GiganticIn doing my cursory research for this week’s selection, I found myself far more interested in the original song than the cover – or more specifically, the video circulating online for the cover.

“I Won’t Share You” was a rather fitting closing track to the final Smiths record, Strangeways, Here We Come, a stripped down number centered around Morrissey’s vocals and Marr’s strummed acoustic 12-string, but it would have made a rather odd single. And despite the fact that I could not find any evidencet hat it was ever actually released as a single, a video – with the rather official-looking “© 1987 Rough Trade” on the opening frame and a rather Smiths-y aesthetic – very much existed. What gives?

A little further digging turned up Passions Just Like Mine, a Smiths trainspotter fansite with a videos page that had the following note:

“I Won’t Share You”
A previously uncirculated video for “I Won’t Share You” was leaked on the internet at the end of 2008. It is credited to Derek Jarman, from 1987 but was supposedly put together in the early 1990s for a multimedia exhibition organised by Rough Trade which would have raised money for the Terrance Higgins Trust. The planning ended when Rough Trade went into liquidation. The video was therefore only half finished, it would have had band footage over-layed (like the “Ask” and “Panic” videos).

Yay internet! As for the cover, its origins are far less esoteric – a couple years ago The Morning Benders, via their blog, gave away (and are still giving away) an album’s worth of covers entitled The Bedroom Covers – probably a hint as to the environment where they were recorded – and this Smiths cover, which finds Chris Chu getting in touch with his inner crooner, was one of the selections and while they probably didn’t know it at the time, it would be a somewhat prophetic move as the band would sign to The Smiths’ label Rough Trade for the release of this year’s Big Echo.

The Morning Benders are in town for three performances next week – two dates opening for The Black Keys at the Kool Haus on August 3 and 4, and a free acoustic show outside of The Big Chill ice cream in Little Italy on August 4 at 5:30PM. The Smiths are and will ever remain broken up.

MP3: The Morning Benders – “I Won’t Share You”
Video: The Smiths – “I Won’t Share You”

Frank YangHere’s a little bit of trivia that I’m sure is interesting/alarming to me and me only – I haven’t seen Spoon live in over four years. The last time was at the Phoenix, circa Gimme Fiction in November 2005 and while I think they’ve only been here once since – a Kool Haus show in October 2007 which I skipped for whatever reason – it’s still a bit of a surprise. I did have a Britt Daniel encounter at a Mexican restaurant in Austin during ACL (“Bloggers! What’s up!”) but didn’t actually see them play during the festival. Again, for whatever reason.

So I look forward to rectifying that this year, when the band presumably hits the road in support of their impending new album Transference. I expect/fear that they’re now big enough that their local date will be at somewhere as big/awful as the Sound Academy – certainly a far cry from seeing them back at the ‘Shoe in 2002 – but you can’t begrudge a band a success that’s as hard-won as theirs is. Grouse about it, sure, but no begrudging.

I don’t really recall if they busted out any covers the few times I saw them, but this recording from April 2008 in Norfolk, Virginia shows they’re certainly up for it on occasion – and while I wouldn’t have thought The Smiths to be an obvious pick for them, this scrappy re-do of one of the first Smiths songs I ever recall hearing certainly works for me.

Spoon’s Transference is out on January 12. The Smiths are still broken up. Morrissey is currently without a label or management. Johnny Marr is a member of The Cribs and will be in town with them at the Phoenix this Friday night.

MP3: Spoon – “Panic”
Video: The Smiths – “Panic”

WikipediaBilly Bragg and The Smiths go way back. Besides being contemporaries and stalwarts of the English indie music circa the 1980s, Bragg was/is obviously chummy with Johnny Marr, the Smiths guitarist guesting on a number of records as well as producing some of Bragg’s most pop numbers.

His relationship with Stephen Patrick Morrissey is a little less clear, however. Though they surely know each other, the litany of hilarious Morrissey-centric anecdotes that Bragg busts out during his live shows – a tale of Bragg and Morrissey riding roller coasters together at Canada’s Wonderland comes to mind – are so mythology-deflating that they must be fiction. Or at least the hordes of Moz fans out there would hope so.

Not up for debate, however, is Bragg’s admiration for the Smiths’ musical output. He covers them frequently live, either wholly, in quote or medley, has released interpretations of “Jeanne” and “Back To The Old House” as b-sides and also contributed this cover of one of the dirgier numbers from The Queen Is Dead to the 1996 10th anniversary tribute album The Smiths Is Dead.

Johnny Marr is presently busy as a member of both The Cribs and Modest Mouse. Morrissey just released his contract-fulfilling b-sides compilation Swords and is trying to make it through a UK tour without collapsing or being assaulted. Billy Bragg kicks off a Canadian tour this Saturday out east and makes southern Ontario stops next week at the Phoenix in Toronto on the 17th and The Studio at Hamilton Place in Hamilton on the 18th. Wonder what Morrissey story he’ll bust out?

Beatroute has an interview with Billy Bragg.

MP3: Billy Bragg – “Never Had No One Ever”
Video: The Smiths – “Never Had No One Ever” (live)

MySpaceIt figures that of all the English folk-pop that has been such a staple of my musical diet over the last couple years, the most commercially successful – Noah & The Whale – would be my least favourite. That’s a very relative statement, however, as I still like the quartet alright. As their debut Peaceful, The World Lays Me Down, proved they can write a catchy tune or two but I found their whimsical approach to be a bit lacking in the substance department. I much preferred the sardonic wit of Emmy The Great and emotional resonance of Laura Marling, both of them former Whale collaborators.

And it’s Marling who plays a key role on Noah & The Whale’s second album First Days Of Spring, though she’s nowhere to be found on the actual recording. While it may seem like indie tabloid fodder, the fact that she and Noah frontman Charlie Fink were romantically involved and that the relationship ended last year is key to understanding this record – on the debut, Marling’s voice buoyed the record but on the follow-up, it’s her ghost that gives it weight. Spring is a break-up record through and through, and not one overly concerned with dressing things up in metaphor. Fink is not an overly gifted wordsmith, preferring plainly stated lyrics and delivering them with his equally unfancy croak of a voice and in this instance the directness with which Fink addresses Marling with his lyrics is almost uncomfortable, like eavesdropping on an intensely personal conversation. Yet you can’t not listen and in doing so, you can’t not feel his pain.

Musically, Spring shows the band making tremendous strides. The jaunty barroom folk-pop of Peaceful has been replaced with an expansive, cinematic sound that’s appropriately slow, sad and stately and given to orchestral swells or noisy skronks as the situation demands. It’s a risky approach for the band, basically abandoning the approach that brought them their success, but in strictly artistic measures it’s an unqualified success. Spring makes Noah & The Whale a much more interesting band and Fink has turned his shortcomings into strengths, crafting a record that resonates truly and honestly with anyone who has ever had their heart broken.

First Days Of Spring was released in the UK at the end of August and will be out in North America come October 6. It will come packaged with a DVD with a 45-minute short film tied in to the album but not, apparently, having anything to do with Fink and Marling’s relationship and, from the looks of the trailer, not awful. Nice production values, anyways. The band will be in North America for a short tour in October which will wrap on October 31 at the Horseshoe in Toronto.

MP3: Noah & The Whale – “The First Days Of Spring”
MP3: Noah & The Whale – “Blue Skies” (Twelves remix)
MP3: Noah & The Whale – “Blue Skies” (Yacht remix)
Video: Noah & The Whale – “Blue Skies”
Trailer: The First Days Of Spring
MySpace: Noah & The Whale

LAist has an interview with Fanfarlo frontman Simon Balthazar. Their debut Reservoir seems to have been released in every possible combination of independently, on a label, digitally, physically, as an import, what have you, but come October 13 it’ll be officially available domestically in North America. So if you missed one of the other million chances to get a copy of this wonderful record, you are now plumb out of excuses.

The St. Louis Tribune interviews Frightened Rabbit.

Stuff talks to Florence Welch of Florence & The Machine. I’ve been saying that her debut Lungs doesn’t get a domestic release until October 13 but that may just be for the US – as was pointed out to me, it’s already available domestically in Canada. Oh who are we kidding – if you cared, you’d have downloaded it by now.

Editors have released a video for the first single from their forthcoming album In This Light & On This Evening, out October 13. And no, they were not kidding when they said they were going synthy on this record.

Video: Editors – “Papillon”

A couple of streams of new albums out now/soon from British acts coming to town in the next little while. London outfit The Rifles are really going after – and hitting – that Jam/mod vibe on their new record The Great Escape, out today. They’re at the Horseshoe on September 28.

MP3: The Rifles – “The Great Escape”
MP3: The Rifles – “The General”
MP3: The Rifles – “Romeo & Julie” (live)
Video: The Rifles – “The Great Escape”
Video: The Rifles – “The General”
Stream: The Rifles / The Great Escape

The Big Pink’s debut A Brief History Of Love isn’t out till next week, but is also available to stream now. See them at Lee’s Palace on November 29.

Stream: The Big Pink / A Brief History Of Love

The Quietus talks to Johnny Marr and The Cribs about their new record Ignore The Ignorant as well as Marr’s time with The Smiths. Further, The Guardian gets Marr to interview his former label boss Geoff Travis of Rough Trade.

Further with the Smiths, Marr’s former bandmate Andy Rourke was in town this past week as DJ for some TIFF parties – eye got an interview with the former Smiths bassist while Toronto Life overheard a briefer, more amusing conversation during his actual DJ set. And of course, Morrissey has taken umbrage with some of the stuff Rourke said in the eye interview. Mike Joyce presently has no comment on any of the above.

Oh yeah, that Smiths reunion is right around the corner. I can smell it.

DovesSo the great and powerful Moz turned the big 5-0 last week – do you think that when being presented with gifts, he thought, “please, please, please let me get what I want this time”? No, probably not. But even if I personally don’t care for much of what he’s done post-Smiths, I salute the man on the occasion of his half-century.

And I’m sure his fellow Mancunians in Doves do likewise. No strangers themselves to the mopey end of rock, Doves paid tribute to their hometown hero back in 2002 for a BBC2 special – it’s a pretty straight version and the first line of the lyrics is cut off in the recording, apologies, but it’s a nice delicate moment from the band.

Doves’ North American tour in support of Kingdom Of Rust is now underway and includes a date at the Kool Haus in Toronto next Monday night, June 1. There’s features on the band at The Corrie Tandem and The Georgia Straight. Morrissey released his latest solo record Years Of Refusal earlier this year.

And since it’s a birthday and what’s a birthday without a party, here’s a handful more covers of “Please, Please”. Yes, I ran most of these back in 2004, but that was a different time – Moz was a sprightly 45 and still willing to play shows in Canada. So here’s covers from from The Jealous Girlfriends (taken from their Comfortably Uncomfortable album), Muse (from the Not Another Teen Movie soundtrack) and versions of indeterminate origin from Josh Rouse, Halo Benders and Swearing At Motorists.

MP3:Doves – “Please Please Please Let Me Get What I Want”
MP3: The Jealous Girlfriends – “Please Please Please Let Me Get What I Want”
MP3: Muse – “Please Please Please Let Me Get What I Want”
MP3: Josh Rouse – “Please Please Please Let Me Get What I Want”
MP3: Swearing At Motorists – “Please Please Please Let Me Get What I Want”
MP3: Halo Benders – “Please Please Please Let Me Get What I Want”
Video: Morrissey – “Please Please Please Let Me Get What I Want” (live)