Frank YangWith a lead-up week that had included rather insane shows from each of Patrick Wolf, Phoenix and The Dead Weather, it wasn’t surprising that I was half-dead before NXNE even began this year. I don’t even want to speculate what kind of shape I’d been in if I hadn’t taken the week off from work. But the will and energy to hit the clubs would be found. Somehow.

There were many options to kick things off, but I opted for the secret-but-not-really show at the Whipper Snapper Gallery featuring Los Angeles duo No Age. I wasn’t especially won over by last year’s Nouns but had heard good things about their live show and the venue’s location would allow me to grab a tasty panzerottti at Bitondo’s. I say the show was not really secret because though the festival tried to keep it under wraps, it had been listed on the band’s booking agency’s website for over a week. But considering the modest-sized turnout, maybe it had been kept under wraps better than I’d thought. As for the show, I found the duo more entertaining live than on record, exchanging their lo-fi white noise sonic signature for something louder and meatier. Song-wise, it all sounded a blur but it was fun to watch them revel in the noise as well as pull off one of the most seamless broken guitar string changes I’ve ever seen. Metro has an interview with the band.

Photos: No Age @ The Whipper Snapper Gallery – June 18, 2009
MP3: No Age – “Neck Escaper”
MP3: No Age – “Eraser”
Video: No Age – “Eraser”
Video: No Age – “Boy Void”
Video: No Age – “Goat Hurt”
MySpace: No Age

From the Whipper Snapper, it was a short jaunt over to Neutral to welcome Austin’s Ume to town. They were one of the best things I saw at SxSW this year and I was very pleased that they’d made the long trip up to Toronto. I was also pleased that a very good-sized crowd of people were there to greet them and that the band managed to get their A-game across the border. Just as in Austin, singer-guitarist Lauren Larson was a dervish, her voice ranging from a coo to a shriek and her guitar chops several degrees past ridiculous as the band powered through selections from their Sunshower EP and some new material. In the few instances I was able to tear my eyes from the stage, I saw that others in the audience with that same look of “holy shit” I’m sure I was wearing back in March – pure rock action. Pure Grain Audio has an interview.

Photos: Ume @ Neutral – June 18, 2009
MP3: Ume – “Pendulum”
MP3: Ume – “The Conductor”
MP3: Ume – “Wake”
Video: Ume – “The Conductor”
MySpace: Ume

There were a few options for the next show, but the mental coin flip came up Kittens Ablaze, a Brooklyn act slated to play the Rivoli. Between them and Finnish outfit Cats On Fire, I detect a disturbing trend in pop bands with feline immolation-themed names. This particular one was a six-piece ensemble whom it would be impossible not to compare to Ra Ra Riot thanks to their near-identical band makeups and penchant for dizzying, uptempo orch-pop. They didn’t have the same quality of tunes, but were able to convey the sense of fun they were obviously having to the audience and made for a good time. NOW talked to the outfit before the festival.

Photos: Kittens Ablaze @ The Rivoli – June 18, 2009
MP3: Kittens Ablaze – “Gloom Doom Buttercups”
Video: Kittens Ablaze – “Strobelight”
MySpace: Kittens Ablaze

It’s not that long a haul from the Rivoli to Clinton’s by bike, but it certainly felt like it. I dragged my ass to basically the most northwest-located venue of the fest to see locals The Darcys, who’d been on my to-see list for a while. Now a lot of bands list Radiohead as an influence, which sadly usually means that the singer thinks that he’s got a great falsetto and some profound angst that needs to be expressed and thus, are generally meant to be given a wide berth. The Darcys do NOT list Radiohead as an influence (at least on their MySpace), but they were the first reference point I came up with. Not because singer Kirby Best has either a falsetto or angst (he may, I don’t know) but because of the the band’s innate creativity and their remarkably intricate arrangements of their three-guitar attack. I couldn’t help thinking that if the ‘Head had gone into their more introverted post-OK Computer phase with guitars still at the fore, The Darcys are the sort of band they’d have influenced. The recordings on their 2007 album Endless Water don’t really reflect what I heard on Thursday night – I very much look forward to what they’ll put out next.

Photos: The Darcys @ Clinton’s – June 18, 2009
MySpace: The Darcys

Anyone who missed Metric’s set at Edgefest this weekend can console themselves a bit with this full concert stream from DC last week at NPR and this session at MPR.

Islands have released details of their next album, Vapours, due out September 22. They’ll play a free show as part of Pride 2009 at the corner of Church and Wood on June 27.

Bonfires On The Heath, the new album from The Clientele, has been given a release date of October 6. Full details at Pitchfork.

Matador is streaming the whole of the God Help The Girl album of the same name, in stores tomorrow.

Stream: God Help The Girl / God Help The Girl

The Yorker has an interview with Patrick Wolf.

Emmy The Great has re-recorded a batch of songs which had been kicking around for a while but didn’t make it onto First Love, including favourites “Canopies & Grapes” and “Two Steps Forward”. Edward EP (First Songs) is out July 27 digitally and on 12″ vinyl, and will also be added to all future copies of First Love.

Bloc Party will be releasing a new non-album single on August 10. Well, not taken from any album we know of – yet. You can stream it at Pitchfork.

Stream: Bloc Party – “One More Chance”

There are new videos out from Lily Allen, Rose Elinor Dougall and Franz Ferdinand. Perhaps you would like to watch one, two or perhaps all three. I have provided links. You are welcome.

Video: Lily Allen – “Fuck You”
Video: Rose Elinor Dougall – “Stop/Start/Synchro”
Video: Franz Ferdinand / No You Girls

I can’t say as I’m that familiar with his works, but I do know that ’70s Detroit-based, psych/folk protest singer Sixto Rodriguez – who worked as just Rodriguez – is held in very high esteem by people whose opinions I respect. His two previously lost albums Cold Fact and Coming From Reality were reissued in super-deluxe format last year, and he’s been hitting the road to support – including a just-announced July 3 free show at Harbourfront Centre as part of their Hot Spot festival. I get the feeling that even if you don’t know his work, this is a show you will want to see.

MP3: Rodriguez – “Sugar Man”

Built To Spill return to Lee’s Palace for a two-night stand on October 6 and 7. Their new record There Is No Enemy is due out right about then as well.

The resurrected Jesus Lizard is coming to town – they’re at the Phoenix on November 9, tickets $20.

doves.netConsistency is no great fault, particularly when the standard that one rarely fails to meet is as high as it is for Britain’s Doves. For nearly a decade, since their 2000 debut Lost Souls, the trio has turned out an album of classic-sounding, widescreen, melancholic space-rock every few years, each of which manages to expand and build on that which came before to some degree, but never coming up with the watershed record, the game-changer, the quantum leap forward. Some might argue that Lost Souls was that record, one so fully-realized right out of the gate that we should be thankful they’ve managed to maintain that level of quality and to an extent, that’s true. Not one of their albums have been a misstep, each rich with equal parts yearning emotion, musical textures and fist-pumping anthemicism, but even so there’s a risk in feeling too familiar.

Their latest, Kingdom Of Rust, perhaps even despite their best efforts, feels just that familiar. To their credit, they do go out of their way to incorporate new influences into their sound – the motorik rhythms of “Jetstream”, the country-western gallop of the title track, the scorching psych-rock of “House Of Mirrors” – but by the time they’re done with it, they’ve been so effectively absorbed by the band’s own personality that the finished pieces still feel Mancunian grey and simply Doves-ish. On the plus side, being Doves-ish means there’s at least a couple of spectacular moments – in this case, the soaring “Winter Hill” is the album standout – and not really any glaring weak spots. But I can’t help feeling I’ve heard this all before.

There’d been some speculation before the record’s release that given the breakout year their compatriots in Elbow had in 2008, that this might be the year that another band of never-too-fashionable northerners got their due. I still hold out hope that that’ll happen someday, but I don’t think Kingdom Of Rust is the record to do it. It’s a good record and a fine addition to the Doves discography, successful at adding further depth an detail to the musical world that Doves have already created, but doesn’t extend its boundaries. It’s pretty much exactly the record that long-time fans were probably expecting, and sometimes what you’re expecting isn’t what you actually want.

PopMatters has an interview with Doves and NME TV has a chat with the band on video. Q gets the band to offer thoughts on each of their albums – Lost Souls, The Last Broadcast, Some Cities and Kingdom Of Rust. Doves are at the Kool Haus in Toronto on June 1.

Video: Doves – “Kingdom Of Rust”
MySpace: Doves

Bat For Lashes’ Natasha Khan counts down her five favourite albums to Spinner. She’s at the Mod Club on Saturday night for a sold-out show.

Shoegaze week continues at Drowned In Sound as they interview Neil Halstead of Slowdive and Mojave 3. They also salute Slowdive’s oeuvre.

Blurt also gets in on the shoegaze action, reporting that Chapterhouse’s 1991 debut Whirlpool is getting reissued next week with a few bonus tracks.

NME is offering a track from The Early Years for download, the band’s contribution to a compilation by UK shoegaze label Sonic Cathedral.

MP3: The Early Years – “Like A Suicide”

JAM Q&As Bloc Party’s Kele Okereke.

You can currently stream The Cure’s recent secret MySpace show in Los Angeles in its entirety over at their MySpace.

Franz Ferdinand will release a dub version of their latest album Tonight entitled Blood on June 1 – details at Billboard. They’re at the Kool Haus on May 4.

State has an interview with Carey Lander and The Village Voice with Tracyanne Campbell of Camera Obscura, latest recipient of the Pitchfork “Best New Music” honour for My Maudlin Career. They’re at Lee’s Palace on June 27.

NOW profiles Adele, who is playing Massey Hall on April 29.

Paste gets to know Micachu & The Shapes.

Artrocker goes behind the scenes of Sky Larkin’s latest video for “Antibodies”. Their debut The Golden Spike was supposed to be out domestically in North America by now, but apparently “technical difficulties” are holding that up some. No idea what the problem is – the CDs they had in the UK turned out fine. They just need to ship a few boxes of those over here posthaste.

MPR welcomes Robyn Hitchcock to their studios for a session.

I remember when people were all excited about M83 FINALLY came to town for the first time… Now they’re back for their fourth show in a year. Kinda less special. Look for them at the Phoenix on July 17.

NxNE has revealed a few more of the names set to play the festival this June 18 through 20.

But I suppose the biggest reveal yesterday was the fact that Virgin Festival is indeed coming back to Ontario for a fourth year (and also to Calgary and BC, apparently)- but you’ll note I said Ontario and not Toronto. I already knew that this year’s edition wasn’t happening at the Toronto Islands, but I’d assumed that meant Downsview Park. Nope. Try Burl’s Creek between Barrie and Orillia, an hour north of the city. That’s right – August 29 and 30 way up in cottage country – first reported at Consequence Of Sound and confirmed by myself through folks who know. I suppose this is actually keeping in the V Fest tradition, after all the UK editions in Chelmsford and Staffordshire are hardly in the hearts of any burgeoning metropolises, but then the British have an established tradition of traveling to and camping out at outdoor festivals. Over here? Not so much. So whereas my attendance at the first three were gimmes – festival a 10 minute bike ride from home? sure! – this one is far from it. I’m not a camper by any definition so there’s a whole issue of lodging to be dealt with on top of the transportation – I have not-so-fond memories of sitting for hours in traffic on the 400 up to Molson Park way back in the day – and that’s not even mentioning the prospects of being devoured by insects and/or bears. I’m going to reserve final judgment until I see the actual lineup – which should be soon – but it’s going to have to be pretty damned impressive.

MySpaceI’m just About hip-deep in Canadian Musicfest stuff at the moment and also trying desperately to get my SxSW junk together, but a handful of tasty concert announcements showed up yesterday and if I don’t get them out there now, who knows when I will.

I first noticed unabashedly ’80s-loving English electro-pop outfit La Roux when they showed up no small number of “next big things for ’09” lists at the start of the year. And while it’s still far too early to see if Elly Jackson and her interesting hair will deliver on those expectations – she’s only just released her second single with an album in the works for sometime this year – the Londoner and co-conspirator Ben Langmaid are coming across the Atlantic this Spring to try and make an impression. They’ll be at the Drake Underground as a special presentation of the Sticky Fingers DJ nights on April 5, tickets $13 in advance.

Video: La Roux – “Quicksand”
Video: La Roux – “In For The Kill”
MySpace: La Roux

The Rosebuds are coming back to town on the back of last year’s Life Like – they have a date at Lee’s Palace on April 13, tickets $10.50. They just rolled out a new video for the title track of said record.

MP3: The Rosebuds – “Life Like”
Video: The Rosebuds – “Life Like”

M Ward’s Spring tour in support of Hold Time has slated a Toronto date for April 27 at the Phoenix. Tickets $23.50.

MP3: M Ward – “Never Had Nobody Like You”
Video: M Ward – “Hold Time”

Baltimore’s Ponytail will be at the DeLeon White Gallery on April 27.

MP3: Ponytail – “Celebrate The Body Electric”

Country Club, the collaboration from John Doe & The Sadies, is out April 14 and they will follow that up with at show at the Horseshoe on April 30. Tickets $17.50. Currently on a western swing, Dallas Good talks to The Georgia Straight and Pique Newsmagazine.

And possibly the toughest decision I’ll have to make this year… A Camp who are going on tour in support of Colonia – out April 28 – have set a date at the Mod Club for June 1. A date that is already circled on the calendar as it’s also when Doves are at the Kool Haus. Nina Persson’s first visit to town in five years or Doves’ first in four? Swedish babe or Mancunian beardies? Hmm. Tickets for the A Camp show are $15 and already on sale. MusicOHM has an interview with Persson.

MP3: A Camp – “Stronger Than Jesus” (Harlem Session)
Video: A Camp – “Stronger Than Jesus”

There’s a new vid from Franz Ferdinand, who have a gig at the Kool Haus on May 4.

Video: Franz Ferdinand – “No You Girls”

PJ Harvey discusses her new album with John Parish, A Woman A Man Walked By, with Billboard. It’s out March 30.

And finally, the divine Mary-Louise Parker gives Esquire a list of ten types of albums no man should own if they ever hope to have sex again… (scans CD collection)… Yes! I still have a shot!

Richard DumasHow long have people been telling me to listen to Tindersticks? At least a couple years, probably longer – at one point a label rep was so sure the Nottingham-based band and I were kismet that they sent me copies of their last two studio albums – Can Our Love… and Waiting For The Moon – not out of any PR duty but because they simply felt I needed to hear them.

And I have listened, periodically spinning either of the two records and seeing the appeal more and more each time but never quite needing to hear them. Part of the problem, as I see it now, is that their sweeping, jazz- and r&b-accented, orchestrally-appointed world of desperate romance and melancholy isn’t the sort of place you can visit casually, you have to inhabit it. And I have more than enough downer music in my collection as is – something I realized when trying to put together a playlist for running a little while back. But I digress.

The arrival last Spring of their latest album and first in five years, The Hungry Saw, proved to be the kick in the ass I needed to revisit my unintentional but now not inconsiderable Tindersticks CD collection. I don’t know if it’s accurate to say that Saw is a more accessible entry point to their sound or if I’d already been conditioned enough by the other records, but things are now falling into place quite nicely for me with this band. It’s still unmistakeably Tindersticks – nothing with Stuart Staples’ distinctive croon could really be otherwise – but there’s a bit more sprightliness to the sound. Only a bit, the beautiful booziness and bleakness persists, but there’s enough to give the record a slightly brighter feel and to endow Staples’ delivery with a bit of coyness to temper its innate moroseness.

There’s still nothing here that might make it onto the exercise playlist, but if I need a soundtrack for moping, The Hungry Saw – and its compatriots – will be top of the stack. And considering how reverentially the band’s earliest works are spoken of, it’s possible that stack will be getting larger.

The band is embarking on a rare North American tour starting this week and will be at the Opera House in Toronto next Tuesday, March 10. And courtesy of Against The Grain, I’ve got two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want Tindersticks” in the subject line and your full name in the body. Contest will close at midnight, March 6.

MP3:Tindersticks – “The Hungry Saw”
MySpace: Tindersticks

QRO, Music Snobbery and Metro talk to White Lies, whose debut To Lose My Life gets a North American release on March 10 and who play Lee’s Palace on March 31.

Virgin Music interviews Glasvegas. They have a sold-out show at the Mod Club on April 3.

Spin has excerpted a portion of their feature interview with Alex Kapranos of Franz Ferdinand, who are playing the Kool Haus on May 4.

Clash gets a studio update from Twilight Sad frontman James Graham about how progress is coming on album number two. The band will be hitting the road with Mogwai this Spring and be at the Phoenix on May 4.

Scottish quintet My Latest Novel, who made an impression back in 2006 with their debut Wolves will return with a follow-up on May 18 in the form of Death And Entrances. Details at The Line Of Best Fit, sample via SxSW.

MP3: My Latest Novel – “Dragonhide”

NME reports that Manic Street Preachers have completed work on their new album – at last check entitled Journal For Plague Lovers – and are aiming for a mid-May release.

Also due out in May, the new album from Maximo Park – NME has the just-announced title of the record, and that name is Quicken The Heart.

Chart rounds up some recent quotes from Oasis’ Noel Gallagher, wherein he reveals he’s almost ready to hit the studio to record the follow-up to last year’s Dig Out Your Soul and that he does all his blogging via text message.

Jeaneen LundThe old inbox was overflowing with local concert announcements yesterday – certainly makes cobbling together a post easy. In chronological order…

Sebastien Grainger & The Mountains, who just played an instore at Sonic Boom last week, are heading out on a European tour through most of this month but will be having a little homecoming party at the Horseshoe on March 6. Tickets $10.50. Grainger has a little chat with Spoonfed.

MP3: Sebastien Grainger & The Mountains – “American Names”
MP3: Sebastien Grainger & The Mountains – “By Cover Of Night (Fire Fight)”

Julie Doiron is set to release a new album on March 24 in I Can Wonder What You Did With Your Day and will follow that up a trio of dates up the 401 including a March 26 date at the Horseshoe. Tickets $10.

MP3: Julie Doiron – “Consolation Prize”

Their new album Beacons is complete, but there’s still no firm release date for the sophomore effort from Ohbijou… but considering they’ve just announced a CD release show for said record on April 18 at the Opera House, it’s probably safe to say that it’ll be out around then. Tickets for that fete will be $13.

I will admit to being mildly astonished not by the fact that Travis are coming back to North America this Spring in support of last year’s Ode To J Smith, but that they’re playing – at least here on April 21 – venues the size of the Sound Academy. 3000 people to see Travis in 2009? And at $34.50 a ticket? Really? Huh. The Daily Yomiuri has an interview with the band about the making of the album.

Video: Travis – “J Smith”
Video: Travis – “Song To Self”

The Appleseed Cast have a new album in Sagarmatha coming out February 17 and they’ve got a date at the Horseshoe for April 21, tickets $10. Songs from the record can be heard at Stereogum and RCRDLBL.

Despite being rather fond of most of the “sassy English female singer-songwriters” which followed in her wake, Lily Allen has never done much for me. Might her new record It’s Not Me, It’s You, out next week, change my mind? The album is currently streaming in its entirety over at her MySpace – let’s find out. She’s also playing a show at the Phoenix on April 22, tickets $27.50, and Spin has posted online an excerpt of this month’s cover story on the singer. Update: Full North American tour dates at The Music Slut.

Video: Lily Allen – “The Fear”
Stream: Lily Allen / It’s Not Me, It’s You

I need no such persuasion to get excited for the return of Bat For Lashes (pictured). Her second album Two Suns, which will feature unlikely guests Scott Walker and Yeasayer, is coming out on April 6 and following a set of European dates will come some North American ones. In addition to a previously announced New York and Philadelphia dates, she will be in Toronto on April 25 for a show at the Mod Club, tickets $15. Their last show here in September 2007 was amazing, no reason to believe this one will be anything less. Rolling Stone talks to Natasha Khan about the split personality conceit behind her new record while MTV has a video interview. And check out this live performance of a new song on BBC2:

Video: Bat For Lashes – “Moon And Moon” (live on BBC2)

And last but not least for the show announcements, Franz Ferdinand are coming back on May 4 and playing a venue considerably larger than their cozy little Lee’s Palace gig last December, but if you don’t think they’ll sell out the Kool Haus in a heartbeat, you’re dreaming. Tickets for that one are $30 and go on sale February 7 at 10AM. Pitchfork has an interview with the band conducted here during their last visit.

In a rather drastic change of venue, the Pains Of Being Pure At Heart/Depreciation Guild show originally slated to happen at Neutral next Thursday has been moved to Lee’s Palace. Which pleases me because the lights at Neutral are, to put it mildly, abhorrent. All tickets will be honoured and there will probably be a lot more available now.

And some bits related to already-announced shows that are upcoming… Exclaim has a feature on Antony Hegarty of Antony & The Johnsons and Radio Free Canuckistan has posted up the complete transcript of the interview that went into the piece. They play the Queen Elizabeth Theatre on February 17.

Soundproof features The Rural Alberta Advantage, who will play Wavelength at Sneaky Dee’s on February 22 and then do a CMW showcase at the Gladstone in the wee hours (1AM) of March 12. The band made their NYC debut last week and accounts are that it went really well. They play New York again this Friday and Saturday nights.

Jason Isbell & The 400 Unit is out February 17, and Muzzle Of Bees has five questions with Mr Isbell. They play the Horseshoe on March 4.

The Montreal Mirror profiles Basia Bulat, who will play Lee’s Palace on March 14 as part of CMW, and will be getting to work on album number two later this Spring. Hour.ca also has a little chat about her decision to record a Sam Cooke cover for a 7″ single.

Aquarium Drunkard gets Tony Dekker of Great Lake Swimmers to offer a brief guide to his favourite places in Toronto. There’s also a trio of intimate performance videos from Dekker over at Aux.tv. Their new album Lost Channels is out March 31 and they play the Queen Elizabeth Theatre on April 25.