Thursday, December 6th, 2012
Ultraista, Atoms For Peace only making plans for Nigel (Godrich)
Temporary ResidenceNot many record producers manage to achieve the sort of household name status as the artists they work with, but Nigel Godrich has done as well as anyone in the recent memory. Partly because of his work on high-profile records from the likes of Beck, Pavement, and Paul McCartney, but mainly because he’s the unofficial sixth member of Radiohead, having been behind the boards for every one of their records from OK Computer onwards.
He’s been getting out of the studio and onto the stage of late, though. He’s one third of Ultraista, along with Joey Waronker – best known as R.E.M.’s first post-Bill Berry drummer circa Up and Reveal, and singer/artist Laura Bettinson. They released their self-titled debut in October, and while it’s obviously its own thing separate from what Godrich has worked on in the past, his signature is clearly evident in the beats and electronic textures contained therein. A full North American tour itinerary has yet to be revealed, they will definitely be at Lee’s Palace in Toronto on January 26, tickets $15.
Rolling Stone talks to Godrich about the project while The Dumbing Of America chats with Bettinson.
MP3: Ultraista – “Small Talk”
Video: Ultraista – “Bad Insect”
Video: Ultraista – “Gold Dayzz”
Video: Ultraista – “Our Song”
Video: Ultraista – “Static Light”
Video: Ultraista – “Small Talk”
Godrich and Waronker are both also part of Radiohead frontman Thom Yorke’s sideproject Atoms For Peace – along with Flea of Red Hot Chili Peppers and percussionist Mauro Refosco – and they just announced the February 25 release of their debut full-length, Amok. Consequence Of Sound has specifics on the record and Yorke talked to Rolling Stone about how the band evolved out of his 2006 solo record The Eraser. They’ve just given away a b-side as download on their website and released a video for a lead single earlier this year. At least some touring is presumed to be planned for 2013 so everyone waiting for that make-up Toronto Radiohead date? Don’t.
MP3: Atoms For Peace – “What The Eyeballs Did”
Video: Atoms For Peace – “Default”
So what does winning the Mercury Prize get you, in concrete terms? For Alt-J, a venue upgrade from Wrongbar – where they made their local debut in September – to The Phoenix, where they’ll headline on March 27. Tickets are $17.50 and the full North American itinerary can be seen at Exclaim.
MP3: Alt-J – “Tessalate”
Chickfactor has premiered the first sample of the new Amor de Días album The House at Sea, due out January 29.
MP3: Amor de Días – “Jean’s Waving”
The National Student interviews Frightened Rabbit. Their new album Pedestrian Verse us out February 5.
DIY and The Guardian sit down with Jessie Ware to discuss her whirlwind 2012.
Deb Googe of My Bloody Valentine talks to Drowned In Sound about joining Primal Scream this Summer and the return of MBV.
Pitchfork reports that Lost Sirens, that compilation of New Order outtakes circa Waiting For The Sirens’ Call that absolutely no one has been clamouring for, will be released on January 22.
Rolling Stone has another live clip taken from the Blur live set Parklive, and naturally it’s the song that North American audiences would know best. And speaking of North America, Blur have confirmed their first live appearance on the continent in who knows how long for next Spring – but it’s not where you’d expect.
Video: Blur – “Song 2” (live at Hyde Park)
The Line Of Best Fit reports that Suede have slated a live show for London next Spring, expected to coincide with the release of a new album. Which, in a perfect world, would be produced by Bernard Butler who would secretly replace all of Richard Oakes’ guitar parts with his own.
Rolling Stone is streaming another song from Johnny Marr’s solo debut The Messenger, out February 26.
Stream: Johnny Marr – “The Right Thing Right”
Slicing Up Eyeballs reports that The House Of Love – who have only barely been active enough to qualify as not dead since their 2005 reunion album Days Run Away – have in fact finished a new record and will presumably actually be releasing it.
The Quietus talks to all three members of Saint Etienne while Artvinyl talks to the design shop who put together the wonderful album art for their latest, Words & Music By Saint Etienne.
Charles Watson of Slow Club gets political with Under The Radar.
Loud & Quiet and This Is Cornwall have interviews with Patrick Wolf.
Wednesday, December 5th, 2012
Shout Out Louds softly whisper details of new album, tour
Frode & MarcusSweden’s Shout Out Louds generated a decent amount of WTF buzz last week with the announcement that they were releasing a limited edition 7″ made out of ice. Their label Merge ran a contest to give away one of the ten of these in existence, and while I thought that they were actually giving away the ice single – and after entering I really hoped I wouldn’t win because I know that I’d be the one who accidentally left it on the counter to melt or whose cat would end up eating it – but reading closer, it was actually a kit to produce the single at home. Which makes more sense.
In any case, with the publicity stunt out of the way, this week the band released a video for that first single as well as the details of their fourth album which will also mark their tenth anniversary as a band. Entitled Optica, it will be out on February 26 of next year, surely chock-full of the anthemically downcast jangle/synth-pop that’s made them one of Sweden’s most consistently enjoyable bands over the past decade. And if you’re into making plans half a year out, they’ve also announced their North American tour in support of the record, which brings them to Toronto on May 14 for a date at The Opera House. Tickets for that are $18.50 in advance.
Video: Shout Out Louds – “Blue Ice”
Interview talks to Mary Onettes frontman Philip Ekstr&omul;m about their new record Hit The Waves, out on March 12.
Veteran Labrador pop duo Club 8 have completed their new record, named it Above The City, and given it a release date of April 23. Don’t know ’em? They sound like this.
MP3: Club 8 – “Missing You”
MP3: Club 8 – “Shape Up!”
Spinner has a feature on Icona Pop. Their self-titled debut is due out in North America early next year.
NPR has a Tiny Desk Concert with Taken By Trees.
DIY talks to First Aid Kit.
Indians will be at The Drake Underground on March 4 as part of a Spring tour in support of their debut album Somewhere Else, due out January 29. The Village Voice has a feature piece on band mainman Søen Løkke Juul.
MP3: Indians – “Cakelakers”
The Arts Desk has a Q&A with Björk.
Icelandic composer Olafur Arnalds has given his forthcoming album For Now I Am Winter a precise release date of February 25. The Line Of Best Fit has a video session with Arnalds recorded in his Reykjavik studio during Iceland Airwaves this year.
Norway’s Team Me have just released a Christmas EP entitled Female Lead and are giving away one of the tracks via The Line Of Best Fit.
MP3: Team Me – “Sixteen Steps”
Nick Cave & The Bad Seeds just announced the existence of their new album Push The Sky Away a week ago, but they’ve already followed up with a stream of the album opener by way of Rolling Stone and announced a North American tour with Sharon Van Etten opening all dates, bringing them to Massey Hall on March 23. Tickets range from $32.50 to $69.50 plus fees, and presale goes today at 10AM via nickcave.com. Regular on-sale is Thursday.
MP3: Sharon Van Etten – “Serpents”
Stream: Nick Cave & The Bad Seeds – “We No Who U R”
Spinner talks to Kevin Parker of Tame Impala. They’re at The Kool Haus on March 9.
Tuesday, December 4th, 2012
This is a bunch of stuff of a Canadian nature. And this is METZ.
Colin MedleyThis here is another of those posts that, were it a category on Jeopardy, would be called “Potpourri” on account of it being a whole lot of this and that with only the passports of the artists mentioned in common.
And I’ll start with Toronto’s METZ because, well, I haven’t used one of their photos yet and my posting process is really that random. The trio has been making a lot of noise – literally and figuratively – on the back of their self-titled debut, and while it wouldn’t normally be my particular sack of hammers, there’s a clarity to their attack and just enough underlying melody for me to get behind. I’d like to experience one of their legendarily… energetic live shows, but we’ll probably have to wait until at least the Spring as they’re taking their show through Europe for pretty all of the first quarter of 2013. In the meantime, there’s a recording of their show at the Knitting Factory in New York last month over at NYC Taper, NPR has just posted video of a KEXP radio session, and the a-side of their new, non-album single is available to stream.
Stream: METZ – “Dirty Shirt”
Exclaim gets a look inside Yamataka//Sonic Titan’s home studio/headquarters and also asks them what they’ve got in mind for their second album. They play 1st Thursday at the Art Gallery Of Ontario this Thursday night, December 6.
The Line Of Best Fit, The Lantern, and The Marquette Tribune interview Patrick Watson, headlining Massey Hall on December 6.
The Line Of Best Fit and The 405 have interviews with Do Make Say Think, who’ve made a track from their live soundtrack to the 1924 film Greed available to download via CBC Music. They’re at The Opera House on December 7.
MP3: Do Make Say Think – “Greed Waltz”
Fucked Up have announced the lineup for the second installment of their Long Winter series, taking place December 14 at The Great Hall. They will again headline the event, and be joined by Dusted, Laura Barrett, and many more. Admission is pay what you can.
MP3: Fucked Up – “I Hate Summer”
MP3: Dusted – “(Into The) Atmosphere”
The Wooden Sky have announced details of their third annual Holiday Revue charity show, scheduled for December 17 at The Music Gallery. Tickets for the show are $20 and all proceeds from the event will go to the Daily Bread Food Bank. Support will be announced later this week. Metro talks to frontman Gavin Gardiner.
MP3: The Wooden Sky – “Child Of The Valley”
If you were wondering why it’s not been possible to get tickets for the Evening Hymns show at the Church Of The Redeemer on December 15 announced in October, it’s because that show is no longer happening. It has been replaced by one at The Music Gallery on December 20, tickets $17 and available right now via Kelp Records. So the room is still appropriately church-y but it’s also smaller, so if you wanted to go, best get on that. Neil Haverty of Bruce Peninsula will open up.
MP3: Evening Hymns – “Arrows”
Julie Doiron has scheduled a show at The Horseshoe for January 25 in support of her new album So Many Days. Tickets are $15 in advance. The Vancouver Sun and The Province have profiles.
MP3: Julie Doiron – “By The Lake”
The lead single from Suuns’ new album Images Du Futur is now available to download. It’s out March 5.
MP3: Suuns – “Edie’s Dream”
AC Newman has a new video from his latest solo record Shut Down The Streets.
Video: AC Newman – “I’m Not Talking”
The Toronto Star, Montreal Gazette, and MTV have feature pieces on Diamond Rings, who’s released a live route for an alternate version video from Free Dimensional.
Video: Diamond Rings – “I’m Just Me”
Martin Tielli has taken to Facebook to explain his withdrawal from the Rheostatics reunion shows which were to have taken place this week; Radio Free Canuckistan has reposted the message for those who are just fans but maybe not friends of Tielli.
The National Post has an interview with The Dears.
CBC Music gets to know Shad. Again. Some more.
Exclaim has some videos from Bry Webb’s recent Toronto Public Library performance available to watch.
Hooded Fang stops in at DIY for a video session.
Spin interviews Alice Glass of Crystal Castles.
Exclaim asks Chains Of Love about their plans for album number two.
BlogTO chats with Gentleman Reg.
Spinner talks to Neil Young about last night’s Hurricane Sandy benefit in New York.
Monday, December 3rd, 2012
Mark Eitzel at The Rivoli in Toronto
Frank YangIt’s less accurate to say that Mark Eitzel was/is/ever shall be the frontman for American Music Club than it is to simply say Mark Eitzel is American Music Club. Over both of the band’s incarnations – their original run from 1982 to 1994 and the reunion from 2004 to 2009 – Eitzel released solo records whose songbooks intersected liberally with AMC but roamed more musically, most curiously on The Ugly American, which saw him arranging old songs for traditional Greek instruments, and Candy Ass, which took him electronic.
His latest Don’t Be A Stranger isn’t one of those sidebar releases, being both his first record for Merge and first since the book was formally closed on American Music Club for the second and probably final time. It also provided occasion for Eitzel’s first visit to Toronto since leading AMC through an excellent but lightly-attended show in Spring 2008. Despite Stranger being a fully-produced affair, Eitzel was touring light – just himself and a piano player, the same setup I saw him with during SXSW 2011.
Given that he was performing to his own, appreciative fans rather than drive-by hipster festival-goers, Eitzel was in a decidedly better mood than that show. Even though the dour dimension gave that performance a memorable intensity, it was nice to have him be able to show off his more jovial side instead with his humour thankfully stayed on the right side of the self-deprecating/self-loathing line. The set list was impressively career-spanning, offering four selections from the new record amongst old AMC favourites like show opener, “What Holds The World Together” off of San Francisco, and “Apology For An Accident” and “Hollywood 4-5-92” from personal favourite Mercury, all dramatically rearranged for the cabaret show configuration but still just as powerful as in their rock band format, thanks in no small part to Eitzel’s massive and emotive vocals – the mic often seemed more stage prop than necessary sound reinforcement. He may have only gotten through a baker’s dozen worth of songs in the hour-fifteen show, but most were accompanied by anecdotes that offered illuminating insights into the song. It was amazing how many of Eitzel’s songs are actually literal rather than allegorical; aspiring songwriters could do far worse than to study his works to learn how to transform daily experiences into compelling lyrical works.
Eitzel had to take a mulligan on the encore after a monologue hilariously derailed things, but wrapped up strongly with “We All Have To Find Our Own Way Out” off of Stranger, and closing with “Chanel No. 5”, a song that’s so much an essential part of the AMC canon that I’m astonished it was only released as a b-side. Mark Eitzel doesn’t come through town very often – he’d do well to take the advice of this album’s title – but when he does, it’s always special.
Back To The World also has an excellent review of the show. The Plain Dealer and Columbus Alive have interviews with Eitzel.
Photos: Mark Eitzel @ The Rivoli – November 28, 2012
MP3: Mark Eitzel – “I Love You But You’re Dead”
MP3: American Music Club – “Only Love Can Set You Free”
MP3: American Music Club – “All The Lost Souls Welcome You To San Francisco”
Video: American Music Club – “All The Lost Souls Welcome You To San Francisco”
Video: American Music Club – “Rise”
Video: American Music Club – “Wish The World Away”
Video: American Music Club – “Electric Light”
The new Memory Tapes album Grace/Confusion is available to stream in whole right now; it’s out on Tuesday.
MP3: Memory Tapes – “Shelia”
Stream: Memory Tapes / Grace/Confusion
Pitchfork compiles an oral history of Interpol’s Turn On The Bright Lights, the deluxe edition of which is out this Tuesday.
Nuvo has an interview with Jason Lytle, who’s just released a new video from Dept. Of Disappearance. He’s at Massey Hall on December 5 opening up for Band Of Horses.
Video: Jason Lytle – “Somewhere There’s A Someone”
The Fader talks to Christopher Owens about the end of Girls. His solo record Lysandre is out January 15 and he plays The Mod Club on January 18.
Eater talks food with Yo La Tengo. Their new album Fade is out January 15 and they play The Phoenix on February 9.
Spin talks to Ra Ra Riot, whose new album Beta Love is out January 22 and who are at Lee’s Palace on March 6.
Local Natives have released a video from their next album Hummingbird, due out January 29. They play The Opera House on March 28 and talk to NME about what it was like to make the record with Aaron Dessner of The National.
Video: Local Natives – “Breakers”
Ameri-Kiwi psych-rock outfit Unknown Mortal Orchestra and Los Angeles’ Foxygen are teaming up for a North American tour in support of their new albums – UMO’s II is out February 5 and Foxygen’s We Are The 21st Century Ambassarors Of Peace & Magic is out January 22. They’re at Wrongbar on March 4, tickets $13.50 in advance.
MP3: Unknown Mortal Orchestra – “I’ll Come Back 4 U”
MP3: Foxygen – “Make It Known”
Jukebox The Ghost and Matt Pond are in town for a show at The Horseshoe on March 11. Jukebox released Safe Travels earlier this year and Pond has a new one in The Lives Inside The Lines Of Your Hand due out on February 15.
MP3: Matt Pond PA – “The Hollows”
Video: Jukebox The Ghost – “Don’t Let Me Fall Behind”
Low have announced details about their next album – The Invisible Way was produced by Jeff Tweedy and will be out on March 19. Check out the trailer below and inspect details – and also exchange your email for a live six-song set – over at Pitchfork.
Trailer: Low / The Invisible Way
Spinner talks to Jeff Tweedy of Wilco.
That song The National recorded for Boardwalk Empire last week is now available to download.
MP3: The National – “I’ll See You In My Dreams”
Rolling Stone has premiered another James Franco-directed – and starring – video from R.E.M.’s final album Collapse Into Now, and if you prefer your Stipe & co a little more vintage, Slicing Up Eyeballs has video of a complete R.E.M. live show from Atlanta circa 1981 available to stream.
Video: R.E.M. – “That Someone Is You”
DIY chats with Sharon Van Etten about her exceptionally good year.
Under The Radar has an interview with Oliver Ackerman of A Place To Bury Strangers.
Nashville Scene and The Arizona Daily Wildcat talk to John Darnielle and Peter Hughes of The Mountain Goats, respectively.
Sunday, December 2nd, 2012
The Weakerthans cover Rheostatics
ZuniorA lot of people were excited when Canadian indie icons Rheostatics announced that they were reuniting for a couple of shows to mark the 65th anniversary of Toronto’s Horseshoe Tavern this week, and then a lot more – particularly those who missed out on tickets for those two shows – got excited when a third show was added to meet demand. Then all of them were disappointed when the shows were abruptly cancelled, presumed due to Martin Tielli’s long-running battle with performance anxiety, and disappointment turned to concern when producer and one-time Rheo (though not involved with this reunion) Michael Philip Wojoweda implied the reasons were somewhat darker than that.
I hadn’t planned to attend – best to let those three square feet of Horseshoe floor go to real fans rather than casual observers – but was disappointed because I was pretty keen to post this Rheos cover. It’s taken from a tribute album assembled by the folks at Zunior called The Secret Sessions, recorded in secret and released as a surprise rhetirement gift to coincide with the Rheostatics final shows in Spring 2007. It finds arguably one of the most Canadian of Canadian indie bands covered by maybe the next-most Canadian of Canadian indie bands, The Weakerthans; certainly they’ve got the most songs about hockey between them.
Then I decided, why not post it anyways if just to draw attention to the comp, which at five years old is probably a little under the radar these days. All proceeds from the sale of the tribute go to support the Daily Bread Food Bank, so why not take a bit of that ticket refund and treat yourself to some new takes on old Rheos songs by the likes of Weeping Tile, The Inbreds, Cuff The Duke, and more and support a worthy cause in this giving season.
And if you were going to those rheunion shows and now find a hole in your calendar, know that Rheos guitarist Dave Bidini has stepped up with his solo project Bidiniband to perform at The ‘Shoe the night of December 5; it’s a free show that promises lots of guest vocalists and probably no shortage of Rheostatics songs. It starts at 10PM.
The Globe & Mail has an article about how musicians – Tielli included – have battled with stage fright, with a sidebar from Jenn Grant about how she came to terms with her own fear of performing.
Update: Dave Bidini has offered a couple clarifications on the cancellations: “MT said he cldnt do shows; we didn’t bail on him. and he never had history of perf anxiety with us.” Awkward grammar courtesy of Twitter.
MP3: The Weakerthans – “Bad Time To Be Poor”
Video: Rheostatics – “Bad Time To Be Poor”
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