Steve GullickSad news out of Indianapolis yesterday morning, as word got out that Jason Molina, had died. Unbelievably prolific from the late ’90s through the mid ’00s first as the skeletal Songs: Ohia and then the lushly-arranged Magnolia Electric Co., as well under his own name, he helped craft the template of raw yet elegant, emotionally bare and beautifully sad songwriting within the folk, blues, and roots-rock idioms.

Following the release of Molina and Johnson, his 2009 collaboration with Will Johnson of Centro-Matic, Molina seemed to disappear from sight – most unusual for someone whose release and touring schedule rarely let up. An update finally came in September 2011, revealing that Molina’s battle with substance abuse had kept him creatively sidelined but positive steps were occurring; another update in May of last year from Molina himself was even more encouraging and some new music in the form of Autumn Bird Songs, a 10″ accompanying a book of artwork from William Shaff. And then, yesterday, the sad announcement that despite these positive signs, Molina had passed.

I was fortunate to have caught Molina live twice, in Fall 2004 and again in August 2005, right around the switchover in identity from Songs: Ohia to Magnolia Electric Co. Re-reading my writeups, it was clear that while I liked some of what he did, it didn’t connect with me fully. Now, reading over the many, many tributes from fans and other musicians for whom Molina’s work resonated at a deep, fundamental frequency, I feel like I need to revisit his work and be thankful for those shows, even if I didn’t wholly appreciate it at the time.

Secretly Canadian, the label for whom Molina recorded his entire career and who put out his “One Pronunciation Of Glory” 7″ as their second-ever release, has a fond remembrance of the man; Chunklet and NPR also have tributes. As their memorial, Drowned In Sound has offered up a beginner’s guide to Molina’s expansive catalog, though if you want to, you could just hit play down below.

MP3: Molina & Johnson – “Almost Let You In”
MP3: Molina & Johnson – “Twenty Cycles To The Ground”
MP3: Jason Molina – “Get Out Get Out Get Out”
MP3: Magnolia Electric Co. – “Josephine”
MP3: Magnolia Electric Co. – “Little Sad Eyes”
MP3: Magnolia Electric Co. – “Lonesome Valley”
MP3: Magnolia Electric Co. – “The Dark Don’t Hide It”
MP3: Magnolia Electric Co. – “Farewell Transmission”
MP3: Songs:Ohia – “Two Blue Lights”
MP3: Songs:Ohia – “Steve Albini’s Blues”
MP3: Songs:Ohia – “Untitled 2”
MP3: Songs:Ohia – “Untitled 1”
MP3: Songs:Ohia – “Body Burned Away”
MP3: Songs:Ohia – “Lightning Risked It All”
MP3: Songs:Ohia – “Lioness”
MP3: Songs:Ohia – “Tigress”
MP3: Songs:Ohia – “How To Be Perfect Men”
MP3: Songs:Ohia – “Captain Badass”
MP3: Songs:Ohia – “East Heart Divided”
MP3: Songs:Ohia – “East’s Last Heart”
MP3: Songs:Ohia – “Cabwaylingo”

Clash and DIY mark today’s release of The Invisible Way with feature pieces on Low while The Line Of Best Fit and The AV Club do their part with video sessions; note that the rest of the videos for the AV Club session are linked the bottom of the post.

With a week to go before the release of Comedown Machine, Pitchfork has drawn the “advance album stream” card for the new Strokes record.

MP3: The Strokes – “One Way Trigger”
Stream: The Strokes / Comedown Machine

NPR has a World Cafe session with Local Natives. They play The Phoenix on March 28.

One of those new Telekinesis tracks from Domarion, out April 2, is now available to download. They hit The Horseshoe on May 12.

MP3 Telekinesis – “Ghosts & Creatures”

The Flaming Lips used one of their SXSW appearances to perform their new album The Terror in its entirety, which must have been great for those in attendance since it’s not even out until April 16 – yeah, it has been pushed back a fortnight – and everyone knows there’s nothing better than a complete album recital of a record you’ve never heard. Regardless, the whole performance is available to hear/watch over at Stereogum.

Yo La Tengo have a feature in Clash and turn in a World Cafe session for NPR and kick off the new season of The AV Club’s Undercover series, covering The Supremes’ “Come See About Me” – the “core emotion” they get out of it is decidedly different from the one The Afghan Whigs squeezed out of their version. Yo La Tengo play the Toronto Urban Roots Fest on July 7 at Garrison Commons.

Tangentially, a track from the first of James McNew’s Dump vinyl reissues – Superpowerless is out today – is available to download. I Can Hear Music follows April 16.

MP3: Dump – “Superpowerless”

A Music Blog, Yea checks in with Texas’ Midlake, who should have a new record out sometime this year.

Frank YangWhen I reviewed Wilco’s latest Wilco (The Album) back in July, I alluded to the absurdly tight musical chemistry of current lineup and how that effortlessness could actually be perceived as a detriment to the band. The same can be said of the band in performance – yes, they are arguably one of the best live acts on the road today, but with that praise comes certain problems. Like say you’ve seen said band, oh, a dozen times or more in the past decade and a baseline of “amazing” has been established for their shows – it’s very difficult for proceedings to not take on an air of over-familiarity, no matter how good they might be.

The one glorious exception in recent years was the second night of last year’s tour in support of Neil Young at the Air Canada Centre, where an absent Glenn Kotche necessitated a rotation of replacement drummers who got to call the set list. This resulted in an unbelievably spirited and unpredictable set that reached further back into the band’s catalog than they’d gone in Toronto in many, many, many years and the thought of which still brings a goofy grin to the face. So the fact that the band were soliciting requests via their website in advance of the shows made me hope that there’d be a surprise or five in the offing last Thursday night, the second of their two-night stand at Massey Hall.

Support for both nights was Liam Finn, whose acquaintance Wilco made whilst participating in the 7 Worlds Collide project organized by Finn’s father, Neil. And while Finn the younger has surely inherited his father’s innate musicality, he chooses to express it in a decidedly different way than his pop’s perfect pop (sorry – could not resist). Instead, he and collaborator Eliza Jane Barnes – and Glenn Kotche on a few songs – created a garage-rock symphony of looped guitar, voice, drums and keys and augmented it with some hyperactive and acrobatic stage moves that for all their seeming chaos were perfectly choreographed and timed to never miss a beat or cue. It was something to see and hear, and extra points for catering to the city and venue with a cover of “Cinnamon Girl”. Anyone impressed with Finn’s set – and that probably included most who saw it – should note that he’s back in town on October 29 for a show at Lee’s Palace.

The thing about Wilco shows is that, as previously mentioned, you are basically guaranteed a stellar performance. The only variables are the set list and, to a lesser extent, Jeff Tweedy’s mood. He’s never been outright surly, but playfulness isn’t a given either so catching him in particularly good spirits, as he was this evening, was a treat. Granted, it wasn’t until halfway through the night that he even addressed the crowd with a simple, “how you doing?” but interaction only grew from there, as he let the audience handle vocals on “Jesus, Etc” (though sadly, not everyone seemed to remember the words) and then mugging it up through “Hummingbird”. Nothing hugely atypical, but he was definitely having fun with it.

As to the song selection, the set list for the Wednesday show had a few treats I was sad to miss including “Shot In The Arm” and “Can’t Stand It”, but hoped that meant at least that many older gems for Thursday night. Those hopes dimmed when, as the main set was reaching its conclusion, it became clear that they had not yet and were unlikely to play anything pre-Yankee Hotel Foxtrot – at least not before the encore. Wilco (The Album) was well-represented, as was YHF and A Ghost Is Born – I hadn’t realized how long it’d been since I’d heard some of those tunes – but the much-anticipated catalog excavation wasn’t happening. What exactly had people been requesting? “Walken”?

The encore opened with “Wilco (The Song)” and the next song opened with a drum beat that was so familiar but hadn’t been heard in so long – “Misunderstood”. Hello, Being There, it’s been a while. Liam Finn and Eliza Jane Barnes were then invited out to join the band on “California Stars” and as they left, I noticed a stage hand ushering someone else onto the side of the stage. Another special guest, Ms Leslie Feist. Tweedy dryly noted, “I think she’s from around here” to great applause before they performed the (Album) duet, “You And I” – a good reading of a song that’s a favourite from the new record, but not as transcendent as I’d hoped. But that transcendent moment would come a couple songs later with A.M.‘s “Casino Queen”, which I’m pretty sure I’ve never seen them play and which they absolutely tore to pieces. C’mon Jeff, you can’t tell me that wasn’t insanely fun to play? It was certainly a blast to hear. Bust out the old stuff more often! They had time to finish off with, “I’m A Wheel” and then it was a wave and goodbye.

Was it a hell of a show, just like pretty much every other Wilco show? Yes, it was. Was the final set list the treasure trove of rarities that I’d probably unrealistically been hoping for? No, not even close to be honest, but we’ll always have the Being There suite from the ACC in 2008. I still love you, Wilco. See you next time.

And next time might be sooner than you think – the previously announced cross-Canada tour set for next February goes on sale this week. For southern Ontario, that’s February 23 at Hamilton Place Theatre in Hamilton, February 24 at Centennial Hall in London and March 1 at the National Arts Centre in Ottawa – presales for all open at 10AM on October 21, which is to say tomorrow.

And note that media were allowed to shoot photos on night one but I had a ticket for night two, hence the photo sets from both.

Photos: Wilco @ Massey Hall – October 14, 2009
Photos: Wilco, Liam Finn @ Massey Hall – October 15, 2009
MP3: Wilco – “What Light”
MP3: Liam Finn – “Plane Crash”
Video: Wilco – “What Light”
Video: Wilco – “Outtasite (Outta Mind)”
Video: Wilco – “Box Full Of Letters”
Video: Wilco – “I Must Be High”
Video: Liam Finn – “Second Chance”
Video: Liam Finn – “Gather To The Chapel”
Video: Liam Finn – “Better To Be”
MySpace: Wilco
MySpace: Liam Finn

Billboard talks to Jay Farrar about One Fast Move or I’m Gone, his Jack Kerouac-themed project with Ben Gibbard. He also clarifies that his project with Nora Guthrie is not going to be another volume of Mermaid Avenue, but something different. Another track from the Kerouac record is available to stream at Stereogum.

Jason Molina talks to Pitchfork about Molina & Johnson, the collaboration with Will Johnson that has yielded the album Molina & Johnson, due out November 3. Will Johnson, incidentally, is also working on the aforementioned Nora Guthrie project with Jay Farrar. Everyone’s workin’ with everyone.

PitchforkTV hangs out in Oslo with Bon Iver’s Justin Vernon.

The New York Times, Exclaim, Chartattack and BBC talk to Glen Hansard and Marketa Irglova of The Swell Season, whose Strict Joy is out next week and who play Massey Hall on November 3.

MP3: The Swell Season – “Low Rising”

Sufjan Stevens’ expressway love letter The BQE is out today and streaming at Spinner. There’s a screening of the film portion on September 25 at Innis Town Hall at the University of Toronto. The Quietus also has an interview with Stevens.

Stream: Sufjan Stevens / The BQE

Prefix has an interview with Ray Davies.

Band Of Skulls have set a date at the El Mocambo for November 13. The Line Of Best Fit investigates the musical tastes of bassist Emma Richardson and Rolling Stone declares them a “breaking band”.

MP3: Band Of Skulls – “Blood”

Fanfarlo have finally released the dates of their North American tour and it includes a December 15 show at the El Mocambo! YAY – Christmas comes early!

MP3: Fanfarlo – “Luna”

Blurt, The Independent and The Los Angeles Times have feature interviews with Wayne Coyne of The Flaming Lips, the last of which reveals the band have recorded a cover album of Pink Floyd’s Dark Side Of The Moon – and they proved it yesterday by performing “Eclipse” on KCRW’s Morning Becomes Eclectic.

NYC Taper talks to Darby Cicci of The Antlers.

Wye Oak give an interview to Tiny Mix Tapes.