Frank YangSo hands up whoever had “50%” in the “How many people are going to take off after Frightened Rabbit’s set?” pool. Congratulation, you win some taffy (note: you do not actually win taffy). I had guessed that about that percentage of the couple hundred who showed up at Lee’s Palace on Tuesday night were there to see the highly-regarded Scottish outfit make their Toronto debut, and I was about right. This is not to take away from the other two acts on the bill – both headliners The Spinto Band and locals Spiral Beach put on good shows and were certainly well-matched stylistically, but if someone was there for the angsty anthems of the middle act, then the other two might not have been up their alley.

Now most local bands added to a touring bill would likely just show up, do their thing and leave, but full points to Spiral Beach for making the most of the opportunity, dressing up the stage in an elaborate setup of lights, signs and pylons to accompany their half hour set. They also brought their own fans, who turned the dance floor of Lee’s Palace into, well, a dance floor. I hadn’t seen Spiral Beach for at least a couple years, since they were a very green outfit, and it was immediately obvious that what unrealized potential I’d seen in them back then as they tried to meld New Wave and surf rock was now very much being realized. Like an un-kitschy but still tremendously fun B-52s, they were unceasingly energetic onstage in the way that young people are. I’m now exponentially more interested in this band than I was before.

I’d caught an approximately 15-minute set from Frightened Rabbit at SxSW back in March but even in such a short time, they – and their album The Midnight Organ Fight – made an immense impression. Similarly, though they were the ones most were there to see, they had only an opener’s set length in which to satiate the fans who’d been waiting a long time for them to visit. To this end, the barreled through their set – comprised mainly of Organ Fight but with a few nods back to Sing The Greys by request. Frontman Scott Hutchison’s cheerful demenaour was a decided contrast to the downcast nature of his lyrics, particularly as delivered in his thick Scottish burr, and though the band’s songs seem like fairly straightforward rocked-up folk, seeing the range of instruments and arrangements needed to recreate them faithfully – how many four-pieces do you see with three of them wielding Telecasters? – you come to appreciate how sophisticated they are underneath. To say nothing of simply being great songs. Next time back, Frightened Rabbit had best be headlining their own show. If not for the fans’ sake, then for the sake of the band who’d be unfortunate enough to have to play after them.

And this time out, said band was The Spinto Band, on tour in support of their new record Moonwink. But if the Delaware six-piece were at all perturbed at all the extra elbow room for those who stuck around, they didn’t let it show. Or they loved it. It’s hard to tell, they were simply so gleeful on stage. And that’s good because their technicolour pop songs demand glee and the Spinto Band played and danced like deliverymen of sonic candy floss overdosed on their own product. Their most impressive moment was when singer/guitarist Nick Krill broke a string on his guitar and proceeded to unwrap the mic from the stand, carry it over to the spare guitar, swap guitars and re-mount the mic all without missing a note. That was slick. And while I was definitely there to see Frightened Rabbit, I wasn’t sorry I stuck around.

Laundromatinee has a session with the Spinto Band.

Photos: Spinto Band, Frightened Rabbit, Spiral Beach @ Lee’s Palace – October 21, 2008
MP3: Spinto Band – “Summer Grof”
MP3: Frightened Rabbit – “Head Rolls Off”
MP3: Frightened Rabbit – “The Modern Leper”
MP3: Spiral Beach – “Made Of Stone”
Video: Frightened Rabbit – “Heads Roll Off”
Video: Spiral Beach – “Made Of Stone”
Video: Spiral Beach – “Kind Of Beast”
MySpace: The Spinto Band
MySpace: Spiral Beach

Crawdaddy and Cord Weekly talk to Sloan.

Wired and Buzzbands talk to the principals of Magnetic Morning. They’re at the Horseshoe tonight.

The Verve have a new video.

Video: The Verve – “Rather Be”

Blurt interviews Lucinda Williams.

Paste and NOW feature Of Montreal. They’re at the Queen Elizabeth Theatre next Tuesday night.

So thanks to some serious pathos on my part and some serious excellence on the Apple Store’s part, my laptop got fixed yesterday (dead logic board) in under four hours turnaround. That is absolutely amazing. Which means that my laptop is alive and coming with me to New York. Which means pretty much nothing to you, but certainly makes things more enjoyable for me.

MySpaceSo it’s for reasons entirely unclear to me that the promo copy of Sharon Jones & The Dap Kings’ 2007 record 100 Days, 100 Nights sat on my shelf for… well, it’s probably coming up on a year since it was released, so probably that long. I mean, I’d seen the glowing reviews and read more than a few magazine features about Jones and her long road to fame, so it’s not like I’d never heard of her. And though you may not be able to tell from a lot of my listening habits, I do like old-school soul – and Jones is soul of the oldest school.

But better late than never, right? I’m finally spinning it and am digging it, but don’t have a review to offer up right now – besides the fact that I’ve not been living with it that long, I don’t have the depth of knowledge about soul and rhythm & blues to offer anything of substance, besides, well, I like it. But what I do have to offer, courtesy of rootmeansquare, is a couple pairs of passes to their upcoming show at the Guvernment (moved from the Kool Haus) next Wednesday night, October 29. To enter, email me at contests AT chromewaves.net with “I want to see Sharon Jones” in the subject line and your full name in the body and do so before midnight, October 26. And by all accounts they put on an amazing live show, so if you’re not already going… hit this up.

MP3: Sharon Jones & The Dap Kings – “100 Days 100 Nights”
Video: Sharon Jones & The Dap Kings – “100 Days 100 Nights”
Video: Sharon Jones & The Dap Kings – “Tell Me”

Hey Feist has a new video. It has marionettes. She visits Massey Hall on November 1 and the Air Canada Centre on November 3.

Video: Feist – “Honey, Honey”

Also with a new video is Neil Halstead – he’s got a show at the Drake Underground on November 8 and note that it’s an early show – doors at 8, performance at 9:30.

Video: Neil Halstead – “Paint A Face”

Laundromatinee – a new site featuring downloadable sessions along with videos, interviews and photos, has all of the above with Bon Iver and unfortunately, his just-announced December tour does not include a Toronto stop.

Event Guide talks to Aimee Mann.

Bloc Party drummer Matt Tong tells Billboard how the physical edition of Intimacy will differ from the one offered for download back in August.

Austin instrumental band The Octopus Project will be at the Drake Underground on October 28. Update: I’ve just been informed this show isn’t at The Drake. And no one knows where it is. So… yeah.

MP3: The Octopus Project – “I Saw The Bright Shinies”

My Macbook Pro screen has died. Everything else works, but the screen won’t turn on. I am on a plane tomorrow morning. This is very bad. Quite possibly no updating for the next few days… FUCK.

Illustration by Jason MunnOnline retailer Insound is running a little campaign called Insound 20 wherein they’ve commissioned artist Jason Munn of The Small Stakes to create designs for 20 different bands for use on a range of super limited-edition merch including hoodies, t-shirts and posters.

To help mark the series I’ve got one of the 200 silkscreened prints available to give away – the lovely wheat-themed one for Okkervil River. If you’d like to win it – and really, who wouldn’t? – head over to Insound and do so. The contest will be open for one week starting from today, meaning that it closes as of next Monday, October 27. I’ll announce the winner here the next day.

And if you’re looking to score or even just check out the other posters in the series, head over these other fine sites:

Paste Magazine
You Ain’t No Picasso
Design Milk
Gorilla Vs Bear
Josh Spear
Pretty Much Amazing
I Guess I’m Floating
Stories In High Fidelity
Said The Gramophone
I Am Fuel, You Are Friends
The Music Slut
OMG! Posters
Le Blogotheque
The Yellow Stereo
Stickers And Donuts
Grain Edit
Music Is art
Pop Tarts Suck Toasted
…and Insound will have the last one.

Image via Simpsons Viewer Top 8And there we go. This is what I’ve been giving myself headaches over the last few days, dragging this here blog kicking and screaming from the horribly out of date CMS that I’ve been using for the last six years into a sleek, shiny and – most importantly – supported new system. I’ve been meaning to move to WordPress for ages but was daunted by the sheer scope of the task.

And so I must give profuse and immeasurable thanks to Ryan from The Catbirdseat for helping me with almost all the heavy lifting, including migrating over the entirety of my archives from the old system. You have no idea how big a deal that is. As it is, the old posts will remain up as there’s also six years worth of links to them, but they also all exist in the new system. Eventually I hope to come up with some manner of system to repoint all of those old links, but for the meantime, we’ll just run in parallel.

While you probably won’t see or experience much different – if everything works as it should, the only difference you should notice are the slightly changed cosmetics – but rest assured that under the hood is a very different beast. Moving to WordPress also means that I potentially have many more plugins at my disposal to play with and as we move forward, I’ll be doing so but for the immediate term, I’ll just be happy if nothing is horribly broken. I’ve tested a fair bit, but there’ll surely be some weirdness here and there that’ll need to be dealt with. If you find anything amiss, please email me or leave a comment telling me about it.

But enough about me. Here’s some links.

The Black Cab Sessions welcomes Jens Lekman to perform, what else, “Black Cab”.

Boston Music Spotlight and Express Night Out talk to Sam Fogarino of Magnetic Morning, who will play the Horseshoe this Thursday night October 23.

Matt Kadane of The New Year shuffles his ancient iPod for The AV Club.

Yuki Chikudate of Asobi Seksu talks to Chart about losing their second rhythm section in as many albums before the recording of their new one Hush, due in February.

Parts & Labor’s new album Receivers is out today, and is streaming at Spinner. They’re at Sneaky Dee’s on November 21.

MP3: Parts & Labour – “Nowhere’s Nigh”
Stream: Receivers

Also out today and streaming is Missiles, the new one from The Dears. They’ve also released the first video from said record.

Stream: The Dears / Missiles
Video: The Dears – “Money Babies”

While I’m wholly enthused for tonight’s Frightened Rabbit/Spinto Band show at Lee’s, I’m a twinge regretful that I can’t be at The Horseshoe at the same time for the free White Lies show. I keep hearing good things about the London trio, including being declared by SPIN as one of the hottest bands at CMJ this week – I may try to catch them in New York, but I fear the show may exceed my hipster tolerance levels and there’d be violence. Bassist Charles Cave wrote about their recent experience at Iceland Airwaves for The Guardian. Their Death EP is out today.

MP3: White Lies – “Death” (Crystal Castles remix)
Video: White Lies – “Death”
Video: White Lies – “Unfinished Business”

Black Mountain main man Stephen McBean brings his other band – Pink Mountaintops – to the Drake Underground on November 7, tickets $10.

Photo via Murmur

Those fancy double-disc deluxe edition reissue sets have become fairly commonplace recently as the labels try to take advantage of the type of people willing to buy the same album over and over again while they’re still alive, but that doesn’t mean they’re not – at least sometimes – getting it right. Case in point, the announcement that R.E.M.’s debut album Murmur will be getting said treatment this Fall.

Pitchfork has your specifics, but basically you’re looking at the standard remastered album on disc one – maybe the same remaster job as the last couple times Murmur was re-released? – and for the second disc, a complete live show recorded here in Toronto circa 1983. The gig was held at a no-longer existent dive called Larry’s Hideaway which if memory serves (and by memory I mean Google – I was 8 at the time and wouldn’t have had the experience with Toronto’s live music dives that I do now) was located just a few blocks from here at Carlton and Jarvis. Anyone know if the place still exists in some form and if so, what it is now? I’m curious.

The Murmur deluxe edition is out November 25. Update: Blurt has some thoughts on what they view as a flawed reissue (thanks to Eugene for the link).

Video: R.E.M. – “Radio Free Europe”

Though guitarist Damian Cox has recovered from his stroke well enough to blog, he’s not sure if or when he’ll be able to play guitar again so as a result, The Long Blondes have called it a day. Details at NME. Singles, the compilation of their early singles, is out in the UK today.

MP3: The Long Blondes – “Once And Never Again”
MP3: The Long Blondes – “Here Comes The Serious Bit”
MP3: The Long Blondes – “Guilt”

Relix has specifics on M Ward’s new record Hold Time, due out February 17.

Pitchfork has an interview with a surprisingly lucid and non-crazy pills Kevin Barnes. Of Montreal’s new one Skeletal Lamping is out tomorrow and they’re at the Queen Elizabeth Theatre on October 28.

The Minneapolis Star-Tribune talks to Lucinda Williams.

Pop Reckoning and Paste interview Rachael Yamagata.

Sloan’s Chris Murphy talks to The Halifax Chronicle-Herald. They’re at the Air Canada Centre on Wednesday night.

So while I usually try and actually get a substantive post up for Mondays, this week will instead kick off only the slim bits above and a weak-ass apology. Rather than actually do any listening or writing this weekend, I was instead coding, trying to get a fairly significant upgrade to this here site working and while it’s tantalizingly close, it’s not there yet. Maybe tomorrow. Maybe the day after. Hopefully before I leave for New York, at the very least.