Frank YangComing via The Guardian, here’s an unexpected collaboration to wind out the week – Paul Weller has completed work on a new album entitled Wake Up The Nation and while a release date is still forthcoming, the first single from has been released and it features the fruits of a collaboration with none other than My Bloody Valentine’s Kevin Shields. “7 & 3 Is The Striker’s Name” pairs the Modfather with the godfather of shoegaze (Shields doesn’t have a catchy nickname that appropriately describes his stature) and while the tune is a bit out of Weller’s typical wheelhouse, it’s still pretty recognizable as him – even with Shields layering jet plane noises overtop.

The tune is is available to download for 99p via 7Digital, or you can just watch the trippy albeit Shields-less video. NB – The one on Weller’s own website has better audio and video quality than the YouTube one linked.

Video: Paul Weller with Kevin Shields – “7 & 3 Is The Striker’s Name”

On the subject of My Bloody Valentine, both Amazon.co.uk and CDWow has the long-rumoured, oft-delayed reissues of Loveless and Isn’t Anything available for pre-order with a January 4 on-sale date noted. Could these finally be coming out?

Ian McCulloch of Echo & The Bunnymen submits to a Q&A with New York Magazine.

Spinner reports that Graham Coxon hopes Blur aren’t done for good, just for now.

Both eye and NOW welcome The xx to town for their first-ever Toronto gig at the Phoenix next Wednesday with Friendly Fires. Their second-ever Toronto gig is already scheduled for April 20 at the Kool Haus in support of Hot Chip. The Seattle Times also has an interview.

Also making their first visit to Toronto is The Big Pink, who are at the under renovation Lee’s Palace on Sunday night. NOW has an interview with the English duo.

Florence Welch of Florence & The Machine tells BBC that she’s preparing to start recording the follow-up to Lungs in January of the new year. In the meantime, the super-deluxe version of her debut is coming out next week and she’s released a second video for “You’ve Got The Love” which also functions as an advert for Stella Artois. But is a cool video first.

Video: Florence & The Machine – “You’ve Got The Love”

The Sydney Morning Herald chats with Patrick Wolf.

For a limited time, The Futureheads are giving away a free download of a song from album number four. No dawdling. Emirates Business has an interview with the band.

BBC talks to White Lies about their plans for recording album number two.

RockFeedback has an acoustic video interview and session with Sky Larkin.

Tom Campesinos of Los Campesinos talks Romance Is Boring, out February 1, with Drowned In Sound.

Highland News talks to Frightened Rabbit about recent lineup changes and their forthcoming record The Winter Of Mixed Drinks, out on March 1. A Daytrotter session with the band has just gone up; only old songs, though – no sneak peaks at new.

Nic ShonfeldI’ve described – in spirit, if not precise words – The Twilight Sad’s debut album Fourteen Autumns, Fifteen Winters as a sonically monolithic slab of angst, a crescendo sustained over 40 minutes, the sound of a man standing on a Scottish cliff face, arms raised and bellowing against the world. And also one of my favourite records of 2007.

Needless to say, the follow-up was anxiously awaited and though the release of a couple EPs and a collection of live tracks and rarities certainly helped make that wait bearable, that material also came largely from the timeframe of the debut. Which was fine, but didn’t really help answer the question of what sort of direction the band would take for album number two, because as much as I liked the debut, duplicating that recipe almost certainly wouldn’t work again, or at least yield greatly diminished returns and I believed them to be capable of so much more.

And while their set opening up for Mogwai back in May offered a tantalizing preview of the new material, only proper listens to Forget The Night Ahead prove that faith to be justified. With it, the band have largely managed to maintain the immensity of sound that defined Autumns, but have shed enough sonic and emotional weight to be more nimble, more dynamic. And in doing so, the Twilight Sad have opened up space for James Graham’s more sophisticated songwriting to come to the fore. Whereas the lyrics on Autumns were more on the impenetrably abstract side, Night is more evocative in imagery, almost cinematic, and less opaque while remaining sufficiently inscrutability. And glum and depressed as hell. That’s crucial.

Obviously Night doesn’t offer quite the same gut punch of discovery that Autumns – it can’t – but it may well be the superior record. That’s a subjective call, but it does prove that The Twilight Sad have more than one trick in their arsenal, or they’ve figured out how to get even more mileage out of that one. Either way, consider the sophomore slump evaded and The Twilight Sad a band to hopefully soundtrack many more nights of sitting in a dark corner, rocking gently back and forth.

The Twilight Sad are entering the second half of a North American tour that brings them to the El Mocambo on October 10. Exclaim piggybacked a short interview with Graham onto their review of the record and Clash solicited a song-by-song annotation from the band to go with their stream of the album.

MP3: The Twilight Sad – “Reflection Of The Television”
Video: The Twilight Sad – “I Became A Prostitute”
Stream: The Twilight Sad / Forget The Night Ahead
MySpace: The Twilight Sad

Also currently streaming is Richard Hawley’s new one Truelove’s Gutter. It’s excellent. In case you were wondering. There’s interviews at The Chester Chronicle and Shields Gazette and Clash asks him how he’d spend his last day on Earth.

Stream: Richard Hawley / Truelove’s Gutter

JAM and Metro talk to Arctic Monkeys. The band also stopped in for a session at MPR.

Check out the third single from former Pipette Rose Elinor Dougall’s forthcoming solo record Without Why, due out next year. I know that the point of pre-release singles is to build anticipation for the record, but in this case it’s working especially well – all three so far have been quite great.

MP3: Rose Elinor Dougall – “Fallen Over”

Music Snobbery and The Derby Telegraph interview Noah & The Whale, whose First Days Of Spring will be out in North America on October 6 and who play the Horseshoe on October 31. The album is also currently streaming at NPR.

Stream: Noah & The Whale / First Days Of Spring

Exclaim and Out interview Little Boots.

Alasdair MacLean discusses The Clientele’s new record Bonfires On The Heath with Spinner and Exclaim while multi-instrumentalist Mel Draisey talks to Rocksellout. The album is out October 6.

BBC gets a status update from The Futureheads on their next record.

The San Francisco Examiner, Pioneer Press and The Georgia Straight welcome Manic Street Preachers to North America for their first tour in a decade. Need I mention how stoked I am for this Sunday’s show at the Phoenix?

Remember when Blur who was saying that their reunion might yield more shows or an album? Not anymore. Alas. But hey, he has a new solo video. Which is almost as good. Almost.

Video: Graham Coxon – “Dead Bees”

BBC and Spinner talk to Ian Brown about his new record My Way. Exclaim also reports that he’s working with Johnny Marr on a television soundtrack.

Rolling Stone and Interview talk to Bad Lieutenant’s Bernard Sumner.

Tom BeardIf I had more time or inclination, I might try to dig up some biographical info on Robbie Furze and Milo Cordell, the duo who make up the London-based outfit that goes by The Big Pink. But seeing as how they pretty much came out of nowhere from where I stand, I won’t try to pretend I know any more about them than you could glean from reading this piece on them from The Guardian from last November. And instead of talking about who they are, I’ll focus on what they do – which is make a fuzzy, clattering racket that sounds like various shoegazey portions of my CD collection got to copulating when I wasn’t looking.

Their debut A Brief History Of Love is due out on 4AD on September 22 and is currently streaming on the band’s website through the start of next week. It’s louder, funkier and more anthemically inclined than your typical dreampop-inspired sounds, decidedly fond of the square wave, unafraid of digital textures and respectful of the drone. It doesn’t necessarily bring anything new to the table but it does take some familiar sounds and moves from the last 20 years or so of British space-rock, dusts them off and gives them a good shine before pushing them out onto the dance floor. I approve.

The duo, hopefully bolstered with a live band rather than a laptop, will be touring relentlessly through Europe, the UK and then North America this Fall and that will include a November 29 date at Lee’s Palace. Check them out, but leave the fruit baskets at home.

MP3: The Big Pink – “Dominos”
MP3: The Big Pink – “Velvet”
Video: The Big Pink – “Velvet”
Video: The Big Pink – “Too Young To Love”
MySpace: The Big Pink

Consequence Of Sound has details on the forthcoming reissue of Spiritualized’s seminal Ladies And Gentlemen We Are Floating In Space, which will include new artwork (blasphemy!) to go with two bonus discs of outtakes and general bonus material.

Video: Spiritualized – “Electricity”
Video: Spiritualized – “Come Together”

Interview talks to Guy Garvey of Elbow. Locals may have noticed that the Letterman appearance they canceled last week’s Toronto show for never actually aired – according to this Facebook note, the show ran long and the performance had to be cut from the broadcast. Figures. But they’ve been invited back for another go in September so hopefully they’ll take advantage of being back on this continent and also reschedule that Phoenix show. Fingers crossed.

What We See Is What You Get is a site that has taken the Takeaway Show aesthetic of impromptu live performances to the streets of Toronto, and are slowly building a nice collection of videos including this one with Frightened Rabbit.

Maximo Park checks in from Japan with a tour diary dispatch for Spinner. They’ll be at Lee’s Palace on September 18.

The Quietus trades emails with The Twilight Sad’s. Their new album Forget The Night Ahead is out out September 22 and they’ll be at the El Mocambo on October 10.

They’re accompanied on that tour with We Were Promised Jetpacks – The Wickerman Festival have an interview with the band.

Exclaim reveals that Echo & The Bunnymen have finally set a release date for their new album The Fountain – look for it October 12, but don’t look for them to play it when they’re at the Queen Elizabeth Theatre on October 20 – that evening is dedicated to Ocean Rain.

Billboard reports that Jarvis Cocker is writing songs for the Russell Brand-powered “sequel” to Forgetting Sarah Marshall, Get Him To The Greek.

Stereogum gets a progress report on album four from The Futureheads.

Kate Nash reveals to NME that Bernard Butler will be producing her second album. I like the sounds of that, yes I do.

NME also has an update from Glasvegas on their plans for recording album number two.

Bloc Party tells NME they have no definite plans for a new album or really anything at all once the current round of touring is over.

Already out in the UK, Noah & The Whale’s sophomore effort The First Days Of Spring will get a North American release on October 6 with touring on this side of the Atlantic to follow later that month.

NPR is streaming a session with Robyn Hitchcock.

Chart talks to Anthony Gonzalez of M83.

Both NOW, eye and The Montreal Mirror welcome St Vincent to Canada. St Vincent plays the Horseshoe on Saturday night.

Interview chats briefly with Lykke Li, in town at the Sound Academy on Sunday evening.

Yeah Yeah Yeahs review and photos coming Monday. There’s a lot to go through!

Ian WhentCruising back over some of my past late-December posts, I found this one from 2006 wherein I made an appendix to the year-end list and enumerated some of the records that I thought had been unjustly ignored. And interesting, three of the four are getting ready to take another shot at getting some attention in 2009.

First, we’ve got the release of Radio Wars, the long-awaited (by me, anyways) second album from Aussies now based in the UK, Howling Bells. Their 2006 self-titled debut wrapped radio-ready rock in a widescreen dream-pop sweater, topped it off with some judicious twang and delivered it in Juanita Stein’s gorgeous croon. This is a woman who could sing the ingredients off a cereal box and make it sound sexy.

Needless to say, I have high expectations for record number two, the first taste of which the band are offering in the form of lead single “Into The Chaos”. It’s a bit too compact to be the grandiose return statement that I’d have liked, but the the way the punchy verses set up the swoony and woozy chorus is delicious. It’s being released as a 7″ and also as a free MP3 which you can get by signing up to their mailing list. Which you obviously should do.

The album was initially set for a February 9 release but that appears to have been pushed back to March 3, and even though they’re on a new label in Europe (Independiente versus Bell Union), there again appear to be no plans for a domestic North America release. Repeat talked to Juanita Stein back in September about a range of topics including their plans for album number two. And looking back at album number one for a moment, I had no idea they’d made so many videos from it.

Video: Howling Bells – “Low Happening”
Video: Howling Bells – “Setting Sun”
Video: Howling Bells – “Broken Bones”
Video: Howling Bells – “Blessed Night”
Video: Howling Bells – “Wishing Stone”
MySpace: Howling Bells

After a year marked mainly by solo projects, Trespassers William have regrouped and are planning to release album number four sometime in 2009. Details on the full-length are yet to emerge, but an EP entitled The Natural Order Of Things is due out in “late Winter”. They’re currently streaming a track off of it, “Sparrow”, on their MySpace and it manages to sound exactly like and unlike Trespassers William at the same time, which is really just what you want.

Far less promising in terms of concrete release details are The Radio Dept, who went from a hard release date of September 10 for album number three, Clinging To A Scheme, to a broad and vague target of sometime in 2009. Though I suppose I should be thankful we were at least able to get a single out of them this year.

MP3: The Radio Dept – “Freddie & The Trojan Horse”

There’s also a firm-ish release date for The Golden Spike, the debut from Leeds’ Sky Larkin – February 2. They’ve got a video full of shopping cart hijinks for their latest single, which Q made their track of the day and was released in the form of a wristwatch. Sort of. Not really.

Video: Sky Larkin – “Beeline”

I knew her as frontperson for Australian electronic-pop outfit Decoder Ring, but Lenka Kripac has since been putting together a surname-less solo career as Lenka. It’s pleasant and peppy pop stuff, and her voice still sounds sublime, but it doesn’t make me tingly the way that the title track off the last Decoder Ring album did… and still does. Lenka is hitting the road this Winter and will be at the Drake Underground on February 2, tickets $10.50. Decoder Ring are planning a new album for 2009.

MP3: Decoder Ring – “Fractions”
Video: Decoder Ring – “Fractions”
Video: Lenka – “The Show”
Video: Lenka – “Trouble Is A Friend”

Daytrotter has a session and Clash an interview with Noah & The Whale. I find it interesting in all the recent sessions with the band I’ve heard, they seem to be recasting all their songs in a decidedly different sonic space than the recorded versions on Peaceful, The World Lays Me Down – less shiny, more hazy. Either they’re moving in a different direction or they were completely stoned on their last North American tour.

They Shoot Music sessions up with The Futureheads.

Frightened Rabbit visit NPR’s World Cafe.

Spinner’s Interface has a session with Neil Halstead.

You can understand why I’ve been expecting Magnet, long one of my favourite music magazines, to go the way of Harp and No Depression and fold. After all – they used to be a bi-monthly but then went quarterly and have only put out two issues this year. Not really signs of life. But there’ll be at least one more issue – their Nick Cave-adorned 15th anniversary issue is out now, and more excitingly, they’ve updated their website to 21st century standards. Not only is it actually navigable, but they’re finally making content from the magazine available online (including RSS – paying attention, Blurt?). Of course, a cynic might suggest that they’re just preparing the groundwork to abandon the physical media realm, but for now I’m happy to not only have another website to poke around and waste time at, but a nice glossy magazine to accompany me on the subway. Okay Under The Radar, now it’s your turn to get your shit together.

Dustin Rabin/Epitaph.comBack in the Spring of 2005, two of the finest rock bands Canada had to offer came up with a great idea and a great name for that great idea. The bands were Constantines and The Weakerthans, the idea was a tour that would traverse all of Canada, not just the obvious markets, and the name they gave it was “Rolling Tundra”. And it was good.

Since then, both the Cons and Weakerthans have grown in audience and profile have released highly-acclaimed records in Kensington Heights and Reunion Tour respectively, but a good idea remains a good idea so next Spring, they’re totally going to do it again. As Chart reports, the 2009 edition of The Rolling Tundra Revue will kick off on March 19 in St John’s, Newfoundland and wind its way across our home and native land before wrapping up May 4 in Whitehorse in the Yukon.

As far as local dates go, they’ll be at the Phoenix on March 31 for an all-ages show – tickets are $25 and go on sale Thursday Friday – but looking at the itinerary, it’s notable that there’s two off days on either side of the scheduled date. Keeping in mind that the 2005 edition had three Toronto shows, one an all-ages matinee, do you think they’ve got a second date ready to go, at least? Yeah, me too.

MP3: Constantines – “Hard Feelings”
MP3: The Weakerthans – “Sun In An Empty Room”
MP3: The Weakerthans – “Night Windows”
Video: Constantines – “Credit River”
Video: Constantines – “Our Age”
Video: Constantines – “Hard Feelings”
Video: The Weakerthans – “Civil Twilight”
Video: The Weakerthans – “Tournament Of Hearts”
MySpace: Constantines
MySpace: The Weakerthans

Solo Pornographer AC Newman will hit the road in support of his new album Get Guilty!, due January 20, and roll into Lee’s Palace on March 11. Tickets $15. And cheers to Matablog for pointing the way to this New Pornogaphers show in Australia, available to watch in its entirety at Moshcam. Update: New MP3 and full tour dates now available!

MP3: AC Newman – “Submarines Of Stockholm”

The Toronto Sun talks to Stars frontlady Amy Millan. Stars are doing three nights at the Queen Elizabeth Theatre starting Thursday night.

Malajube will finally follow up their Polaris-nominated release Trompe-L’oeil with Labyrinthes, out February 10.

eye profiles Oh No Forest Fires. They’ll play Wavelength at Sneaky Dee’s on January 25.

It seems the rehearsals went well, because Blur are back – the first officially announced reunion gig will take place at Hyde Park in London on July 3, though more gigs around that date both before and after are likely to come. Details at NME. Hey V Fest, I think I’ve found your 2009 headliner. Make it happen.

Billboard gets a status update from Doves about album number four. Still untitled, but targeting an April release.

Clash talks to Maximo Park frontman Paul Smith about the making of their third album, which he describes as “Upbeat, upfront, uptight, uppity, uplifting”.

The Quietus talks to ex-Pipette Rose Elinor Dougall about going it solo. Her debut single “Another Version Of Pop Song” was released this week.

Drowned In Sound disassembles and examines the component parts of Florence & The Machine.

The AV Club has an interview with Gareth Campesino of Los Campesinos!.

Clash and Drowned In Sound chat with The Futureheads.

ES Magazine profiles Duffy.