Posts Tagged ‘Justice’

Wednesday, August 8th, 2012

Osheaga 2012 Day One

Florence & The Machine, Sigur Rós, The Weeknd, and more at Osheaga

Photo By Frank YangFrank YangI had decided a little while ago that I was done with big, outdoor music festivals. My last go-around was Pitchfork 2010 – not even what could be considered a “big” festival in the grand scheme of things – and even then, I was really feeling the “I am too old for this”-ness of the experience. But two years is a long time, or at least long enough to forget those aches and pains, and so when the opportunity arose at the last minute to hit Montrél’s Osheaga – Canada’ biggest and last multi-day, all-day outdoor music fest – I said, “why not”. After all, I’ve done fests all over the US and even in Europe – to not have been to the one closest to home (aside from the late Toronto V’s) seemed silly, and this year they’d assembled a pretty impressive lineup by drafting off of Lollapalooza. And so I went.

When I first saw Londoner Charli XCX back at SXSW, the buzz around here was very much in the embryonic stage – people were talking about her but with very little actual music released, it wasn’t entirely clear why they were talking about her. Her short, low-key, afternoon set in the front room of Red Eyed Fly didn’t do much to clarify that either though to be fair, it clearly wasn’t her ideal setting. Which isn’t to say that opening up a festival under the blazing sun and smothering humidity was her element, but it was certainly closer. With a drummer, keyboardist, and no shortage of backing tracks behind her, she led things off with an energized set of clubby electro-pop that went over well with the smattering of early birds gathering in front of the Parc Jean-Drapeau mainstage. Sometimes said backing tracks were more audible than the live instrumentation, but the balance of things eventually settled down and that Charli XCX had a strong voice, capable of conveying both playfulness and drama, was evident – she was no ingenue up there, and though her sound is very much for the kids, her respectable cover of Echo & The Bunnymen’s “The Killing Moon” went some way to endearing her to the oldsters in the audience.

Digital Spy and Paper have interviews with Charli XCX.

Photos: Charli XCX @ Scène de la montagne – August 3, 2012
MP3: Charli XCX – “I’ll Never Know”
MP3: Charli XCX – “Valentine”
MP3: Charli XCX – “Nuclear Seasons”
Video: Charli XCX – “Nuclear Seasons”
Video: Charli XCX – “You’re The One”

Typically, bands playing festivals have to agree to a radius clause that prevents them from playing any other local shows for a certain amount of time. Australia’s Jezabels, on the other hand, were playing their second Montrél show in less than 24 hours having played a club show the night before for MMOI, an event running parallel/in conjunction with Osheaga tasked with putting a spotlight on specific acts from around the world. But if they were feeling the effects of the hectic schedule, it didn’t show. Already rising stars down under, they’ve been working hard at making a similar dent in North America on the back of their debut album Prisoner and though their set started over 10 minutes late due to soundchecking issues, they used the remaining time to showcase their stadium rock ambitions with frontwoman Hayley Mary’s soaring vocals and arm-waving choruses.

Zimbio has a feature interview with the band, and they’ve just announced a date at The Mod Club on October 24.

Photos: The Jezabels @ Scène des arbes – August 3, 2012
MP3: The Jezabels – “Try Colour”
MP3: The Jezabels – “Endless Summer”
MP3: The Jezabels – “Mace Spray”
Video: The Jezabels – “Rosebud”
Video: The Jezabels – “Try Colour”
Video: The Jezabels – “Endless Summer”
Video: The Jezabels – “Mace Spray”
Video: The Jezabels – “Easy To Love”
Video: The Jezabels – “Hurt Me”

Following up on the same stage were California’s Dum Dum Girls, who were also plagued with technical problems – the first big cheer of the day went not for their retro garage pop, but when they were finally able to get bassist Malia James’ mic working. Still on the road for last year’s Only In Dreams but also in advance of their new EP End Of Daze, out September 25, they put on an energetic set that wasn’t too different from the times I saw them last year at NXNE and at SXSW – right down to the sweltering heat making their make-up run – but their harmonies sounded more up front this time and, oh – both Dee Dee and Malia changed their hair colours, if that’s the sort of thing you’re keeping track of. Though the myriad technical issues persisted through their set – at times there were as many techs on stage as band members – they soldiered through for a solid set.

Photos: Dum Dum Girls @ Scène des arbes – August 3, 2012
MP3: Dum Dum Girls – “Lord Knows”
MP3: Dum Dum Girls – “Bedroom Eyes”
MP3: Dum Dum Girls – “Coming Down”
MP3: Dum Dum Girls – “He Gets Me High”
MP3: Dum Dum Girls – “Bhang Bhang I’m A Burnout”
MP3: Dum Dum Girls – “D.A.L.”
MP3: Dum Dum Girls – “Jail La La”
Video: Dum Dum Girls – “Coming Down”
Video: Dum Dum Girls – “Bedroom Eyes”
Video: Dum Dum Girls – “He Gets Me High”
Video: Dum Dum Girls – “Bhang Bhang I’m A Burnout”
Video: Dum Dum Girls – “Jail La La”

It seems I only see Franz Ferdinand at festivals – the last time being Toronto’s final V Fest in 2009 – but that’s okay, as they’re a fantastic festival band. The timing was a bit odd as there’s been no official word on a follow-up to 2009’s Tonight: Franz Ferdinand, though a release sometime this year has been promised for a while and new songs have been trickling out in live sets. In any case, it’s probably safe to say that no one cared that there wasn’t a new record out because they wanted to hear the old stuff, which Franz delivered with gusto. Opening with “Dark Of The Matinée” and powering through basically non-stop disco-rock anthems before closing with, “This Fire”, theirs was the first set that made the day feel like it was entering prime time. There was one new song, thrown in for good measure and sounding for lack of a better description very Franz. Also new was Alex Kapranos’ moustache which, even with his formidable swagger, I don’t think he pulled off. Can’t win ’em all, guys.

Photos: Franz Ferdinand @ Scène de la rivière – August 3, 2012
Video: Franz Ferdinand – “Can’t Stop Feeling”
Video: Franz Ferdinand – “No You Girls”
Video: Franz Ferdinand – “Ulysses”
Video: Franz Ferdinand – “Eleanor Put Your Boots On”
Video: Franz Ferdinand – “Jeremy Fraser”
Video: Franz Ferdinand – “Wine In The Afternoon”
Video: Franz Ferdinand – “L. Wells”
Video: Franz Ferdinand – “Fallen”
Video: Franz Ferdinand – “Walk Away”
Video: Franz Ferdinand – “Do You Want To”
Video: Franz Ferdinand – “This Fire”
Video: Franz Ferdinand – “Michael”
Video: Franz Ferdinand – “The Dark Of The Matinee”
Video: Franz Ferdinand – “Take Me Out”
Video: Franz Ferdinand – “Darts Of Pleasure”

Abel Tesfaye – the Toronto-based R&B singer known professionally as The Weeknd – spent most of 2011 shrouded in mystery, eschewing interviews and overt publicity and riding his trilogy of mixtapes – House Of Balloons/Thursday/Echoes Of Silence – to huge acclaim and a place on that year’s Polaris Prize shortlist. But seeing as how internet acclaim doesn’t put food on the table, it was only a matter of time before Tesfaye stepped out of the shadows and onto the stage. Specifically, big festival stages like at Osheaga. Fronting a five-piece band and facing a massive crowd of enthusiastic fans, Tesfaye certainly didn’t come across as someone who would shy away from attention. Though he wasn’t a showy performer, he was charismatic and in great voice. It was interesting to see how big a smile he wore considering how dark a perspective he frequently writes from, but I suppose it’s hard to be glum when you’ve got thousands of people – many of them young women – screaming for you. His set went overtime with a drawn-out, vocally acrobatic version of “Wicked Games” and was one of the many points in the weekend when the tag-team setup of the Osheaga mainstages made for an interesting contrast, with half the crowd swooning and the other half, waiting for Florence & The Machine’s set to begin, stewing.

Photos: The Weeknd @ Scène de la montagnes – August 3, 2012
MP3: The Weeknd – “Loft Music”
MP3: The Weeknd – “Life Of The Party”
MP3: The Weeknd – “The Zone”
MP3: The Weeknd – “House Of Balloons – Glass Table Girls”
MP3: The Weeknd – “What Do You Need”
MP3: The Weeknd – “D.D.”
MP3: The Weeknd – “The Fall”
MP3: The Weeknd – “The Birds (Part 1)”
MP3: The Weeknd – “High For This”
MP3: The Weeknd – “Initiation”
MP3: The Weeknd – “Wicked Games”
MP3: The Weeknd – “Montreal”
MP3: The Weeknd – “Outside”
MP3: The Weeknd – “XO/The Host”
MP3: The Weeknd – “Same Old Song”
MP3: The Weeknd – “The Morning”
MP3: The Weeknd – “Rolling Stone”
MP3: The Weeknd – “The Birds (Part 2)”
MP3: The Weeknd – “Heaven Or Las Vegas”
MP3: The Weeknd – “The Knowing”
MP3: The Weeknd – “Coming Down”
Video: The Weeknd – “The Knowing”

Florence & The Machine could only been delayed, however, not denied. I regard it as a statement of fact rather than boast that I was on board with Florence Welch way early on, but that’s not necessarily a good thing. Her first releases painted her as a sort of crazy art-rock eccentric with prodigious vocal gifts but seemingly no inclination to use them conventionally or consistently – which may and well have been the plan at first, but at some point it became evident that big, roof-rattling anthems would be better use for her talents to say nothing of more marketable. Her debut Lungs somewhat split the difference between the two directions, albeit with the older material polished up so as to not embarrass their siblings, but her second album Ceremonials was all bombastic singles with little use for variety or restraint, and it’s hard to argue with the success of that direction – fully half the album has been released as singles and she’s a massive star worldwide, as her marquee billing at festivals like this testified.

Though not the Friday closer, Florence certainly drew the largest crowd of the day and taking the ornately-decorated stage in a billowing blue dress, she was certainly up for the occasion. Sweeping from one side of the stage to other so as to not neglect anyone, the dramatic flourishes and stage moves I commented on at her Toronto debut in November 2009 have only gotten bigger in the interim (I’ve missed all her local shows since) but she tempers the grandiosity of the presentation with appreciation and affection for her fans and playful moves like leaping up and down onstage, heels be damned. It’s possible that it’s all rehearsed and routine, but from my vantage point up front, her huge smile was genuine. It was nice. And it may seem odd to say, but losing her voice as she did a couple weeks ago may have been good for Welch – a complaint I’ve had about her live performance before was that her vocal power would come at the expense of pitch – read: she was flat a lot – but this time out, she was demonstrating more restraint in her delivery, perhaps intending to save her voice but reaping the benefits of being more controlled, more in key, and more dynamic as a result. Whatever it was, even though I don’t necessarily count myself a big fan anymore, I thoroughly enjoyed her set. Some artists are made for festivals.

The National Post, Toronto Star, Montreal Gazette, and The Globe & Mail have interviews with Welch.

Photos: Florence & The Machine @ Scène de la rivière – August 3, 2012
Video: Florence & The Machine – “Breaking Down”
Video: Florence & The Machine – “Spectrum (Say My Name)”
Video: Florence & The Machine – “Breath Of Life”
Video: Florence & The Machine – “Never Let Me Go”
Video: Florence & The Machine – “No Light, No Light”
Video: Florence & The Machine – “Shake It Out”
Video: Florence & The Machine – “What The Water Gave Me”
Video: Florence & The Machine – “Heavy In Your Arms”
Video: Florence & The Machine – “Cosmic Love”
Video: Florence & The Machine – “You’ve Got The Love”
Video: Florence & The Machine – “Drumming Song”
Video: Florence & The Machine – “Rabbit Heart (Raise It Up)”
Video: Florence & The Machine – “Kiss With A Fist”
Video: Florence & The Machine – “Dog Days Are Over”

To paraphrase Winston Zeddemore, when someone asks you if you want to see Sigur Rós twice in 72 hours, you say YES. So a couple days after seeing their blissful set at Echo Beach in Toronto, I was lucky enough to see Iceland’s finest once again. And as great as their Osheaga set was, it really made me thankful that I saw that Toronto show as it was nearly twice as long and far better-paced to allow the beauty of what they do to come through. In a festival setting and limited to a set time of just an hour, they had to dispense with most of the slower, more ambient parts of their show in favour of a more compressed, impactful set list. I appreciated that it wasn’t necessarily their own audience they were playing in front of – I’m sure many didn’t even know who they were – but I did hope that for those unfamiliar, their set would be a gateway of sorts to something magical and otherworldly. Judging from the chants of, “Justice! Justice” that grew from the other half of the mainstage area as their set drew to a close, that probably wasn’t the case. Alas.

The National Post has an interview.

Photos: Sigur Rós @ Scène de la montagne – August 3, 2012
MP3: Sigur Rós – “Gobbledigook”
MP3: Sigur Rós – “Hoppípolla”
MP3: Sigur Rós – “Popplagio / The Pop Song”
MP3: Sigur Rós – “Staralfur”
MP3: Sigur Rós – “Svefn-G-Englar”
MP3: Sigur Rós – “Nýja lagið”
Video: Sigur Rós – “Rembihnútur”
Video: Sigur Rós – “Fjögur Píanó”
Video: Sigur Rós – “Varúð” (version two)
Video: Sigur Rós – “Varúð” (version one)
Video: Sigur Rós – “Ég anda” (version two)
Video: Sigur Rós – “Ég anda” (version one)
Video: Sigur Rós – “Ekki Múkk”
Video: Sigur Rós – “Við Spilum Endalaust “
Video: Sigur Rós – “Inní mér syngur vitleysingur”
Video: Sigur Rós – “Gobbledigook”
Video: Sigur Rós – “Sæglópur”
Video: Sigur Rós – “Hoppípolla”
Video: Sigur Rós – “Glósóli”
Video: Sigur Rós – “(Vaka)”
Video: Sigur Rós – “Viðrar vel til loftárása”
Video: Sigur Rós – “Svefn-G-Englar”

And finally, there was Justice for all. At least all who were left. Though the ostensible headliners, the French disco-rock duo had a markedly smaller audience than Florence did but they were still legion and really, that just meant more room to dance. The pair set up atop/behind their signature wall of electronic consoles and wings of Marshall stacks – and giant glowing cross, yes – but from the angle up close it looked more ridiculous than impressive, with Gaspard Augé and Xavier de Rosnay looking like little more than severed heads sitting atop their setup. Certainly there was no way to see what they were actually doing up there, whether DJing records or playing Pac-Man, but no one seemed to care. They had a raging dance party to engage in, and rage they did. Justice provided an excellent soundtrack to ending a long, hot day of great music and also for walking to the subway.

The Montreal Gazette and NOW have interviews.

Photos: Justice @ Scène de la rivière – August 3, 2012
MP3: Justice – “On’N’On”
Video: Justice – “New Lands”
Video: Justice – “On’N’On”
Video: Justice – “Audio, Video, Disco”
Video: Justice – “Civilization”
Video: Justice – “Phantom Pt. II”
Video: Justice – “Stress”
Video: Justice – “DVNO”
Video: Justice – “D.A.N.C.E.”

And a few concert announcements that may be relevant to your interests. Just here in May, LA’s Grouplove are back in support of Never Trust A Happy Song for a show at The Phoenix on November 5, tickets $24 in advance.

Video: Grouplove – “Colours”

Aimee Mann has announced a Fall tour behind her new album Charmer, out September 18, and is bringing an expected tourmate with her – Ted Leo. I assume he’s leaving the Pharmacists at home for this outing and will be dialing down the punk a bit so as to not scare Mann’s audience, but it’s an interesting pairing. The Toronto show is November 6 at the Danforth Music Hall, tickets $27.50 and $32.50.

MP3: Aimee Mann – “Charmer”
MP3: Ted Leo & The Pharmacists – “Bottled In Cork”

After expressing surprise that Yeasayer were big enough to play the Sound Academy, as they were meant to on August 21, it appears that they in fact aren’t. On either count. Their new album Fragrant World is still out that day, but they’ll not be in Toronto until November 9 and it will be at the markedly smaller Danforth Music Hall. Anyone who says they are upset about the change in venue is lying and should not be allowed near small children.

Rachael Yamagata has made a date at The Mod Club for December 1, tickets $15. Her latest album Chesapeake came out last Fall.

Video: Rachael Yamagata – “Even If I Don’t”

Tuesday, July 24th, 2012

CONTEST – Justice & M83 @ Historic Fort York – August 4, 2012

Photo via FacebookFacebookWho: Justice and M83
What: Two of the biggest musical exports France has given the world in recent years, offering a distinctly Gallic take on disco and space-rock.
Why: They’re headlining the Toronto edition of the Hard Fest, which aims to bring some much-needed “dance your ass off in a big open field under the Summer evening sky” vibe to Hogtown.
When: August 4, 2012
Where: Historic Fort York in Toronto (all ages)
Who else: Filling out the impressive lineup are Austra, Buraka Som Sistema, and Charli XCX.
How: Tickets for the show are $49 in advance but courtesy of Embrace, I’ve got two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to get Hard with Justice” in the subject line and your full name in the body. Contest closes at midnight, July 31.

MP3: M83 – “Midnight City”
Video: Justice – “New Lands”

Thursday, July 12th, 2012

Time Of My Life

Patrick Wolf celebrates a decade of being Patrick Wolf

Photo By John LindquistJohn LindquistPatrick Wolf doesn’t really look old enough to be celebrating a decade of anything save no longer being a teenager but despite having just turned 29 less than a fortnight ago, the dramatic/romantic English singer-songwriter has been making music and releasing records since his debut EP in Fall 2002; his first full-length Lycanthropy followed in Summer 2003.

If he decides that it’s occasion enough for a world tour, I’m certainly not going to argue it. Neither his last album – 2011’s Lupercalia nor its companion EP Brumalia – got a proper (read: physical) North American release so his visits to this continent were limited to a mere handful of token US dates last Fall, meaning that Toronto hadn’t gotten a taste of his legendarily flamboyant – and mercurial – live shows since June 2009, circa the industrial-tinged The Bachelor.

This tour will be an acoustic one, featuring Wolf on harp, dulcimer, piano, and other such instruments and accompanied by a multi-instrumentalist, so while it will be interesting to hear how that material translates, it’s near-perfect for revisiting the material of his first two records and should also work well with the lushness of Lupercalia. And it’s also perfect for the setting they’ve chosen for the Toronto stop of the tour, which wil be September 25 at The Music Gallery. Tickets for that will be $25 and go on sale this Friday at 10AM.

And even as much as he’s in a retrospective mood, Wolf continues to look forward – he’s been working on a new record and aims to have it out this year. Twitter implies that more details on that will be coming sooner rather than later.

Video: Patrick Wolf – “The City”
Video: Patrick Wolf – “Together”
Video: Patrick Wolf – “The Falcons”
Video: Patrick Wolf – “Time Of My Life”
Video: Patrick Wolf – “House”

The only thing dismaying about the scheduling of this show is that it means I have to miss Dry The River’s return engagement. I fear I may have cursed them just a little bit as following their Toronto debut at The Garrison back in March, I said that the next time they came to town they’d surely be playing much bigger rooms. Well it turns out they’ll be playing rooms exactly the same size – the exact same room, in fact. They’re back on September 25 for a show at The Garrison, tickets $12, and while their ascent may not have been quite as rocket-like as I’d expected, they’ll still be fantastic. Promise.

MP3: Dry The River – “New Ceremony”

British funk-soul brothers The Heavy will be at Lee’s Palace on September 23 in support of their new record The Glorious Dead, due out August 21. Tickets for that are $15 in advance.

Video: The Heavy – “What Makes A Good Man?”

Having not released a record in six years or so and having cancelled her last scheduled show (and tour) in Summer 2010, it’s about time we heard back from Beth Orton. She’s announced details of a new record entitled Sugaring Season, due for release October 2, and a first video from said record. There’s also a new accompanying North American tour which brings her to the Mod Club on September 30, tickets $25. Yes, that’s the same room she cancelled out of last time. Bygones.

Video: Beth Orton – “Something More Beautiful”

Bloc Party have released the first video from their new record Four. It’s out August 21 and they play The Danforth Music Hall on September 10.

Video: Bloc Party – “Octopus”

NOW puts Hot Chip on this week’s cover in anticipation of Sunday night’s show at The Sound Academy.

Maxïmo Park is interviewed by DIY.

Prefix talks to Charles from Slow Club.

DIY has an interview with Patrick and Roxanne of Veronica Falls.

Friendly Fires clarifies some previously-made comments made about the direction of album number three, currently in progress, to NME.

Sweden’s Holograms are streaming their self-titled debut, out this week, over at Stereogum. They’re at The Shop Under Parts & Labour on September 11.

MP3: Holograms – “Chasing My Mind”
MP3: Holograms – “ABC City”
Stream: Holograms / Holograms

NPR has a stream of the first sample from Taken By Trees’ forthcoming Other Worlds, out October 2. She opens up for Jens Lekman at The Phoenix on October 4.

Stream: Taken By Trees – “Dreams”

That new Raveonettes song from Observator that was made available to stream a couple days ago? You can now download it. The album is out September 11 and they play The Phoenix on October 2.

MP3: The Raveonettes – “She Owns The Streets”

Justice have released a new video from last year’s Audio, Video, Disco and if it’s any indication of what they’ve got in store for their live show, their headlining slot at Historic Fort York on August 4 should be one to remember.

Video: Justice – “New Lands”

Pitchfork gets some insight into the new Tame Impala record Lonerism, due out October 9.

Tuesday, March 6th, 2012

Horsepower

Toronto to get a dose of hard, French Justice (and yet another serving of M83)

Photo by Pedro WinterPedro WinterSo yes, Radiohead was far and away the big concert announcement of yesterday, but not far behind was the announcement of the lineup for this year’s HARD, an electronically-oriented festival that’s made Toronto stops the last few years. It’s existed on the periphery of my radar, but the 2012 edition has my firm attention.

HARD will bring some French electro action in electro-disco duo Justice – supporting last year’s Audio, Video, Disco – and retro-futurist shoegazers M83 – marking their third show in Toronto in support of Hurry Up, We’re Dreaming – to Fort York on August 4 with Toronto’s own Austra and Portugese dance crew Buraka Som Sistema as the undercard. And if you’re Osheaga or Lollapalooza lineup-spotting, well it seems a safe bet that both fests will have some synthetically Gallic flavour this year.

A national historic site – particularly one that’s celebrating the 200th anniversary of being blown up – seems an odd place for a rave-up, but also somehow perfect. Either way, I’m just super-keen for any kind of festival in the city’s downtown and even though this is maybe dancier than I’d normally hit up, I’m surprisingly keen on it. Tickets are $49 and are on sale now; there were a limited number of $39 early birds, but I think they’re all gone now. Alas.

MP3: Austra – “Lose It”
Video: Justice – “Audio, Video, Disco”
Video: M83 – “Midnight City”
Video: Buraka Som Sistema – “Hangover (BaBaBa)”

Joel Plaskett – who is eight weeks into the recording of his one-song-a-week album Scrappy Happiness – still due out March 27 – has been announced as the main attraction at this year’s Canadian Musicfest kick-off party way up on top of the CN Tower on March 21. Admission is gained only by winning a contest, so if you want to be there, get on that. And if you want to see him a little closer to sea level, there’s still the May 18 and 19 dates at the Queen Elizabeth Theatre. Spinner and The Globe & Mail talk to Plaskett about the Scrappy Happiness experience so far.

Video: The Joel Plaskett Emergency – “Somewhere Else”

Memoryhouse will play an (adopted) hometown record release show for The Slideshow Effect on April 13 at the El Mocambo.

MP3: Memoryhouse – “The Kids Were Wrong”

With his debut album Acousmatic Sorcery set for an April 3 release, up-and-coming Chicago singer-songwriter Willis Earl Beal has made an April 30 date at The Drake Underground as part of a Spring tour. Pitchfork has a profile on him.

Video: Willis Earl Beal – “Evening’s Kiss”

Los Angeles hippy-rock collective Edward Sharpe & The Magnetic Zeroes will be at the Kool Haus May 13 to preview songs from their new album Here, due out May 29. Tickets for that are $29.50 in advance.

MP3: Edward Sharpe & The Magnetic Zeroes – “40 Day Dream”

The Big Pink have released a new video from Future This

Video: The Big Pink – “Give It Up”

Pitchfork talks to both Claire Boucher and director Emily Kai Bock about the new Grimes video from Visions; D also has an interview. She plays The Horseshoe on March 19.

Video: Grimes – “Oblivion”

The Guardian talks to folks responsible for creating Chairlift’s new, “choose your own adventure”-styled video from Something. They’ll be at The Horseshoe on March 28.

Video: Chairlift – “Met Before”

Blouse have released a new video from their self-titled debut. They play The Garrison on May 5 supporting Bear In Heaven.

Video: Blouse – “Ghost Dream”

Hot on the heels of the first video from Port Of Morrow – out March 20 – comes a second one from The Shins, though this much simpler than the one for “Simple Song”. At this rate, there’ll be clips for every song on the album by the time they hit The Molson Amphitheatre on August 4, opening for The Black Keys.

Video: The Shins – “Bait And Switch”

Bjork goes all “fantastic voyage” in the new video from Biophilia, just premiered at NPR.

Video: Bjork – “Hollow”