WrensFor most bands, a gap of five and half years and counting since your last record would be cause for concern amongst the fanbase, but for The Wrens it seems right on schedule. The Meadowlands came out way back in September 2003 and that was a full seven years since their previous effort Secaucus, though that was as much the fault of their evil label as anyone else. None of this, of course, makes it any easier for fans eager to hear something new from the band.

But things are finally afoot, perhaps spurred by the good-natured fun that Magnet was having at their expense. They’ve begun recording album number four and have marked the occasion by releasing a new song entitled “Pulled Fences”, recorded live at Abbey Road studios in England and available digitally. Of course, the fact that they’ve only just BEGUN recording means that we likely won’t see any new material this year (it’s sad to be writing off the year in January) but at least it’s finally happening.

And if you needed some reminding of why hearing from Wrens again is cause for celebration, dig into their audio/visual vault.

MP3: The Wrens – “Everyone Choose Sides”
MP3: The Wrens – “This Machine”
MP3: The Wrens – “Built In Girls”
MP3: The Wrens – “Grey Complexion”

Loney Dear previews the release of Dear John on January 27 with a Bandstand Busking performance.

MP3: Loney Dear – “Airport Surroundings”

And maybe while they were playing, this Black Cab carrying a warbling Ryan Adams drove by. Hey, could have happened.

CNN discusses Sweden, Cardigans and A Camp with Nina Persson. Colonia, the new A Camp record, is out February 2 in Europe and April 28 in North America.

Scotland On Sunday, The Independent and New York Magazine have features on Antony & The Johnsons, whose new album The Crying Light isn’t out until next week, but is available to stream now at Spinner. They play the Queen Elizabeth Theatre on February 17.

Stream: Antony & The Johnsons / The Crying Light

Franz Ferdinand recently released the new video from their new album Tonight: Franz Ferdinand, out January 27. They also released an EPK video about the record.

Video: Franz Ferdinand – “Ulysses”

The Boston Globe discusses the touring life with Frightened Rabbit.

The Quietus reports that Bat For Lashes’ sophomore effort Two Suns will be released on April 6.

Jason Lytle, ex of Grandaddy, recently recorded an acoustic session for Maps.

MP3: Jason Lytle – “Birds Encouraged Him” (live on Maps)

Blurt has the complete tracklisting for the star-laden, covers-heavy War Child: Heroes compilation due out on February 24.

The old inbox was simply overflowing with concert and tour announcements yesterday… in chronological order – A Brooklyn double-bill of High Places and Soft Circle will be at the Horseshoe on February 9, tickets $10.

Mekon and Waco Brother Jon Langford has a date at the Horseshoe on February 27. Ticket details forthcoming.

Lisa Hannigan, formerly a singer with Damien Rice but now gone solo with the release of Sea Sew on February 3, will be hitting the road this Winter and be at the Mod Club on March 1, tickets $15. The Times ran a feature on her last month.

Bloc Party have added a second show at the Kool Haus, this one on March 13, to go along with the previously-announced and presumably almost sold-out March 14 date. Tickets $35.

Also on the 13th and also a Canadian Musicfest show, Handsome Furs are at the Horseshoe. Exclaim reports that their new album Face Control has been pushed back from its originally-announced February 3 release date to March 10. The duo talked to Black Book about the new record back in December.

Clem Snide, presumed dead but apparently not, will release Hungry Bird on February 24 and follow that up with a tour that stops in at the El Mocambo on March 21. Tickets for that are $10.50.

Great Lake Swimmers will follow up the March 31 release of Lost Channels on March 31 with a show at the Queen Elizabeth Theatre on April 25, tickets $20.

Joe FudaThis week’s eye has a feature piece on local label Out Of This Spark, whose second anniversary is the impetus for your best entertainment option this Saturday night as the label’s entire roster will take the stage at the Tranzac. That’s the lineup that includes a couple of personal faves and a couple others I’m just starting to make the acquaintance of.

In the former camp are post-punkers The D’Urbervilles, whose rather excellent full-length debut from last year, We Are The Hunters, is going to be getting a much-deserved US release, and Forest City Lovers (pictured), whose beautifully understated album Haunting Moon Sinking was one of the overlooked gems of 2008. It’s been a while – too long – since I’ve seen either act live, and I’m looking forward to rectifying that. In the “less known to me” department are Jenny Omnichord, whose special guest-laden Charlotte or Otis : Duets for Children, Their Parents and Other People Too is a sweetly odd and charming little childrens’ album and Timber Timbre, who are releasing their new self-titled album next week and whose amalgam of folk and blues is a bit unsettling, but also compelling. They’re also playing an in-store at Soundscapes next Thursday at 7PM.

Admission to the to-do is $10, $8 with a donation of canned food.

MP3: The D’Urbervilles – “Hot Tips”
Videos: Forest City Lovers – “Pirates”
Videos: Forest City Lovers – “Please, Don’t Go”

Pitchfork has more tour dates for Human Highway, including a date and venue for their previously announced appearance at Canadian Musicfest – look for them March 13 at the Horseshoe.

MP3: Human Highway – “The Sound”

And speaking of Canadian Musicfest, the lineup has fleshed out a little more with some of the bigger-name additions including The Ting Tings and… well, that’s all I noticed that was new since last time. Precise date and venue for that one still forthcoming.

Rollo & Grady interview Mark Hamilton of Woodpigeon and filch one of my photos in the process. This is me shaking my fist. Treasury Library Canada is out Februrary 3.

To the surprise of no one, a second date for the Constantines/Weakerthans “Rolling Tundra Revue” tour has been added – there’s now an April 1 date to go along with the previously-announced March 31 one at the Phoenix. No foolin’.

The Henry Clay People, whose For Cheap Or For Free was endorsed in November, will be joining The Airborne Toxic Event on their Spring tour which passes through the El Mocambo on March 4.

MP3: The Henry Clay People – “Something In The Water”
MP3: The Henry Clay People – “Working Part Time”

The Sydney Morning Herald gets an update on Nick Cave’s literary aspirations.

XLR8R talks to Ben Curtis of School Of Seven Bells.

Okkervil River were on Letterman last night. It looked (and sounded) a little like this:

Video: Okkervil River – “Pop Lie” (live on the Late Show with David Letterman)

The Georgia Straight interviews Glasvegas, in town at the Mod Club April 3.

Anathallo have a date at the El Mocambo on February 3, tickets $12. Their new album is Canopy Glow.

The New Year, who must feel tremendous pressure to be topical and interesting every January, oblige with a new video, a brief interview and free download at Stereogum and an interview at the Dallas Observer.

Video: The New Year – “Seven Days And Seven Nights”

Is this Frightened Rabbit video an official one? Not sure, but it is cool. And that’s good enough.

Video: Frightened Rabbit – “I Feel Better”

The Daily Yomiuri amuse Stuart Braithwaite and Barry Burns of Mogwai by calling them a “shoegaze” band.

Wireless Bollinger talks to Andrew Bird, who is releasing Noble Beast on January 20 and playing the Queen Elizabeth Theater on April 3.

WilcoJust before everything shut down for the holidays, a dispatch arrived from Wilco HQ detailing some of the band’s plans for the new year. Some of it was already known, in particular that work has begun on album number seven and is targeted for a Spring release.

But they also let out a bit of new news, namely that they’ll be releasing their first official concert DVD in the new year. You may recall that the shows that went into the Kicking Television live set were supposed to be taped for a companion DVD but that was scratched because of dissatisfaction with the quality of things. Well they enlisted the talents of Brendan Canty and Christoph Green of Trixie Films, producers of the Burn To Shine video series and the Sunken Treasure Jeff Tweedy live DVD, to accompany them on their Winter 2008 tour and this time, the fruits of their labours have been deemed fit to release.

And so a DVD release entitled Ashes Of American Flags will hit stores sometime in February or March of next year. More details and previews coming in the new year, and it’s worth noting that the shows recorded for this set came immediately after the band’s five-night stand at the Riviera in Chicago where they explored every nook and cranny of the Wilco catalog – check out the set lists of a couple of the shows that will be part of the DVD, and get excited.

And Jeff’s son Spencer has a blog and, well, it’s more interesting than this one.

MP3: Wilco – “Ashes Of American Flags” (live on Austin City Limits)

Spin declares Fleet Foxes’ Robin Pecknold as their “voice of the year”.

Wireless Bollinger interviews Death Cab For Cutie.

Sterogum is offering the first download from Malajube’s new album Labyrinthes, out February 10.

WOXY is offering a double-CD’s worth of free downloads comprising the best of their Lounge Act studio sessions, featuring acts such as Ra Ra Riot, The Kills, Okkervil River and Lightspeed Champion.

The Washington Post talks to Thao Nguyen, whom they declare one of their “best of 2008”.

Nickel Eye, aka Nikolai Fraiture, aka the bassist from The Strokes, brings his solo project to the El Mocambo on January 20. Low Vs Diamond accompany. Fraiture discusses the project with Billboard.

Dig For Fire has a video feature/interview with Florence Welch of Florence & The Machine.

Though The Long Blondes called it a day back in October, they still had a final farewell gift for their fans in the form of a Christmas song.

MP3: The Long Blondes – “Christmas Is Cancelled”

Frightened Rabbit contemplate various contemporary Christmas songs for The Guardian.

Ian WhentCruising back over some of my past late-December posts, I found this one from 2006 wherein I made an appendix to the year-end list and enumerated some of the records that I thought had been unjustly ignored. And interesting, three of the four are getting ready to take another shot at getting some attention in 2009.

First, we’ve got the release of Radio Wars, the long-awaited (by me, anyways) second album from Aussies now based in the UK, Howling Bells. Their 2006 self-titled debut wrapped radio-ready rock in a widescreen dream-pop sweater, topped it off with some judicious twang and delivered it in Juanita Stein’s gorgeous croon. This is a woman who could sing the ingredients off a cereal box and make it sound sexy.

Needless to say, I have high expectations for record number two, the first taste of which the band are offering in the form of lead single “Into The Chaos”. It’s a bit too compact to be the grandiose return statement that I’d have liked, but the the way the punchy verses set up the swoony and woozy chorus is delicious. It’s being released as a 7″ and also as a free MP3 which you can get by signing up to their mailing list. Which you obviously should do.

The album was initially set for a February 9 release but that appears to have been pushed back to March 3, and even though they’re on a new label in Europe (Independiente versus Bell Union), there again appear to be no plans for a domestic North America release. Repeat talked to Juanita Stein back in September about a range of topics including their plans for album number two. And looking back at album number one for a moment, I had no idea they’d made so many videos from it.

Video: Howling Bells – “Low Happening”
Video: Howling Bells – “Setting Sun”
Video: Howling Bells – “Broken Bones”
Video: Howling Bells – “Blessed Night”
Video: Howling Bells – “Wishing Stone”
MySpace: Howling Bells

After a year marked mainly by solo projects, Trespassers William have regrouped and are planning to release album number four sometime in 2009. Details on the full-length are yet to emerge, but an EP entitled The Natural Order Of Things is due out in “late Winter”. They’re currently streaming a track off of it, “Sparrow”, on their MySpace and it manages to sound exactly like and unlike Trespassers William at the same time, which is really just what you want.

Far less promising in terms of concrete release details are The Radio Dept, who went from a hard release date of September 10 for album number three, Clinging To A Scheme, to a broad and vague target of sometime in 2009. Though I suppose I should be thankful we were at least able to get a single out of them this year.

MP3: The Radio Dept – “Freddie & The Trojan Horse”

There’s also a firm-ish release date for The Golden Spike, the debut from Leeds’ Sky Larkin – February 2. They’ve got a video full of shopping cart hijinks for their latest single, which Q made their track of the day and was released in the form of a wristwatch. Sort of. Not really.

Video: Sky Larkin – “Beeline”

I knew her as frontperson for Australian electronic-pop outfit Decoder Ring, but Lenka Kripac has since been putting together a surname-less solo career as Lenka. It’s pleasant and peppy pop stuff, and her voice still sounds sublime, but it doesn’t make me tingly the way that the title track off the last Decoder Ring album did… and still does. Lenka is hitting the road this Winter and will be at the Drake Underground on February 2, tickets $10.50. Decoder Ring are planning a new album for 2009.

MP3: Decoder Ring – “Fractions”
Video: Decoder Ring – “Fractions”
Video: Lenka – “The Show”
Video: Lenka – “Trouble Is A Friend”

Daytrotter has a session and Clash an interview with Noah & The Whale. I find it interesting in all the recent sessions with the band I’ve heard, they seem to be recasting all their songs in a decidedly different sonic space than the recorded versions on Peaceful, The World Lays Me Down – less shiny, more hazy. Either they’re moving in a different direction or they were completely stoned on their last North American tour.

They Shoot Music sessions up with The Futureheads.

Frightened Rabbit visit NPR’s World Cafe.

Spinner’s Interface has a session with Neil Halstead.

You can understand why I’ve been expecting Magnet, long one of my favourite music magazines, to go the way of Harp and No Depression and fold. After all – they used to be a bi-monthly but then went quarterly and have only put out two issues this year. Not really signs of life. But there’ll be at least one more issue – their Nick Cave-adorned 15th anniversary issue is out now, and more excitingly, they’ve updated their website to 21st century standards. Not only is it actually navigable, but they’re finally making content from the magazine available online (including RSS – paying attention, Blurt?). Of course, a cynic might suggest that they’re just preparing the groundwork to abandon the physical media realm, but for now I’m happy to not only have another website to poke around and waste time at, but a nice glossy magazine to accompany me on the subway. Okay Under The Radar, now it’s your turn to get your shit together.

Steve GullickWhen I first wrote up Scotland’s Glasvegas, I went so far as to declare “there’s definitely something there” – a summation that would prove to be a bit of an understatement. Their debut self-title would turn out to be a massive hit in the UK, charting as high as #2 and going gold, making them easily one of the breakthrough acts of 2008 on that side of the pond.

Having acquired a copy of the album on import, it’s not hard to see why. They’ve learned their lessons from the Phil Spector school of pop but unlike many of their cohort, who’ve chosen to take things in a primitivist direction, they’ve taken that wall of sound and built a stadium out of it. Glasvegas is an utterly massive-sounding record, with sky-high sheets of guitar and cavernously echoing drums, but most of all singer James Allan’s huge and mournful bellow. Truly, this is stuff tailor-made to be sung-along with by tens of thousands.

And as they sing along, one would hope they’re too caught up in the moment to realize just how awful the words they’re singing are. Actually that’s overly harsh. Only some of the lyrics on Glasvegas are truly awful. In an effort to make the songs as broad and earnest as possible, Allan has eschewed any sort of lyrical finesse and instead relates things in the simplest, most literal and direct means available. Now sometimes this works – his delivery, all anguish and brogue, is a blunt instrument and when it hits, it’s a gut-wrenching body blow. But when it doesn’t – and I don’t think there’s any good way to present a line like “You don’t want to stab me/You don’t know my family/Or our capabilities” (taken from the Beethoven-backed song about someone about to be stabbed entitled, creatively, “Stabbed”) – it just sits there in all its awkward glory.

So it’s saying something when an avowed fan of clever and wordy songsmithery such as myself is still able to be won over by something as decidedly not as Glasvegas. Despite all its flaws, it’s undeniably rousing in the way that the very best anthems are, and Allan sings it with such earnestness and conviction that it’s hard to remain that critical. Some of the words may be graceless, but when it’s turned up loud and you’re singing them at the top of your lungs with everyone else, you don’t notice so much.

Even so, Glasvegas’ appeal has a distinctly British accent – I can envision them playing soccer stadiums, but not football, and the streets of America are littered with the bodies of acts who tried to recreate UK successes on this side of the pond. But they’re still going to try. Glasvegas will release their debut Stateside on January 6, bolstered with two bonus tracks, and coincide it with a short North American tour and some choice late-night television appearances. Their first US release, however, will technically be the A Snowflake Fell Christmas EP which is being made available via certain US independent retailers to anyone who pre-orders the album – full details and a live download of “Daddy’s Gone” available here. No idea if this deal is available in Canada, however.

The Belfast Telegraph, The Independent and The Telegraph have features on the band and their rise to stardom, The Daily Star talks to the band about their Christmas EP and Deadline Scotland gets a timeline for album number two.

Video: Glasvegas – “Please Come Back Home”
Video: Glasvegas – “Daddy’s Gone”
Video: Glasvegas – “Geraldine”
MySpace: Glasvegas

Drowned In Sound checks in with some other Scots who’ve had a big year – Frightened Rabbit. And even though they just released a live acoustic album in Liver! Lung! FR!, DiS also report that another one will be coming next year on March 30 in the form of Quietly Now! – Midnight Organ Fight Live and Acoustic at the Captain’s Rest, which comprises a live and acoustic reading of The Midnight Organ Fight.

Having just released her first post-Pipettes single in “Another Version Of Pop Song”, Rose Elinor Dougall is offering a sample of her forthcoming solo album, which is set to finish recording in January and hopefully come out come Summer. I daresay that the solo material sounds quite classy – there is indeed life after polka dots.

MP3: Rose Elinor Dougall – “May Holiday”

BBC gets a new album update from Noah & The Whale. BrooklynVegan notes that the band have a late February date in New York City, which may mean that a make-up for their cancelled December jaunt to North America is being rescheduled. Or they just want to visit New York.

I’ve just made a new year’s resolution – to take the time to properly investigate Tindersticks. They’ve been recommended to me from more than a few quarters and it’s not like I have any excuse – I have a number of their albums on hand, including their latest The Hungry Saw, as well as a solo Stuart Staples album, and hey – they’re coming to town for a March 10 show at the Opera House. It’d be a crying shame if I finally got into them AFTER that, wouldn’t it? Full North American dates at BrooklynVegan, interviews at Prague Post and The Irish Independent.

MP3: Tindersticks – “The Hungry Saw”

The Quietus talks to Warren Ellis about goings-on with The Bad Seeds and Grinderman.

Billboard talks to Aaron Dessner of The National about the follow-up to Boxer and the Dark Was the Night AIDS benefit album due out February 17.

Heroes, the War Child benefit album originally slated to come out in November, has now been given a release dae of February 16. Details at NME.