Posts Tagged ‘Kathryn Calder’

Wednesday, August 24th, 2011

One, Two, Three

Kathryn Calder offers helpful adjectives to music writers with Bright And Vivid

Photo By Caleb BeyersCaleb BeyersEven though Kathryn Calder had well-established her songwriting credentials prior to joining The New Pornographers via her tenure in the now-defunct Immaculate Machine, her 2010 solo debut Are You My Mother? still came as a surprise to many – myself included – for how musically sophisticated and lyrically poignant it was, while still being tremendously tuneful. No one doubted Calder was talented – holding her own in a band of such musical heavyweights was plenty of proof of that – but to release such a mature record on her first go-around was really remarkable.

So while the entire thing has yet to be heard, the first sample of her second album – already completed, entitled Bright And Vivid and set for an October 25 release – certainly seems to prove that Are You My Mother? was no fluke. If anything, “Who Are You?” declares that Mother was just Calder getting warmed up – it sounds more widescreen in scope yet nimbler in execution and more assured all around. If the album’s other nine tracks measure up, Bright And Vivid will firmly establish Calder as a formidable artist in her own right, every bit the equal of her bandmates’ own solo ventures. Yes, I mean that.

Exclaim has more details on the album. Calder’s only visit to Toronto as a solo artist was back in June on one of the most packed concert nights in recent memory and sadly, her Tranzac show didn’t make the cut – here’s hoping that the Fall brings her back to showcase both her records in a live setting.

MP3: Kathryn Calder – “Who Are You?”

What does it sound like when awesome meets awesome? Probably a bit like this cover Basia Bulat did of Ted Leo’s “Where Have All The Rude Boys Gone” for the AV Club Undercover. I look forward to her inevitable folk-punk album. And if you need a Basia fix in the GTA, she’s playing a free show on Friday evening, August 26 at Mississauga Celebration Square – that’s around Square One shopping centre – at 8:30PM; Mississauga.com previews the show with an interview. She also teams up with the Hamilton Philharmonic Orchestra to play Hamilton’s Supercrawl on September 10 – another free show.

Tasseomancy have made their album Ulalume available to stream a week before its August 30 release over at Exclaim, who also have an interview. They play an album release show at The Great Hall on October 20 and open up for Austra at The Phoenix on December 1.

MP3: Tasseomancy – “Healthy Hands”
MP3: Tasseomancy – “The Darkest Of Things”
Stream: Tasseomancy / Ulalume

Feist talks to Q about the process of making Metals. It’s out October 4 and she plays Massey Hall on December 1.

HearYa has a audio/video session and CultureMob an interview with The Wilderness Of Manitoba, who cap off a busy Summer of touring with a homecoming show at Lee’s Palace on September 8.

MP3: The Wilderness Of Manitoba – “Hermit”

Speaking of hometown shows, Elliott Brood will mark the September 27 release of Days Into Years with a show at The Phoenix on November 18, advance tickets $12. There’s interviews with the band about the new record at The Whistler Question and Pique.

MP3: Elliott Brood – “Northern Air”

The Weeknd are getting a jump on their bid for a 2012 Polaris Prize nomination to go with this year’s shortlist nod, making a new album/mixtape available for free download.

ZIP: The Weeknd / Thursday

Spoonfed talks to Fucked Up’s Jonah Falco.

Tuesday, July 19th, 2011

Iron And Ore

Ohbijou invite you to meet their metal

Photo By Laurie Kang & Hannah HurLaurie Kang & Hannah HurThere’s a temptation to wish that the title of Ohbijou’s third album offered a hint to the contents within, that the Toronto six-piece had discovered their inner headbanger and when Metal Meets was released on September 27, it would come in packaging adorned with pentagrams and flames. But not only would this hypothetical record probably not be very good – let’s be honest – it would also mean that the world would be down one almost certainly lovely collection of orchestral pop.

A preview of the new Jace Lasek-produced record was made available a couple of weeks ago and it certainly sounds like they’ve stayed the course laid out by their 2006 debut Swift Feet For Troubling Times and its 2009 follow-up Beacons, anchored by Casey Mecija’s sweet vocals and songwriting but allowing the sonics supporting them to grow and evolve. With its echoing electric guitar riff, “Niagara” would have sounded out of place on Swift Feet but as the first taste of the follow-up to Beacons, it makes perfect sense.

And as their sound gets bigger, so too do the rooms in which they’ll be playing. A set of eastern Canadian dates have been announced and the hometown date on September 30 finds them playing the gorgeous environs of Trinity-St. Paul’s – a milestone, to say the least. Tickets for the show are $20 and go on sale tomorrow at 10AM.

Ohbijou are also releasing a series of video trailers for the new record; at present there are two. Note the lack of three-finger devil salutes.

MP3: Ohbijou – “Niagara”

Light Fires, the electro-pop duo of which Ohbijou drummer James Bunton is half and Gentleman Reg’s Reg Vermue in the guise of Regina Gentlelady is the other have released a video for their debut single, available digitally and on 7″ as of today.

Video: Light Fires – “Ten Feet Tall”

I appear to have missed a couple instalments of the Bruce Peninsula Fire Sale, but that’s okay because they go with the just-released one to form an impressive collection of performances captured by Southern Souls, wherein the band’s members each cover a song by an artist they personally know. It’s also the first look at who is part of Bruce Peninsula this time around, with a number of new faces in the mix. Their second album Open Flames is due out in September and they play the Lower Ossington Theatre on August 11 as part of Summerworks.

Chart talks to Taylor Kirk of Timber Timbre.

The Quietus interviews saxophonist and Polaris shortlister Colin Stetson, who has a show at The Drake Underground on August 26. He’ll also release a 10″ EP entitled Those Who Didn’t Run on October 4.

The Wilderness Of Manitoba have released a new video from When You Left The Fire, done live-style.

Video: The Wilderness Of Manitoba – “Hermit”

Fucked Up guitarist Mike Haliechuk has a chat with The Vancouver Sun while frontman Damian Abraham has words with The Riverfront Times. Fucked Up play the Air Canada Centre

The Georgia Straight talks to Kathryn Calder, whose second solo album should be released sometime this Fall.

Dan Mangan discusses his forthcoming new record Oh Fortune with Spinner. The album is out September 27 and a cross-Canada tour has been announced; he’ll be at the Queen Elizabeth Theatre on October 28.

MP3: Dan Mangan – “Oh Fortune”

tUnE-yArDs brings her much-feted second album WHOKILL back to town for a show at Lee’s Palace on September 24.

MP3: tUnE-yArDs – “Bizness”

Thursday, May 19th, 2011

I Never Woke Up

Review of Snailhouse’s Sentimental Gentleman

Photo By Anneke HymmenAnneke HymmenMontrealer Mike Feuerstack isn’t anything resembling a household name but if you’ve got records from Belle Orchestre, Angela Desveaux or The Wooden Stars in your collection – and you probably should – then you’ve got his name in your liner notes. But if not, then you probably don’t have anything from his solo project Snailhouse and that’s a shame – but one you can easily rectify with his new album Sentimental Gentleman when it’s released on May 24.

In his other bands, it’s his virtuoso musicianship that’s on display but with Snailhouse, his songwriting chops take centre stage. There’s still plenty of tasty guitarwork throughout, but it’s largely of the laid back variety as it’s in support of his gently rootsy tunes. Thoughtful and introspective, it’s not the sort of record that attracts your attention with frantic arm waving, but an easy demeanour and welcoming smile. And while there’s plenty other shinier and more immediate roadside attractions on the musical landscape, those who take the time to investigate Snailhouse’s low-key charms will be rewarded with a thoughtful and understatedly witty collection of songs that won’t necessarily change your life, but will certainly make it more pleasant for a half hour or so, and moreso with each visit.

Exclaim is currently streaming the whole of Sentimental Gentleman. Snailhouse is just wrapping a tour of Europe and will kick off a North American leg next week with a date at Toronto’s Dakota Tavern on May 26.

MP3: Snailhouse – “I Never Woke Up”
MP3: Snailhouse – “Sentimental Gentleman”
Stream: Snailhouse / Sentimental Gentleman

Joel Plaskett has announced the released of a rarities compilation entitled EMERGENCYs, false alarms, shipwrecks, castaways, fragile creatures, special features, demons and demonstrations, due to hit stores on June 14 – Chart has details and as a teaser, here’s one of the tracks from it. Plaskett will play a free show June 10 at Metro Square as part of the LuminaTO festival.

MP3: Joel Plaskett – “When I Go”

The release this week of Diaper Island, the latest from Calgary’s Chad Vangaalen, has brought the media a-calling. Check out features at The Globe & Mail, NXEW, Paste, The Calgary Herald and Exclaim. Van Gaalen headlines The Great Hall on June 18 for NXNE and a new MP3 and video from the album have just been released.

MP3: Chad Van Gaalen – “Peace On The Rise”
Video: Chad Van Gaalen – “Peace On the Rise”

Austra is getting similar attention for her just-released debut Feel It Break. There’s interviews at NOW, hour.ca, Resonancity, Clash, aux.tv and Chart. Austra has a sold-out show at Lee’s Palace tonight.

Timber Timbre have released a new video from Creep On Creepin’ On.

Video: Timber Timbre – “Black Water”

Also with a new video – Montreal’s No Joy, from their debut Ghost Blonde. Their NXNE showcase is June 17 at The Horseshoe.

Video: No Joy – “Maggie Says I Love You”

Little Scream gets in on the “hey I have a new video” meme with one from The Golden Record. hour.ca has an interview with the artist, who plays The Mod Club on June 14 opening up for The Antlers.

Video: Little Scream – “Red Hunting Jacket”

And from The Wilderness Of Manitoba is a new clip from When You Left The Fire.

Video: The Wilderness Of Manitoba – “Orono Park”

Great Lake Swimmers’ Spinner about his contributions to The National Parks Project, the documentary film which pairs Canadian musicians with Canada’s national parks. A release show for the soundtrack, featuring many of the artists who contributed, happens tonight at The Royal – tickets are $15. Here’s one of the performances from the film, featuring Cadence Weapon, Woodpigeon’s Mark Hamilton and Laura Barrett in a teepee in Waterton Lakes National Park in Alberta. Click through to video number four. Also check out interviews with the film’s directors at NOW and Torontoist.

Video: Laura Barrett, Cadence Weapon, Mark Hamilton – “The Humble Fawn”

And similar-sounding but not at all related is The Parks Canada Experience, which is notable because a) it’s funded by our tax dollars and b) it will be throwing a party at the foot of the CN Tower this Saturday, May 21, which will feature free performances from Malajube and Apostle Of Hustle, amongst others. It runs from 11AM to 7PM. For more specifics on the what and the when… I don’t know, contact your local MP.

MP3: Malajube – “Synesthesie”
MP3: Apostle Of Hustle – “Perfect Fit”

I’ve been waiting ages for a Kathryn Calder live date in support of her excellent solo debut Are You My Mother and when one is finally announced – it’s in conflict with not one but two other must-see shows. Which is to say that when she’s playing The Tranzac’s Southern Cross Lounge on June 10, I will be at Okkervil River at The Phoenix having already given up seeing Weeping Tile at Lee’s Palace. Life is so unfair.

MP3: Kathryn Calder – “Arrow”
MP3: Kathryn Calder – “Slip Away”

Fucked Up have been added to the NXNE lineup with two shows on June 16 – one free engagement at Yonge-Dundas Square early that evening and another late-nighter at Wrongbar. They’re also opening for Foo Fighters at The Air Canada Centre on August 9. David Comes To Life is out June 7.

MP3: Fucked Up – “Ship Of Fools”

Also added to the NXNE lineup, despite having just announced their own August 1 show at The Horseshoe, is Handsome Furs. They will preview new record Sound Kapital at The Garrison at 1AM on June 18.

MP3: Handsome Furs – “Radio Kaliningrad”

And in addition to his set at Yonge-Dundas Square on June 17, Diamond Rings will be at Wrongbar at midnight on June 18. This, of course, is all in addition to his set opening up (again) for Robyn on June 3 at Echo Beach.

MP3: Diamond Rings – “Something Else”

Diamond Rings has also started up a remix series wherein he’ll release a new remix each Tuesday leading up to the June 21 US major label reissue of his album Special Affections. The first entry is a track from Miracle Fortress, whose own Was I The Wave? just came out Stateside this week – there’s a new MP3 from it available to download to mark the occasion. Spinner talks turkey with Graham Van Pelt.

MP3: Miracle Fortress – “Miscalculations”
MP3: Miracle Fortress – “Raw Spectacle” (Diamond Rings remix)

Sloan’s 20th anniversary video back-pat series rolls on, now including installments for “Underwhelmed medley”, “Your Favourite Sloan Lyric”, a rendering of “People Of The Sky” by Owen Pallett and “Sloan’s influence”. Sloan play The Mod Club on June 22.

Rolling Stone is streaming an unreleased Neil Young song circa the mid-80s, due to appear on the Archives release A Treasure, out June 14.

Wednesday, November 3rd, 2010

Shadows

Review of Warpaint’s The Fool

Photo By Mia KirbyMia KirbyI somehow managed to see Los Angeles’ Warpaint no less than four times this year before hearing their debut album The Fool, so you could say that their live shows have coloured my impressions of their music just a touch. And that’s a good thing because as a cursory scan of past write-ups will attest, I find their performances to be swirling, mesmerising affairs anchored by the pulsing, organic rhythm section and lifted by the airy vocals and shimmering guitar lines. More often than not, it seems that the band is willing to simply surrender themselves to the musical chemistry that occurs between the four of them and let it take them where it may.

That sense of spontaneity is successfully captured on The Fool, wherein Warpaint allow the nine songs here to grow into themselves in real time. Sometimes it sounds like they’re jamming them out, other times that they’re following a meticulous blueprint, but they always come across as though they’re following their collective muse like it was magnetic north. Songs often start from a single musical element and bloom and/or sprawl through time signature shifts and clouds of reverb and delay into their sometimes amorphous but always fascinating and emotive final forms. They clearly bear the influence of ’80s 4AD dream-pop and that era’s post-punk/goth forebears, but those are evident as reflections, echoes and shadows of Warpaint’s own, distinctive creations.

The Fool is more opaque and requires more work to absorb than I’d have expected, and the relative pop conciseness of their debut EP Exquisite Corpse is missed a little. One suspects that every outtake ended up in a significantly different place than the version of the song that was selected for the album, and while it’s hard to not want to hear some of those to compare and contrast, that way lies madness. What matters is that The Fool succeeds as more than just a solid album; it also confirms Warpaint as a unique and exciting new act with an immensely deep well of ideas to draw on, hopefully for many albums to come. Maybe the debut of the year not for what it is, but what it augurs.

Check out a behind-the scenes video of their cover shoot for NME, this video interview at Dirty Laundry and a video session at Yours Truly.

MP3: Warpaint – “Undertow”
Video: Warpaint – “Undertow”
MySpace: Warpaint

The Chicago Tribune talks to Sharon Van Etten about her transition from solo artist to bandleader. See her as the latter on Friday night at Lee’s Palace opening up for Junip. hour.ca also has a short chat.

eye talks to Morning Bender Chris Chu in advance of their show at the Mod Club on November 5.

Stereogum checks in with The Pains Of Being Pure At Heart on the status of their second album Belong, currently being recorded and due for a March 2011 release.

The Line Of Best Fit interviews The Thermals.

Beatroute talks to Dean Wareham about his decision to revisit Galaxie 500 on his current tour.

Dan Snaith of Caribou talks with Soundproof.

Kathryn Calder has released a second video from her solo debut Are You My Mother?.

Video: Kathryn Calder – “Arrow”

Dan Mangan chats with Beatroute.

Also with a new video are The Wilderness Of Manitoba, taken from their debut When You Left The Fire. They’re at the Horseshoe on November 25.

Video: The Wilderness Of Manitoba – “November”

Murray Lightburn of The Dears talks to aux.tv about their new record Degeneration Street, out on February 15.

Beatroute’s latest issue has a feature piece on Diamond Rings.

Monday, August 30th, 2010

Follow Me Into The Hills

Review of Kathryn Calder’s Are You My Mother?

Photo By Caleb ByersCaleb ByersIt’s been a half-decade since Kathryn Calder joined The New Pornographers in 2005, and in that time she’s gone from handling the impossible task of pinch-hitting on tours for Neko Case to appearing on their last three albums and becoming an as integral part of the band – her parts may not have the force of personality as Case’s, but her more delicate approach offers an important contrast and gives Carl Newman another invaluable tool in assembling his power pop symphonies. But prior to joining the Pornographers, Calder had her own creative outlet in Immaculate Machine and while she retains a membership card for the Victoria-based band, she’s largely ceded that outfit to guitarist Brooke Gallupe. Which basically meant that a solo album was pretty much an inevitability, but that doesn’t make Are You My Mother? any less of a surprise.

My experience with Calder as a songwriter goes back as far as the first couple Immaculate Machine records and while they were decent enough pop records, they weren’t particularly exceptional within the realm of Canadian indie. The years of apprenticing to Carl Newman have clearly paid off, however, as Mother is a remarkably fully-realized solo debut, and while it features plentiful contributions from various Pornographers and other Vancouver-based musicians, Calder is clearly in the driver’s seat throughout. One might be forgiven for assuming that given her role as singer and keyboardist in the Pornographers, Calder solo might turn out a record of singer-songwriter-oriented girl-and-piano material. And while at its quieter moment Mother does strip things down to just that, numbers like album opener “Slip Away” and the barreling “Castor And Pollux” are as grandiose pop as anything the New Pornographers might create and just as instantly memorable. Mother is rangy and engaging, built around Calder’s crystalline, pitch-perfect yet expressive voice and perhaps more importantly, her impressive songwriting chops.

The New Pornographers are frequently called a “super-group”, implying that each of their members are as equally accomplished on their own as they are in the band – with Are You My Mother?, Kathryn Calder steps up and makes that even more true.

MP3: Kathryn Calder – “Arrow”
MP3: Kathryn Calder – “Slip Away”
Video: Kathryn Calder – “Slip Away”
MySpace: Kathryn Calder

If you missed North Carolina’s Lost In The Trees when they played a free show here back in June (which I previewed but did not manage to attend), they’re back on September 27 at the Drake Underground in support of Mercury shortlisted Irish act Villagers. They’ve also got a new Daytrotter session up for grabs.

MP3: Lost In The Trees – “Fireplace”
MP3: Lost In The Trees – “All Alone In An Empty House”

Winter Gloves will mark the September 7 release of their second album All Red with an acoustic in-store performance at Kops Records that same night at 5:30PM.

MP3: Winter Gloves – “Plastic Slides”

Toronto power-pop aficionados The Golden Dogs will follow up their September 17 show at the Drake Underground with a September 23 in-store performance at Soundscapes at 7PM. Their new record Coat Of Arms came out last month.

MP3: The Golden Dogs – “Permanent Record”

The Great Hall will certainly be the scene of mayhem on October 12 when the tour teaming Lightning Bolt and Dan Deacon hits Toronto. Those wanting to be out of the line of fire can take refuge on the stage because neither performer will be setting up there.

MP3: Lightning Bolt – “Colossus”
MP3: Dan Deacon – “Get Older”

LA duo No Age will be releasing their second album Everything In Between on September 28 and have announced an extensive Fall tour to support – the Toronto date comes November 18 at the Polish Combatants Hall.

MP3: No Age – “Glitter”

The Toronto Star talks to Peelander Yellow of Peelander-Z, in town to make things silly at the Velvet Underground on September 1 and The Silver Dollar on September 2.

Spinner talks to Lissie about the attention her penchant for covers has gotten her and her debut album Catching A Tiger; The Independent also has a feature. She’s at the El Mocambo on October 19.

Spinner talks to Interpol drummer Sam Fogarino and Black Book solicits a list of the band’s favourite NYC hang outs. The band’s self-titled effort will be out September 7 and they’ve just released a second video from it.

Video: Interpol – “Barricade”

Ted Leo talks to Billboard about the making of the off-off-off-off-Broadway video for “Bottled In Cork”.

NPR is streaming a World Cafe session with LCD Soundsystem.

The Guardian salutes 4AD on the occasion of the legendary label’s 30th anniversary.

And a note to folks in Toronto that if you’re looking for something to do of the cinematic variety this week, you could do much worse than to check out No Heart Feelings at the Royal, where it’s screening through Thursday of this week. It’s a romantic comedy (but not really a rom-com) set in an eminently familiar Toronto from three local first-time directors and though imperfect – it suffers from the atmosphere-and-dialogue-in-lieu-of-plot vagueness that’s all too common in independent film – it’s still a winner thanks to its charm and authenticity (though I don’t do as much in and around the city nearly as much as their characters do, I have no problem believing that people actually DO these things and that I’m really just a shut-in). Don’t take my word for it, check out positive reviews in The Globe & Mail, The Toronto Star and The National Post.

Trailer: No Heart Feelings