Saturday, February 19th, 2011
Kill Rock StarsWho: Marnie Stern
What: Insanely talented guitarist who’s not afraid to show it off via solos, tapping and more solos, all wedged into off-kilter pop-prog songs
Why: After releasing last year’s eponymous effort, she’s kicking off “The Lawrence Of A-Labia” tour – her words, not mine – to support it.
When: March 8, 2011
Where: Wrongbar in Toronto – all-ages
Who else: Though given the name of the tour you might think that co-headliners Tera Melos is a she, but they are a they and they are from Sacramento
How: Tickets for the show are $13.25 in advance but courtesy of Embrace, I’ve got two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see Marnie Stern” in the subject line and your full name in the body. Contest closes at midnight, March 1.
What else: The San Antonio Current has an interview with Stern while CMU solicits a playlist.
MP3: Marnie Stern – “Transparency Is The New Mystery”
MP3: Marnie Stern – “For Ash”
MP3: Marnie Stern – “Transformer”
MP3: Marnie Stern – “Every Single Line Means Something”
Friday, February 18th, 2011
Review of The Megaphonic Thrift’s Decay Decoy
Magne SandnesOriginality is an important trait, no question about that, but sometimes slavish imitation can be alright too, particularly when it explores a sound or style that’s not already been strip-mined to death and is done well. And so it is that Norway’s Megaphonic Thrift get a pass for their debut album Decay Decoy, released in Norway last Spring and due out in North America on March 8.
When I saw the band at SxSW 2010, their ’90s alt.guitar rock influences, in particular Sonic Youth and Dinosaur Jr, were clearly audible even through the massive wall of sound and feedback. Despite the obviousness of what they did, I appreciated that they were able to effectively channel the melodicism of their forebears as well as their penchant for instrument abuse – often acts are so intent on the latter, they lose sight of the former.
If there’s any surprise about Decay Decoy, it’s how clean-sounding it is. Any shoegazing references that their live show might have encouraged must be put away when you hear just how much clarity and separation there is in the recording. Guitars still rage and shriek, but they don’t spill all over everything else and leave the bass, drums and vocals refreshingly unobscured. And with frontman Richard Mykleburst so high in the mix, one thing becomes very clear – this band loves Sonic Youth, specifically early DGC-era Sonic Youth, when they were at their poppiest. His voice is tighter and less drawl-y than Thurston Moore’s and bassist Linn Frokedal’s singing is far more polished than Kim Gordon’s ever was, but the dynamic between the two has more than a few echoes of alt.rock’s first couple – I’m guessing that’s not by accident. Nor did it just happen that “Candy Sin” sounds like a cover of “Silver Rocket” changed just enough to not involve the lawyers…
Understand that none of this is calling the band out or even criticizing them – they’re clearly comfortable broadcasting their influences and the thrill they’re getting out of making music like that which they love is obvious in the enthusiasm with which it’s done. Originality is good, but it really all comes down to the tunes and those, The Megaphonic Thrift have.
Subba-Cultcha has an interview with the band and Filter are sharing a track from the record.
MP3: The Megaphonic Thrift – “Candy Sin”
Video: The Megaphonic Thrift – “Acid Blues”
Rawkblog and QRO have interviews with The Radio Dept. while Oregon Music News at least tries to. The band are indeed returning for a show at The Horseshoe on May 29.
Radiohead have decided that working for the weekend isn’t all it’s cracked up to be and rather than release their new album The King Of Limbs tomorrow, as originally promised, they’ve turned on the download link for those who pre-ordered it as of right now. And they’ve released a new video. So those of you who were hoping to not have their Twitter/Facebook/RSS feeds turn into all Radiohead, all the time until tomorrow… sorry.
Video: Radiohead – “Lotus Flower”
eMusic has an interview with PJ Harvey, while The AV Club offers some suggestions on where to start for newcomers to her wildly varied career.
Ellie Goulding’s March 27 Canadian debut has been moved from The Great Hall to The Phoenix.
NPR talks to Adele, who follows the release of 21 next week with a show at The Kool Haus on May 18.
NME reports that The Horrors will be out with a new record in July of this year.
Sloucher talks to Esben & The Witch, who have a date at Wrongbar on March 11.
Spinner has an interview with Mogwai’s Stuart Braithwaite while Drowned In Sound has a couple pieces from Barry Burns. They have a date at The Phoenix on April 26.
Graham Coxon tells NME that while Blur are indeed playing together and recording stuff, fans shouldn’t expect anything to be released anytime soon.
Shugo Tokumaru’s Port Entropy – released this week and reviewed a few weeks ago – is now streaming in whole at Spinner.
Stream: Shugo Tokumaru / Port Entropy
Spin finds out where An Horse got their name. Their new record Walls is out April 26.
Thursday, February 17th, 2011
Jeff Mangum to transform Toronto church into unbiased dairy hostel
American SongwriterWhen Jeff Mangum, prodigal godhead of that which is largely called indie, gave a rare performance in a Brooklyn loft last December, people freaked out. And reasonably so – the Neutral Milk Hotel-ier had been basically been retired and out of sight for nigh on twelve years, his band having dissolved post-In The Aeroplane Over The Sea and in the intervening years, his legend only grew. So the idea of him suddenly surfacing to play a show probably seemed like a once in a lifetime occurrence.
Except that it wasn’t. My theory at the time was that this was far from a one-off but the start of a return to music for Mangum, who was probably tired of the mythology that had grown around him and wanted to begin the process of deconstructing it, of saying “hey – I’m a guy with a guitar who wrote some songs” and maybe pave the way to being able to write, release and perform some more. And so it really wasn’t a surprise that 2011 started with a trickle of additional live show announcements – first as a special guest at the Portishead-curated I’ll Be Your Mirror at Asbury Park, New Jersey in September, then as curator of the All Tomorrow’s Parties in Somerset, UK in December, and now additional non-festival dates have begun trickling out, and at the moment they begin in Toronto.
Though The Horseshoe played host to a legendary, almost-never-was Neutral Milk Hotel in 1998, Mangum’s return will be in the suitably reverent environs of Trinity-St. Paul’s on August 12 and 13. Tickets are $32.50 and will go on sale as follows: a limited pre-sale of paperless tickets will begin at 10AM on Friday, February 25 with the presale password being made public at the Collective Concerts website on Wednesday, February 23 at 3PM. Presale customers will be allowed to purchase four tickets per order, per customer, per show. Public on sale begins on Saturday, February 26 at noon via usual outlets – Ticketmaster, The Horseshoe, Rotate this and Soundscapes – and purchases will be limited to two per customer.
Exciting news, to be sure, though one wonders what this does to the chances of Mangum showing up with the upcoming Elephant 6 Holiday Surprise Tour which hits The Horseshoe on March 18 – it had been a pretty safe bet that Mangum would show up on at least some of those dates, and he might still. But if you’re not the gambling sort and the guarantee of a night of great tunes from his Elephant 6 compatriots isn’t enough to convince you, then these Trinity shows should be just the ticket. Not that you had much choice since the Holiday Surprise show is sold out anyways.
The Wall Street Journal welcomes Jeff Mangum back from the wilderness with a timeline of his “lost years”.
MP3: Neutral Milk Hotel – “Holland 1945”
From lost legends to exciting newcomers, Australia’s Tame Impala and London’s Yuck are teaming up for a North American tour that includes a stop at The Phoenix in Toronto on May 1, tickets $20. I’m not that familiar with Tame Impala but Yuck, whose wonderfully grungy ’90s power-pop-laden self-titled debut just came out this week and has been on heavy rotation in my ears. Spin thinks Tame Impala will be the next big thing while Spinner has an interview with Yuck.
MP3: Yuck – “Rubber”
MP3: Tame Impala – “Runaway, Houses, City, Clouds”
John Vanderslice will take his orchestrally-powered latest White Wilderness on the road this Spring, though it’s unlikely he’ll have an actual orchestra with him – you couldn’t fit one in the Drake Underground, where he’ll be on May 10. You will, however, be able to fit his tourmate Damien Jurado, and Jurado isn’t a small guy.
MP3: John Vanderslice – “The Piano Lesson”
MP3: Damien Jurado – “Gillian Was A Horse”
The Independent talks to Dean Wareham.
Pixies drummer Dave Lovering tells Billboard that the band are contemplating what to do after their run of Doolittle shows – including April 18 and 19 at Massey Hall – are done. Either do the full-album show treatment for another of the records or – horror of horrors – write and record new material.
Buffalo Tom is streaming the whole of their just-released new record Skins, out March 8.
Stream: Buffalo Tom / Skins
I haven’t been keeping track of whether The Flaming Lips have made good on their song-a-month promise, but they have uploaded a 12-part simul-song to YouTube, so that sort of counts I guess.
NPR has got a World Cafe session with Liz Phair.
Also stopping in at NPR’s World Cafe for a coffee and session are Superchunk.
Spinner talks to The Strokes’ Albert Hammond Jr about their new record Angles, out March 22.
The Montreal Gazette and Toronto Star have feature pieces on Interpol.
Pitchfork reports that the new Death Cab For Cutie album Codes & Keys will be released on May 31.
NPR has a World Cafe session and Pitchfork and Crave interview features with The Decemberists.
The Independent Weekly, Paste, Blurt, Prefix, The Wall Street Journal, NBC and Spinner profile Drive-By Truckers, whose new record Go-Go Boots is out next week but streaming now in whole at Spinner.
Stream: Drive-By Truckers – “Go Go Boots”
The Alternate Side has a video session and interview with Iron & Wine.
Will Sheff of Okkervil River blogs about his experience at the Grammy Awards (he was nominated for best liner notes) for Billboard. Their new record I Am Very Far is out May 10. A video of one of the new songs, recorded last month when they played Late Night With Jimmy Fallon, has just been posted online – check it out at Prefix.
Bright Eyes have released a new video from their new record The People’s Key. The Quietus also has an interview with Conor Oberst, who plays The Sound Academy (with his band) on March 13.
Video: Bright Eyes – “Shell Games”
The new DeVotchKa record 100 Lovers is up to stream at NPR in advance of its March 1 release.
Stream: DeVotchKa / 100 Lovers
The San Francisco Examiner and Spinner have interviews with and NYC Taper a live recording from last week of Nicole Atkins; she’s at The Horseshoe on February 26.
Asobi Seksu released their lastest Fluorescence this week and released a new video from it. They also have a chat with Spinner and will be at The Horseshoe on February 27.
Video: Asobi Seksu – “Trails”
NYC Taper has a live recording and Spinner an interview with Wye Oak, whose Civilian is out March 8 and who play The El Mocambo on April 9.
Paste and So Much Silence chat with Michael Benjamin Lerner of Telekinesis. They play The Horseshoe on March 6 and have an in-store at Sonic Boom earlier that afternoon.
Stereogum checks in with Fleet Foxes on the status of their new record Helplessness Blues, out May 3.
Rolling Stone is holding a competition to choose who will grace an upcoming cover – vote Ume.
Tuesday, February 15th, 2011
Hey it’s Radiohead! And they’re doing stuff!
Kevin WestenbergClearly unconvinced that Arcade Fire’s Grammy win Sunday night had sufficiently broken the internet – at least as far as my Twitter and RSS feeds were concerned – Radiohead decided to apply a fatality-class finishing move on Monday morning, announcing that their eighth album was not only done, but would be called The King Of Limbs and be available for digital sale as of this coming Saturday, February 19.
Rather than repeat the pay-what-you-can model that accompanied their last sneak album release In Rainbows in 2007, the band are going the more traditional pay-what-we-say route this time out, offering digital-only pre-orders in MP3 or WAV format which will be fulfilled on Saturday or MP3/WAV plus fancy-pants physical package which they’re calling their “Newspaper Album” and includes the record on two 10″ LPs, a CD and craploads of packaging and artwork and due for delivery around May 9. For those who still dig physical product but don’t need all the bells and whistles, the regular CD and LP editions will be available on March 29.
It was well known that a new Radiohead record was coming this year, but beyond that it was anyone’s guess as to what, when, how, etc. and so in an age where albums are often “over” before they’re even officially out, it’s nice to still be able to experience that sense of surprise and anticipation. And considering the band have only played one show in the past 13 months – the Haiti benefit last January – almost none of the new material has been road-tested, making those first listens come Saturday that much more exciting.
So…. touring?
Video: Radiohead – “Lotus Flower” (live)
Elbow have released the first proper video from build a rocket boys!, and in the process remind me that the record is out in just three weeks on March 7. So very looking forward to hearing this one. So… touring?
Video: Elbow – “Neat Little Rows”
Rolling Stone talks to Liam Gallagher and Andy Bell of Beady Eye. Their debut Different Gear, Still Speeding is out March 1. As for brother Noel, he’s talking a lot but hasn’t started working on his own post-Oasis project.
Manic Street Preachers have released a new video for the title track from their latest Postcards From A Young Man.
Video: Manic Street Preachers – “Postcards From A Young Man”
Interview interviews Dominic Aitchison of Mogwai, The Quietus Stuart Braithwaite and Martin Bulloch also documents a day in the life for The Quietus. Their new record Hardcore Will Never Die, But You Will is out today and they’ve a gig at The Phoenix come April 26.
Music Snobbery interviews Blood Red Shoes.
The AV Club, NPR, Exclaim and Newsweek talk to PJ Harvey, whose war-themed latest Let England Shake may lead to an appointment as “official war song correspondent”.
NPR solicits a Tiny Desk Concert from Adele; Adele obliges. Her new record 21 is out next week and she plays The Kool Haus on May 18.
The Guardian interviews Anna Calvi, who follows the March 1 release of her self-titled debut with a show at Wrongbar on March 11 as part of Canadian Musicfest.
The first MP3 from The Raveonettes’ forthcoming Raven In The Grave, out March 22, is now available to download. They’ll be at The Phoenix on April 2.
MP3: The Raveonettes – “Forget That You’re Young”
Clash and The Scotsman talk to Lykke Li, who releases Wounded Rhymes on March 1 and plays The Phoenix on May 22.
So… touring? Here’s some of the stuff that got announced in the last few days. We already knew that J Mascis was headlining The Great Hall on the Friday, March 11, of Canadian Musicfest, but he’ll also be doing an in-store at Sonic Boom that afternoon at 5PM. You may recall he did the same with Dinosaur Jr last January – hopefully this time he won’t be running a half hour late. His new solo record Several Shades Of Why arrives March 15.
MP3: J Mascis – “Not Enough”
To mark the March 1 reissue of their 1998 self-titled debut, Queens Of The Stone Age will hit the road to play it in its entirety, a tour which stops in at the Sound Academy on March 29, tickets $47 and $57 in advance.
I certainly thought that last week’s Lee’s Palace show would be the one and only time Toronto got a visit from the touring-averse Radio Dept., but it looks like those who kept clapping for a second encore will get their wish – their touring itinerary shows them with an overnight layover in Toronto after appearing at Sasquatch and will pass the time with a May 29 date at The Horseshoe – good news for those who snoozed and losed on getting tickets for the Lee’s gig. aux.tv and Ca Va Cool have interviews with the band.
MP3: The Radio Dept. – “Why Won’t You Talk About It?”
Yeasayer released an aural valentine yesterday in the form of a free EP and a North American tour – look for them June 7 at The Phoenix.
MP3: Yeasayer – “Ambling Alp”
Monday, February 14th, 2011
Review of The Dears’ Degeneration Street
DangerbirdThat The Dears never really realized the lofty expectations that accompanied them when they emerged out of Montreal at the turn of the century really isn’t important. Nor is the fact that they turned out to be more foreshadowing of the great Canadian indie renaissance of the past decade rather than leaders of it, or that the drama surrounding the band and its endlessly changing roster often overshadowed their already-quite dramatic music. All that really matters is that they’re still at it and their new record Degeneration Street is, for my money, their best yet.
That should probably be accompanied by the caveat that I’ve never really been a fan of The Dears. Their early albums, for which they were the most feted, had the sort of grandeur that I liked but was lacking in the hooks that would have kept my attention over the course of their sprawling records. 2006’s Gang Of Losers, while hardly perfect, was the first of their releases that I really warmed to. And even though many found it too conventionally “rock” compared to their more expansive efforts, most would agree that 2008’s murkily rambling Missiles, which bore the fingerprints of its difficult birth (most of the band quit or left during its recording), was a low point for the band.
It may have been a necessary nadir, though, as Degeneration Street finds the band – reconstituted with a number of band members from earlier incarnations – striking a lean and focused balance of rock, soul and prog with plenty of pop and just about the right amount of self-indulgence. Tracks like “5 Chords” and “Thrones” are the sort of soaring, guitar-propelled anthems that far too few Canadian acts even attempt, let alone pull off, while opener “Omega Dog” proves that it’s possible for the band to showcase the scope of their ambitions without taking six-plus minutes to do it and the unexpectedly retro bounce of “Yesteryear” shows they’ve still got some surprises up their sleeves. I’m inclined to give veteran producer Tony Hoffer props for helping the band pull it together, though just as much credit must go to Dears leader Murray Lightburn – a man with a bit of a reputation for being artistically controlling – for allowing someone else to take the reins. It might have taken five albums over eleven years, but The Dears may have finally arrived.
Degeneration Street is out tomorrow and currently streaming in its entirety at aux.tv. The Montreal Gazette has a feature piece on the band and the album will be spotlighted in the first Polaris Record Salon, wherein a Polaris juror argues for the record’s inclusion in this year’s longlist/shortlist/ – it takes place Tuesday night at The Drake Underground and will also feature a live interview with Murray Lightburn and Natalia Yanchak. Doors at 7, starts at 8 and will feature a listening party for the album. And if you’d rather hear them play than see them speak, they will play an in-store at Sonic Boom this coming Thursday evening, February 17, at 7PM – admission free with a donation of canned goods.
MP3: The Dears – “Blood”
Video: The Dears – “Omega Dog”
Stream: The Dears / Degeneration Street
The Guardian has a feature interview with Arcade Fire while Pitchfork has details on their upcoming Scenes From The Suburbs short film, helmed by Spike Jonze. And oh yeah congratulations to the band on last night’s “Album Of The Year” Grammy Award. Wait, who?
aux.tv features Young Galaxy in the latest installment of their Camera Music video session series, while Spinner and Chart talk to the band, who will be taking a pregnancy-induced hiatus at the end of April. Best catch them at Lee’s Palace on March 10 while you can.
The Besnard Lakes tell Spinner they’re going back into the studio to work on their next record as soon as this Summer.
Shad has released a new video from TSOL; he’s playing at The Indie Awards during Canadian Musicfest on March 12.
Video: Shad – “Keep Shining”
Self-Titled talks to Tom Scharpling about directing the latest New Pornographers video. You know which one.
Exclaim reports that Destroyer’s Dan Bejar has an impersonator…. and his name is Dan Bejar. For serious. The real(er) Dan Bejar and his Destroyer crew will be at Lee’s Palace on March 31.
With Drums & Colour interviews Mark Hamilton of Woodpigeon.
Forest City Lovers have announced an April 1 show at The Garrison, where they will be accompanied by Slow Down Molasses and Kite Hill. NOW has a feature on Forest City Lovers’ Kat Burns and her artwork-an-hour An Hour Of My Time art project and she’s got a solo show at Holy Oak on March 3.
MP3: Forest City Lovers – “Light You Up”
The Star Phoenix talks to Mike Belitsky and Planet S to Dallas Good of The Sadies. They’ve got a date at The Mod Club on March 11 with a yet-to-be-announced special headliner.
3 Comments
facebook
![[Valid RSS]](http://www.chromewaves.net/images/interface/valid-rss.png "Validate my RSS feed"){kind=small}