Frank YangIt seems like holding holiday-themed live throw-downs with fun names is all the rage these days, and this upcoming edition hosted by The D’Urbervilles is no exception. They’re closing out a year in which they released their excellent debut full-length We Are The Hunters by holding a two-night soiree they’ve dubbed “Rock’Em Sock’Em” at the Tiger Bar this coming weekend, Friday December 12 and Saturday December 13. And because it’s not a party without having friends along, they’ve invited along Katie Stelmanis and Mantler to come out and play on the first night, and Bocce and Slow Hand Mortem on the second.

Courtesy of No Shame, I’ve got a pair of passes to give away for each night so if you’re looking for a little hot basement rock action this weekend, email me at contests AT chromewaves.net with “I want to Rock Em Sock Em on Friday” for night one or “I want to Rock Em Sock Em on Saturday” in the subject line, and your full name in the body. Contest closes at midnight, this Wednesday – December 10.

MP3: The D’Urbervilles – “Dragnet”
MP3: The D’Urbervilles – “Hot Tips”
MP3: The D’Urbervilles – “National Flowers”
MySpace: The D’Urbervilles

jinglebellrock.caA little too much going on right now for proper posting, so you’ll forgive me if I just ride out the next couple days by partaking in the spirit of the season and giving some stuff away? But good stuff coming, I just need to work on it.

Jingle Bell Rock is the creatively-named tour featuring Can-indie luminaries Metric, Tokyo Police Club, The Dears and Sebastien Grainger & The Mountains on a ten-date mission to rock out, spread holiday cheer and raise funds for a range of worthwhile charities in the process. Things kick off with a two-night stand in Toronto at the Sound Academy on December 12 and 13, head west for single-night engagements in Winnipeg, Saskatoon and Edmonton before going two-fer in Calgary and wrapping up with a triple-shot in Vancouver from December 21 to 23.

And, courtesy of Filter, I’ve got passes to give away to not one, not two, not three, but four of the shows. That’s one pair for each Toronto show and two of the three Vancouver dates (it would have been a solid run of both cities but they went off and added the third Van-city show). So if you want to go to any of the above, email me at contests AT chromewaves.net with “I want to Jingle Bell Rock in Toronto/Vancouver on December 12/13/21/22”, where you only include the city and date you’re looking for. For the Toronto dates, get entries in to me before midnight, December 9. Vancouverites, since you’re three hours behind anyways, you have until December 16 to get me your entries in. Lollygaggers.

And enter for multiple dates if you like.

Update: Hey, powers that be wanted the names sooner rather than later, so I closed the Toronto leg of things a bit early. And I’ve moved up the deadline for the Vancouver dates If you were waiting to enter… well damn, I have no idea why. Sorry.

MP3: Metric – “Monster Hospital”
MP3: Tokyo Police Club – “In A Cave”
MP3: Tokyo Police Club – “Juno”
MP3: The Dears – “Disclaimer”
MP3: Sebastien Grainger & The Mountains – “American Names”
MP3: Sebastien Grainger & The Mountains – “By Cover Of Night (Fire Fight)”
Video: Metric – “Monster Hospital”
Video: Metric – “Poster Of A Girl”
Video: Metric – “Empty”
Video: Tokyo Police Club – “Graves”
Video: Tokyo Police Club – “In A Cave”
Video: Tokyo Police Club – “Tessellate”
Video: The Dears – “Money Babies”

KnotanWith her 2005 (2006 in North America) debut Until Death Comes, Swedish songstress Frida Hyvonen established herself as a distinctive new voice, capable of veering from stark confessionals to demented whimsy at the drop of a hat. I base this as much on my recollections of her deliciously entertaining March 2007 performance at the Mod Club as I do from whatever impression the album itself made because, well, I no longer seem to have a copy of the album around to refer to.

But I do have the follow-up, Silence Is Wild, and it does reaffirm those impressions. This time out, she chooses to frame her compositions in richer and at points, more theatrical trappings which suit her quite well – better, in my estimation, than the simpler presentation of the debut. The focal point is still her voice – huge yet fragile – and piano, but the grander arrangements lift everything up and offer a broader emotional and musical range that Death simply didn’t have.

Considering my favourite tracks from the album – “Dirty Dancing” and “London” – are also the biggest, I obviously like this change in tact for Hyvonen. The vivid imagery of her lyrics combined with the exuberance of their delivery strike just the right chord in me, and offer a stronger contrast to the smaller, more intimate moments of the album. But even with what some may consider to be a more conventional musical approach, Hyvonen’s innate eccentricity still shines through and sets her apart.

Ms Hyvonen did some solo dates on the east coast in October, so I don’t know if there’s any further North American touring in the cards. But if so I do hope there’s a band involved, even though it’s probably cost-prohibitive. As charming and engaging as she was in the solo context last time, I couldn’t imagine a lot of the new material being done proper justice without all the proper sonic accouterments.

Hyvonen picks her favourite song of the year for Line Of Best fit, gives Aquarium Drunkard a guided tour of her hometown of Flarken and subjects to herself to an interview at RCRDLBL, where you can also download an MP3 of “Birds” from the new album. And check out a live performance of “Dirty Dancing” at PSL.

MP3: Frida Hyvonen – “The Enemy Within”
MySpace: Frida Hyvonen

Clash talks to Lykke Li about her really big 2008. She’s at the Phoenix on February 6.

The video for the first single from A Camp’s forthcoming Colonia is now up. The album is out February 2.

Video: A Camp – “Stronger Than Jesus”

If you were one of those bummed about the cancellation of Noah & The Whale’s North American tour, maybe this Basement Tapes session with the band, recorded their last time through the continent and featuring downloadable live tracks, will ease the pain a bit.

MP3: Noah & The Whale – “5 Years Time” (Basement Tapes session)

The Courier-Mail discusses the art of songwriting with Mountain Goat John Darnielle.

LAist interviews John Dragonetti of The Submarines. They’re at the Drake Underground on February 15 and The Morning Benders have been added as co-headliners on the whole tour.

New York City’s Virgins have a date at the El Mocambo on February 5, tickets $12.50.

MP3: The Virgins – “Rich Girls”
Video: The Virgins – “Rich Girls”

Dose.ca, The Montreal Gazette and The McGill Tribune spend time with Stars, gearing up for a three-night stand at the Queen Elizabeth Theatre December 11 through 13.

Gentleman Reg, who is opening up the middle of those Stars shows (the 12th) as well as playing his own gig at the Drake Underground tonight, will release his new album Jet Black on February 24.

Le Blogotheque takes away a show with Margot & The Nuclear So And So’s.

Prefix talks to Mark Lanegan about working with Isobel Campbell.

JAM interviews Richard Thompson.

2:30 PublicityI was reading a piece in the latest issue of Exclaim wherein Nicholaus Sparding of Love Is All commented on the band’s inability to get arrested in their native Sweden, perhaps on account of their refusal/inability to adhere to what’s typically thought of when you talk about Swedish indie – that is, elegant pop of the orchestrally twee persuasion.

And perhaps that’s why I ultimately ignored their debut, 2006’s Nine Times That Same Song – I really like that elegant, orchestrally twee pop, particularly delivered in a Swedish accent, and that’s most definitely not what Love Is All are about, except maybe the accent part. From Josephine Olausson’s gleeful caterwaul to James Ausfahrt’s skronking saxophone, Love Is All are resolutely scrappy, abrasive and frantic. The Cardigans, they are not.

But score one for personal growth, as I’ve given the follow-up A Hundred Things Keep Me Up at Night more of a chance and am pleased to find myself coming around to its charms. Within Hundred‘s ten tracks there reside a handful of lustrous pop jewels that no amount of sonic dirt can dull – manic lead single “Wishing Well” and the Spector-iiffic “When Giants Fall” chief amongst them – and the numbers that don’t reach the same level of inspiration do their best to compensate with loads of anarchic energy. I can’t say that Love Is All are an outfit that I necessarily see myself forming a long and lasting relationship with, but for a good night out, you could do far worse.

And on that note, Love Is All are about to kick off a North American tour which will bring them to the Horseshoe next Thursday night, December 11. Courtesy of Against The Grain, I’ve got two pairs of passes to give away. To enter, email me at contests AT chromewaves.net with “Love Is All I need” in the subject line and your full name in the body. Contest closes at midnight, December 8.

Exclaim has posted up the complete transcript of the interview that seeded the feature mentioned above, and The San Francisco Bay Guardian also has an interview with Josephine Olausson.

MP3: Love Is All – “Wishing Well”
Video: Love Is All – “Wishing Well”
MySpace: Love Is All

One of the nicest things to show up in my inbox lately is from New Yorkers The Pains Of Being Pure At Heart, whose ’80s-vintage jangly/fuzzy brand of pop is as twee-friendly as their name. Pretty much what you might expect from a band on the venerable Slumberland marque, and totally scratching an itch I’d forgotten I had. Their self-titled debut will arrive on February 3 and a short Winter tour brings them to Toronto on February 12 for a show at Neutral.

MP3: The Pains Of Being Pure At Heart – “Everything With You”
MP3: The Pains Of Being Pure At Heart – “Come Saturday”
Video: The Pains Of Being Pure At Heart – “Everything With You”
MySpace: The Pains Of Being Pure At Heart

The Wedding Present, for whom POBPAH are currently opening a string of dates in the UK, have released a download-only, throwaway (my subjective opinion) Christmas single, complete with video. The Gedge is really into this Californian lifestyle thing, from the looks of it.

Video: The Wedding Present – “Holly Jolly Hollywood”

The title track from Los Campesinos’ new record We Are Beautiful, We Are Doomed is now available to download.

MP3: Los Campesinos! – “We Are Beautiful, We Are Doomed”

Contact Music interviews Asobi Seksu. Their new album Hush is out February 17.

BBC talks to Noah & The Whale, who are set to release a mini-album under the guise of their A-Sides punk band persona, just in time for Christmas though just barely – it’s out December 22. They also give some hints about the direction album number two – currently in production and the reason for their cancelled North American tour – is taking.

And also cancelled is CSS’s December 15 date at the Opera House. I guess the Brazilians finally discovered that December is COLD in the northern hemisphere (actually they say it’s due to visa issues).

And those of you who didn’t get tickets to Franz Ferdinand’s show at Lee’s tomorrow night – which is most of you – may be heartened to know that they’re doing another tiny show at the Masonic Temple (aka MTV Canada studios) on Friday but the only way to get tickets is to listen to CFNY (aka “The Edge”, to those of you under 30). Whether you’re willing to make that great a sacrifice to try and get tickets is up to you.

March will prove to be a good month for those whose tastes run towards the rootsier end of things. First, March 3 brings the Middle Cyclone (artwork!), the new album from Neko Case (she talks to Paste about making the album and buying a farm – A farm, not THE farm), and on March 31 Great Lake Swimmers will release their latest, Lost Channels.

Jason RothernbergAlmost four years has passed since Antony & The Johnsons released their breakthrough album I Am A Bird Now, which would garner rave reviews from most quarters and ultimately go on to win the prestigious Mercury Prize. It’s a record that I’ve run hot and cold on over those years – sometimes Antony Hegarty’s quavering vibrato is the most heartbreaking thing I could imagine hearing, other times it just feels excessive and unnecessary. It probably depends on my own emotional state.

Though the Johnsons took an extended layoff, Hegarty himself was far from idle contributing to the Hercules & Love Affair record, appearing on Bjork’s last album and doing a fair bit of film and soundtrack work. His own project was brought back to the fore earlier this Fall, however, with the release of the Another World EP which offers an idea of what the next full-length, The Crying Light, will bring when it’s released on January 20. Though only a sampler, it sounds as if the broader, theatrical elements of Bird have been toned down somewhat for a leaner, more forceful effect. And for me, it works. The title track, featuring just Hegarty and a piano, is in my estimation the most poignant thing he’s ever put to tape.

Full tour dates in support of The Crying Light are still to be announced, but some are trickling out, one of which is a Toronto date at the Queen Elizabeth Theatre for February 17th. It’s an all-ages show, tickets are $35 and wil go on sale on Thursday at 10AM.

MP3: Antony & The Johnsons – “Another World”
Video: Antony & The Johnsons – “Another World”
MySpace: Antony & The Johnsons

Clash lists off the top ten post-Richey moments in Manic Street Preacher history.

Low have marked the festive season with the release of a Christmas 7″, and they’ve made a video for the A-side. Creepy? Yes.

Video: Low – “Santa’s Coming Over”

Pitchfork has details on the forthcoming benefit compilation for the Red Hot Organization in support of AIDS research. Curated by Aaron and Bryce Dessner of The National, Dark Was The Night will feature contributions from… well, pretty much everyone. Click through for a the full list of who’s doing what with whom and on February 17, pick the album up in double-CD or triple-LP format.

And though everyone else involved has already announced it, I’m pleased to be part of the newly-unveiled MBV Music music blog network group, alongside such grizzled veterans of the form as Catbirdseat, Fluxblog, Largehearted Boy and Said The Gramophone. The exact nature of this endeavour is still a little hazy, even to me, but it’s going to be a little bit aggregator, a little bit original content, a little bit country, a little bit rock’n’roll. So yeah, it’s there, I’m still here, also sorta there, and if anything noteworthy happens with it, it’ll possibly happen here as well. Got that? No? Me neither.

And hell, it’s already paying dividends – via FluxTumblr… Scott Pilgrim Vs The Universe, aka the fifth volume in the Scott Pilgrim epic, will be out February 4! Le woot.