Catherine LosingFor The Records pointed out a curious concert listing for UK indie-dance act Friendly Fires at the website for Beggars Canada – it puts the St Alban’s trio in town on March 31, but only narrows the venue down to two possibilities – Mod Club or Lee’s Palace. So all I can accurately say is that they’ll be in Toronto at an approximately 500-capacity venue on that date. And wherever they are, odds of a dance party breaking out are pretty much one to one. Personally, I think that Mod would be a much more suitable venue – the ass-shaking, slick and scratchy new wave/disco goodness of their self-titled debut demands spectacle, which Mod’s famously over-the-top lighting system is equipped to provide. Lee’s doesn’t even have a disco ball.

MP3: Friendly Fires – “Jump In The Pool”
MP3: Friendly Fires – “Paris” (Aeroplane Remix)
Video: Friendly Fires – “Skeleton Boy”
Video: Friendly Fires – “Paris”
Video: Friendly Fires – “Jump In The Pool”
Video: Friendly Fires – “On Board”
MySpace: Friendly Fires

Toronto vibraphone mavens The Hylozoists will release their new album L’ile de Sept Villes on February 3 and showcase it at the Mod Club on February 21. Update: They’re also playing a Soundscapes instore on February 10 at 7PM. Here’s some older stuff.

MP3: The Hylozoists – “Smiley Smiley”
MP3: The Hylozoists – “Strait Is the Gate”

Marissa Nadler, whom I believe ended up cancelling her last scheduled date here last Summer, will try and pay us a visit again on April 21 at the El Mocambo. She has a new album due out early this year. Here’s some older stuff.

MP3: Marissa Nadler – “Diamond Heart”
MP3: Marissa Nadler – “Thinking Of You”

Sebastien Grainger & The Mountains are doing an in-store at Sonic Boom on January 29 at 7PM.

MP3: Sebastien Grainger & The Mountains – “American Names”
MP3: Sebastien Grainger & The Mountains – “By Cover Of Night (Fire Fight)”

Putting lie to the notion that bands can only play larger venues as they get bigger, Born Ruffians and Akron/Family have a date at Sneaky Dee’s on March 24. Tickets are $13 and on sale now.

Earlier yesterday Uncut speculated that the release of that Neil Young video for “Fork In The Road” implied not only the impending release of a new album with the same name, which may well be true, but to also mean that the Archives set has been pushed back indefinitely to accommodate. They’ve since been corrected with the same information that one of the official Archive-ists left on a post at Thrasher’s Wheat – “NYA Vol 1 has been completed in BD, DVD, CD and Digital Download editions. The only thing remaining is announcement of a street date”. Which is good news, though it does put lie to the February 24 release date that most had been clinging to. In short, there’s lots of material coming from Neil this year. Only no one knows what and when.

The Seattle Post-Intelligencer interviews Kathleen Edwards, who is at Trinity-St Paul’s on February 13.

MP3: Kathleen Edwards – “Asking For Flowers”

The Quietus talks politics with Death Cab’s Nick Harmer.

Beirut have released a video from their forthcoming EP March Of The Zapotec, out February 17.

Video: Beirut – “La Llorona”

The Village Voice profiles Antony & The Johnsons. The Crying Light is out Tuesday and they play the Queen Elizabeth Theatre on February 17.

Muzzle Of Bees asks five questions of Los Campesinos!

The Decemberists are giving away a track from their forthcoming album The Hazards Of Love, out March 24. All you have to do is sign up to their mailing list. Colin Meloy was also on NPR’s World Cafe yesterday for an interview.

Clash talks to Kathy Foster of The Thermals, who will release Now We Can See on April 7.

The previously-mentioned untitled Bob Mould album also set for an April 7 release now has a title – Life And Times.

Filter talks to Ra Ra Riot, Daytrotter videotapes them playing in a park.

Pitchfork has an MP3 from M Ward’s Hold Time, out February 17. This track features the She to his Him, Zoey Deschanel, on vocals.

MP3: M Ward – “Never Had Nobody Like You”

Drowned In Sound solicits a mixtape from The Pains Of Being Pure At Heart, the buzz around whom is growing at a pace that’s considerably larger than Neutral, the room they’re slated to play here in town on February 12. If you’re curious, an advance ticket may be a good idea. Their self-titled full-length is out February 3.

NPR has an acoustic session with The Hold Steady while Wireless Bollinger has an interview.

Former Grandaddy frontman Jason Lytle will return to active musical duty on May 19 with the release of his first solo record, Yours Truly, the Commuter.

Kyle HuttonOh No Forest Fires are having a good time. That much is obvious, listening to The War On Geometry, the debut mini-album from the Toronto four-piece that follows up an excellent demo EP that has been kicking around for a while. Even though adding those four tracks to the seven on Geometry would have made for a more traditional-length album, their omission – as excellent as those songs were – is a sensible one. Compared to the new recordings, the songs from the EP were equally if not even more immediately and indelibly catchy, but the execution was more well-mannered and polite.

Geometry, on the other hand, is the sound of that band hepped up on pixie sticks, volume and nostalgia for how distortion pedals sounded in the ’90s. It’s bigger, louder and more abrasive-sounding, though the extra grit also helps those hooks stick just that much harder. Bursting with energy and ideas, it knows when a musical tangent is called for and when its best to simply take the shortest distance between two points to get the point across, particularly by means of big, loud power chords. It takes a skeleton of tempo shifts and melodic complexity that could only have been built by people who really know their way around their instruments, and decorates it in party hats, funny sloganed t-shirts and oversized sunglasses. It’s math-rock if math were singalongable and the most exhilarating subject in school.

A lot of bands spend their careers trying to capture the energy of their live shows on record, and while Geometry doesn’t quite catch the full experience – I’ve listened to the album a good deal and haven’t yet had any of my musical equipment in the vicinity spontaneously demolish itself or find myself soaked in beer/sweat/other fluids – it does a good job of conveying just how… trying not to use the word “energy” again… animated the band can be whilst performing. I’ve seen them twice now and both times have been wonderful bouts of anarchy. And when they play the Horseshoe tomorrow night with Hey Rosetta! and Museum Pieces, both visiting from the Maritimes, I expect nothing less. Cover is $8, ONFF are on first at 9.

Chart has an interview with the band.

MP3: Oh No Forest Fires – “It’s Not Fun And Games Until Someone Loses An Eye”

The Tennessean talks to Broken Social Scene’s Brendan Canning. They’re at the Sound Academy on November 27 and 28.

Though hard at work at the next Great Lake Swimmers record, Tony Dekker also crafted the score to Song Sung Blue, a forthcoming documentary about a Neil Diamond tribute act. Hear a couple of the pieces below and for clips from the film, hit up their YouTube channel.

MP3: Tony Dekker – “Old Milwaukee”
MP3: Tony Dekker – “Encore”

Final Fantasy has released another video from his Spectrum, 14th Century EP.

Video: Final Fantasy – “Blue Imelda”

Chad Van Gaalen is offering up a new MP3 from Soft Airplane. The Calgary Herald has an interview.

MP3: Chad VanGaalen – “City Of Electric Light”

Neil Young floats some ideas for saving the automotive industry at The Huffington Post.

The Thermals will return on April 7 with a new label – Kill Rock Stars – and album, in Now We Can See.

mel.opho.be interviews the boys from Wheat about small successes and the link between their music and visual art endeavours. They’ve completed a new album entitled Black Ink and are aiming to release it in Spring 2009. Via Bradley’s Almanac.

The December 9 Noah & The Whale show at the Rivoli has been cancelled, as has the entire North American tour. As they explain in a MySpace blog entry, between their European tour commitments and working on their second record, they just couldn’t make it over. But they promise to return in March of next year, presumably scheduled around an appearance at SxSW.

The Star-Tribune talks to Patterson Hood and Craig Finn, frontmen of tourmates Drive-By Truckers and The Hold Steady. The Seattle Times settles for talking to just Finn.

The Chicago Sun-Times contemplates the fates of the Chicagoan bands set to conquer the alt.rock world way back in 1993.