FacebookOne benefit of being a mostly instrumental band is that without lyrics, you can name your songs and your albums whatever the hell you want. It’s a perk that Mogwai have taken full advantage of over their decade-plus existence with their discography looking like a hilarious and fantastical collection of never-written novels, screenplays and comic books that usually have little to nothing to do with the sounds they’re attached to.

But I can’t help reading a little more into the title of their seventh studio album Hardcore Will Never Die, But You Will, out Tuesday. No deep existential meanings, certainly, but I find it interesting that it would be applied to a record that is their most melodic and pop-sounding, least-hardcore effort to date and which rather than the sound of a band in any sort of death throe, is reflective of a veteran outfit rejuvenated and feeling more vital than ever. This latter point is not to be taken for granted. Their output in the mid-00s, while hardly without merit, often felt more like soundtracks than songs. It was as though they knew the quiet-loud post-rock formula they helped establish wouldn’t sustain them forever but exactly what should come next was unclear.

Treading water turned to swimming 2008’s The Hawk Is Howling, which came with significantly more focus and fire than its predecessors, followed by a searing live career retrospective in last year’s Special Moves and now, perhaps reinvigorated by switching labels to SubPop, their best effort in some years with Hardcore. To casual fans or just bystanders, it might seem like one Mogwai record is much like another and there’s certainly truth in that but more than any of their other records does Hardcore strike the right balance of atmospherics, melody and dynamics.

From the motorik-underpinned “Mexican Grand Prix” through the abrasive roar of “Pano Rano” and gently sweeping warmth of “Death Rays” to the singalong – if you can sing along with a synth line or vocoded gibberish – bounce of “George Square Thatcher Death Party”, Hardcore encapsulates a wide swath of sounds, styles and emotionality and does so with an economy that the band’s younger selves wouldn’t have been capable of. At no point over the past decade would I have ever written off Mogwai, but I’d be lying if I said I ever expected the sort of renaissance that Hardcore Will Never Die, But You Will represents – it’s both the culmination of all their past work and hopefully a blueprint for many more records to come.

The Belfast Telegraph interviews guitarist Stuart Braithwaite while Pitchfork solicits a list of the music that soundtracked his formative years while Spinner chats with Barry Burns. Mogwai’s North American tour kicks off in April and hits The Phoenix in Toronto on April 26. The record is currently available to stream in its entirety at Rolling Stone.

MP3: Mogwai – “San Pedro”
MP3: Mogwai – “Pano Rano”
Video: Mogwai – “Mexican Grand Prix”
Video: Mogwai – “Pano Rano”
Video: Mogwai – “How To Be A Werewolf”
Stream: Mogwai / Hardcore Will Never Die But You Will

Lucky Soul released the video for their final single from A Coming Of Age a couple weeks ago, but they’ve now made the whole thing available to stream. Three of the songs are from the album but one is new and you can download album closer “Could It Be I Don’t Belong Anywhere” to keep. Of course, you really should have the whole thing – it’s brill.

MP3: Lucky Soul – “Could It Be I Don’t Belong Anywhere”
Video: Lucky Soul – “Upon Hilly Fields”
Stream: Lucky Soul / Upon Hilly Fields

The ultra-twee and ultra-adorable Allo Darlin’ have put together a North American tour in support of last year’s self-titled debut – look for them at The El Mocambo on June 11. Clash has an interview with bandleader Elizabeth Morris.

Video: Allo Darlin’ – “My Heart Is A Drummer”
Video: Allo Darlin’ – “The Polaroid Song”

PJ Harvey will mark the release of her new album Let England Shake next week with a live webcast performance of the record on Monday, February 14, from Paris. It will start at 3PM EST at Deezer.com. And until then, check out the video for the title track from the record.

Video: PJ Harvey – “Let England Shake”

The Guardian has posted a live video session from Anna Calvi, whose self-titled debut I’m falling more in love with every day. The record is out March 1 and she plays Wrongbar on March 11.

Seamus MurphyThroughout her career, Polly Jean Harvey has managed the difficult feat of being artistically chameleon-like from one to the next, each often stylistically miles removed from that which came before it, while remaining consistently interesting and by and large excellent throughout. Her last effort, 2007’s fragile piano-led White Chalk, certainly didn’t hint at what Let England Shake – out next week – has to offer.

Just posted to stream in its entirety at NPR, it’s a strange yet immediately compelling collection built around themes of nationalism and war. While has echoes of her past works – the urgency of her early records, the melody of her middle-period works and the stark beauty of recent recordings – it sounds completely fresh, with Harvey favouring the higher registers of her voice in a way that I, at least, haven’t heard before. I’m only a few listens in and already I’m finding myself connecting with it in way that I haven’t with her stuff before. This is an exciting development.

She’s only got three North American tour dates scheduled right now (Los Angeles, Coachella and New York) but considering she’s not toured over here properly in forever – her last Toronto date was in 2004 – I have to think or at least hope that more will be coming.

MP3: PJ Harvey – “Written On The Forehead”
Stream: PJ Harvey / Let England Shake

The Guardian and State interview Anna Calvi, whose self-titled debut is due out on March 1 and who will be at Wrongbar on March 11 as part of Canadian Musicfest.

The Quietus goes over their debut Violet Cries track by track with Esben & The Witch while Drowned In Sound gave them the keys to their whole website last week. Paste just interviews them. They’re also at Wrongbar on March 11 for Canadian Musicfest.

Billboard has a cover story on Adele in advance of the February 22 release of 21. NPR is streaming the album in its entirety as well as a half-hour live performance from the singer, who’s just announced a North American tour in suport of album number two, including a May 18 date at The Kool Haus in Toronto.

Stream: Adele / 21

NPR has a World Cafe session with Duffy.

PopMatters interviews Kate Nash.

Spinner talks to Mira Aroyo of Ladytron about their forthcoming Best of Ladytron: 00-10 compilation, due out March 29.

Micachu & The Shapes are still working on the follow-up to 2009’s left-field gem Jewellery, but in the interim will be releasing Chopped & Screwed, a collaboration with The London Sinfonetta that will be coming out on March 22. What’s it sound like? Click below and read this piece on the collaboration at Clash.

MP3: Micachu – “Everything”

Pitchfork talks to Jamie Smith of The xx about stuff both xx and not xx.

The Fly checks in with Friendly Fires, who are finishing up their second record Pala, due out in the Spring – certainly before their May 30 date at The Phoenix.

The Fly and The Scotsman profile The Joy Formidable, who follow up the North American release of The Big Roar with a date at The Horseshoe on April 2.

Magnet handed over the editorial chair of their website to White Lies last week. The Mirror has an interview.

The Boxer Rebellion have made a date at The Horseshoe for April 18 in support of their new record The Cold Still; tickets $13.50.

Video: The Boxer Rebellion – “Step Out Of The Car”

State, Exclaim and Clash interview The Go! Team, who bring their new record Rolling Blackouts to The Opera House on April 10. They’ve released a couple new videos and an MP3 from said record.

MP3: The Go! Team – “T.O.R.N.A.D.O.”
Video: The Go! Team – “Super Triangle”
Video: The Go! Team – “Secretary Song”

Guy Garvey discusses Elbow’s forthcoming new record build a rocket boys!, out March 8, with The Quietus.

Toronto fans disappointed there’s no official stop here for the upcoming Trash Can Sinatras tour would do well to look at their itinerary, email the address noted on the right and ask themselves just how much seeing them play an intimate house show is worth to them.

Liam Gallagher of Beady Eye discusses his new band’s debut Different Gear, Still Speeding with Spin. The record is out March 1.

Spinner reports that Manic Street Preachers bassist Nicky Wire is disappointed that their last single didn’t chart in the UK; perhaps they overestimated the appeal of an Ian McCulloch duet? Time to dig up Nina Persson’s phone number again, methinks.

The Quietus contemplates the legacy of Teenage Fanclub while The Line Of Best Fit has an acoustic session with Fanny side-project Jonny. Their self-titled debut is out April 12.

Billboard profiles Mumford & Sons.

NPR puts folk-rock legend Richard Thompson behind a Tiny Desk and makes him play a concert. The indignity.

Adam KolaSo when I saw Esben & The Witch at Lee’s Palace last Fall in support of Foals, I knew little about them beyond that they were from Brighton, that they commissioned a single decidedly creepy video and the that Matador Records would be putting out their debut album, which collectively was more than enough to get me to pay attention. Their set didn’t particularly showcase their songwriting skills, opting instead to spotlight their intensity and murkier, more primal tendencies, but it was compelling enough to get me to defer final judgement until I’d heard what they could do in a studio.

Happily, Violet Cries – out February 8 in North America – makes a good case for their ability to do more than just make a racket. Though they’re certainly capable of melodicism, pop songs are not necessarily their stock in trade – instead, the gothic, atmospheric tumult of their live show remains front and center but with much greater sonic clarity and emphasis on Rachel Davies’ dramatic vocals. It’s nothing like an immediate record and yet holds your attention and that’s about all you can ask.

The band has booked a Spring North American tour that will bring them back to Toronto during Canadian Musicfest and being added to a bill that already includes Anna Calvi and Memoryhouse… well, it looks like Wrongbar will be the place to be on the night of Friday, March 11.

The band have just released a second video from Violet Cries and yes, it too is creepy.

MP3: Esben & The Witch – “Warpath”
Video: Esben & The Witch – “Warpath”
Video: Esben & The Witch – “Marching Song”

NPR has a World Cafe session with Stornoway.

Clash and Spinner talk to former Supergrass frontman Gaz Coombes, though if the BBC interview with bassist Mick Quinn is correct, that “former” qualifier won’t be in place for very long though he’ll have a solo record out soon, either way.

The List talks to Mogwai’s Stuart Braithwaite. Their new record Hardcore Will Never Die, But You Will is out February 15 and they play The Phoenix on April 26.

Belle & Sebastian’s Stuart Murdoch discusses his Celestial Cafe memoirs with Drowned In Sound while Matablog has announced the winner of the band’s Write About Love contest.

PJ Harvey talks Let England Shake with Drowned In Sound – the record is out February 15.

Clash has an interview with White Lies. They bring latest Ritual to the Mod Club on January 29.

Baeblemusic is streaming a live show from First Aid Kit while one of the covers they recorded for Jack White’s Third Man Records 7″ series is streaming now at NPR.

Rawkblog recounts a few choice reveals from a phone interview with The Radio Dept. Their Passive Agressive double-set is out next week and they’re at Lee’s Palace on February 7.

Australian duo An Horse will release their second album Walls in April – trade your email address for an MP3 at their website.

NPR has got a World Cafe session with Janelle Monáe available to stream. She’s playing The Indie Awards during Canadian Musicfest on March 12.

That Archers Of Loaf reunion show in North Carolina last weekend? There’s now more video and audio footage to enjoy.

Spin has got another new download from the new Buffalo Tom record Skins as well as a chat with Bill Janovitz and Chris Colbourn.

The last time Pixies were in town was for V Fest 2009 at The Molson Amphitheatre and it was notable for being their last non-Doolittle recital show until… who knows. Point being that the just-announced cross-Canada tour (with some US dates yes) which includes an April 18 stop at Massey Hall will be their Doolittle show… the appeal of which I’ve honestly never understood. In a regular set they play most of Doolittle anyways – after all, it’s not like they’ve been adding new material to their canon since getting back together in 2004. In any case, if you attend expect a completely polished, proficient and somewhat bloodless performance.

Video: Pixies – “Here Comes Your Man”

Portlanders YACHT have made a date at Lee’s Palace on May 2.

MP3: YACHT – “See A Penny (Pick It Up)”
MP3: YACHT – “So Post All ‘Em”

Nicole Atkins’ new record Mondo Amore is almost here – it’s out February 8 – and she’s turned to Kickstarter to help subsidize the upcoming tour, which includes a February 26 show at the Horseshoe. Those with deep pockets can get themselves some sweet-ass rewards, including living room shows, custom songs, haircuts and painted ukuleles. There’s also a video session with Nicole up to enjoy at Livestream.

Low will release their new record C’mon on April 12. Pitchfork has specifics.

Blurt talks to Decemberists bassist Nate Query. They’re at The Sound Academy on February 1.

Steve GullickThe last time Oxford’s Foals were in town back in September, guitarist Jimmy Smith’s constantly malfunctioning amp and pedals provided frontman Yann Philippakis with enough rage-fuel to transform a technical disaster into a seething, edge-of-violent triumph, much to the delight of the completely jam-packed Lee’s Palace.

One expects they’ll have the state of their gear checked and double-checked before their return engagement on April 30 at the Phoenix (tickets $16.50), though. And that’s fine because as memorable as that last show was, it’ll be nice to hear them showcase their Mercury Prize-shortlisted record Total Life Forever with two fully functioning guitars.

The date is part of a Spring tour that is presumably built around a Coachella appearance and will feature a rather odd bill of Foals, Brooklyn twee-poppers Freelance Whales, still touring last year’s Weathervanes, and hotly-tipped New Zealanders The Naked & Famous, whose debut Passive Me, Aggressive You will be out on March 15.

MP3: Foals – “Spanish Sahara”
MP3: Freelance Whales – “Generator Second Floor”
Video: The Naked & Famous – “Young Blood”

Other Mercury Prize alumni coming back to town are Friendly Fires, who’ve made a May 30 date at The Phoenix, tickets $20. There’s been no official announcement about the release of their second album but one assumes that it will be out before they head over here. Update: Full North American dates are up, album has working title of Pala.

MP3: Friendly Fires – “Jump In The Pool”

Australia’s Cut Copy have slated a North American tour in support of their new record Zonoscope, due out February 8. Look for them at The Sound Academy on April 7 and download a track from the new record over here.

MP3: Cut Copy – “Lights & Music”

Last week they announced the April 4 release of their new record Blood Pressures and now, via NME are this Spring’s world tour dates for The Kills; Toronto gets them May 1 at the Sound Academy. That’s right, groan away. I’ll wait.

MP3: The Kills – “URA Fever”

Milo Cordell of The Big Pink tells NME they’re considering a hip-hop direction for their second album.

The Scotland Herald talks to Stuart Braithwaite ofMogwai in Japan. Their new record Hardcore Will Never Die, But You Will arrives February 15 and there’s a new MP3 and video from said record available to download. Mogwai play The Phoenix on April 26.

MP3: Mogwai – “San Pedro”
Video: Mogwai – “Pano Rano”

The Guardian has a feature piece on British Sea Power. They play Lee’s Palace on March 30.

“The World Is Yours”, the lead track from Glasvegas’ Euphoric Heartbreak, is currently available to stream – the record is out April 4.

Music For Kids Who Can’t Read Good wins today’s Patrick Wolf news prize – they’ve got the name of Wolf’s new record – Lupercalia – and a download of the first single from the record, “Time Of My Life”. A quick look on the Twitter indicates that said album has been given a May 23 release date in the UK and a stream of the second single, “The City”, is available on Soundcloud. I daresay that if these songs are indicative of what the album will be like, Mr. Wolf has managed to outdo himself yet again.

Baeble Music has a Guest Apartment session and The Herald-Sun an interview with Kate Nash.

The Fly has an acoustic video session with The Joy Formidable, whose debut The Big Roar is out in the UK next week and in North America March 15.

Elly Jackson of La Roux discusses collaboration plans for album number two with NME.

Clash interviews Adele, whose second record 21 arrives February 22.

MusicOMH talks to Anna Calvi, whose self-titled debut arrives March 1 and who plays Wrongbar on March 11.

NPR has a second video from PJ Harvey’s forthcoming Let England Shake, due out February 15.

Video: PJ Harvey – “The Words That Maketh Murder”

In talking to Gigwise, Blur’s Dave Rowntree confirms the band will do “something” this year, but offers no more information than that. And yes, as I was typing that out I realized how pointless a news item this was but whatever.

MusicOmh has words with Richard Thompson.

And do swing by the recently-launched Aggregation Magazine, whose mandate is simple but too long for me to recap here but whose latest issue includes contributions from yours truly on topics that have nothing to do with music. And the latest issue of Under The Radar – the Sufjan cover – has an interview with myself and other music bloggers on the topic of blog hype; the issue has been out since December but I only just got a copy so I made sure I didn’t sound like a total ass before mentioning it. Only a partial ass, as per usual. End self-promo/flagellation.

Simoneau GuillaumeI first made the acquaintance of Iowa native and Montreal resident Laurel Sprengelmeyer’s stage persona Little Scream almost exactly two years ago, when she opened up for Land Of Talk at The Horseshoe. At the time, she had no web presence whatsoever – not a website, not a Myspace, nothing – but her solo electrified acoustic performance made enough of an impression to stick with me.

Enough so that I made sure to see her again a couple months later during Canadian Musicfest and while she still hadn’t discovered the internet – my previous review seemed to be the authoritative statement about her online – was able to see that while her sound had gotten more electrified thanks to picking up a solidbody guitar, her distinctive approach to folk and rock – but not folk-rock – was still inscrutable and compelling. And I figured that her being relatively local and obviously up for gigging, I’d be getting plenty of opportunity to figure out what she was about.

Or not so much. Though I’m sure she showed up on more Toronto stages over the last couple years, she basically fell off my radar until just recently when she began showing up in concert announcements – a lot of concert announcements. Over the next few months, she’s touring Ontario with Julie Doiron including February 3 at the Horseshoe, returning for Canadian Musicfest at the Opera House on March 11 with Land Of Talk and then traversing the United States with Sharon Van Etten, including her April 12 date at the Drake Underground. Which is to say she’s no longer going to be out of sight, out of mind but rather constantly underfoot.

And the reason is the impending elease of her debut album The Golden Record on Secretly Canadian in the US and Outside Music in Canada, which features production from Arcade Fire’s Richard Reed Perry and guitar contributions from The National’s Aaron Dessner, amongst other high-profile contributors. Which is to say Little Scream has made some impressive friends. The record is out on April 12, which makes that Drake show a record release party, and while the first MP3 is a good deal gentler than I’d have expected from those early live shows, the additional samples on her Facebook (she’s certainly got an online presence now) point at a lot more range being captured on the record, to say nothing of the intensity I saw back in 2009. In other words, this is a record that will be worth hearing, start to finish, because if you don’t you’ll likely have missed something crucial.

MP3: Little Scream – “The Heron & The Fox”

Those Who Dig has an interview with Sharon Van Etten who, as mentioned above, will be at The Drake Underground on April 12.

Nicole Atkins discusses her new record Mondo Amore with Knox Road. The album is out February 8 and she plays The Horseshoe on February 26.

Spinner and The Montreal Mirror talk to Lisa Milberg of The Concretes; they’re at The Horseshoe on Monday night, January 17.

Pitchfork and Clash talk to PJ Harvey about her new record Let England Shake, due out February 15.

The Ottawa Citizen profiles Two Door Cinema Club, in town at the Kool Haus tomorrow night, while The State is streaming a documentary feature on the band. And the band’s new video ably demonstrates the perks of being a young man in a rock band… which is to say dancing girls.

Video: Two Door Cinema Club – “What You Know”

It would have been nice if British Sea Power could have announced their North American tour in support of Valhalla Dancehall a couple days earlier so I could have included it with my review of said record, but that’s not so important – what is is that the British are coming and they’ll be at Lee’s Palace on March 24. Incendiary has an interview with Martin Noble while The Guardian has a live session video of the band performing “Who’s In Control?”.

MP3: British Sea Power – “Who’s In Control?”

Patrick Wolf talks to NME about the cleanliness of his in-progress new record, which despite what they say is unlikely to be called The Conqueror but will likely to be out in May.

The Fly checks in with Glasvegas and Elbow amongst others about their 2011 album plans. The former’s build a rocket boys! will be out March 8 while NME reports the latter’s Euphoric Heartbreak will be out April 4.

Condolences to the friends, fans and family of Broadcast’s Trish Keenan, who has passed away from pneumonia. The statement from Warp Records.