Gary Isaacs2010 has been kind of a watershed year for great records. I did some math back in April about how many acts who’ve appeared on past year-end lists were in contention for this coming one, and the result was pretty impressive, and that doesn’t account for new discoveries in the past 10 months. To wit, 2011 will have a hell of an act to follow. But, as a flurry of announcements and press releases yesterday will testify, it’s not without a few releases worth getting excited about.

Starting with Portland folk-rock faves The Decemberists, who invite no shortage of “January-ist” jokes by slating the release of their follow-up to 2009’s rock opera The Hazards Of Love for January 11 18. Presumably less conceptual than its predecessor (it couldn’t possibly get more), it will wear Colin Meloy’s Morrissey adoration on its sleeve/spine, being entitled The King Is Dead. Direct Currents has details and the track listing. Update: The first MP3 is available to download, via email widget, on their website now. Update 2: Release date confirmed as January 18 by Pitchfork.

Ritual, the second album from UK’s White Lies has gotten a confirmed North American release date of January 18.

MP3: White Lies – “Death” (Crystal Castles remix)

Denver’s DeVotchKa have announced details of their first album since 2008’s A Mad & Faithful Telling. The record will be entitled 100 Lovers and be out February 15. Telling didn’t elicit as much swooning as its 2004 predecessor How It Ends, but when no one else out there operates in the same terrain where gypsy, mariachi, folk and rock stylings overlap, any new release is cause to celebrate. Hopefully they’ll include Toronto in any tour routing, as they haven’t played a headlining show here since June 2006 – they were here this past Spring, but only as support for the more popular but less interesting Gogol Bordello.

MP3: DeVotchKa – “Along The Way”

Adele has revealed her second album will be entitled 21, ensuring that it’s at least two better than her debut 19, and be released on February 22 of next year. She talks to Spin about the new record.

Drive-By Truckers had originally intended to release two albums this year – the first being The Big To-Do back in March – but sanity has prevailed and they’ll settle for releasing two albums in the span of less than a year. Go Go Boots will come out on February 15 and, leading up to its release, the band will be previewing the new songs via live performance video clips.

Video: Drive-By Truckers – “Used To Be A Cop”

Death Cab For Cutie haven’t gotten so far along with album number seven to be able to give it a title or release date, but as Ben Gibbard tells Spin that it’ll be out in the Spring and that he really likes it.

Fact reports that Patrick Wolf will be giving vinyl-philes an early taste of his next record, making the 7″ of his new single available on December 6 but hanging onto the CD and download editions until March, a much more sensible timeframe considering the album is out in May. Personally, I’m more interested in hearing the b-side to that 7″ – a cover of Leonard Cohen’s “Anthem”. I have no idea what that might sound like but I really want to find out.

The Toronto date of the just-announced Winter tour teaming up Tokyo Police Club with Two Door Cinema Club clearly should have been booked into the Mod Club, but instead it will be happening on January 15 at the Kool Haus, tickets $20. They should at least borrow/duplicate Guided By Voices’ “The Club Is Open” sign.

MP3: Two Door Cinema Club – “Something Good Can Work”
Video: Tokyo Police Club – “Bambi”

If you’ve no interest in catching them open up for U2 at the ACC next Summer (July 12) and either missed or didn’t get enough at their Kool Haus show in August, Interpol are going to be at the Sound Academy on February 15, tickets $30 in advance. Creative Loafing interviews drummer Sam Fogarino.

MP3: Interpol – “Lights”

The Los Angeles Times talks to Kevin Barnes of Of Montreal.

Local Natives have put out another video from Gorilla Manor.

Video: Local Natives – “Who Knows Who Cares”

The Vine talks to Laura Ballance of Superchunk, who celebrated Hallowe’en this weekend by giving away a Misfits cover. They play the Sound Academy on December 9 opening up for Broken Social Scene.

MP3: Superchunk – “Horror Business”

Pitchfork gets all POV in session with Titus Andronicus.

JAM talks to Elvis Costello, whose new record National Ransom is out today.

Stuart Braithwaite of Mogwai tells NME where they came up with the title of their new record. Hardcore Will Never Die, But You Will is out on February 15 of next year.

Mother Jones chats with Basia Bulat.

Spinner talks to Daniel Lanois about he and Neil Young’s pet names for one another whilst making Le Noise, and I’m embarrassed to say I did not make the connection between the album title and Lanois’ surname until, well, right now.

Sebastian Mlynarski When I rounded up all the bits of information around Holly Miranda’s solo project back in January, I had no notion that interest in it would eclipse that given to her main band, The Jealous Girlfriends. But her more atmospheric approach is certainly more in line with what people expect/want to hear wafting out of Brooklyn these days and it has apparently tickled more ears than the Girlfriends’ heaver, more guitar-driven rock did.

So while the Girlfriends take a deserved break, Miranda has been busy – a debut limited edition EP in Sleep On Fire was released earlier this Summer and followed up with some high-profile touring supporting The Antlers, and with the release this week of the Forest Green Oh Forest Green 7″ single, she’s back on the road with Friendly Fires and The xx. All of which should generate no small amount of anticipation for her debut full-length, details of which were just announced.

The Magician’s Private Library will be out on February 23 of next year on XL Recordings, and while it was unclear at the start of the year if that was the album title or just the name of her blog, apparently it’s both. And if it lives up to expectations, it’ll be great. Hopefully not so great as to render the Jealous Girlfriends unnecessary and defunct, though – that’d be a shame.

Dummy has an interview with Miranda about her solo work while The Daily Growl solicits a list of seven songs.

MP3: Holly Miranda – “Forest Green Oh Forest Green”
MySpace: Holly Miranda

Laundromatinee has posted up the second part of their studio session with The Antlers, the first part having surfaced back in September. The Dallas Observer also has an interview with Peter Silberman.

Pitchfork and Spinner talk to The Hold Steady’s Craig Finn about the impending digital reissues of his first band Lifter Puller’s entire oeuvre.

Paste talks to Interpol drummer Sam Fogarino, who reveals that they’re aiming to have their fourth album out in the early part of 2010. After Paul Banks is done pretending he’s someone else who, in turn, is a skyscraper. Or something. Banks attempts to clarify in talking to Spinner.

Magnet picks out Sonic Youth’s five most overrated and underrated songs. Carrie Brownstein interviews Thurston Moore for NPR and The Boston Globe puts his iPod on shuffle.

The Bay Bridged and WOXY have downloadable sessions with Thao with The Get Down Stay Down. Thao has also contributed a piece to Bitch about the art of the break-up song.

Pitchfork reports that The Decemberists have commissioned a full-length animated version of their latest album Hazards Of Love. Here Come the Waves: The Hazards of Love Visualized will be available for download from iTunes as of December 1, and will look something like this.

Trailer: Here Come the Waves: The Hazards of Love Visualized

The Globe & Mail, Canada.com and Dose.ca have features on The Rural Alberta Advantage, who have a sold-out show at Lee’s Palace tonight.

Sloan will release a digital-only EP entitled Hit & Run next week, on November 23.

Nouvelle Vague, the French outfit whose gimmick of recasting ’80s punk and New Wave songs as loungey ’60s Bossa Nova numbers has proven surprisingly resiliant – NV3 is their third album – have set a date at the Opera House on January 27, tickets $24.50 in advance.

MP3: Nouvelle Vague – “Master & Servant” (featuring Martin Gore)
MP3: Nouvelle Vague – “Ca Plane Pour Moi”
MP3: Nouvelle Vague – “Guns Of Brixton”

Noah & The Whale have released a video for the title track from their latest, First Days Of Spring.

Video: Noah & The Whale – “First Days Of Spring”

NPR is streaming a World Cafe session with Fanfarlo while The San Francisco Examiner talks to frontman Simon Balthazar. They’re at the El Mocambo on December 15.

Pitchfork talks to Alexis Taylor of Hot Chip. Their new record One Life Stand is out February 9 and they play the Kool Haus on April 20.

MySpaceIf it were possible to monetize pure musical oddity, then not only would Iceland’s economic problems be a thing of the past, they might well be the world’s top fiscal superpower. Yes, the likes of Bjork and Sigur Ros would guarantee a GDP many times greater than the rest of the planet, but the tiny country’s smaller exports would also help push things forward – case in point, Sprengjuhollin (it’s pronounced the way it’s spelled. Go on, try).

The Reykjavík quintet don’t wave their freak flag nearly as high as their more famous countrymen, preferring to draw inspiration from their no-doubt substantial collection of Mod-era LPs rather than by communing with snow fairies out on the fjords, but assuming them to be straight pop purveyors, as their English-language singles might imply, would be unwise. Because while tracks like the orchestral folk-pop of “Worry Till Spring” might act as an easily accessible point of entry for their second self-titled album, once inside it’s a much stranger place. The majority of songs are in Icelandic and are given to more warped trajectories, at times recalling Dungen in their psychedelic inclinations, but always remaining concise and more importantly, hooky. You don’t need to speak the language to hum along.

Sprengjuhollin were around back in the Winter for Canadian Musicfest and both won folks over and were won over themselves – they’re returning for an eastern Canadian tour that will start and end in the Maritimes but swing through Ontario next week for a couple of Toronto dates – one on October 24 at the Rivoli and another on October 25 at Rancho Relaxo. The band were also an eMusic Selects pick last Summer – check out the feature piece for an interview with the band and a guided tour of the last record.

MP3: Sprengjuhollin – “Worry ‘Til Spring”
MP3: Sprengjuhollin – “Tonight”

Peter Bjorn & John have released a video for the title track of their latest Living Thing, which they’ll (again) bring to the Phoenix on November 11.

Video: Peter Bjorn & John – “Living Thing”

The National Post has an interview with Sune Rose Wagner of The Raveonettes, whose new album In And Out Of Control is shockingly good. By shockingly, I mean they no longer sound like a band that I always feel like I should like more than I do, and like a band that I could actually really like. They’re at the Phoenix on October 22.

MP3: The Raveonettes – “Last Dance”
Video: The Raveonettes – “Last Dance”

Spinner is featuring an Interface session with Mew. Babelgum is also presenting a 30-minute feature on the band recorded at a special gig at London’s Institute of Contemporary Arts.

Donewaiting has an interview with Wye Oak.

The deluxe edition of School Of Seven Bells’ 2008 debut Alpinisms is out today and available to stream – second disc of remixes and bonus tracks included – at Spinner. They also recently announced they’ve given their second album, due out next year, a title – Disconnect From Desire – expect to hear some of those new songs on Thursday night when they play Lee’s Palace.

Stream: School Of Seven Bells / Alpinisms

Anika In London discusses matters of cosmic import, such as take-out food, with The Antlers.

Clash talks to Wayne Coyne of The Flaming Lips. Embryonic is out today

The Decemberists have released a first video from this year’s The Hazards Of Love.

Video: The Decemberists – “The Rake’s Song”

John Darnielle of The Mountain Goats gives eMusic a list of his favourite religiously-themed records and offers a more conventional interview to Tiny Mix Tapes.

Over at Asthmatic Kitty, Sufjan Stevens interviews current tourmate and bandmate Nedelle Torisi of Cryptacize. They’re at the El Mocambo on November 7.

Ume – the toast of both SxSW and NXNE if I’m to be believed – are embarking on another northeast/Canadian tour and will be at the Horseshoe on November 3 for a free show. The occasion is the Canadian release of their Sunshower EP on October 27.

MP3: Ume – “Pendulum”
MP3: Ume – “The Conductor”

The Dodos talk to Spinner, Chartattack, New York Press, The Brooklyn Paper, The AV Club and The Diamondback. They’re at Lee’s Palace on Friday Saturday night.

I Heart Music has ripped a CBC session from Woodpigeon for you to keep for your very own. Their new album Die Stadt Muzikanten is out January 12.

The first part of the Wooden Sky tour documentary A Documentary In Pieces is now online for your viewing pleasure. They have a date at Lee’s Palace on November 13

In addition to their November 7 show at the North York Central Library, Bruce Peninsula have set two dates at the Music Gallery for November 27 and 28.

Frank YangEverything I have to say about The Antlers’ record Hospice has already been said, so I’ll focus squarely on their live performance which I was able to witness yesterday evening despite opting to see Joe Pernice at the Dakota rather than their show at the Horseshoe, thanks to their booking an in-store at Criminal Records before either got underway.

While they could easily have gotten away with doing something simple, short and stripped-down, the fairly packed store was instead treated to something akin to a full and proper set, fully plugged-in and running 40 minutes plus. And it’s just as well, because that extra volume and amplification was crucial to the impact of the set (not to mention allowing keyboardist Darby Cicci to be heard at all). Where the recorded versions of the songs were built on foundation of tension and delicacy, the live renderings were much grandiose in scale – bigger and bolder without compromising the fragile atmospherics so integral to the songs. Rather than evoking images of hospitals, they felt like cathedrals, and perhaps most importantly, felt more uplifting than despairing. The lyrical content of the songs didn’t come across so pointedly, instead taking a back seat to the rawer, more visceral impact of the sound.

So while sorry to have missed their show proper, I’m thankful to have caught close to a proper show and still got to see Joe Pernice, all before the cold which has been stalking me the last couple weeks finally took me victim. Achoo.

Photos: The Antlers @ Criminal Records – September 24, 2009
MP3: The Antlers – “Two”
MP3: The Antlers – “Two” (remastered)
MP3: The Antlers – “Bear”
MP3: The Antlers – “The Universe Is Going To Catch You”
MP3: The Antlers – “On the Roof”
MP3: The Antlers – “Stairs To The Attic”
MP3: The Antlers – “Cold War”
MP3: The Antlers – “Keys”
Video: The Antlers – “Two”
MySpace: The Antlers

And if you opted to see The Antlers last night rather than Pernice, know that Joe will be making an appearance at Word On The Street this Sunday at Queen’s Park. Not performing, but being interviewed at 4PM – though there’s nothing to say he won’t spontaneously break out into song. Details in his cover feature from this week’s eye.

SFAppeal, The Dallas Observer and The Arizona Daily Star talk to The Pains Of Being Pure At Heart.

School Of Seven Bells’ Alpinisms, a highlight of 2008, will be getting a re-release with a second disc of remixes and alternate takes on October 13 – almost just in time for their Fall tour which brings them to Lee’s Palace in Toronto on October 15. Pitchfork has one of the tracks from the bonus disc available to download. The Diamondback and Austinist have interviews with the band.

MP3: School Of Seven Bells – “Iamundernodisguise” (alternate version)

The Hook questions Decemberist Chris Funk.

Spin questions. Monsters Of Folk answer. On November 2, they perform at Massey Hall.

Austinst talks to John Vanderslice, who’s made a demo MP3 from Romanian Names available to download in support of an upcoming 7″ single for “Too Much Time” due out October 6.

MP3: John Vanderslice – “Too Much Time” (demo)

Good news – Ted Leo & The Pharmacists will have a new record out in the early part of next year. Better news – it’s coming out on Matador.

To anyone thinking about attending the October 24 White Rabbits show – note that it has been moved from the Drake to the Horseshoe, and rather than an early show it’s now a regular/late show. Adjust your plans accordingly. You have a month to do so.

Soundproof talks to Reverie Sound Revue.

There’s a new MP3 available from The Wooden Sky’s new album If I Don’t Come Home You’ll Know I’m Gone – they’re at Lee’s Palace on November 13. The Sudbury Star talks to frontman Gavin Gardiner.

MP3: The Wooden Sky – “Bit Part”

Spinner gets to know Dog Day and suggests you do the same. They’re at the Horseshoe on November 5.

Young Galaxy have set a date at the Horseshoe for November 13, tickets $10.

MP3: Young Galaxy – “Long Live The Fallen World”

Mew have released a new video from No More Stories.

Video: Mew – “Repeaterbeater”

Filter chats in two parts with Mum, who’ve also made Magnet a mix tape. They’re at the Phoenix on October 27.

MP3: Mum – “Illuminated”

Rob Sheridan & Tamar LevineThey do try their best, I believe that, but it might be time to declare any Virgin Festival in Canada to be well and truly cursed. Don’t get me wrong, despite everything, I’ve always had a great time at the three in Toronto thus far, but you can’t really say they’ve gone smoothly. In 2006, they lost one headliner in Massive Attack (Broken Social Scene wasn’t a bad pinch hitter at all, but that it was necessary was unfortunate) and then there was the infamous 15-minute set from The Flaming Lips. The 2007 edition fared a bit better but still lost Amy Winehouse and Peter Bjorn & John without equal calibre replacements. Last year saw the the headliner famously assaulted onstage.

And that’s just the Toronto editions. As the rumour goes, last year’s Vancouver edition was cancelled outright after Pemberton poached Coldplay as headliner. And this year, after keeping silent well into the Spring as to whether there’d even be a festival this year, they came out and announced five across the country, most of which befell some sort of calamity. Vancouver was struck by lightning and had to cancel the headline set by The Roots. Halifax lost headliners The Tragically Hip at the 11th hour and had to make up for it by making the whole event free. Montreal headliners New Kids On The Block failed to contract food poisoning before their set and were able to perform. I think Calgary managed to avoid any sort of disaster their two years running – good on them.

Which left Ontario. Though still the subject of many complaints, I thought the 2009 lineup was pretty solid – but the decision to hold it an hour north of the city at Burl’s Creek in Oro was met with howls of protest from the 416. And it wasn’t just whinging from those who didn’t like going north of Bloor – there were genuine logistical concerns about transportation, traffic, accommodations and whatnot. But I guess the assumption was that the absence of those who didn’t want to leave the city would be made up for by others in southern Ontario who would find it easier to not drive downtown and a lovely time would be had by all.

Not so much.

An unexpected press release showed up yesterday around noon declaring that due to slow ticket sales and protests about the location, Virgin Festival Ontario had been moved from Burl’s Creek to the Molson Amphitheatre in downtown Toronto, barely two weeks before the event was scheduled to happen. Considering that many/most who had decided to go had already made travel and lodging arrangements, myself included, this wasn’t as much of the gift as it may have been intended to be. For example, I was able to get a full refund on my hotel room (I don’t camp) – I know others had booked non-refundable rooms. They’re now out a couple hundred dollars. Others who bought tickets early at full price will be justifiably upset that the new pricing structure offers much cheaper options, though refunds for tickets are available so you could trade those in and buy the cheaper Amphitheatre lawns if you just want to grab a piece of sod and chill out for a couple days. Mind you, those already holding tickets have been promised to be given first crack at the Amphitheatre’s floors and 200-level seats, though that may give you an idea of how many tickets were sold in the first place. I can’t say exactly how assignments will go, but it seems that those first in line will get wristbands granting GA floors and then everyone else will get assigned 200-level seating.

And while the festival organizers are assuring that all the announced acts will still perform, there’s other questions, like how the stages will be set up – the Amphitheatre itself can’t easily accommodate a second stage, particularly not one big enough to handle Pet Shop Boys or Pixies, who I would assume would be closing that one out on their respective nights. Which means that the second stage would have to go outside the Amphitheatre grounds and somewhere else in Ontario Place. Looking at the satellite imagery, the spot south of the Amphitheatre is the only logical place it could go but I have no idea what’s there and what might get mangled by a big stage and thousands of concert goers, never mind the fact that this is all going down when the CNE is on and Ontario Place will already be lousy with non-V Fest visitors.

So how will it all end up going down? Will the V Fest brand be able to recover from this year and convince people to return in the future? Will they even try? I have no idea, but am very curious to see. And while I really was warming to the idea of the Burl’s Creek experience (if not the insect bites that would ensue), I can’t say I’m not pleased that like past years, I’ll be able to get there by bike and be able to sleep in my own bed.

Anyways.

They were just here last month opening for Frightened Rabbit but The Antlers have since garnered their own immense buzz for their new album Hospiceand so are are coming back for their own show at the Horseshoe on September 24.

Speaking of shows, after Wilco’s October 14 show at Massey Hall sells out minutes after tickets go on sale this morning at 10AM, look for a second show to be announced for October 15. This comes from a press release for opener Liam Finn which lists both dates at Massey Hall and considering how Wilco have been playing the same venue since 2004 while their fanbase has arguably grown considerably, and the idea of a multi-night stand seems eminently logical though it makes my eight-year streak of seeing every Wilco appearance in Toronto considerably more difficult to maintain. LiveDaily has an interview with Wilco drummer Glenn Kotche.

And if that’s not enough Liam Finn for you, Bumpershine reports that he’ll play his own headlining show at Lee’s Palace on October 29 with Miracle Fortress as support. Finn’s new EP with Eliza Jane Champagne in Seashells is out September 1.

MP3: Liam Finn with Eliza Jane – “Plane Crash”
Stream: Liam Finn & Eliza Jane / Champagne In Seashells

Those waiting for Sufjan Stevens ticket information for the October 1 show, looks like Ticketmaster is your only option. Face value is $17.50 so you’ll be lucky to come away a ducat for under $30, all said and done. Also note: “Tickets cannot be picked up at the outlet. They must be picked by the cardholder, with credit card in hand and photo identification at the venue by the cardholder ONLY”. So there you go.

And Cryptacize, who are touring with Stevens, are the subject of a feature video/audio session over at Luxury Wafers.

MP3: Cryptacize – “Blue Tears” (live on Luxury Wafers)

Antony & The Johnsons have not only covered Beyonce, but they’ve made a video. No Jay-Z, though.

Video: Antony & The Johnsons – “Crazy In Love”

Previously venue-less, the August 30 Throw Me The Statue show will now be happening at The Boat with support from The Brunettes and Nurses. And if you dig on Nurses, they’re back in town on October 15 at the Drake Underground with Le Loup.

MP3: Throw Me The Statue – “Ancestors”
MP3: Nurses – “Caterpillar Playground”
MP3: The Brunettes – “Small Town Crew”
MP3: Le Loup – “Beach Town”

Deerhoof will be doing a free show at Yonge-Dundas Square on September 17, somehow related to TIFF. Is there a Deerhoof documentary premiering that I don’t know about?

MP3: Deerhoof – “+81”

The Flaming Lips have set an October 13 release date for their next album Embryonic. Rolling Stone has details and Pitchfork is streaming a song from the record, and early response to new material from those who’ve lost interest in the band nearly as much as I have is quite positive.

Spinner and Billboard talk to Death Cab’s Ben Gibbard and Son Volt’s Jay Farrar about their work on One Fast Move or I’m Gone, the soundtrack album for a documentary on Jack Kerouac by the same name. The album will be out October 20 and there are plans for a tour to follow.

Video: Jay Farrar – “San Francisco”
Trailer: One Fast Move or I’m Gone: Kerouac’s Big Sur

Laura Marling discusses her plans for album number two with BBC.

The Pittsburgh Post-Gazette talks to Decemberists guitarist Chris Funk and The Philadelphia Inquirer to Colin Meloy.

The Dan Deacon show at Sneaky Dee’s on November 3 isn’t his only local date – he’s also at the Great Hall on November 4.

Luxury Wafers talks to Oliver Ackermann of A Place To Bury Strangers. Their new one Exploding Head is out October 6 and they’re at the Mod Club on October 27.