Araba FilmsIf there’s one thing Austin, Texas needs during Spring Break, it’s some live music. Particularly in the form of a day party. The past few years I’ve been very lucky to have been able to help put on some fantastic parties with some of my favourite blogger buds. And while the Hot Freaks marque has been put to bed for the time being, I’m very happy to be able to announce that You Ain’t No Picasso, My Old Kentucky Blog, Ultra 8201, Yours Truly and, uh, yours truly, will be presenting Eastbound & Found, a one-day, two-stage to-do that will be held on Thursday, March 18 at 1001 East 6th St – a location that’s a parking lot for 51 weeks of the year but on this occasion will be an epicenter of awesome.

What I like most about these blogger-assembled shows is how random the final results end up being. Without teaming up with a specific label, PR company or booking agency and just pursuing acts based on little more than a “what we like” mandate, we get shows that can veer from the sunny indie-pop of Freelance Whales to the insane guitar heroics of Austin’s own Ume, from the electro-glam of Diamond Rings (Toronto represent!) to giddy Anglo-folk duo Slow Club, right through to our headliner – GZA of the motherflipping Wu-Tang Clan. Eclectic? Yeah, a little.

This party is free and all-ages, though you do have to RSVP – information on that at the Sweet Leaf blog. Many many thanks go out to our sponsors Sweet Leaf Tea, Ziegenbock, Dos Lunas Tequila, Knuckle Rumbler and Car Toys for helping make this happen. And despite what the attached image from Jim Jarmusch’s Coffee & Cigarettes might imply, Bill Murray will NOT be making an appearance at the show. Unless he wants to. If any of you know Bill Murray, do let him know he’s invited?

The (almost) full lineup and set times are as follows:

Stage one:
12:15PM Ragen Fykes
1:10PM Freelance Whales
2:05PM Ume
3:00PM Warpaint
3:55PM The Morning Benders
4:50PM Here We Go Magic
5:45PM Maluca
7:00PM GZA

Stage two:
12:30PM Burnt Ones
1:25PM Diamond Rings
2:20PM Kid Sister
3:15PM Slow Club
4:10PM Danielson
5:05PM Delorean
6:00PM White Denim

MP3: Danielson – “Animal In Every Corner”
MP3: Diamond Rings – “All Yr Songs”
MP3: Freelance Whales – “Generator 2nd Floor”
MP3: The Morning Benders – “Promises”
MP3: Slow Club – “It Doesn’t Have To Be Beautiful”
MP3: Ume – “The Conductor”
MP3: Warpaint – “Elephants”
Video: GZA – “Liquid Swords”
Video: Here We Go Magic – “Fangela”
Video: Kid Sister – “Right Hand Hi”

And some concert news for Toronto folk NOT heading down to Texas next week – not content with playing two nights at The Horseshoe, The Black Lips have added a third local appearance during their visit. They’ll be doing an in-store at Sonic Boom on March 28 at 4PM; admission free with a canned good.

MP3: Black Lips – “Short Fuse”

Jakob Dylan has put together a new band to help perform his new solo record Women & Country, out April 10. They’re called Three Legs and you might know them better as a couple of women in country – Neko Case and Kelly Hogan. That got your attention, eh? Jacob Dylan & Three Legs will be at the Phoenix on April 25.

She & Him – yes, Zooey and Matt – will be hitting the road in support of Volume Two and are going to be at The Phoenix in Toronto on June 9. Tickets are $26.50, the album is out March 23 and the new video is just about the most adorable thing ever.

Video: She & Him – “In The Sun”

Stars have announced they will release their fifth studio album The Five Ghosts on June 22 – details at Chart.

Spinner talks to Metric in advance of their appearance at SxSW where they’ll be opening up for Muse at Stubb’s on the Friday night.

Broken Social Scene also talk to Spinner; they’re doing a couple of shows at SxSW and of course have that Toronto Islands show on June 19. Their new album Forgiveness Rock Record is out May 4.

Continuing on with the Spinner-SxSW interviews (there’s lots of them) – they chat with Venice Is Sinking, whose new album Sand & Lines will be out June 15.

Kunstlicher, The Georgia Straight, The Huffington Post and Spinner have interviews with Midlake. They’re at the Mod Club on May 25.

Spinner talks to The Uglysuit. They’re playing Lee’s Palace at 2AM on Friday night as part of Canadian Musicfest and their MySpace implies they’re making the most of their visit to Toronto with a bunch of other unofficial performances.

Spinner asks some pretty banal questions of Nicole Atkins & The Black Sea.

NPR has a World Cafe session with Holly Miranda.

Filter takes all of the fun out of The Bird & The Bee’s internet scavenger hunt for streams of their new Hall & Oates tribute album Guiltless Pleasures Volume 1: A Tribute To Daryl Hall And John Oates , out March 23.

Spinner and NME have collected a number of tributes from musicians for the fallen Mark Linkous of Sparklehorse. And a couple of worthy reads and listens from the Boston area – Buffalo Tom frontman Bill Janovitz has an essay and Sparklehorse cover at his blog Part-Time Man Of Rock while Bradley’s Almanac is sharing some thoughts and a recording of Sparklehorse’s last show in Boston from 2007.

MP3: Bill Janovitz – “Gold Day”

Frank YangI don’t really want to have to quote myself, but I kind of have to point to my writeup of Woodpigeon’s last visit to Toronto for NXNE 2009 to reinforce the fact that in all the times I’ve seen them perform – four or five as of this show – it has been an almost completely different band and/or configuration and as such, a markedly different personality. The one constant, of course, is singer-songwriter-bandleader Mark Hamilton – and while you’d think that his gleaming, folk-pop compositions would be another thing you could count on, this show proved that they’re not nearly as immutable as you might think.

Support for this show and many of the others on this eastern Canadian jaunt came from Betty Burke, whose name might be new but whose face is familiar to Toronto. Fronted by Maggie MacDonald, recognizable from countless local bands and art projects over the years but mainly known as one of the longest-serving Hidden Cameras, I’m sure there was a complex artistic-cultural mandate behind the project but to my ears, they cultivated a pretty straight country-rockish vibe highlighted by the vocal interplay between MacDonald and guitarist Holly Andruchuk and MacDonald’s between/during-song banter.

I’m rather used to Woodpigeon sounding louder and rockier live than on record – I actually prefer it that way, being able to enjoy the delicate nuances of their music in the comfort of home and the more dynamic versions in the clubs. That said, I was still surprised by how this current lineup of the band rendered the material from Die Stadt Muzikanten and Treasury Library Canada. That they’d do things louder was kind of a foregone conclusion, but rather than simply rearranged, some songs were completely re-imagined. Most notably, the keyboards were tapped to handle some key guitar parts, resulting in “Denial In Argyle” being given a swinging, New Wave-y vibe and “Piano Pieces For Adult Beginners” being transformed into a pretty convincing rendition of sixties-ish psych-rock. Kind of hard to imagine, but there they were.

The price of doing things in an all-new way, however, was paid with precision. I couldn’t say how long this particular configuration of the band had been playing together, but it was clear some gelling was still needed before this could be considered a really cohesive unit. There wasn’t anything really specific that was off, just a sense that they could – and hopefully would – sound better as the tour progressed. On the second night of the road trip, some slop was probably to be expected. By the same token, the guest appearance from Gentleman Reg to cover Jamie Fooks’ parts on the duet “Our Love Is As Tall As The Calgary Tower” wasn’t as sublime as it probably should have been, with Reg appearing to have some difficulty hearing himself. But considering that without him, we probably wouldn’t have heard the song at all, I’ll take it. And that largely went for the show – considering how infrequently they make it over to this part of the country, slightly imperfect Woodpigeon is better than none at all.

The Whig-Standard talks to Woodpigeon’s Mark Hamilton.

Photos: Woodpigeon, Betty Burke @ The Drake Underground – February 11, 2010
MP3: Woodpigeon – “Empty-Hall Sing-Along”
MP3: Woodpigeon – “Morningside” (live)
MP3: Woodpigeon – “Knock Knock”
MP3: Woodpigeon – “A Moment’s Peace For Mary Christa O’Keefe”
MP3: Woodpigeon – “Love In The Time Of Hopscotch”
MP3: Woodpigeon – “Oberkampf”
MP3: Woodpigeon – “Lay All Your Love On Me”
Video: Woodpigeon – “A Moment’s Peace for Mary Christa O’Keefe”
Video: Woodpigeon – “…A Given”
Video: Woodpigeon – “Home as a Romanticized Concept Where Everyone Loves You Always and Forever”
MySpace: Woodpigeon
MySpace: Betty Burke

MusicOmh talks to Joel Gibb of The Hidden Cameras, while Clash gets some background on their recently-released video for “Underage” from director Scott Cudmore.

Video: The Hidden Cameras – “Underage”

Check out a new track from Woodhands’ new record Remorscapade. They’re at the Opera House on March 11.

MP3: Woodhands – “Dissembler”

PitchforkTV has the debut of the new video of their favourite Torontonian electro-pop act, Diamond Rings. He’s got two Canadian Musicfest shows coming up – March 11 at The Garrison and March 12 at The Silver Dollar.

Video: Diamond Rings – “Wait And See”

Spinner talks to Bruce Peninsula, who are making their inaugural visit to the US in March en route to SxSW. Upon their return, they’ll play a hometown show at The Garrison on March 25, tickets $10.

Sloan have put their digital b-sides compilation B-Sides Win up for sale at their website.

And yes, I did indeed miss every single night of Wavelength 500 – real life won out. But the celebrations sounded epic – check out BlogTO for coverage – so I guess I’ll just say congratulations, farewell and hopefully see you soon.

Frank YangIf you were at The Garrison on Friday night and felt a sense of deja vu, it was with good reason. Though the occasion was the third anniversary party for Toronto label Out Of This Spark, you might have also been at the second anniversary party a year ago at The Tranzac which featured 3/4 of the same performers in The D’Urbervilles, Forest City Lovers and Jenny Omnichord, or maybe the Evening Hymns release show in December, or perhaps at the Summerworks show in August which showcased The D’Urbervilles and Forest City Lovers, both separately and together. Maybe you were at one of these shows. Maybe you were at all of them. I was, anyways, and so trying to write this one up without overtly repeating myself is a bit of a challenge. But here we go.

As with last year, Jenny Omnichord (née Mitchell) was batting leadoff, armed with a couple of her namesake electronic instruments and a brace of odd and entertaining songs and banter. Her stuff was unapologetically twee and childlike, but also with a distinct streak of black humour running through them. Not necessarily the sort of stuff I’d listen to on my own, but as a way to kick off an evening, you could do far worse.

Following her were Evening Hymns, who’d crafted one of my favourite records of last year in Spirit Guides and while many artists spend their careers trying to capture the energy of their live show on record, the challenge of Evening Hymns is how to recreate the scope and grandeur of the album on stage. They came close at the record release show, but that required something like a dozen players and liberal use of smoke machines. This time out, they were a compact five-piece unit less concerned with recreating the songs as they were recorded than rendering them as best they could with what they had, and by and large it worked. While it was clear there was still some gelling necessary before they’d be at their best, all the parts needed to do these songs justice were in place – if this is the unit to take Spirit Guides on the road and out into the world, then it’s in good hands.

Much of the appeal of Forest City Lovers is their understatedness, and the way their melodic folk-pop insinuates itself into your mind subtly, rather than jump all about in your face. That said, it’s been quite nice to see them becoming more engaging and extroverted with each show and release of new music without losing those qualities – in particular, the two sides of their recent “Phodilus and Tyto” 7″ don’t even clock in at seven minutes, but offer a very exciting look at where their third album, currently being recorded, could be heading. Goodness knows they were the highlights of their live set, and considering the selections from Haunting Moon Sinking and The Sun And The Wind were no slouches, that’s saying something. The new record is easily one of the local releases I’m most looking forward to this year.

Considering how quickly frontman John O’Reagan’s Diamond Rings electro-pop solo project has taken off, it would be understandable if he opted to shelve the rock keep the eyeshadow on all the time. But happily, the man can multitask and The D’Urbervilles are wrapping up work on a new record and a number of new tunes were showcased in their set. Each time I see them, I further appreciate how they manage to evoke New Wave-ish/dance-rock touchstones without sounding like every other New Wave-ish/dance rock acts. Their set was short, punchy and would have been a fine cap to the evening and a testament to the quality of talent on the label, but they weren’t quite done yet.

As they did at the Summerworks show, the encore for the entire night brought Jenny Omnichord, Forest City Lovers and The D’Urbervilles out on stage together to perform one each of their songs in massive lineup-style. It wasn’t quite the prepared reimagining of the material as they’d done in August, but still good fun to see and hear regardless. And then they were done.

Narratives and Singing Lamb also have reviews of the show. Many of the performers are in action again over the next while – Forest City Lovers frontwoman Kat Burns is opening up solo-style for Asobi Seksu at the Drake on February 1, Evening Hymns are at the Music Gallery on February 10 as part of Wavelength 500 and The D’Urbervilles are opening up for Fucked Up at the Opera House on February 26.

Photos: The D’Urbervilles, Forest City Lovers, Evening Hymns, Jenny Omnichord @ The Garrison – January 22, 2010
MP3: The D’Urbervilles – “Dragnet”
MP3: The D’Urbervilles – “Spin The Bottle”
MP3: The D’Urbervilles – “Hot Tips”
MP3: Forest City Lovers – “Scared Of Time”
MP3: Forest City Lovers – “Oh Humility” (live)
MP3: Evening Hymns – “Dead Deer”
MP3: Evening Hymns – “Broken Rifle”
MP3: Evening Hymns – “Cedars”
Video: Forest City Lovers – “If I Were A Tree”
Video: Forest City Lovers – “Pirates”
Video: Forest City Lovers – “Song For Morrie”
Video: Forest City Lovers – “Please, Don’t Go”
MySpace: The D’Urbervilles
MySpace: Forest City Lovers
MySpace: Evening Hymns

Speaking of Diamond Rings, the final seven copies of their split-7″ with PS I Love You – which with a “Best New Music” honorific for each of its sides may well be the best–reviewed piece of music in the history of Pitchfork, at least from a linear or temporal density perspective – are now up on eBay with new hand-screened arwtork and signed by the artists, and with proceeds of the auction going to Haitian relief efforts. Diamond Rings also has a couple of Canadian Musicfest showcases announced – March 11 at the Garrison and March 12 at The Silver Dollar – to go with their February 11 show at the Steam Whistle Roundhouse for Wavelength 500.

MP3: Diamond Rings – “All Yr Songs”
MP3: PS I Love You – “Facelove”

Pitchfork has details on the new album from Caribou, entitled Swim and due out April 20 – get the first MP3 in exchange for your email address.

Woodpigeon has paid tribute to the passing of Kate McGarrigle with a cover of what is probably their most famous song to those of a certain generation who grew up watching NFB shorts – “The Log Driver’s Waltz”. Woodpigeon plays the Drake Underground on February 11 and have an in-store at Soundscapes on February 14.

MP3: Woodpigeon – “The Log Driver’s Waltz” (live)

Celebrate the release of Basia Bulat’s new album Heart Of My Own today with a stunning performance of “The Shore” for Le Blogotheque’s Takeaway Shows, video sessions and interviews at Baeble Music’s Guest Apartment and interviews at The National Post, Canadian Press, Exclaim and Ca Va Cool.

Macleans has made available online the feature piece on Owen Pallett that came out of the multi-part interview posted at Radio Free Canuckistan last week. Pallett also plays cover boy of this month’s Exclaim, which I’ll link up when it goes up later today is live. He plays the Queen Elizabeth Theatre on April 8.

Southern Souls have posted a video session with The Balconies. They’re at the Drake Underground on February 10.

Kelowna.com talks to Joel Plaskett. He and the Thrush Hermit reunion are at Lee’s Palace on March 26 and 27.

Soundproof has an interview with Amy Millan, who is putting the solo thing on the back burner this year with both new Broken Social Scene and Stars records in the works.

Singing Lamb chats with Ohbijou’s Casey Mecija.

Those disappointed by the collateral damage from Fanfarlo’s canceled show last December will be pleased to know that the opener, Freelance Whales, will be joining the previously-announced Cymbals Eat Guitars tour and be at the El Mocambo on April 6. Express Night Out and The AV Club have features on the band, whose debut Weathervanes is getting a re-release on March 16.

And the best news of yesterday was that The National’s new album – previously rumoured to be entitled Shine but currently nameless – will be out in May and they’ll be on tour shortly thereafter with a Toronto date at Massey Hall on June 8. Massey Hall. This will be majestic. Ticket presale goes this morning at 10AM – your password is “bloodbuzz” – with tickets ranging in price from $32.50 to $53.50.

Grand CrewSo everybody’s holidays going well? Been catching up with friends and family, perhaps indulging in a little post-holiday retail therapy? That’s largely been my last few days, and in between all that, watching lots and Lost and lots of television. So in the spirit of that sloth, here’s some stuff for y’all to watch – particularly if you, like me, are stuck at work this week.

Grand Crew is a site based out of France that I hadn’t heard of until last week, when they began spreading the word that they had a beautifully-shot, wonderfully recorded and intelligently-presented – check out the timeline/song-selector at the bottom – multi-camera concert of a solo Mountain Goats show in Paris from October of this year. John Darnielle and company have yet to tour The Life Of The World To Come up this way – hopefully in the new year – so until then, this recording will have to suffice. And wholly impressed by this show, some digging through the archives revealed similarly high-quality performances from The Big Pink, The xx and Micachu, amongst others. Worth taking some time out to enjoy, and that club looks beautiful to shot in – tasteful smoke machine, front-lighting… my shutter button-finger is getting twitchy.

The Big Pink are at the Mod Club on March 24. The xx are at the Kool Haus on April 20.

Video: The Mountain Goats @ Point Ephémère, Paris – October 13, 2009
Video: The xx @ Point Ephémère, Paris – April 29, 2009
Video: The Big Pink @ Point Ephémère, Paris – April 29, 2009
Video: Micachu & The Shapes @ Point Ephémère, Paris – April 21, 2009

Also coming out of Paris are a couple more noteworthy performance courtesy of La Blogotheque – a Take-Away Show from The Antlers and a Soiree de poche (pocket evening?) from The Dodos.

A bit closer to home, Southern Souls have posted a new performance from Diamond Rings, who you have no shortage of opportunities to see live over the next while – he’s performing at the big Tranzac New Year’s Eve throwdown happening, um, New Year’s Eve at the Tranzac, then opening up for Owen Pallett at the Mod Club on January 12 then at the Roundhouse on February 11 as part of Wavelength 500. And now’s as good a time as any to remind you that The D’Urbervilles, aka Diamond Rings’ rock’n’roll outfit, are playing The Drake Underground tonight as part of What’s In The Box. Spinner talks to John O’Regan about how things are coming with The D’Urbs’ next record.

And finally, Ohbijou stopped in at Toro Magazine’s studios for a video performance of “Jailbird Blues”.

Jeremy R. JansenA birthday party is a bit of an odd time to announce a memorial, but such was the case this past February when, at the end of the successful 9th anniversary bash for Toronto’s venerable Wavelength weekly music series, it was announced that the 2010, 10th anniversary shows would also mark the final edition of the showcase… at least in its present form. While the weekly showcases are ending, the Wavelength marque and ethos will continue on via monthly showcases and one-off events, thus ensuring that the stages that gave countless Toronto acts – including Broken Social Scene, The Hidden Cameras and Constantines to name but a very few of the better known – will remain open and inviting.

But before the new Wavelength can begin, the old must be celebrated and put to bed, and that’s what the second weekend of February is going to be all about. Wavelength 500 will bring together acts from all throughout its history, some of whom have gone on to bigger things and some who have simply gone but all of whom are crucial parts of Toronto’s musical tapestry over the past decade. The festival will run over five nights at five venues, starting on February 10 and running through to February 14 for what’s sure to be the loudest, sweatiest Valentine’s Day bash on record. The lineups and locales for each night are as follows:

February 10 @ The Music Gallery: Bruce Peninsula, Evening Hymns, Pony Da Look, Deep Dark United, Canaille ($12)
February 11 @ The Steam Whistle Roundhouse – Holy Fuck, The Russian Futurists, Fembots, Diamond Rings, Professor Fingers ($18)
February 12 @ Sneaky Dee’s – From Fiction, The Bicycles, Laura Barrett, Magic Cheezies, Young Mother ($12)
February 13 @ The Polish Combatants Hall – Constantines, Rockets Red Glare, Donne Roberts, Picastro, Danger Bay ($20)
February 14 @ The Garrison – Kids On TV, Barcelona Pavilion, Mean Red Spiders, Neck, Boars (PWYC)

Advance tickets for the first four nights are available at the prices noted, while the fifth and final night will be pay-what-you-can. In addition, festival passes guaranteeing admission to all five shows will go on sale January 7 at the wholly reasonable price of $50. The timing of the festival is a bit unfortunate as there’s a lot a lot of other stuff going on before, during and after that weekend, but it’s not Wavelength’s fault – they’ve had this date circled on the calendar for, oh, a decade.

MP3: Laura Barrett – “Robot Ponies”
MP3: Bruce Peninsula – “Crabapples”
MP3: Canaille – “Vincent Massey” (live)
MP3: Constantines – “Nighttime Anytime It’s Alright”
MP3: Diamond Rings – “All Yr Songs”
MP3: Evening Hymns – “Dead Deer”
MP3: Fembots – “Good Days”
MP3: Holy Fuck – “Lovely Allen”
MP3: Picastro – “Hortur”
MP3: The Russian Futurists – “Paul Simon”

Constantines are no strangers to anniversary parties, having just wrapped up four Toronto shows to mark their own decade mark this past weekend. Spinner talked to frontman Bry Webb about the milestone.

Southern Souls is featuring a couple of video performances from Evening Hymns, who in addition to playing the Wavelength anniversary will be at the Garrison on January 22 for the Out Of This Spark 3rd anniversary show, alongside The D’Urbervilles, Forest City Lovers and Jenny Omnichord. Evening Hymns are also on HeroHill’s “best of 2009” list with a couple of unreleased tracks up for grabs and interviews with many of their picks.

Forest City Lovers frontwoman Kat Burns offers a couple of solo performances and an interview in this video feature from The National Post.

BlogTO has a feature on the Third Floor Sessions which have been happening at Ryerson University and yielding downloadable sessions from the likes of Ohbijou and The Wooden Sky… and yes, that is your cue to make with the clicky and download the goods (while watching the videos, of course).

NXEW is offering a free Christmas EP from Oh No Forest Fires that’s probably louder and fuzzier than your usual holiday fare. Thank goodness.

The Line Of Best Fit’s “Oh! Canada” series of compilations is also back with another volume, just in time for the holidays. Go get.