Friday, January 7th, 2011
jj mixes, tapes, kills
Malin Bernalt>Swedish outfit jj had an interesting 2010. At year’s start, the mysterious duo was one of the more hotly tipped acts around, their mysterious, r&b-inflected/narcotic-influenced dream-pop scoring them a support slot for The xx’s first headlining North American tour and a Stateside release for their debut album No. 2 as well as its imminent follow-up, No. 3.
It all started to go wrong when they rolled into SxSW, though, when it was discovered that their live shows were perplexing, awkward affairs with Elin Kastlander singing overtop pre-recorded backing tracks while co-conspirator Joakim Benon just stood there. Not exactly the sort of impression that bands usually want to make in Austin in March, but jj seemed to come into things with an approach that was either performance art, contempt or both. The subsequent shows with The xx proved their indifferent approach to live performance wasn’t a fluke and after No. 3 failed to garner the sort of rave reviews its predecessor did – though to my ears it sounded similar enough that the backlash was puzzling – the buzz surrounding them seemed to dissipate significantly.
After being left along through much of the Fall, jj returned in the tail end of the year and they came bearing gifts. First in November, a free two-track digital single entitled Let Them and then on Christmas eve, a full-length mixtape entitled Kills, also available gratis. This wasn’t a TDK SA90 of their favourite tracks for your stocking – the kind of mix tape I’m familiar with – but one of the hip-hop variety wherein the band sample, remixe and otherwise jam out overtop a variety of other peoples’ tunes. If I were better versed with contemporary hip-hop I might better appreciate whatever alchemy they work on Kills but even without knowing my Kanye from my Jay-Z, it’s an entertaining listen thanks to Kastlander’s beguiling vocals.
Some acts just aren’t meant for the stage – as long as they keep making interesting music and giving it away, I think we can forgive them that.
MP3: jj – “Let Them”
MP3: jj – “I’m The One/Money On My Mind”
MP3: jj – “New Work”
Video: jj – “Kill Them”
Under The Radar reports that next Tuesday, Danish art-rockers Mew will give their career-spanning compilation Eggs Are Funny a North American release. In addition to their greatest hits, there’s one new track which you can hear over at Soundcloud.
The Line Of Best fit has a studio performance from and Under The Radar an interview with The Concretes. They’re at the Horseshoe on January 17.
Fanfarlo’s contribution to the latest Twilight soundtrack has yielded a video. They’re currently writing album number two. Patience.
Video: Fanfarlo – “Atlas”
MusicOmh, The Irish Independent and The Guardian have features on British Sea Power, whose Valhalla Dancehall comes out on Tuesday. A new MP3 from the record has just been made available.
MP3: British Sea Power – “Who’s In Control”
The first MP3 from Mogwai’s forthcoming Hardcore Will Never Die, But You Will was made available via email widget back in November, but now it’s up for grabs for even the email-submitting-averse. Their new album is out February 15 and is better than you think it will be, no matter how good you think it will be. They’re at the Phoenix on April 26.
MP3: Mogwai – “Pano Rano”
Stereogum solicits a status report on PJ Harvey’s next record Let England Shake, though considering the first single “The Words That Maketh The Murder” will be out on January 17 and the album is due in a little over a month on February 15, the only status that should be getting reports is, “It’s done. Leave me alone”.
Pitchfork introduces you to Jonny, made up of Teenage Fanclub’s Norman Blake and Euros Childs, formerly of Gorky’s Zygotic Mynci. Their debut self-titled album will be out April 12 but in the meantime, there’s a video and a free EP of non-album tracks to get you acclimated.
Video: Jonny – “Candyfloss”
ZIP: Jonny / Free EP
The Quietus recounts Geoff Barrow’s Twitter-disseminated list of what NOT to expect of the new Portishead record, whenever it comes out this year.
The terrible interface of the Folio magazine online edition is worth enduring to read the interview about the Britpop era with former Sleeper frontwoman and eternal crush object Louise Wener by Summer Camp chanteuse Elizabeth Sankey. Picking up a copy of Wener’s autobiography Different For Girls when I’m in the UK this Summer is on my to-do list.
Thursday, January 6th, 2011
Stapling mishap delays Nicole Atkins’ Mondo Amore
Danny ClinchThose anxiously awaiting the January 25 release of Nicole Atkins’ second album Mondo Amore got a little bad news via the Twitter yesterday when she announced that the record’s on-sale date had to be pushed back because of a manufacturing error with the CD booklets. Consequently, the CD and digital editions of the album will now be coming out on February 8, which was the original release date for the vinyl anyways. So that’s the bad news – the good news is that the record is worth the wait, even the extra fortnight, and that the previously announced tour– including the February 26 date at the Horseshoe in Toronto – is still all systems go, and even now kicks off exactly in line with the record release. Hey, you gotta look for the silver lining, right?
MP3: Nicole Atkins – “Vultures”
Video: Nicole Atkins – “Vultures”
The Greenhornes – the band from whence Raconteurs and Dead Weather Jack Lawrence originally came – released a new record in 4 Stars late last year and are setting out on tour this Spring. Look for them April 3 at the Horseshoe and read this interview with the band at Sentimentalist.
The National will be featured on next week’s Austin City Limits and by way of preview, they’ve released the clip of their performance of “Bloodbuzz Ohio”.
Video: The National – “Bloodbuzz Ohio” (live on Austin City Limits)
Rock The Vote talks to Warpaint bassist Jenny Lee Lindberg.
The Economist proves it has other interests besides the economy, including Joanna Newsom with whom it has an interview.
The San Jose Mercury News chats with John Vanderslice, who has made an MP3 from his new orchestrally-enhanced album White Wilderness ahead of its January 25 release date.
MP3: John Vanderslice – “Sea Salt”
NPR is streaming a surprise show in New York last night from Iron & Wine, wherein they performed the whole of their new record Kiss Each Other Clean, out January 25. Note that while the audio isn’t there right now, it’s coming shortly – check back.
Guitar god J Mascis going unplugged isn’t unprecedented – his first solo record was the live and alone Martin & Me – but the first MP3 from his forthcoming Several Shades Of Why has got some sparkly backporch bounce that sounds nice and fresh. The record is out March 15 and he’ll be in town sometime during Canadian Musicfest the week prior.
MP3: J Mascis – “Not Enough”
Destroyer has released a video for the title track of Kaputt, to be released January 25. They’re at Lee’s Palace on March 31 and Crawdaddy has an interview with Dan Bejar.
Video: Destroyer – “Kaputt”
NOW checks in with Evening Hymns’ Jonas Bonetta – they’ll be playing the Out Of This Spark 4th anniversary show at the Tranzac tomorrow night before getting back to work on album number two.
An unexpected collaboration sees the light of day as Shad and City & Colour’s Dallas Green release a collaborative single digitally and on vinyl next Tuesday, January 11. There’s a new song entitled “Live Forever” and a remix of Shad’s “Listen” by Green and all proceeds from the single go to Skate 4 Cancer.
Wednesday, January 5th, 2011
The Go! Team are ready to go
Sarah BowlesIf there’s any upside – and I type this knowing that there’s not – to the fact that the holidays are over and it’s back to the workaday week, it’s that my inbox and RSS reader are once again filling up with interesting news bits (and tonnes of uninteresting ones) rather than lists upons lists and year-end retrospectives. And that includes concert announcements, of which there were more than a few yesterday.
Including a return to North America for the first time in a couple years from Brighton, UK’s premiere electro/indie/hip-hop/dance/rock party-all-over outfit The Go! Team. Their third record Rolling Blackouts will be out on February 1 and while their official tour itinerary only goes as far as the end of March and doesn’t cross the Atlantic, a Toronto show at the Opera House on April 10 has just been announced (tickets $23.50), so expect more dates to be announced in the coming days. Spinner has an interview with chief songwriter Ian Parton about the shift in lyrical direction on the new record, while samples of said album can be had via the video for the lead track and the stream of next single “Buy Nothing Day” – featuring vocals from Best Coast’s Beth Cosentino – over at The Guardian.
Stream: The Go! Team – “Buy Nothing Day”
Video: The Go! Team – “T.O.R.N.A.D.O.”
Also coming to town, fond of exclamations and parties are Vancouver’s You Say Party – though apparently the “!” was dropped in their recent name change – and Montreal’s Young Galaxy, whose new record Shapeshifting has got a lot of folks talking in advance of its February 8 release. Both are at Lee’s Palace on March 4, tickets $15.50 in advance.
MP3: You Say Party! – “Laura Palmer’s Prom”
MP3: Young Galaxy – “Peripheral Visionaries”
BBC Sound of 2011 shortlistee Anna Calvi will be in town for Canadian Musicfest with a showcase at Wrongbar on March 11. Her self-titled debut will be out on March 1.
MP3: Anna Calvi – “Jezebel”
Destroyer’s new record Kaputt is out on January 25 and though the tour dates with The War On Drugs are still patchy, there will be a show at Lee’s Palace in Toronto on March 31, tickets $15 in advance.
MP3: Destroyer – “Chinatown”
MP3: The War On Drugs – “The History Of Plastic”
They don’t really have a lot in common, but that’s not stopping …And You Will Know Us By The Trail Of Dead and Surfer Blood from teaming up for a tour that stops in at Lee’s Palace on May 3. Trail Of Dead’s new album Tao Of The Dead will be out on February 8 and Surfer Blood will be putting out an EP sometime this year before getting to work on their major label debut.
MP3: Surfer Blood – “Swim”
The new British Sea Power record Valhalla Dancehall is up and streaming in its entirety at The AV Club, one week before it’s January 11 release.
Stream: British Sea Power / Valhalla Dancehall
NPR is streaming the whole of The Decemberists’ new album The King Is Dead two weeks before its January 18 release date. The band play The Sound Academy on February 1.
Stream: The Decemberists / The King Is Dead
Also up at the NPR has also got a new song from R.E.M.’s forthcoming Collapse Into Now, which continues to confirm that this record might well be pretty good. It’s out March 8.
There will be a new Strokes record in March. BBC says bassist Nikolai Fraiture says so.
Titus Andronicus have blogged a farewell to their founding bassist Ian Graetzer, who amicably left the band as of this weekend.
Specifics on the new Okkervil River record are still forthcoming, but Pitchfork reports that the first single “Mermaid” will be out on February 8 on 12″.
Laundromatinee has got a video session with Son Volt.
NYC Taper is sharing a recording of the Drive-By Truckers’ New Year’s Eve eve show in New York. The Philadelphia Inquirer and The Boot talk to Patterson Hood about their new record Go-Go Boots, which will be out February 15.
Tuesday, January 4th, 2011
Review of The Concretes’ WYWH and giveaway
Olle KirchmeierFor a band whose name implies durability and solidity, Sweden’s Concretes have had a remarkably fluid existence. Their 2005 self-titled debut introduced them as adorably introverted Motown revivalists while the follow-up In Colour took its title to heart, broadening their palette to include bigger pop arrangements.
It all went off the rails shortly thereafter, however, as the band had their gear stolen somewhere in the American midwest and then had to cancel the remainder of their tour after lead singer Victoria Bergsman fell ill with exhaustion. Her convalescence would become a permanent departure and though she would eventually returning to music as the critically-acclaimed, folk-oriented Taken By Trees, her former bandmates were left to figure out what would become of The Concretes.
The decision was made to carry on with drummer Lisa Milberg, who had taken a couple of lead vocal turns on In Colour, stepping out from behind the kit to assume the frontwoman role full time. I didn’t hear all of their next record Hey Trouble as it wasn’t released in North America, but the couple samples I did hear were underwhelming and I got the impression that, once again, the title was quite fitting with the band documenting the growing pains of their search for a new identity to tape. But now having heard their latest effort WYWH, I’d like to give Trouble a listen if just to fill in some of the blanks of how they got to where they are now – and from the sounds of it, it’s a smoky after-hours dance club.
WYWH – as in “wish you were here” – cultivates a dark, groove-based sullen disco vibe that suits Milberg’s wounded and worn vocals perfectly. It’s not a persona I’d have expected from her given her ebullient turn on In Colour‘s “Song For The Songs”, but it’s the perfect protagonist for haunting these songs. While the singles “All Day” and “Good Evening” emphasize the pulsing, dancier side of the record, it’s in the gentler moments like “Sing For Me” that the record’s heart really beats. I’m sure that many wrote off The Concretes when Bergsman left and yes, it may have taken them a record to find their footing, but they’ve more than successfully reinvented themselves with melodicism intact and plenty of new tricks to offer.
The Concretes kick off their first North American tour since their ill-fated one almost five years ago in a couple of weeks, and will be stopping in at the Horseshoe in Toronto on January 17. Tickets for the show are $15 in advance but courtesy of Collective Concerts, I’ve got two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see The Concretes” in the subject line and your full name in the body, and have that in to me before midnight, January 12.
MP3: The Concretes – “All Day”
MP3: The Concretes – “Good Evening”
Video: The Concretes – “All Day”
Remember when music videos for songs from soundtracks were montages of clips from the film? Sometimes with footage of the artist acting as though they were also in the film interspliced? Well it’s only the former and none of the latter in this clip for Jonsi’s contribution to the soundtrack for last year’s How To Train Your Dragon feature, which is too bad because the world could use a CGI-ed Jonsi.
Video: Jonsi – “Sticks & Stones”
This Is Ellie, aka blog of RTHK Radio 3 in Hong Kong DJ Ellie Davis, has an audio interview with Emmy The Great, wherein she reveals that her second album might not be ready in time for February as originally intended, that the record will almost certainly be called Virtue and also offers an in-studio performance of a new song. And that was one mighty run-on sentence.
2010 buzz band become 2011 buzz band Cults have made a date at The Horseshoe for April 4, where they will preview material from their debut album due out in May. Which hopefully means they’ll have more decent material to offer than when they were here last August. Full dates at Death & Taxes.
MP3: Cults – “Go Outside”
MP3: Cults – “Most Wanted”
Toro Y Moi has skedded dates in support of his second album Underneath The Pine, due out February 22. Exclaim has the full North American itinerary, which includes a stop at Wrongbar on April 7.
MP3: Toro Y Moi – “Still Sound”
MP3: Toro Y Moi – “Blessa”
Sunday, January 2nd, 2011
British Sea Power covers Pixies
Frank YangThe first covers selection of 2011 is inspired by the first major record release of 2011, at least in my books, and that’s Valhalla Dancehall the new album from British Sea Power. And for the track, we reach back three years and a bit for Dig For Fire: A Tribute To Pixies, a tribute album dedicated to the college rock forebears.
The Brighton-based band not only turned their selection it into an instrumental, but they turned it into an ambient instrumental – the finished product has more in common with Caribou the band than “Caribou” the Pixies song. In fact, it’s nigh unrecognizable, even if you know what the song is supposed to be, the only obvious connection being the melodic hook at the end of the chorus. And while most of it’s rather serene – perfect for the post-New Year’s Eve weekend – it does get abrasive towards the end, because what’s a Pixies cover without a quiet-LOUD dynamic shift?
Valhalla Dancehall is out next week. Pixies continue to not release new music but make old show recordings from both their original run and reunion available for download. In addition, their latest best-of compilation Wave of Mutilation: The Best of the Pixies gets a double-vinyl release next week.
MP3: British Sea Power – “Caribou”
Video: Pixies – “Caribou” (live @ Coachella)
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