Tom Henry JonesBy nature, I’m an album guy and prefer to let my impressions of an artist unfold over forty minutes or so. But sometimes I get swept up in the joy of the single – the one individual song – and give the “repeat” button on my CD player a workout that more than makes up for its usual state of neglect. Such was the case of “Nitrogen Pink”, the first single from UK singer-songwriter Polly Scattergood (her real name).

Musically, it unfurls from a simple, unadorned intro to a thing of great sonic grandeur in the span of five minutes, sounding like the finale to a musical set in the distant future. Not a new trick, but when executed properly – as it is here – it’s always impressive. But the centerpiece is Scattergood’s voice, a wonderfully expressive and elastic thing capable of evoking tremendous strength and utter frailty within a single phrase. Like many of her female English singer-songwriters peers do these days, Scattergood owes an immense debt to the influence of Kate Bush but like the best of that group – Bat For Lashes and Florence & The Machine come immediately to mind – she takes that inspiration and interprets it in a way that’s very much her own.

Her self-titled debut album Other Too Endless is set for a March 9 May 19 release and based on the additional samples available on her Myspace, the addictiveness of “Nitrogen Pink” isn’t a fluke – it sounds like the record will carry forward a fine balance between theatricality and vulnerability. It’s probably a tall order to expect the entire record will tickle my ears to the extent that the first taste has, but I’m hopeful.

MP3: Polly Scattergood – “Nitrogen Pink”

Yesterday was – after long last – the release date for Emmy The Great’s debut First Love and as much I’d have liked to be able to mark the occasion with a review, my copy is still somewhere between the UK and here (hopefully). So my gushing praise will have to wait for another day – instead, I’ll link to the slew of press clippings that have accompanied the release, which are worth the read because Emmy is as entertaining an interview as she is a songwriter. There’s features on Ms Moss at For Folk’s Sake, MusicOhm, BBC, Dazed Digital and The Irish Times. And though she did a quick song-by-song annotation of the record forThe Reading Evening Post a few weeks ago, the one she does for Drowned In Sound is considerably more in-depth. And also as part of what Drowned In Sound have declared “Emmy The Great week”, Emmy turns from interviewee to interviewer turning the spotlight on artists she deems worthy of attention. So far she’s talked to a couple of her bandmates about their own projects – with Tom Rogerson about Three Trapped Tigers and with Euan Hinshelwood about Younghusband – as well as with with Shilpa Ray of Shilpa Ray and her Happy Hookers. And to wrap my own “Emmy The Great day”, her session at Bandstand Busking is now up, with three songs and an interview.

And it’s interesting/amusing that a running theme through the interviews is Emmy’s disavowal of the whole “UK anti-folk” scene, particularly between her band and Noah & The Whale, because that’s one of the threads running through this piece in The Independent about, well, the so-called UK anti-folk scene.

And speaking of Noah & The Whale, they’re finally making up that December show which was cancelled when they decided they’d rather work on album number two – entitled First Days of Spring and due out sometime in the Spring – rather than drive around North America in Winter. They’ll be at The Mod Club on April 27, tickets $12.50. The Times checked in with the band while they were in the studio.

MP3: Noah & The Whale – “2 Bodies 1 Heart”

Camera Obscura have released details of their next album and first for new home, 4AD. My Maudlin Career will be out April 21 and they’ve made the title track available to sample.

MP3: Camera Obscura – “My Maudlin Career”

Frightened Rabbit have a new video from The Midnight Organ Fight.

Video: Frightened Rabbit – “Bright Pink Bookmark”

Duffy documents a day in the life of Duffy for The Times.

The Quietus talks to PJ Harvey and John Parish about their forthcoming collaboration A Woman A Man Walked By, out March 30.

Exclaim reports that Beth Orton’s debut album Trailer Park will be getting the deluxe double-CD reissue treatment – look for it March 10.

Sky Larkin, whose debut The Golden Spike was released yesterday, have been keeping a tour diary for Clash and Tourdates.co.uk has an interview with singer Katie Harkin. Said album will be getting a proper North American release this year as their label Wichita Recordings is setting up shop Stateside. They’ve made available a sampler of the first batch of artists they’ll be looking to introduce to folks on this side of the Atlantic.

ZIP: Wichita Recordings sampler

Some additional updates and clarifications on a few recently announced shows. Firstly, the Neil Halstead show at the Drake Underground on March 21 is open to everyone, tickets $20. The invite-only anniversary thing is something else entirely.

MP3: Neil Halstead – “Paint A Face”

Would it have killed Ladytron to have released their new video alongside the announcement of their Spring tour so that I could have rolled it all into one post? Apparently so. Tickets for their April 6 show at the Phoenix go on sale this Friday and will cost your $28.50.

Video: Ladytron – “Tomorrow”

Lily Allen’s April 22 show at the Phoenix has been moved to the Sound Academy, on account of selling out in no time flat. Additional tickets now on sale. Chart has an interview.

Good news – Elbow are coming to town. Bad news – it’s as opener for Coldplay. They’ll be at the Molson Amphitheatre on July 29. Is seeing them play a half-hour set worth buying Coldplay tickets for? That is a question only you can answer.

And last but not least… Le Blogotheque has a Take-Away Show with Tom Jones.

Liam HenryIt’s really of no surprise whatsoever that I misread the offer tied to pre-orders of Sky Larkin’s debut album The Golden Spike, which I reported on a couple weeks back. I had thought that by committing to the purchase, you’d immediately get MP3 downloads of both the album proper and the live recordings of the same songs. As it turns out, you just get the live set.

But that’s okay, because February 9 isn’t that far off and the live version of the record is really pretty good. It’s obviously a bit rawer than I expect the album to be – though not that much, I expect it to be raw – but the je ne sais quoi that I really like about this band is very much in evidence. I think it’s how they disguise a surprising melodic sophistication behind a youthful energy and directness. At first it sounds like scrappy, jagged pop – which it is – but it’s also much more than that. The already-released singles have been consistently terrific and the rest of the album isn’t far off. Can’t wait to hear the proper thing, and they’re definitely on my “to-see” list for SxSW this year.

They recently gave Drowned In Sound a song-by-song commentary on the record and there’s also interviews at This Is Fake DIY and The Yorkshire Evening Post.

MP3: Sky Larkin – “Molten”
Video: Sky Larkin – “Beeline”
Video: Sky Larkin – “Fossil, I”
Video: Sky Larkin – “Molten”
Video: Sky Larkin – “One Of Two”
MySpace: Sky Larkin

In curiously parallel fashion, The Reading Evening Post has album annotations for the other British debut record I’ve got coming to me in the mail hopefully not long after February 9 – Emmy the Great’s First Love, so in the interest of consistency I’ll link up all the videos released so far for songs appearing on the record (though I suspect “Easter Parade” and “M.I.A.” have been re-recorded for the album). And if you thought I was overly effusive about her, check out Drowned In Sound’s review of the album – they make me look positively measured in comparison. There’s also an interview over at Oxford University’s Cherwell.

Video: Emmy The Great – “First Love”
Video: Emmy The Great – “We Almost Had A Baby”
Video: Emmy The Great – “Easter Parade”
Video: Emmy The Great – “M.I.A.”

Camera Obscura haven’t let slip many details about album number four, now complete and set for a release sooner rather than later in 2009, but they did post a MySpace blog yesterday announcing that it when it was released, it would be by the venerable 4AD label.

Frightened Rabbit’s Scott Hutchison tells The Chicago Tribune how a failed relationship inspired The Midnight Organ Fight. You know, in case it wasn’t abundantly clear from the lyrics.

eye, The Telegraph and The List talk to Franz Ferdinand on the occasion of the release of Tonight, in stores on Tuesday.

Glasvegas have released a new video from Glasvegas. Their April 3 show at the Mod Club is totally sold out.

Video: Glasvegas – “Flowers & Football Tops”

Incidentally, support for the Glasvegas tour has been announced as Ida Maria, who is herself getting no small amount of attention. Her album Fortress Round My Heart got a major label release last year, but now that she’s gone indie again, she’s re-releasing a different version on February 9.

Video: Ida Maria – “Oh My God”
Video: Ida Maria – “I Like You So Much Better When You’re Naked”
Video: Ida Maria – “Stella”

I was dismayed to have missed Asobi Seksu’s visit to the Horseshoe back in October – way too much going on to go, if I recall – but will get the chance to make that up on March 3 when their tour in support of Hush, out February 17, brings them to the El Mocambo.

The Von Pip Musical Express has an interview with Juanita Stein of Howling Bells. The moving target of a release date for Radio Wars seems to have settled on March 2, but I need to confirm that. Update: NME is also saying March 2. We’ll go with that.

Minipop stopped in for a Daytrotter session last week.

Decider interviews Anthony Gonzalez of M83, in town at the Air Canada Centre in support of The Killers tomorrow night.

It’s an odd bit of contesting, but Annuals are giving away tickets to their show at the El Mocambo on Saturday night as well as a pair of passes to the Art Gallery Of Ontario. Yeah, I dunno. Enter here.