge voice, his lyrics taking on a free form poetry feel in the setting. “Patriot’s Heart”, “Windows On The World” and “The Decibels And The Little Pills” all felt as though you were hearing them for the first time and following a reading of “I Left My Heart I San Francisco”, he bounded off stage and strode out of the club, simply done with it all. Mark Eitzel had left the building.

Jon BergmanThe story surrounding The Submarines’ debut album Declare A New State was the stuff of romantic-comedy writer fantasy – boy musician meets girl musician, boy joins girl’s band, girl joins boy’s band. Boy and girl lose each other. Boy and girl write songs about each other. Boy and girl record songs together. Boy and girl get back together. Brings a tear to the eye, does it not?

The fact that State was also a sublime bit of pop that managed to capture and convey all the emotions surrounding its genesis just made it all that sweeter. But it also raised the question of how John Dragonetti and Blake Hazard (the aforementioned boy and girl, respectively) would follow it up? You certainly couldn’t ask them to go back to the creative wellspring that fueled the first record. There’s a reason rom-coms rarely have sequels. As it happens, The Submarines didn’t have too much trouble with the question, returning last year with Honeysuckle Weeks.

Though the backstory no doubt informed the specialness of State, one musn’t forget that both Dragonetti and Hazard were (and are) also seasoned songsmiths and were cranking out records before coming together as The Submarines and though the forlorn tenor of the debut is appropriately dialed down on Weeks, the pop smarts are certainly not. Beautifully overcast heartbreak has given way to a sprightlier approach, a broader, more colourful sonic palette, though it’d be going to far to say that things have gotten sunny. While The Submarines’ songs may have the spring in their step of those who’ve known love, they also tread with the caution of those who’ve lost it.

The Submarines are on tour alongside The Morning Benders and play the Drake Underground this coming Sunday, February 15 and even though it’s technically the day after Valentine’s Day, expect it to still be a heart-melting affair. And courtesy of Against The Grain, I’ve got a pair of passes to the sold-out show to give away. To enter, email me at contests AT chromewaves.net with “I want The Submarines to be my Valentine” in the subject line with your full name in the body. Contest closes at midnight, February 12.

The OC Register and The Washington Post have features on the band.

MP3: The Submarines – “You, Me And The Bourgeoisie”
Video: The Submarines – “You, Me And The Bourgeoisie”
MySpace: The Submarines

There’s a new video from Fleet Foxes taken from their Sun Giant EP.

Video: Fleet Foxes – “Mykonos”

Ra Ra Riot have also released a new clip from The Rhumb Line. The Smith College Sophian has an interview with guitarist Milo Bonacci and bassist Matt Santos.

Video: Ra Ra Riot – “Can You Tell?”

The new Sloan video features the band frolicking in the snow with pretty girls. But not in the way you might think. They appear to be playing two nights at the Mod Club on March 11 and 12 as part of CMW.

Video: Sloan – “Witch’s Wand”

Blurt profiles Mercury Rev.

NPR has an interview with Antony Hegarty of Antony & The Johnsons. They’re at the Queen Elizabeth Theatre on February 17.

Scotland On Sunday talks to Asobi Seksu’s Yuki Cikudate about their forthcoming album Hush, due out next Tuesday. They play the El Mocambo on March 3.

Le Blogotheque discusses inspiration with Zach Condon of Beirut. Billboard also have an interview. Their March Of the Zapotec/Holland double-EP set is out on February 17.

Billboard reports that the forthcoming Wilco live DVD Ashes Of American Flags will get its release on April 18 to coincide with this year’s edition of Record Store Day, but only be available at independent retailers. Corporate outlets won’t get it until two weeks later.

Pitchfork interviews Stephen Malkmus.

MPR welcomes Mark Olson & Gary Louris to their studios for a session. The Boston Globe also has an interview.

Kind of an awful concept for a site, but Rock’N’Roll Dating redeems itself with a good interview with Mark Eitzel of American Music Club, where they talk about everything including his forthcoming solo EP and musical (!) but not dating, rock’n’roll or otherwise.

eMusic, however, has polled a great number of musicians about their first crushes. Extensive, sweet and kind of hilarious.