MySpaceThere’s bad luck, there’s worse luck, and then there’s Library Voices luck. Back in February of 2009, the boisterous Regina-based pop outfit had approximately $10,000 worth of equipment stolen in Vancouver; despite the loss, they managed to regroup, re-equip and record a new album which was released last month as Denim On Denim and were gearing up for a Summer tour to support when disaster struck – again. This time, it was an act of god – at least as far as their insurance is concerned – in the form of a burst water main in their rehearsal space, which in addition to causing immense damage to the Regina Cultural Exchange all-ages venue and community centre, destroyed all their gear.

While the band struggle to salvage what they can out of the situation, some of their prairie brethren are stepping in to lend a hand. Winnipeg’s Weakerthans, already in town for next week’s May 26 show at the Queen Elizabeth Theatre, have commandeered the preceding evening’s Nu Music Nite at the Horseshoe – that’s May 25 – and turned it into a fundraiser for Library Voices. Advance tickets for the night go on sale Thursday for $25 and a portion of proceeds will go to help out Library Voices get back on their feet. I really can’t remember the last time The Weakerthans played such a small room – that alone should be incentive to go, let alone the charitable angle. So yeah, good on The Weakerthans for chipping in, and here’s hoping that Library Voices are back on their feet by the time they arrive in town to play that very same Horseshoe stage on June 19 as part of NXNE.

MP3: The Weakerthans – “Sun In An Empty Room”
MP3: The Weakerthans – “Night Windows”

Chad Van Gaalen talks to Exclaim about what he’s been up to of late, working on “an electro record, there’s a rock record and then there’s a pretty much straight-up folk record,” which may see the light of day as individual efforts of mashed together into one typically all-over-the-place Van Gaalen album. He estimates a late 2010/early 2011 release window for whatever it ends up being.

Paste catches up with Carl Newman of The New Pornographers. They will be at the Sound Academy on June 15.

Chart talks to Hannah Georgas.

Examiner.com chats with Dan Mangan. He will be back in Toronto on June 9 taking part in the Alli’s Journey fundraiser at Koerner Hall in the Royal Conservatory of Music and his album Nice Nice Very Nice will be getting a US release via Arts & Crafts on August 10; Mangan talks to Spinner about how he came to work with the label.

The Balconies are featured in a new video session with Southern Souls to go along with their first one. They will play the Steam Whistle Roundhouse on May 28, cover $5.

So it appears Arcade Fire are finally ready to start off the feeding frenzy that will surround their third record. Dose reports that the band announced via handwritten postcard (scanned and posted online, of course) that a new single will be ready in a couple weeks and various sources around the interwebs point to it a) being available as a 12″, b) containing songs entitled “Suburbs” and “Month of May” and c) available June 1. Some or all of this may be true or untrue. What is for sure is this: GUYS, ARCADE FIRE ARE DOING STUFF.

Emily Haines of Metric talks to Spinner about being tapped to write the theme song for the next Twilight film. They are at the Molson Amphitheatre on July 9.

Wednesday night’s Hurricane Bells show at the El Mocambo is now free. So if you were looking for something to do that night… there you go.

So yeah, they sold out the Sound Academy lickety-split earlier this year, but can they do it with a venue five times the size? Vampire Weekend will find that out when they play the Molson Amphitheatre on September 7. Tickets range from $44 to $59.50 – seriously – but to sweeten the deal, they’re bringing along Beach House and Dum Dum Girls as support. Convinced yet? Presale starts today, regular on sale starts Friday.

MP3: Vampire Weekend – “Horchata”
MP3: Beach House – “Norway”
MP3: Dum Dum Girls – “Jail La La”

Frank YangAnd to think, I almost stayed home to watch The Pacific. What can I say? Some nights I’m just lazy. But thankfully, I managed to haul my ass out of the apartment on Monday night to head down to the Horseshoe for what would turn out to be a pretty special show from Megafaun and Sharon Van Etten.

It was Van Etten who was the main draw for me – her 2009 debut Because I Was In Love is more beguiling with every listen and my first attempt to see her live at SxSW wasn’t satisfactory thanks to an overly chatty crowd and uncooperative guitar amp. Background chatter wasn’t an issue on this night, though, as the crowd at the ‘Shoe was decidedly sparse when Van Etten took the stage armed only with her Gibson ES-135, her songs and her voice.

And oh, what a voice. So powerful and yet so fragile, overtop her fingerpicked guitarwork and wrapped around her sad songs, it pulled everyone in the house – hell, it probably pulled bystanders in off the street – closer and closer, until most were seated on the floor around the stage, enraptured. They’d have had to be under the influence of something to be willing to sit on the Horseshoe floor – have you ever seen that thing under house lights? But kidding aside, Van Etten’s set – her last of this short tour and for the next while as she works on her second album – was a stunner, including both songs from Love and new material, capped off with a finale of “Tornado”, backed up be Megafaun. And as perfectly suited as her material is to solo performance – sadness is a solitary thing, after all – it sounded as good if not better with a band behind it.

Said band also sounded pretty good on their own, as it turned out. I wasn’t especially familiar with Megafaun coming into the night – I think I’d spun their latest album Gather, Form & Fly once or twice – but went in with an open mind and proceeded to have it blown, just a little. As befit their North Carolina roots, the impressively-bearded trio – two brothers and their drummer – crafted folk-rock with a distinctively southern drawl, but beneath that genial, harmony-laden surface there was so much more going on. There was jazz virtuosity in their musicianship, proggish ambitions in the frequently twisty song structures and a jam band’s delight in simply playing. That delight was shared in full by the small but devoted audience, and that gave the show less the feel of a concert than an intimate get-together of friends. Nowhere was this more evident than the encore, which Megafaun seemed almost embarrassed to be taking – climbing down off the stage and playing three more songs amongst their fans. All throughout the night, the band emphasized how much they were enjoying the evening and how exceptionally special this show was. For some acts, this is boilerplate stage banter but it was obvious from the looks on their faces and the hugs exchanged with fans afterwards, that they meant every word and every note. Just marvelous.

The Concordian talks to Megafaun’s Phil Cook and Daytrotter has posted a session with the band. Their North American tour continues through the end of April – do see them if you can. They’re also releasing a new mini-album entitled Heretofore later this Summer – info at Pitchfork.

Photos: Megafaun, Sharon Van Etten @ The Horseshoe – April 5, 2010
MP3: Megafaun – “Volunteers”
MP3: Megafaun – “The Fade”
MP3: Megafaun – “Kaufman’s Ballad”
MP3: Sharon Van Etten – “For You”
MP3: Sharon Van Etten – “Consolation Prize”
MP3: Sharon Van Etten – “Love More”
Video: Megafaun – “Impressions Of The Past”
Video: Sharon Van Etten – “For You”
MySpace: Megafaun
MySpace: Sharon Van Etten

The Boston Globe, Nashville Scene, The Pittsburgh Post-Gazette, The Pittsburgh Tribune-Review and Interview sits down with Midlake, who will be a the Mod Club on May 21.

Delusions Of Adequacy talk to Shearwater’s Jonathan Meiburg.

NYC Taper is sharing a recording of Wilco’s epic three-hour set in Montclair, New Jersey from last weekend. The band just announced they will curate their own festival – the Solid Sound Festival – from August 13 to 15 at the Massachusetts Museum of Contemporary Art in North Adams Massachusetts, which if you were wondering is at the border of Mass and New York, about 7 hours from Toronto. The bill will feature Wilco, natch, and most/all of their spin-off acts and other artists to be announced later.

Rawkblog, SF Weekly and CMJ have interviews with Miles Kurosky while The Bay Bridged gets Kurosky back together with some of his Beulah bandmates to play songs from his solo record The Desert Of Shallow Effects, which are available to download.

MP3: Miles Kurosky – “The World Won’t Last The Night” (live at The Bay Bridged)
MP3: Miles Kurosky – “Dead Language Blues” (live at The Bay Bridged)

NOW talks to Liz Powell of Land Of Talk about losing and finding her voice. They’re at Lee’s Palace tonight and their new record is targeted for an August release.

Filter gets to know Mumford & Sons.

For Folks Sake and The New York Times talk to Laura Marling, while La Blogotheque is offering a live track for download. Her new album I Speak Because I Can gets a North American release as of this week.

Hurricane Bells – the new project from Longwave frontman Steve Schlitz – will be at the El Mocambo on May 19. Their debut album, Tonight Is The Ghost, is due out next week.

Video: Hurricane Bells – “This Year”
Video: Hurricane Bells – “Monsters”

Nathaniel Rateliff & The Wheel, who impressed whilst opening for Laura Marling back in February, has a date scheduled for the Drake Underground on May 30. His new record In Memory Of Loss is out April 27.

MP3: Nathaniel Rateliff & The Wheel – “Early Spring Till”

Delta Spirit and Ezra Furman & The Harpoons will be at the Mod Club on June 26. Paste has details on Delta Spirit’s new record, History From Below, due out June 8.

MP3: Delta Spirit – “People C’Mon”
MP3: Ezra Furman & The Harpoons – “Take Off Your Sunglasses”

Fresh off their sold-out gig opening for Miike Snow at The Phoenix, Delorean will be back in town at Wrongbar on July 14.