Sunday, June 19th, 2011

"God Only Knows"

Elvis Costello covers The Beach Boys

WikipediaAt some point last night, probably around 11PM, Brian Wilson took a bow on a Toronto stage for possibly the last time. The show at Massey Hall was originally a promo stop for last year’s Reimagines Gershwin album, but following an interview with The Evening Standard last month wherein he mused that he could be retiring from touring following this year, it also became a sort of farewell tour.

So this week’s selection is both a tribute to the man and his work and also a nod to another pop music legend coming by for a visit this week, though I don’t think anyone is worried that Elvis Costello will be retiring anytime soon even if his current Spectacular Spinning Songbook tour has a whiff of victory lap-ness about it. Crowd-pleasing was rather the last thing on his mind back in 1993 when he released The Juliet Letters, a collaboration with English string ensemble The Brodsky Quartet. In addition to the original material on the record based on fictional letters written to one Juliet Capulet, Costello took advantage of the players at his disposal to reinterpret some favourite songs including the Pet Sounds classic, this live version of which didn’t appear on the original album but was included in the 2005 reissue.

Costello will be at The Sony Centre in Toronto this Thursday, June 23, and being backed by The Imposters it’s unlikely any Juliet Letters material will be found on the song-selecting wheel of fortune. As stated, we probably won’t see Wilson in these parts again unless those persistent rumours about a Beach Boys 50th anniversary tour come to fruition, and I wouldn’t hold my breath on that one.

MP3: Elvis Costello & The Brodsky Quartet – “God Only Knows”
Video: The Beach Boys – “God Only Knows”

Friday, June 17th, 2011

Half Light II

2011 Polaris Music Prize long list is long

Anton CorbijnIt only took about six minutes via Twitter to announce the forty albums long-listed for the sixth edition of the Polaris Music Prize, we’ll have the next three weeks to argue over their relative merits and come July 6, when the ten record-strong short list is announced, another couple months to hash those out before the September 19 gala in Toronto when a yet-to-be-determined grand jury declares their pick for the best Canadian album of the past year. And there’s more at stake this year than in the past, literally-speaking – the grand prize purse has been increased from $20000 to $30000 and for the first time, the other short listed artists will go home with more than a poster and an understanding of how Shad feels; they’ll all take home $2000 prizes.

I’ve no doubt that much of the aforementioned debate will center around a certain record from a certain Montreal outfit that’s cleaned up at major awards worldwide. It almost seems like a foregone conclusion that they’ll do the same here, but if there’s one thing that past Polaris winners have shown, it’s that the jury likes the underdog and the more successful you are, the less likely you are to add this particular statuette to your mantle. If there was a statuette, that is. Having served my grand juror duty back in 2008, I’m happy that I won’t have to be part of the decision-making process on this one, but I would love to be a fly on the wall of the creepy jury room in the Masonic Temple that Monday evening in September, you bet your sweet bippy.

As for my part in this process, it’s just about done – four of my five picks made the long list, which means that I have to revisit my ballot and pick a longlisted record to replace the one that failed to garner quite enough journo love country-wide. And without going back over past ballot posts to see if this is redundant or not, I’ll quickly outline my personal criteria for my picks. Beyond the obvious, “do I like it a lot?”, I ask myself if the record is or feels “important”, whether for music, Canadian music or just the artist’s own narrative. If that sounds nebulous, that’s because it is. I know some people agonize over these sorts of lists, but honestly I find them pretty simple – I don’t pick the records I think are worthy, they tell me if they are. And so, without further ado, here was my Polaris long list ballot for 2011 with some explanations.

1. Arcade Fire / The Suburbs
Even though this wasn’t even amongst my favourite albums of 2010, taking into the Polaris mandate of rewarding the album with the greatest artistic merit I accepted that this had to be at the top of my list. It’s an album with thematic and musical ambitions that you simply don’t see much of or often enough. And while its reach does exceed its grasp at a few points, said grasp is still higher than most would even consider aspiring to, and the end result strikes a universal chord you can’t deny.
Video: Arcade Fire – “We Used To Wait”

2. Destroyer / Kaputt
Destroyer has always made excellent records, so that the most un-Destroyer record yet would also be maybe the best one is something not many saw coming. But by going lounge and trading (some) guitars for smooth synths and saxes, Dan Bejar has created an immersive sonic world that’s sleek, sad and sexy.
MP3: Destroyer – “Chinatown”

3. Miracle Fortress / Was I The Wave?
By the time I heard this record in early March, the Polaris-judging part of my brain was just about full and most of my ballot complete – or so I thought. Graham Van Pelt’s retro-futuristic sophomore effort refused release my attention though, holding it like some irresistibly shiny object dancing hypnotically in front of my eyes/ears. Which it essentially is.
MP3: Miracle Fortress – “Raw Spectacle”

4. Olenka & The Autumn Lovers / And Now We Sing
About as small and local a release as you’re likely to find discussed in Polaris circles, I didn’t really expect this one to make the long list, but certainly not because it’s not as good or better than the albums that did. Time has proven that my last-minute, gut-instinct inclusion of Sing on my 2010 year-end list was justified; it’s a special record, more people simply need to hear it.
MP3: Olenka & The Autumn Lovers – “Odessa”

5. Sloan / The Double Cross
If the Polaris was awarded to the the best first three songs on a record, then everyone else could just go home – Sloan would take it in a cake walk. The pop veterans celebrated their twentieth anniversary by making their strongest record in a decade and reminding anyone who’s taken them for granted – which is to say everyone – just how good they could be.
MP3: Sloan – “The Answer Was You”

I have a little while to rejig my ballot to replace the Olenka record with something else off the long list. I have a few options I’m weighing. Maybe I’ll fill you in when a decision is made. Maybe.

Spin has got a 30-minute Arcade Fire video feature from MuchMusic’s The Wedge, wherein the band are interviewed by Damian Abraham, frontman for 2009 Polaris champs Fucked Up. Fucked Up are also featured in Blare, Spin, NOW and Spinner. Their two NXNE appearances now done, their next local show will be on August 9 at the Air Canada Centre opening up for Foo Fighters.

While on the topic of former Polaris recipients, since they’ll be in town to hand over the title of “reigning Polaris Music Prize winner” on the 19th of September, Karkwa have scheduled a Canadian tour that includes show at Lee’s Palace for September 17, tickets $12.

MP3: Karkwa – “Dors Dans Mon Sang”

Though they’ve got two NXNE showcases this week – tonight at The Garrison, tomorrow at The Great Hall, long-listers Braids have scheduled another as part of a Fall tour – they’ll be at The Horseshoe on October 14. Spinner has an interview.

MP3: Braids – “Lemonade”

The Quietus and Sydney Morning Herald interview Dan Bejar of Destroyer.

NOW talks NXNE with PS I Love You, whose debut Meet Me At The Muster Station made the long list cut.

All three acts playing the free show at Yonge-Dundas Square tonight made the 2011 long list; The National Post talks to Stars, Spinner and The National Post chat with Land Of Talk’s Liz Powell and The Grid profiles John O’Reagan of Diamond Rings. The Diamond Rings remix rainbow project has also just released a reimagining of a NOW Handsome Furs tune. Stars have a new video.

MP3: Diamond Rings – “What About Us” (Diamond Rings remix)
Video: Stars – “We Don’t Want Your Body”

The Grid has an interview with the aforementioned NOW Handsome Furs, who are at The Garrison on Saturday night and The Horseshoe on August 1.

All three acts who played The Music Gallery last night also got some NXNE media attention; NOW profiled Snowblink, Blare got Evening Hymns’ Jonas Bonetta to give Tom Petty’s Wildflowers some love and The National Post and Post-City talked to Forest City Lovers’ Kat Burns.

Spinner talks to No Joy.

Spinner and NOW have interviews with Chad VanGaalen, who is playing The Great Hall on Saturday night.

Friday nights at Yonge-Dundas Square have been declared as “Indie Friday” and will host a weekly series of free shows to earn the title; particularly notable are shows from The Sadies on July 22 and the double-bill of Zeus and Jason Collett on September 9. All shows are free free free.

MP3: The Sadies – “Another Year Again”
MP3: Jason Collett – “Bitter Beauty”
MP3: Zeus – “Marching Through Your Head”

On July 28, The Tranzac will host the pretty terrific double-bill of Gentleman Reg and Rae Spoon; tickets for the show just $10.

MP3: Gentleman Reg – “We’re In A Thunderstorm”
MP3: Rae Spoon – “Death By Elektro”

And just in time for Summer/Polaris/NXNE/whatever June 17 means to you, The Line Of Best Fit have released their seventeenth (!!!) Oh! Canada downloadable mix.

Thursday, June 16th, 2011

Rolled Together

The Antlers and Little Scream at The Mod Club in Toronto

Frank YangA week straight of show-going is a pretty foreboding thing when you’re generally more inclined to stay home and watch television, but if the first night of said run – which began Tuesday at The Mod Club with The Antlers and Little Scream – is a bellwether of the next seven (or ten) nights out, then I say bring it on.

Though both acts were familiar, their performances were still new to me in crucial ways, in particular with Little Scream whom I’d last seen two years ago in a pair of solo performances that were both enigmatic and intriguing. Contrast that with this evening, where Laurel Sprengelmeyer was fronting a six-piece band and promoting her debut album The Golden Record; an album that’s been well-received but interestingly not done much to clarify the mystery of who Little Scream is, offering highlights in the individual songs but not really feeling particularly cohesive as it ranges from style to style, held together only by Sprengelmeyer’s impressive vocals. The live incarnation remedied this somewhat, unifying things by being both heavier and proggier throughout and offering itself up as a variant of rock built on folk instead of blues. Sprengelmeyer jokingly compared them to Iron Maiden, on account of the three-guitar configuration but just as she did a couple years ago, I was most reminded of The Who, despite the lack of any obvious nods. Why, I can’t explain, just as I still can’t fully put my finger on what makes Little Scream what they are – but I’ll keep trying.

The Antlers broke out via the unlikeliest of records in Hospice, a beautifully grim and harrowing meditation on mortality. I saw them three times in the cycle for that record, twice as openers and once at an in-store, and each time their performances seemed to be exercises in exorcising the darkness of that material by taking the songs and stretching them out into something new. The catharsis would appear complete with the band’s new record Burst Apart, which feels like fresh growth on a former blast site; sensual and sinewy, it practically glistens with life.

The sense of rebirth also carried over live, where the three-piece had added a fourth player on bass and guitar and frontman Peter Silberman, formerly content to set up off the side and hide somewhat behind keyboards, was up front and centre. As mentioned, this was my first time seeing The Antlers headlining their own show, but considering that even in a support setting they weren’t given to brevity – when opening for Editors, they stretched out five songs over 40 minutes – I expected epic-scale things from the Brooklynites and was not disappointed. With the extra four- or six-strings on hand, The Antlers were able to jam out the Burst-heavy set and allow Silberman to roam and even dance around the stage when not stealing the spotlight with his haunting falsetto. The few Hospice songs that did make an appearance were recognizable but decidedly incongruous from their original versions, the transformations applied over the two years of touring having taken hold permanently without diminishing their emotional power or beauty.

For many in the sold-out house, I’m sure the Hospice tracks were the highlights but given my difficult personal relationship with the record (it may have been written as a metaphor but for me was all too literal) it was the Burst Apart material that really shone. Free of the thematic and narrative constraints of its predecessor, the new record isn’t necessarily happy but it does have an optimism threaded throughout that’s genuinely uplifting, rather than simply trying to overcome its own weight. That the band were able to not only recreate this feeling live but amplify it was nothing short of remarkable.

DIY and The New Haven Advocate have features on The Antlers while Pitchfork solicits a list of Silberman’s formative musical influences. The National Post and BlogTO also have reviews of the show.

Photos: The Antlers, Little Scream @ The Mod Club – June 14, 2011
MP3: The Antlers – “Parentheses”
MP3: The Antlers – “I Don’t Want Love”
MP3: The Antlers – “Every Night My Teeth Are Falling Out”
MP3: The Antlers – “Two”
MP3: The Antlers – “Sylvia”
MP3: The Antlers – “Bear”
MP3: Little Scream – “Cannons”
MP3: Little Scream – “The Heron & The Fox”
Video: The Antlers – “Bear”
Video: The Antlers – “Two”
Video: Little Scream – “Red Hunting Jacket”
Video: Little Scream – “The Lamb”

Her show at The Rivoli safely behind us, Alela Diane has been announced as support for Fleet Foxes at Massey Hall on July 14. Spin declares her to be an artist “breaking out”.

MP3: Alela Diane – “To Begin”

Following in her brother’s footsteps and getting to work outside the context of The Fiery Furnaces, Eleanor Friedberger has set a July 12 release date for her solo debut Last Summer, and scheduled a Summer tour that includes a free show at The Horseshoe on July 19. The first single from the album is available to hear and watch.

MP3: Eleanor Friedberger – “My Mistakes”
Video: Eleanor Friedberger – “My Mistakes”

You get exactly zero points if you can guess what Portland synth-poppers STRFKR used to be called. Or maybe are still called, depending on who you ask and what company you’re in. You can be in their company at Lee’s Palace on September 20, where they’ll be showing off their new record Reptilians. Full dates at Exclaim.

MP3: STRFKR – “Bury Us Alive”

Stephen Malkmus has put together a Fall tour in support of his new album Mirror Traffic, due out on August 23. He’ll be at The Phoenix with The Jicks on September 21, tickets $22.50 in advance.

MP3: Stephen Malkmus & The Jicks – “Senator”

The National Post, Spinner and NOW preview Art Brut’s show at The Mod Club tomorrow night.

The Daily Swarm has gone through Bob Mould’s just-released new memoirs See A Little Light and posted their picks for some of the more intriguing passages contained therein and NPR have excerpted the first chapter. The Pioneer Press and The Bellingham Herald talk to Mould about looking back on his life for the book.

The Mountain Goats are giving away a new MP3 from their latest All Eternals Deck. Just because.

MP3: The Mountain Goats – “High Hawk Season”

NPR is streaming a World Cafe session with The Kills. The band have also released a set of acoustic performance videos over on their YouTube.

Spinner has a pre-NXNE interview with Dum Dum Girls; their showcase is Friday night at Lee’s Palace, 11PM.

Writers On Process talks to The Rosebuds’ Ivan Howard about his writing process. The Rosebuds are at The Sound Academy on August 9 opening up for Bon Iver.

That’s the same Bon Iver whose Justin Vernon is all dapper and shit as the cover story of the new Spin. There’s also interviews at Exclaim and The Vancouver Sun and the first video from Bon Iver, Bon Iver is now out – presumably not financed by the Alberta Tourism board.

Video: Bon Iver – “Calgary”

Aquarium Drunkard interviews Will Johnson of Centro-Matic about their new record Candidate Waltz, out next week.

Buffalo Tom have released a first video from their latest record Skins.

Video: Buffalo Tom – “Guilty Girls”

JAM and Echo interview Patterson Hood of Drive-By Truckers.

Acoustic Guitar and JAM chat with Steve Earle, in at the Molson Amphitheatre on August 20.

Wednesday, June 15th, 2011

My Heart Is A Drummer

Allo Darlin’ at The El Mocambo in Toronto

Frank YangI’ll admit that sometimes I get a bit protective of bands. Particularly those who tour from far and distant lands without the benefit of a lot of buzz behind them; I’ve seen too many bands play too less than double-digits of people and just felt bad for them… and for myself because you’re unlikely to get the best show out of a band who thinks they’re playing to no one.

These were the sorts of concerns I had leading up to the Toronto debut of Allo Darlin’ – in all the way from London – at the El Mocambo on Saturday night. None of the band, tour or show seemed to be particularly well-promoted (though I did my part) and even if they were, the timing was tough as the indie/Brit-pop contingent also had Gruff Rhys and Architecture In Helsinki shows that evening to choose from. I had fallen quite in love with the band’s self-titled debut, but had fears of walking into the El Mo and finding a near-empty room.

Happily, such was not the case and by the time the foursome took the stage at half-eleven, I guesstimated just shy of eighty or so people in attendance. Not a packed house by any means, but certainly a respectable one and one that got treated to about as adorable and entertaining a show as anyone could have hoped for. Their hour-long set was a study in fun, with frontwoman Elizabeth Morris proving that the ukulele was as headbanging an instrument as anything else, dancing and pogoing around the stage. And really, for a band that’s rather instantly and mostly fairly pigeonholed as twee-pop, they brought some seriously punk rock energy to the proceedings, Morris’ sweet voice and phrasing taking an unexpected but entirely welcome Louise Wener-ish edge in the live setting.

In between some colourful banter – apparently the show in Montreal the night before was interrupted when someone smashed the club doors with a sledge hammer – they melted hearts with a selection of songs from their debut, a few new tunes from their second album – entitled Europe and presumably finished though apparently not out anytime too soon – and a cover of The French’s “The Wu Tang Clan” to close the main set out. By this point a call for an encore was assured and they obliged with their hilarious single “Henry Rollins Don’t Dance”, wrapping a wonderful little set. Morris mentioned earlier in the show that she heard Toronto doesn’t get much in the way of indie-pop coming through town, and that’s probably true enough. If they want to up our regular dosage of Allo Darlin’, I won’t complain a bit.

Allo Darlin’s North American tour has less than a week to go (though they’ve sworn to reschedule the week of west coast shows cancelled on account of late vias) – if you’re in one of the cities remaining on the itinerary, go. Just go.

Photos: Allo Darlin’ @ The El Mocambo – June 11, 2011
MP3: Allo Darlin’ – “My Heart Is A Drummer”
MP3: Allo Darlin’ – “Dreaming”
Video: Allo Darlin’ – “My Heart Is A Drummer”
Video: Allo Darlin’ – “If Loneliness Was Art”
Video: Allo Darlin’ – “Dreaming”
Video: Allo Darlin’ – “The Polaroid Song”

A couple big British concert announcements over the last couple days; The Horrors will follow up the July 26 release of Skying with a Fall North American tour that includes a September 27 date at Lee’s Palace. Tickets $20 in advance.

MP3: The Horrors – “Sea Within A Sea”

And at long last, Elbow are coming back to Toronto for their own, non-Chris Martin-tainted show as part of a Fall tour. Not even the fact that the September 28 show is at The Sound Academy can dampen my happiness about this. Tickets are $38.50, on sale Saturday.

Video: Elbow – “Open Arms”

White Lies have a new video. They’re at The Phoenix on August 3.

Video: White Lies – “Holy Ghost”

Spin puts Arctic Monkeys on their latest cover. Well, one of their latest covers.

Emmy The Great has posted an unabridged version of the feature that ran in The Guardian last week, making a worthy read even better. The Stool Pigeon has also posted a mixtape from Emmy as relates to her new album Virtue.

Nouse have an interview with Slow Club, whoe are gearing up for the release of their second album with a new website and a new video for their new single “Two Cousins”, though you have to sign up to their mailing list to watch the thing.

Belle & Sebastian have rolled out a new video from Write About Love and are teasing the release of another one coming later today – I’ll update when it’s up. And while we wait for the future to arrive, Magnet takes us back to the past by posting their cover feature on the band circa 2006, back when they were a magazine and had covers.

Video: Belle & Sebastian – “Come On Sister”
Video: Belle & Sebastian – “I Didn’t See It Coming”

Sons & Daughters are streaming their new record Mirror Mirror at The Guardian. It’s out now in the UK but not until July 12 in North America.

Stream: Sons & Daughters / Mirror Mirror

The Irish Independent, Star-Observer, Irish Times and SX News have feature pieces on Patrick Wolf, whose new album Lupercalia is out next wek.

NME talks to Stornoway about what they might have planned for album number two.

The Guardian declares that Pulp are more important, culturally speaking, than ever.

NPR has posted a World Cafe session with a couple of songwriting legends currently on tour together, Richard Thompson and Loudon Wainwright III. Thompson is here solo on September 8 for a show at Koerner Hall.

Danish post-punk teen act Iceage will be at Parts & Labour on August 17 in support of their debut album New Brigade, out next Tuesday. Pitchfork has full tour dates.

MP3: Iceage – “Broken Bone”
MP3: Iceage – “White Rune”

Spin and NPR have video and audio sessions, respectively, with Peter Bjorn & John, while The Huffington Post talks food with John Erikkson. They’ve got a two-night stand scheduled for Lee’s Palace on September 2 and 3.

Tuesday, June 14th, 2011

What Do You Wanna Do?

Louise Burns and other gentle suggestions for NXNE 2011

Michelle FordAnother year, another NXNE, another NXNE preview post. I’ll apologize in advance if this one’s a little less thorough or exploratory than previews past, as travels and general business has taken up time that would usually be spent cruising band websites and Myspaces Facebooks, Bandcamps and Soundclouds.

But I can offer one unconditional endorsement for the coming week, and I’d like to think it’s not a wholly obvious one: Vancouver’s Louise Burns. Her debut Mellow Drama came out a couple months ago and sat in my CD stacks until some recommendations both personal and professional prompted me to dig it out and give it a spin and wow. Gifted with a crystalline voice possessing just the right amount of twang at the corners, Burns puts it to work on a remarkably strong set of songs born of a love of classic ’50s and ’60s rock’n’roll but grown to feel timeless rather than throwback. While not the most universal reference point, readers of this here site will appreciate how high praise it is when I compare her to Nicole Atkins in influence and aesthetic, though with less torchiness and more jangle in the mix. Dig those Pretenders guitar tones.

I’m quite taken with this record and so was pretty happy when Burns was a late addition to the NXNE lineup; her showcase goes 9PM on Saturday night, June 18, at Supermarket. Southern Souls has a video session with downloadable MP3s to check out.

MP3: Louise Burns – “Drop Names Not Bombs”
Video: Louise Burns – “What Do You Wanna Do?”

And here’s the day-by-day of stuff that, should you find yourself looking for something to check out, I think may be worth your while. I’ve left out some perennial recommendations because, well, that’d be kind of redundant, but they still have my implicit endorsement.

Wednesday, June 15
Young Contrarians @ Rancho Relaxo, 8PM – advertised to me as a fun sort-of side-project of local musicians who rarely play, the samples of their lightly synth-y, New Wave pop is better than lots of what I’ve heard from deadly serious, full-time bands. Check out the tune on their NXNE profile and tell me I’m wrong.

Lower Dens @ The Garrison, 10PM – hypnotically atmospheric Baltimore outfit finally returning to Toronto for a couple of NXNE shows, this one and another at 1AM on Thursday, June 16, at Lee’s Palace. One of the bands I really hope to catch but won’t be surprised if I miss completely.
MP3: Lower Dens – “Hospice Gates”

Ume @ The Drake Underground, 11PM – the Austin-based power trio who’re personal favourites will be previewing their new album Phantoms, due out on August 30. They always put on an absolutely scorching live show courtesy the guitar heroics of frontwoman Lauren Larson.
MP3: Ume – “The Conductor”

The Postelles @ The Garrison, 11PM – New York guitar-pop band that sounds like a New York guitar-pop band, which is to say kind of throwback garage-y and a lot catchy. Billboard and The Washington Examiner have features.
MP3: The Postelles – “Hold On”

Library Voices @ The Rivoli, 12AM – unflappable Saskatchewan collective who’ve endured theft, floods and living in Saskatchewan to keep putting out upbeat, catchy pop will release their second album Summer Of Lust on August 23. NOW, The National Post and The Leader-Post have interviews.
Video: Library Voices – “Drinking Games”

Thursday, June 16
Evening Hymns @ The Music Gallery, 8PM – Toronto duo built around the duo of Jonas Bonetta and Sylvie Smith will be previewing their second album, as yet untitled but due out in the Fall, in pretty much the most perfect setting short of a mist-covered mountaintop. Spill has an interview with Bonetta.
MP3: Evening Hymns – “Broken Rifle”

Fucked Up @ Yonge-Dundas Square, 8PM – the chance to see the 2009 Polaris Prize winners do their crowd-invading, half-naked thing in a public square is not to be missed, nor is the opportunity to hear their latest opus David Comes To Life live. They’ll also play Wrongbar at 1AM the same evening. The National Post has a feature.
MP3: Fucked Up – “Queen Of Hearts”

Modern Superstitions @ The Garrison, 9PM – constantly on my festival “you ought to see” lists because, well, you ought to see them. Their catchy garage-pop get better every time out.
MP3: Modern Superstitions – “Visions Of You”

The Two Koreas @ The Velvet Underground, 10PM – in brief: local rock scribes form rock band, make surprisingly good guitar-rock record, get other local rock scribes to recommend seeing them and regret no longer being in bands.
MP3: The Two Koreas – “Midnight Brown”

Cowboy And Indian @ The Comfort Zone, 10PM – CRUCIFICTORIOUS!
MP3: Cowboy And Indian – “Ledbellies”

Slow Down, Molasses @ The Dakota Tavern, 11PM – sprawling Prairie collective who’ve found an extra dose of cohesion and rock on their second album Walk Into The Sea
MP3: Slow Down, Molasses – “Late Night Radio”

Evan Dando & Juliana Hatfield @ Lee’s Palace, 12AM – one of Alternative Nation’s original power couples, now back together and doing… I’m not exactly sure. But expecting to slapped upside the head with ’90s nostalgia probably isn’t unreasonable.
Video: The Lemonheads – “It’s A Shame About Ray”
Video: The Juliana Hatfield Three – “Spin The Bottle”

Bruce Peninsula @ The Rivoli, 1AM – local gospel-blues-folk choir continues their gradual return to active duty with their first live show in what seems like forever. Their second album Open Flames is out this Fall
MP3: Bruce Peninsula – “Light Flight”

Friday, June 17
Art Brut @ The Mod Club, 9PM – hilarious and whip-smart Brits will showcase their new record Brilliant! Tragic. Paste has a profile.
MP3: Art Brut – “Lost Weekend”

Volcano Playground @ Rancho Relaxo, 11PM – Atmospheric synth-pop made right here in Toronto that pulls together all manner of influence into something impressively unique. A local act to keep an eye on, whether at NXNE or not.
MP3: Volcano Playground – “Waiting”

Julianna Barwick @ Wrongbar, 11PM – Haunting, ambient soundscapes built on layers of vocals and imagination.
MP3: Julianna Barwick – “The Magic Place”

Swervedriver @ The Great Hall, 12AM – British shoegaze legends making a rare appearance in these parts… even if their last appearance in 2008 was at this very same festival.
MP3: Swervedriver – “Last Train To Satansville” (live)

Dum Dum Girls @ Lee’s Palace, 12AM – sun-kissed Californian garage-pop from the guaranteed best-dressed band at the fest. Including Devo. Spinner and NOW have interviews.
MP3: Dum Dum Girls – “Jail La La”

Olenka & The Autumn Lovers @ The Gladstone Hotel, 12AM – London orchestral-folk faves finally return with a new, full lineup that should allow them to recreate more of if not all of their gorgeous And Now We Sing album
MP3: Olenka & The Autumn Lovers – “Odessa”

Rouge @ Sneaky Dee’s, 3AM – if for some reason you’re still awake and looking for something to do, their electro-pop will make a compelling argument for dancing, dancing, dancing.

Saturday, June 18
Cults @ Yonge-Dundas Square, 7PM – possibly the buzziest of all the buzz bands playing the festival, thanks to the love for the retro-pop that adorns their self-titled debut. They also playing at midnight at Lee’s Palace on June 17. Filter and Boston Globe have features.
MP3: Cults- “Go Outside”

Bellewoods @ The Dakota Tavern, 9PM – raggedly lovely and rockingly downcast alt.country outfit preparing for the upcoming release of their debut Don’t Rely On Me
MP3: Bellewoods – “Take Me Out”

Devo @ Yonge-Dundas Square, 9:30PM – They’re legends, they’re the headliners, they’re free. Are they not men? They are DEVO.
Video: Devo – “Girl U Want”

Smoke Fairies @ The Dakota Tavern, 10PM – English folk-blues duo specializing in tight harmonies and creepy atmosphere. Tour Dates has an interview.
MP3: Smoke Fairies – “Strange Moon Rising”

Peelander-Z @ The Comfort Zone, 12AM – A single look should be all you need to know if you want to see the planet’s premiere Japanese action comic punk band. They also play an all-ages show at Sneaky Dee’s at 5PM that afternoon. Spinner has an interview.
MP3: Peelander-Z – “Tacos Tacos Tacos”

Chad VanGaalen @ The Great Hall, 12AM – The release of Diaper Island brings Canada’s premier weirdo-pop auteur back to town. The Take and National Post have interviews.
MP3: Chad Vangaalen – “Sara”

Secret Cities @ The Dakota Tavern, 12AM – Classic, lightly psychedelic pop low on fidelity but high on songs, hailing from the music hotbed of Fargo, North Dakota. They’re also playing 9PM Friday at Wrongbar and 5PM Saturday at The Rivoli
MP3: Secret Cities – “The Park”

Obviously, this is just a tiny sample of what’s on offer this week at the clubs around town – to be honest, I haven’t even sorted out what I’m going to be seeing so I can’t very well say with any authority that these are the acts you should be seeing. But hopefully there’s something in the selections above that click with you and at least register as an option for your festival itinerary. And if you need more, check out festival previews at Spin (focusing on worthy Torontonian acts), OTM, BlogTO, Toro (two-parter) and The Line Of Best Fit

And note that these only covered the official evening showcases; while things are still far from Austin-scale, there’s more day shows and whatnot this than I ever recall, which is good news for everyone – particularly underagers and people without the time/money/energy for the club crawl. There’s a number of in-store shows, the Kelp Records/Line Of Best Fit BBQ on Friday, an Rdio-sponsored thing and BrooklynVegan-branded boat cruise on Saturday afternoon and the Live In Bellwoods performances in the park running afternoons from Thursday through Sunday to name the ones that are on my radar. And there’s also a launch party for the just-released Static Zine on the Sunday, which will feature live shows at both Sky Blue Sky Sandwiches and in Christie Pits.

Update: Just posted – Spinner’s as-comprehensive-as-you’ll-find guide to NXNE afterparties, day shows and secret shows.

So yeah, NXNE. Here we go.