Tom Henry JonesBy nature, I’m an album guy and prefer to let my impressions of an artist unfold over forty minutes or so. But sometimes I get swept up in the joy of the single – the one individual song – and give the “repeat” button on my CD player a workout that more than makes up for its usual state of neglect. Such was the case of “Nitrogen Pink”, the first single from UK singer-songwriter Polly Scattergood (her real name).

Musically, it unfurls from a simple, unadorned intro to a thing of great sonic grandeur in the span of five minutes, sounding like the finale to a musical set in the distant future. Not a new trick, but when executed properly – as it is here – it’s always impressive. But the centerpiece is Scattergood’s voice, a wonderfully expressive and elastic thing capable of evoking tremendous strength and utter frailty within a single phrase. Like many of her female English singer-songwriters peers do these days, Scattergood owes an immense debt to the influence of Kate Bush but like the best of that group – Bat For Lashes and Florence & The Machine come immediately to mind – she takes that inspiration and interprets it in a way that’s very much her own.

Her self-titled debut album Other Too Endless is set for a March 9 May 19 release and based on the additional samples available on her Myspace, the addictiveness of “Nitrogen Pink” isn’t a fluke – it sounds like the record will carry forward a fine balance between theatricality and vulnerability. It’s probably a tall order to expect the entire record will tickle my ears to the extent that the first taste has, but I’m hopeful.

MP3: Polly Scattergood – “Nitrogen Pink”

Yesterday was – after long last – the release date for Emmy The Great’s debut First Love and as much I’d have liked to be able to mark the occasion with a review, my copy is still somewhere between the UK and here (hopefully). So my gushing praise will have to wait for another day – instead, I’ll link to the slew of press clippings that have accompanied the release, which are worth the read because Emmy is as entertaining an interview as she is a songwriter. There’s features on Ms Moss at For Folk’s Sake, MusicOhm, BBC, Dazed Digital and The Irish Times. And though she did a quick song-by-song annotation of the record forThe Reading Evening Post a few weeks ago, the one she does for Drowned In Sound is considerably more in-depth. And also as part of what Drowned In Sound have declared “Emmy The Great week”, Emmy turns from interviewee to interviewer turning the spotlight on artists she deems worthy of attention. So far she’s talked to a couple of her bandmates about their own projects – with Tom Rogerson about Three Trapped Tigers and with Euan Hinshelwood about Younghusband – as well as with with Shilpa Ray of Shilpa Ray and her Happy Hookers. And to wrap my own “Emmy The Great day”, her session at Bandstand Busking is now up, with three songs and an interview.

And it’s interesting/amusing that a running theme through the interviews is Emmy’s disavowal of the whole “UK anti-folk” scene, particularly between her band and Noah & The Whale, because that’s one of the threads running through this piece in The Independent about, well, the so-called UK anti-folk scene.

And speaking of Noah & The Whale, they’re finally making up that December show which was cancelled when they decided they’d rather work on album number two – entitled First Days of Spring and due out sometime in the Spring – rather than drive around North America in Winter. They’ll be at The Mod Club on April 27, tickets $12.50. The Times checked in with the band while they were in the studio.

MP3: Noah & The Whale – “2 Bodies 1 Heart”

Camera Obscura have released details of their next album and first for new home, 4AD. My Maudlin Career will be out April 21 and they’ve made the title track available to sample.

MP3: Camera Obscura – “My Maudlin Career”

Frightened Rabbit have a new video from The Midnight Organ Fight.

Video: Frightened Rabbit – “Bright Pink Bookmark”

Duffy documents a day in the life of Duffy for The Times.

The Quietus talks to PJ Harvey and John Parish about their forthcoming collaboration A Woman A Man Walked By, out March 30.

Exclaim reports that Beth Orton’s debut album Trailer Park will be getting the deluxe double-CD reissue treatment – look for it March 10.

Sky Larkin, whose debut The Golden Spike was released yesterday, have been keeping a tour diary for Clash and Tourdates.co.uk has an interview with singer Katie Harkin. Said album will be getting a proper North American release this year as their label Wichita Recordings is setting up shop Stateside. They’ve made available a sampler of the first batch of artists they’ll be looking to introduce to folks on this side of the Atlantic.

ZIP: Wichita Recordings sampler

Some additional updates and clarifications on a few recently announced shows. Firstly, the Neil Halstead show at the Drake Underground on March 21 is open to everyone, tickets $20. The invite-only anniversary thing is something else entirely.

MP3: Neil Halstead – “Paint A Face”

Would it have killed Ladytron to have released their new video alongside the announcement of their Spring tour so that I could have rolled it all into one post? Apparently so. Tickets for their April 6 show at the Phoenix go on sale this Friday and will cost your $28.50.

Video: Ladytron – “Tomorrow”

Lily Allen’s April 22 show at the Phoenix has been moved to the Sound Academy, on account of selling out in no time flat. Additional tickets now on sale. Chart has an interview.

Good news – Elbow are coming to town. Bad news – it’s as opener for Coldplay. They’ll be at the Molson Amphitheatre on July 29. Is seeing them play a half-hour set worth buying Coldplay tickets for? That is a question only you can answer.

And last but not least… Le Blogotheque has a Take-Away Show with Tom Jones.

DovesJoyous news to start the day yesterday when it was announced that Doves had not only assigned a release date to their fourth album and first in over four years – Kingdom Of Rust will be available on April 7 in North America – but they were also offering the lead track from the record, “Jetstream”, available as a free download on their website for a fortnight in exchange for signing up to their mailing list. Curiously, said offer seems to have disappeared for the moment but I expect that’s due to technical difficulties and it’ll be back soon.

And though the breathless press release verbiage that accompanied the news heralded the new record as their “most sonically adventurous, intimate, cerebral, propulsive to date”, I suspect it’ll be much like the previous three Doves records. Take two parts soaring anthemicism, two parts atmospheric melancholy, season with equal portions of dance and dreampop influences and serve. Guaranteed to be mostly brilliant. Doves arrived almost fully-formed with their 2001 debut Lost Souls and have basically been refining their sound ever since, oblivious to musical trends. Never quite fashionable, but still successful – it won’t surprise me one whit to see Kingdom hit #1 on the UK charts as its predecessor Some Cities did – and basically forging a… what’s it called? Oh yes, a career.

Though it’s amusing to think back to a couple of their first gigs in Toronto, where they displayed a knack for picking support acts who would manage to break quite big. Their first visit in March 2001 was in the company of a scruffy band of New Yorkers called The Strokes and their third in September of 2002 introduced the city to a band of beards who called themselves My Morning Jacket. So if the music thing hadn’t taken off as well as it did, they’d have quite possibly had a promising career in A&R.

Doves expect to tour North America sometime in the Spring. Pitchfork has a tracklist for Kingdom Of Dust.

MySpace: Doves

Spin is streaming Elbow’s contribution to the War Child: Heroes compilation coming out on February 24 – a cover of U2’s “Running To Stand Still”.

The Toronto Sun, The Globe & Mail, Stuff NZ and Out converse with Franz Ferdinand.

NPR welcomes Laura Marling for a World Cafe session.

The Shield Gazette interviews Emmy The Great about the darkness of her debut album First Love, out February 9.

Patrick Wolf discusses his battle to release Battle independently with The Quietus.

That March 31 Friendly Fires show of indeterminate locale I pointed out a couple weeks ago has come into much sharper focus – it will be happening at Lee’s Palace and also feature White Lies, currently holders of the #1 record in the UK, and The Soft Pack, formerly The Muslims. That, kids, is a ridiculously buzzy tour. Full dates at the Windish Agency. The Telegraph and The Shields Gazette have features on who is probably the headliner of that little troupe, White Lies.

Since it was Hot Press who first informed me last Summer that Irish dreampop outfit Butterfly Explosion had split up, it seems appropriate that it be Hot Press be the ones to inform me that they’re not so finished after all. Granted, with a number of lineup changes including the departure of keyboardist/vocalist Sorcha Brennan, it’s not the same band who impressed in April 2007 but still, it’s good that they’ll have another chance to fulfill the potential I saw in them.

MP3: The Butterfly Explosion – “Sophia”
MP3: The Butterfly Explosion – “Chemistry”

Soundproof interviews Mercury Rev.

Rolling Stone gets to know M83. They’ll be playing a one-off show with the Los Angeles Philharmonic in March wherein Anthony Gonzalez will supply each and every member of the orchestra with their own distortion pedals.

Cut Off Your Hands have released a new video, and a local tour date is forthcoming very soon.

Video: Cut Off Your Hands – “Turn Cold”

Magnet finds out what the members of The Smiths are up to these days.

The Guardian seeks the formula to the perfect pop song, consulting at length with Jarvis Cocker, amongst others, on the topic.

Liam HenryIt’s really of no surprise whatsoever that I misread the offer tied to pre-orders of Sky Larkin’s debut album The Golden Spike, which I reported on a couple weeks back. I had thought that by committing to the purchase, you’d immediately get MP3 downloads of both the album proper and the live recordings of the same songs. As it turns out, you just get the live set.

But that’s okay, because February 9 isn’t that far off and the live version of the record is really pretty good. It’s obviously a bit rawer than I expect the album to be – though not that much, I expect it to be raw – but the je ne sais quoi that I really like about this band is very much in evidence. I think it’s how they disguise a surprising melodic sophistication behind a youthful energy and directness. At first it sounds like scrappy, jagged pop – which it is – but it’s also much more than that. The already-released singles have been consistently terrific and the rest of the album isn’t far off. Can’t wait to hear the proper thing, and they’re definitely on my “to-see” list for SxSW this year.

They recently gave Drowned In Sound a song-by-song commentary on the record and there’s also interviews at This Is Fake DIY and The Yorkshire Evening Post.

MP3: Sky Larkin – “Molten”
Video: Sky Larkin – “Beeline”
Video: Sky Larkin – “Fossil, I”
Video: Sky Larkin – “Molten”
Video: Sky Larkin – “One Of Two”
MySpace: Sky Larkin

In curiously parallel fashion, The Reading Evening Post has album annotations for the other British debut record I’ve got coming to me in the mail hopefully not long after February 9 – Emmy the Great’s First Love, so in the interest of consistency I’ll link up all the videos released so far for songs appearing on the record (though I suspect “Easter Parade” and “M.I.A.” have been re-recorded for the album). And if you thought I was overly effusive about her, check out Drowned In Sound’s review of the album – they make me look positively measured in comparison. There’s also an interview over at Oxford University’s Cherwell.

Video: Emmy The Great – “First Love”
Video: Emmy The Great – “We Almost Had A Baby”
Video: Emmy The Great – “Easter Parade”
Video: Emmy The Great – “M.I.A.”

Camera Obscura haven’t let slip many details about album number four, now complete and set for a release sooner rather than later in 2009, but they did post a MySpace blog yesterday announcing that it when it was released, it would be by the venerable 4AD label.

Frightened Rabbit’s Scott Hutchison tells The Chicago Tribune how a failed relationship inspired The Midnight Organ Fight. You know, in case it wasn’t abundantly clear from the lyrics.

eye, The Telegraph and The List talk to Franz Ferdinand on the occasion of the release of Tonight, in stores on Tuesday.

Glasvegas have released a new video from Glasvegas. Their April 3 show at the Mod Club is totally sold out.

Video: Glasvegas – “Flowers & Football Tops”

Incidentally, support for the Glasvegas tour has been announced as Ida Maria, who is herself getting no small amount of attention. Her album Fortress Round My Heart got a major label release last year, but now that she’s gone indie again, she’s re-releasing a different version on February 9.

Video: Ida Maria – “Oh My God”
Video: Ida Maria – “I Like You So Much Better When You’re Naked”
Video: Ida Maria – “Stella”

I was dismayed to have missed Asobi Seksu’s visit to the Horseshoe back in October – way too much going on to go, if I recall – but will get the chance to make that up on March 3 when their tour in support of Hush, out February 17, brings them to the El Mocambo.

The Von Pip Musical Express has an interview with Juanita Stein of Howling Bells. The moving target of a release date for Radio Wars seems to have settled on March 2, but I need to confirm that. Update: NME is also saying March 2. We’ll go with that.

Minipop stopped in for a Daytrotter session last week.

Decider interviews Anthony Gonzalez of M83, in town at the Air Canada Centre in support of The Killers tomorrow night.

It’s an odd bit of contesting, but Annuals are giving away tickets to their show at the El Mocambo on Saturday night as well as a pair of passes to the Art Gallery Of Ontario. Yeah, I dunno. Enter here.

Amelia HandscombI realize that the geek-correct reason to have this coming Sunday weekend circled on the calendar is for the return for the final half-season of Battlestar Galactica on Friday night – and don’t get me wrong, I’m as psyched as any socially awkward individual about the final episodes and revelations that will be contained therein – but I’d be lying if I said I wasn’t more excited about the return of Flight Of The Conchords that same evening on Sunday (or really, the following morning when my torrents will have finished downloading). And yeah, I know the first episode has been available online for a couple weeks now, but it’s the principle of the matter (there’s a non-geoblocked stream available at Movieweb, for those of you/us who couldn’t access the initial official stream).

As with most things, I was late to the party and spent an intense week catching up on season one, though the flipside of that is that I’ve only had to wait six months or so for new eps whereas those who caught on immediately have had to do without for a long, arduous 16 months. My condolences, though it’s good to know that a quick dose of Bret and Jemaine to hold one over is just a YouTube search away. Even after multiple viewings, it remains some of the funniest stuff I’ve seen in ages.

And with new episodes come new songs, and with new songs comes a new album, a follow-up to last year’s self-titled effort, the whole of which is streaming at their MySpace. It’s due out on April 14, as soon as the second season wraps though each episode’s new song will be available online immediately after the show airs each week – details on that at Billboard. The AV Club has an extensive interview with Bret and Jemaine about the upcoming season, The National Post has a feature and NPR had the band/show/comedy act on the air yesterday for a talk and Buzzsugar talks to super-stalker/fan Kristen Schaal. But the piece of preliminary press that most caught my attention was this item at Filter (whose Summer 2008 cover story is also worth reading) – not because of what it says, but the photo attached – have a look at Jemaine’s tote bag. Is that a Sloan shout-out or is there another Jay and Chris and Patrick and Andrew out there?

“Baguette!”

MP3: Flight Of The Conchords – “Business Time”
MP3: Flight Of The Conchords – “Ladies Of The World”
Video: Flight Of The Conchords – “Ladies Of The World”
Video: Flight Of The Conchords – “Hiphopopotamus vs. Rhymenoceros” (episode excerpt)
Video: Flight Of The Conchords – “Inner City Pressure” (episode excerpt)
Video: Flight Of The Conchords – “Bowie” (episode excerpt)
MySpace: Flight Of The Conchords

Metro profiles Land Of Talk, playing tomorrow night at the Horseshoe.

Chart has details on Gentleman Reg’s new album Jet Black, which will finally be available on February 24. He will mark the day with an in-store that evening at Soundscapes at 6PM and play a proper set on March 12 at the Horseshoe as part of Canadian Musicfest.

Reuters talks to M Ward about new album Hold Time – not out till February 17 but currently streaming at NPR.

Stream: M Ward / Hold Time

There’s a lovely new video for the title track of Emmy The Great’s debut First Love, out February 2.

Video: Emmy The Great – “First Love”

Rolling Stone Q&As Steve Earle.

There’s a first MP3 available from Elvis Perkins In Dearland’s forthcoming self-titled album, out March 10.

MP3: Elvis Perkins In Dearland – “Shampoo”

Even though there’s no information on a new album – everyone’s talking about the old (release date is still February 24!) – there’s a video of sorts for a new song from Neil Young. Shake it, Shakey!

Video: Neil Young – “Fork In The Road”

Get a taste of Neko Case’s new album Middle Cyclones, out March 3. And if you have a blog or iLike profile, check out Anti-blog for info on how going all viral with the track will help out Best Friends Animal Society. Everybody wins. Besides obviously being a good cause, the timing is extra-special because today marks my two-year anniversary as a cat owner, an occasion which he celebrated the other night by demonstrating his uncanny ability to run and puke at the same time. Yay, kitty.

MP3: Neko Case – “People Got A Lotta Nerve”

Laine HurleySo after long, long last we’re less than a month out from the release of Emmy The Great’s debut album First Love. Longtime readers (or anyone who’s been here for the past year) know that I’ve been anxiously awaiting this record for what seems like forever, making do with a makeshift compilation of singles, compilation tracks, demos and live recordings.

But the February 2 release is locked in – it’s already available to pre-order via Rough Trade (with bonus live disc!) and the final tracklisting was recently announced – and I’m pleased that I’m only familiar with six of the 13 tracks, so more than half the record will still be new to me. And I’m also pleased that “24” made the cut – it’s one of my favourite Emmy songs, using the television show as a launching point for a poignant and pointed farewell to a dysfunctional relationship. It’s Emmy at her most mesmerizing, an opinion that puts me completely at odds with this otherwise mostly positive Gigwise review of the album. What can I say, besides that I’m right and he’s wrong.

The MP3 is an audio rip of a videotaped performance from the online program Welcome To Our TV Show, which appeared to be just documents of living room concerts from English artists – watch the Emmy clip (starts at around 1:10) but there’s lots of good stuff to enjoy in the archives.

The Daily Growl has also declared this an Emmy day, and is offering audio rips of a recent BBC session to add to the collection. Which will also bring my percentage of the album’s songs heard up a tad.

MP3: Emmy The Great – “24” (live on Welcome To Our Show, January 2008)
Video: Emmy The Great – “24” (live on Welcome To Our Show, January 2008)

As for the show from which the song draws its inspiration, I justifiably washed my hands of the whole thing after the abominable sixth season but was still persuaded to check out the 24: Redemption TV movie that ran a couple months ago… and it wasn’t bad. Stuck with a two-hour timeline, it was lean and focused and actually pretty engrossing, so I’ll be giving it one more chance when the new season starts up this Sunday night – but it’s on a very, very short leash. The fact that this season is set in DC rather than LA gives hope that the useless mooks from CTU won’t show up too much, but there’s plenty of time for things to go horribly, horribly wrong.

Trailer: 24 season seven

NME lists off their top 10 new acts to look out for in 2009, led by Florence & The Machine, who I’ve already told you to look out for. BBC also thinks she’ll do well this year, placing her third in their “Sound of 2009” new music list.

Pre-orders of Sky Larkin’s debut The Golden Spike will get you the album in MP3 form immediately, as well as a live recording of the album to go along with it. It’s out February 9.

Rumour is now fact – Glasvegas will make their Toronto debut on April 3 at the Mod Club. Tickets are $21 and go on sale this Saturday, January 10. There’s interviews with the band at The San Jose Mercury News and Kansas City Star.

Filter has a typically entertaining interview with Oasis’ Noel Gallagher.

XLR8R gets nostalgic about shoegaze, gets in touch with members of Ride, Chapterhouse, Lush and Slowdive amongst others and charts the scene’s rise, fall, and recent resurrection.

The Guardian checks in on former Long Blondes guitarist Dorian Cox, still recovering from the stroke that felled him last Summer and led to the band’s dissolution.

Electroqueer talks to Patrick Wolf about forthcoming album Battle and getting beaten up by security at a Madonna show.

Robyn Hitchcock discusses the new Venus 3 album Goodnight Oslo, due February 17, with Chart.