Frank YangObjectively speaking, there’s not a world of difference between Widowspeak’s 2011 self-titled debut or the follow-up Almanac, released in January of this year. You can file them both quite comfortably under “the soundtrack to dreams of dusty country roads”, not too far from lazy but not inaccurate reference points Mazzy Star and Cat Power, but something about Almanac grabs me the way that Widowspeak, as much as I dug it, didn’t. And it’s not something as simple as they’re getting more dynamic or rocking out harder, as refresher listens to their debut confirm there’s no shortage of volume spikes amidst the sleepiness. There’s just something more present, more assured, in Almanac‘s grooves – like lucid dreaming versus wake-walking. Whatever it is, I love it, and so their show at The Garrison on Monday night – their first non-festival headline date in Toronto – was a must-go on my calendar.

Local support came from The Auras, signed to Toronto’s Optical Sounds and labelmates with B-17, whom I’d just seen just a few days earlier; if there’s some sort of shadow conspiracy to get me more attuned with the city’s psych-pop scene… then it’s working. Mind you, The Auras didn’t impress the same way that B-17 did, but they’re not really built to. Comprised of fresh-faced youngsters rather than scene veterans, they were a bit of a mish-mash visually – a mass of paisley, headbands, shaggy hair, tassels, and with half the six-piece band in sunglasses, all bathed in their a bring-your-own light show. Sonically, they felt more like a a psychedelic jam session, rotating through four lead vocalists and possessing more of vague mandate to sound like a more shambolic, polite Black Angels than a firm mission statement. Understand that this is not a complaint, but actually more a point of envy. Having a group of like-minded players to jam, gig, and record with sounds like the best thing ever, actually.

I saw Widowspeak twice last year – in the same room at NXNE and a few months earlier at SXSW – but this time there was a new rhythm section in place and a fifth member in the fold on guitar and keys. The heart of the band, however – Molly Hamilton and Robert Earl Thomas – were still there, ever front and centre. Opening with Almanac leadoff “Perennials”, the template for the show was quickly established – Hamilton serenely cooing into the mic while Thomas got to play the role of guitar hero, although he would have been more effective at it had his guitar not been the quietest of the three on stage; a little more volume would have helped his leads achieve the prominence they deserved and might also have quieted the reasonably-sized if disproportionately chatty crowd audience.

As the show progressed, the chatter either diminished or the genuinely interested moved up to the front – in either case, they were drawn in by the performance, which maintained the same basic rhythm through the better part of an hour, offering a good mix of Almanac and Widowspeak material though sadly omitting two of my favourite new songs, “Devil Knows” and “Spirit Is Willing”. They did shift gears slightly towards the end with a cover of Chris Isaak’s “Wicked Game” – yeah, having Hamilton wrap her voice around it is a bit on the nose, but still gorgeous – and a keyboard-led “Thick As Thieves”, before closing with a relatively raucous “Ballad Of The Golden Hour” and “Harsh Realm”. An encore wasn’t a foregone conclusion, but Hamilton was enticed to come back out for a final number, a reading of “Limbs” done solo because the rest of the band didn’t know how to play it, and were also busy selling merch off to the side. A modest finale to a modest yet wholly enjoyable show.

Iamnosuperman and Good Times have interviews with Robert Earl Thomas and The Riverfront Times chats with Molly Hamilton while El Paso What’s Up talks to both.

Photos: Widowspeak, The Auras @ The Garrison – April 16, 2013
MP3: Widowspeak – “Ballad Of The Golden Hour”
MP3: Widowspeak – “Sore Eyes”
MP3: Widowspeak – “Gun Shy”
MP3: Widowspeak – “In The Pines”
MP3: Widowspeak – “Devil Knows”
MP3: Widowspeak – “Harsh Realm”
Video: Widowspeak – “Locusts”
Stream: The Auras / The Auras

Not necessarily enough show announcements this week to devote a post, but still a few things of note. Seattle’s Cave Singers will bring their new album Naomi – released last month – to town for a show at The Horseshoe on June 17, tickets $15. There’s a feature on the band at 85-26.

MP3: The Cave Singers – “Black Leaf”
MP3: The Cave Singers – “Swim Club”

California’s Rogue Wave are back with a new record in Nightingale Floors coming out on June 4, and are teaming up with Brooklyn’s Caveman, who just released their second self-titled album, for a Summer tour that hits The Mod Club on June 25, tickets $18.50/.

MP3: Caveman – “Easy Water”
Stream: Rogue Wave – “College”

Another bi-coastal bill will team Californian psych-pop outfit Woods, still working last Fall’s Bend Beyond, with New York ’90s indie rock revivalists Parquet Courts and their debut Light Up Gold for a date at The Horseshoe on July 17, tickets $15.50.

MP3: Woods – “Wind Was The Wine”
MP3: Parquet Courts – “Borrowed Time”

Los Angeles’ Julia Holter brings last year’s Ekstasis to The Drake on July 17, tickets $16.50.

MP3: Julia Holter – “In The Same Room”

Consequence Of Sound, Spinner, Vulture, and Spin talk to Thermals frontman Hutch Harris and PopMatters to drummer Westin Glass about their just-released new record Desperate Ground, and they also talk to The AV Club and Clash respectively about action movies. The Thermals are at The Horseshoe on May 21.

MTV Hive and Stereogum have features on The Yeah Yeah Yeahs, whose new record Mosquito arrived this week.

Interview and The Victoria Times-Colonist talk to Sam Beam about the new Iron & Wine album Ghost On Ghost.

PopMatters, eMusic, Forbes, and Spin have features on The Flaming Lips and their new album The Terror.

The National Post talks to Steve Earle about his latest The Low Highway.

Ra Ra Riot is streaming the single they’ll be releasing for Record Store Day this Saturday via T Magazine. The Alternate Side also has a session with the band, who are here on May 25 at The Sound Academy supporting The Shins, then back for the Field Trip fest at Garrison Commons on June 8.

Stream: Ra Ra Riot – “All I Fear”

Stereogum has a stream of The Hold Steady’s contribution to this week’s Game Of Thrones closing credits, while Wired examines the intersection of the kingdoms of Westeros and the world of indie rock. The Hold Steady are here as part of the Toronto Urban Roots Fest on July 6 at Garrison Commons.

Stream: The Hold Steady – “The Bear & The Maiden Fair”

NPR has a Tiny Desk Concert concert with Yo La Tengo, one of the names at the final day of the Toronto Urban Roots Fest at Garrison Commons on July 7.

Kurt Vile is also playing TURF Sunday; Noisey has an interview with him about being a rocker parent rocker.

Janelle Monáe dishes a bit to Billboard about her long-awaited second album The Electric Lady, due out later this year.

Stereogum have premiered the new video from Low’s The Invisible Way.

Video: Low – “Just Make It Stop”

Okkervil River’s Will Sheff has squeezed another video out of his Lovestreams side-project.

Video: Lovestreams – “There’s Video”

NPR welcomes Local Natives for a World Cafe session.

Mark PetersonIt’s not often you see the words “new” and “Hüsker Dü” together – unless they’re followed, perhaps, but the word “lawsuit” – but that’s what we’re getting as part of the salvo of limited edition releases for this year’s Record Store Day. Okay, it’s not like Bob Mould, Greg Norton, and Grant Hart have secretly buried their many hatchets to follow the lead of fellow Minneapolis legends The Replacements and recorded new material, but they – or those who operate on their behalf – have unearthed some of their very earliest recordings circa 1980, originally released as their first 7″ and decades out of print, and will release them as a limited edition double-7″ on April 20.

Rolling Stone is currently streaming one of the tracks – a Grant Hart vocal which predates their discovery of hardcore and/or methamphetamines, and a far cry from the fury captured on their 1982 debut album Land Speed Record. It’s not an essential document by any means, but one that’s a hell of a lot more interesting than the twice-the-price coloured vinyl edition of a current album you already own that makes up most of the RSD exclusives.

Stream: Hüsker Dü – “Statues”

Dinosaur Jr have rolled out a new video from last year’s I Bet On Sky. And yes, that is Henry Rollins.

Video: Dinosaur Jr – “Pierce The Morning Rain”

Bad Religion have a new album in True North, out today and streamable below, and not one but two local shows coming up in support. They’re at The Horseshoe on January 27 for a private performance to which you can win tickets from CFNY, and then they’re back on March 31 for a date at The Kool Haus as part of the North American tour. Rolling Stone and Billboard have interviews with Brett Gurewitz about the new record and CBC Music with Jay Bentley.

MP3: Bad Religion – “True North”
Stream: Bad Religion / True North

As widely reported last week, Yeah Yeah Yeahs have confirmed the April 16 release of their fourth album Mosquito. Karen O talks to Pitchfork about what to expect from the new record and Rolling Stone talks to the artist responsible for the rather polarizing album art about what he was thinking.

NPR has a stream of II, the new album from Unknown Mortal Orchestra which comes out February 5. They’ll be at Wrongbar on March 3 to play it for you live.

Stream: Unknown Mortal Orchestra / II

Brooklyn-based Here We Go Magic spin-off TEEN – all caps mandatory – will bring their 2012 debut In Limbo to The Drake Underground on February 15.

MP3: TEEN – “Electric”

Divine Fits have a new video from A Thing Called Divine Fits.

Video: Divine Fits – “My Love Is Real”

Today marks the release of Ra Ra Riot’s third album – the rather less orchestral and more electronic Beta Love – and it’s available to stream in whole via YouTube, and there’s features on the band at Spin and Magnet. They’re at Lee’s Palace on March 6 and back in town June 8 as part of the Arts & Crafts Field Trip festival at Fort York.

Stream: Ra Ra Riot / Beta Love

The National Post, Rolling Stone, Consequence Of Sound, CBC Music, and Interview all have feature interviews with Yo La Tengo.

Been wondering what Will Sheff has been up to? Presumably writing the next Okkervil River record, sure, but also establishing a new electronic-y side-project as Lovestreams. The first fruits of that labour is now available in both MP3 and video form.

MP3: Lovestreams – “Shock Corridor”
Video: Lovestreams – “Shock Corridor”

The 405 has an interview with Benjamin Gibbard and boy I bet they’re wishing they’d pressed a little harder about the possibility of a Postal Service reunion.

Of course, maybe they could have just done as Drowned In Sound did and just get Gibbard, Jimmy Tamborello, and Jen Wood to provide an oral history of The Postal Service’s watershed indie-pop opus Give Up on the occasion of its 10th anniversary. It’s pretty much assured that the duo will be reconvening for some live dates this year and a deluxe edition of Give Up is en route but no one should be expecting new material. Of course, no one was expecting live dates either, so who knows. Considering his solo album was mostly old material, Ben may have some recent stuff he’s been looking to get off his chest by way of song. Update: The Give Up anniversary edition is out April 9 and has two unreleased songs on it along with other stuff.

The Quietus interviews John Darnielle of The Mountain Goats.

Son Volt will release a new album entitled Honky Tonk on March 5. American Songwriter has details on the release, whose title is as much description of the contents as a name.

LA Music Blog, The Times-Picayune, Dallas Observer, and Blurt talk to Joey Burns of Calexico.