Frank YangIf we’re being completely honest, there’s a not-insubstantial part of me that wishes that this past weekend’s shows by Neutral Milk Hotel bandleader Jeff Mangum at Trinity-St. Paul’s had never happened. There was just something poetic about the disappearing act he pulled following In The Aeroplane Over The Sea, as though the album-closing sounds of the guitar being set down, chair being pushed back and footsteps into the distance was of him leaving this plane and taking his rightful place in some cosmic musical pantheon, having created one of the more perfect records of recent memory.

Of course, I suspect it’s over-romanticized shit like that that’s exactly why Mangum has finally emerged from seclusion. In the thirteen years since he disbanded Neutral Milk Hotel, his story has taken on mythic proportions as a new generation of the indie-inclined discover his masterpiece but can find no trace of its auteur – just field recordings of Bulgarian folk music, sound collages, very occasional guest appearances on the records of his Elephant 6 compatriots and rumours. So many rumours. Even if Mangum wanted to make a return to recording, releasing and performing music, surely the weight of expectation that would surround whatever came next would be unbearable.

So may as well just get it over with. Mangum sightings haven’t been unheard of in recent years, but a surprise Brooklyn loft show last December had the scent of something more than just a one-off; it felt more like carefully laying the groundwork for something bigger and within months, a relatively full-scale comeback was in place – both playing and curating some ATP Festival shows in the UK and US and headlining a number of east coast dates from the late Summer through the Fall. When the Toronto shows were announced, I theorized that this was Mangum’s effort to deconstruct the mythology around himself, to remind people that he was just a guy with a guitar and some songs and maybe, just maybe, not all that big a deal.

If that was the intent, mind you, maybe booking two nights in a church wasn’t the best way to make the point. For the Friday night show, the lineups began just after noon and by the time doors opened, stretched around more than a couple city blocks. And after all were admitted and dutifully took their places in the pews, it would still be an extended wait in the sweltering chapel before the show got underway. For support, Mangum brought along some old friends performing as Scott, Andrew & Laura – as in Scott Spillane of The Gerbils and Andrew Reiger and Laura Carter of Elf Power; certainly not household names but well-appreciated by those who knew them. Their set saw them trading off instruments and playing selections from their respective repertoires, striking a typically Elephant 6 balance of musical proficiency and primitivism but it was impossible to not be impressed by their final song, a Gerbils composition which had Spillane bellowing mournfully while Carter played trumpet unamplified into the church ceiling.

Just how reclusive has Jeff Mangum been? So much so that between sets, when a lanky figure in a light checked shirt and long brown hair tucked under a pageboy cap strode out on stage to check the four guitars set up around a chair, hardly anyone noticed that this was the man that they’d been waiting for months to years to forever in breathless anticipation to see live. They noticed when he came out the second time though – the dimmed lights must have helped – and he was welcomed back to Toronto, to the stage, with huge applause. And with the first strummed chords of “Oh Comely”, it began.

Jeff Mangum is often held up as the archetype for nasally-voiced indie-folk singers, but my first impression of hearing him in person was just how refined and powerful that voice was; Neutral Milk may have favoured a lo-fi, ramshackle aesthetic for their recordings but it certainly wasn’t to cover up the vocals. Of course, with this being a Mangum solo show and not a Neutral Milk reunion, that aesthetic was shelved anyways as the only flourishes on the voice and acoustic guitar configuration came courtesy of Spillane and Carter, who stepped up to add some crucial horn and clarinet parts to songs like “In The Aeroplane Over The Sea” and “Ghost”. But for the most part, it was just Mangum and the rapt silence of his audience – a silence that burst into huge ovations when each and every song ended, as though they’d just witnessed the greatest thing ever and really, who’s to say they hadn’t?

Between songs, Mangum certainly didn’t come off like a recluse or eccentric, coming off chatty and friendly; at one point he asked, “Are you guys happy?” to an overwhelmingly positive response before having that question returned to him (he said he was). Also in the far-from-precious department, his requests – nay, demands – that the house sing along with him – further proof that he didn’t want our reverence, he wanted us to celebrate with him. There may not have been as much sincerity behind a full house singing “I love you Jesus Christ” as there would be when Trinity was actually serving as a conventional house of worship, but there was no denying that there was some genuine transfiguration occurring – or more accurately, a reverse-transfiguration with a musical demigod happily becoming just a man.

Though he apparently confirmed on Saturday night that he had been writing, no new songs were introduced. The hour-long set including one-song “Engine” encore encompassed selections from both Neutral Milk albums – though curiously no “Two-Headed Boy, Part One” on either night – and a cover of Daniel Johnston’s “True Love Will Find You In The End” wrought so lovely that I almost believed it could be true. But considering I’d just see Jeff Mangum perform live, I think one wish fulfilled on the evening was plenty.

NOW, Spin and The National Post was also on hand Friday while The Grid, The Globe & Mail and Exclaim have writeups of the very-similar Saturday night show; Southern Souls has also some audio from Saturday. And oh, there was no photography permitted at the show hence my sketch of the artist gracing the top of this post; it’s been a long time since I’ve drawn, and in that time I clearly forgot that a) I need light to draw, b) an eraser can be a handy tool and c) I was never very good at drawing. But anyways.

MP3: Neutral Milk Hotel – “Holland 1945”

Paste is streaming the Stephin Merritt rarities collection Obscurities a week before its August 23 release. This release marks the return of Merritt to Merge Records and the next Magnetic Fields record will be out on the same label next year.

MP3: Stephin Merritt – “Forever And A Day”
Stream: Stephin Merritt / Obscurities

DIY has a feature interview with Stephen Malkmus on the occasion of the release of Mirror Traffic next week. The album is up to stream in its entirety over at NPR; Malkmus and The Jicks play The Phoenix on September 23.

MP3: Stephen Malkmus & The Jicks – “Tigers”
MP3: Stephen Malkmus & The Jicks – “Senator”
Stream: Stephen Malkmus & The Jicks / Mirror Traffic

Tuscaloosa News and Birmingham Box talk to Justin Townes Earle, in town at The Horseshoe on August 26.

KDHX talks to Laruen Larson of Ume; their new record Phantoms is out August 30.

Spin has posted online their cover story on St. Vincent for next month’s “Style Issue” – and if you think that means lots of snazzy pictures of Annie Clark to go with the interview, you’d be right. Her new record Strange Mercy arrives September 13.

Wilco have released a video teaser for the song “Almost” off their new album The Whole Love, which shows if nothing else that this album proves they’ve found the “Beautifully ugly” setting on Nels Cline. The album is out September 27 and they play Massey Hall on September 16 and 17.

Rolling Stone talks to Matthew Sweet about his new album Modern Art, due out September 27.

MP3: Matthew Sweet – “She Walks The Night”

Making good on his promise in July to return when the new record was out, Eric Bachmann will bring Crooked Fingers back to town for a show at the Drake Underground on November 8 in support of Breaks In The Armor, out October 11. Merge has the full tour itinerary, for which Strand Of Oaks will be supporting.

MP3: Crooked Fingers – “Phony Revolutions”
MP3: Strand Of Oaks – “Bonfire”

Portland’s Blind Pilot will follow up the September 13 release of We Are The Tide with a tour that brings them to Lee’s Palace on November 10, tickets $15.50 in advance.

MP3: Blind Pilot – “Keep You Right”

Warpaint dish to NME about their plans for album number two.

NPR has got a World Cafe session with TV On The Radio.

WilcobaseOh this tricky business of bootlegs. You might reasonably expect that a band with as fervent a fanbase as Wilco would have an exceptionally well-documented tape trading network and if you’re talking about the past decade or so, then they absolutely do. But go back to when not everything in existence was instantly documented on the internet and things can get a bit hazier.

For instance, as long as I can recall, a double-disc collection of live and demo covers by the band has circulated as Someone Else’s Songs and included on that is a live recording of Wilco covering the opening song on Neutral Milk Hotel’s In The Aeroplane Over The Sea and it’s explicitly noted as coming from the final show at Chicago’s Lounge Ax, dated January 9, 2000. The set list recorded at the usually very thorough WilcoBase makes no mention of this, however, nor does it appear on any of the bootlegs for that show which also circulate. Mind you, WilcoBase only documents the song ever being performed once by any Wilco project and that’s a solo Jeff Tweedy show – obviously incorrect. So what’s the truth of it? I dunno. But that’s most definitely Ken Coomer on trumpet and Edward B Hargrove on the acoustic guitar. And it’s pretty sloppy.

Update: So some sources have clarified that this was technically The Minus 5 covering Neutral Milk Hotel on that evening as support for Wilco, but that band was really Scott McCaughey backed by Wilco and Peter Buck and who knows who else. And Tweedy still took lead vocals on that one. So.

Wilco’s next album The Whole Love is out September 27 and they play Massey Hall on September 16 and 17. Neutral Milk Hotel’s Jeff Mangum begins his return from the wilderness with two sold-out shows at Trinity-St. Paul’s this week, August 12 and 13.

MP3: Wilco – “King Of Carrot Flowers Part 1” (live)
Video: Neutral Milk Hotel – “King Of Carrot Flowers Part 1” (live)

Frank Yang2009 was a pretty good year for Seattle’s Fleet Foxes, with their self-titled debut, released the previous Summer, having topped numerous year-end lists worldwide and made the Portland-based folk-rock band one of the hottest things going, touring constantly to adoring crowds in sold-out theatres and concert halls.

Amidst it all, almost two years ago today, frontman Robin Pecknold found the time to step out on his own for a solo club show at Neumo’s in Seattle as part of a benefit for The VERA Project. One of many covers that he included in his set was a rousing rendition of Neutral Milk Hotel’s “Two-Headed Boy”, accompanied on drums by Fleet Foxes drummer J Tillman for some extra oomph and done well enough that you’ll forgive his forgetting the words in the middle there.

Fleet Foxes will be at Massey Hall this Thursday, July 14, in support of their new album Helplessness Blues. Neutral Milk Hotel’s Jeff Mangum has finally returned to active duty and will play two sold-out shows at Trinity-St. Paul’s on August 12 and 13 as the kick-off to a Summer/Fall tour.

The Guardian has a feature piece on Fleet Foxes.

MP3: Robin Pecknold – “Two-Headed Boy” (live at Neumo’s, Seattle – July 11, 2011)
Video: Robin Pecknold – “Two-Headed Boy” (live at Neumo’s, Seattle – July 11, 2011)
Video: Neutral Milk Hotel – “Two-Headed Boy” (live at The Knitting Factory, New York – March 7, 1996)

American SongwriterWhen Jeff Mangum, prodigal godhead of that which is largely called indie, gave a rare performance in a Brooklyn loft last December, people freaked out. And reasonably so – the Neutral Milk Hotel-ier had been basically been retired and out of sight for nigh on twelve years, his band having dissolved post-In The Aeroplane Over The Sea and in the intervening years, his legend only grew. So the idea of him suddenly surfacing to play a show probably seemed like a once in a lifetime occurrence.

Except that it wasn’t. My theory at the time was that this was far from a one-off but the start of a return to music for Mangum, who was probably tired of the mythology that had grown around him and wanted to begin the process of deconstructing it, of saying “hey – I’m a guy with a guitar who wrote some songs” and maybe pave the way to being able to write, release and perform some more. And so it really wasn’t a surprise that 2011 started with a trickle of additional live show announcements – first as a special guest at the Portishead-curated I’ll Be Your Mirror at Asbury Park, New Jersey in September, then as curator of the All Tomorrow’s Parties in Somerset, UK in December, and now additional non-festival dates have begun trickling out, and at the moment they begin in Toronto.

Though The Horseshoe played host to a legendary, almost-never-was Neutral Milk Hotel in 1998, Mangum’s return will be in the suitably reverent environs of Trinity-St. Paul’s on August 12 and 13. Tickets are $32.50 and will go on sale as follows: a limited pre-sale of paperless tickets will begin at 10AM on Friday, February 25 with the presale password being made public at the Collective Concerts website on Wednesday, February 23 at 3PM. Presale customers will be allowed to purchase four tickets per order, per customer, per show. Public on sale begins on Saturday, February 26 at noon via usual outlets – Ticketmaster, The Horseshoe, Rotate this and Soundscapes – and purchases will be limited to two per customer.

Exciting news, to be sure, though one wonders what this does to the chances of Mangum showing up with the upcoming Elephant 6 Holiday Surprise Tour which hits The Horseshoe on March 18 – it had been a pretty safe bet that Mangum would show up on at least some of those dates, and he might still. But if you’re not the gambling sort and the guarantee of a night of great tunes from his Elephant 6 compatriots isn’t enough to convince you, then these Trinity shows should be just the ticket. Not that you had much choice since the Holiday Surprise show is sold out anyways.

The Wall Street Journal welcomes Jeff Mangum back from the wilderness with a timeline of his “lost years”.

MP3: Neutral Milk Hotel – “Holland 1945”

From lost legends to exciting newcomers, Australia’s Tame Impala and London’s Yuck are teaming up for a North American tour that includes a stop at The Phoenix in Toronto on May 1, tickets $20. I’m not that familiar with Tame Impala but Yuck, whose wonderfully grungy ’90s power-pop-laden self-titled debut just came out this week and has been on heavy rotation in my ears. Spin thinks Tame Impala will be the next big thing while Spinner has an interview with Yuck.

MP3: Yuck – “Rubber”
MP3: Tame Impala – “Runaway, Houses, City, Clouds”

John Vanderslice will take his orchestrally-powered latest White Wilderness on the road this Spring, though it’s unlikely he’ll have an actual orchestra with him – you couldn’t fit one in the Drake Underground, where he’ll be on May 10. You will, however, be able to fit his tourmate Damien Jurado, and Jurado isn’t a small guy.

MP3: John Vanderslice – “The Piano Lesson”
MP3: Damien Jurado – “Gillian Was A Horse”

The Independent talks to Dean Wareham.

Pixies drummer Dave Lovering tells Billboard that the band are contemplating what to do after their run of Doolittle shows – including April 18 and 19 at Massey Hall – are done. Either do the full-album show treatment for another of the records or – horror of horrors – write and record new material.

Buffalo Tom is streaming the whole of their just-released new record Skins, out March 8.

Stream: Buffalo Tom / Skins

I haven’t been keeping track of whether The Flaming Lips have made good on their song-a-month promise, but they have uploaded a 12-part simul-song to YouTube, so that sort of counts I guess.

NPR has got a World Cafe session with Liz Phair.

Also stopping in at NPR’s World Cafe for a coffee and session are Superchunk.

Spinner talks to The Strokes’ Albert Hammond Jr about their new record Angles, out March 22.

The Montreal Gazette and Toronto Star have feature pieces on Interpol.

Pitchfork reports that the new Death Cab For Cutie album Codes & Keys will be released on May 31.

NPR has a World Cafe session and Pitchfork and Crave interview features with The Decemberists.

The Independent Weekly, Paste, Blurt, Prefix, The Wall Street Journal, NBC and Spinner profile Drive-By Truckers, whose new record Go-Go Boots is out next week but streaming now in whole at Spinner.

Stream: Drive-By Truckers – “Go Go Boots”

The Alternate Side has a video session and interview with Iron & Wine.

Will Sheff of Okkervil River blogs about his experience at the Grammy Awards (he was nominated for best liner notes) for Billboard. Their new record I Am Very Far is out May 10. A video of one of the new songs, recorded last month when they played Late Night With Jimmy Fallon, has just been posted online – check it out at Prefix.

Bright Eyes have released a new video from their new record The People’s Key. The Quietus also has an interview with Conor Oberst, who plays The Sound Academy (with his band) on March 13.

Video: Bright Eyes – “Shell Games”

The new DeVotchKa record 100 Lovers is up to stream at NPR in advance of its March 1 release.

Stream: DeVotchKa / 100 Lovers

The San Francisco Examiner and Spinner have interviews with and NYC Taper a live recording from last week of Nicole Atkins; she’s at The Horseshoe on February 26.

Asobi Seksu released their lastest Fluorescence this week and released a new video from it. They also have a chat with Spinner and will be at The Horseshoe on February 27.

Video: Asobi Seksu – “Trails”

NYC Taper has a live recording and Spinner an interview with Wye Oak, whose Civilian is out March 8 and who play The El Mocambo on April 9.

Paste and So Much Silence chat with Michael Benjamin Lerner of Telekinesis. They play The Horseshoe on March 6 and have an in-store at Sonic Boom earlier that afternoon.

Stereogum checks in with Fleet Foxes on the status of their new record Helplessness Blues, out May 3.

Rolling Stone is holding a competition to choose who will grace an upcoming cover – vote Ume.

Ground ControlSo maybe some of you heard that Jeff Mangum, that guy who used to be in that one band, played a surprise show of Neutral Milk Hotel tunes to a Brooklyn crowd of about 75 this past weekend (MP3s or it didn’t happen). And while that’s a pretty cool thing in and of itself, not to mention giving those in attendance bragging rights in certain circles for the rest of their lives, that it happened just before word that the Elephant 6 collective of which the Neutral Milk was a founding member was planning a big Spring touring to-do was… interesting. Not implying anything untoward, simply observing that if it was a coincidence, it was a well-timed one.

Said to-do is the Elephant 6 Holiday Surprise Tour, which was first rolled out at about this time of the year in 2008 by former Neutral Milk Hotelier, current Music Tapes leader and all-around Christmas fan Julian Koster. It consisted of a massive and random group of Elephant 6 alumni past and present, including members of Apples In Stereo, Elf Power, Circulatory System, Olivia Tremor Control amongst others – which is to say about 1/10 the population of Athens, Georgia – who trekked about performing holiday songs and each others’ compositions and generally celebrating the spirit of pop, psychedelia and community that informed the movement back in their heyday of the mid-’90s. And apparently they had such a good time of it, they’re doing it again.

The details on the who and the what are unclear as of yet – Koster will certainly be driving it again, covering much of the same terrain as his ongoing Lullabye Tour – but the itinerary is up, showing dates across North America running from late February through the end of March. You know, exactly when there aren’t any real holidays. Unlike the original Holiday Tour, this one includes a Toronto stop on March 18 at the Horseshoe, which is great for those of us who will be hundreds of miles away at SxSW at the time (that’s not a plea for sympathy, just statement of fact), particularly since none of Elf Power, Circulatory System or the reunited Olivia Tremor Control have come up this way in forever. But it is what it is and what it should be is an excitingly unpredictable treat for fans and you can bet no one is forgetting that Mangum made appearances at some of those shows in 2008… Will he be along this time out? Maybe he just needs to get re-accustomed to playing live OH WAIT.

The AV Club talked to Koster about the tour back in the Fall of 2008 while NPR has audio from the Chicago stop of that tour – all two and a half hours of it.

MP3: Music Tapes – “Majesty”
MP3: Neutral Milk Hotel – “Holland 1945”
MP3: The Apples In Stereo – “Benefits Of Lying With Your Friend”
MP3: Elf Power – “Stranger In The Window”
MP3: Circulatory System – “Yesterday’s World”
MP3: Circulatory System – “Now”

It’s understandable if you thought that The Wooden Sky’s show at Lee’s back at the start of November was their last local hurrah for the year, but they’ve got one more engagement on the calendar – an intimate December 19 show at the Music Gallery with Philadelphia’s Strand Of Oaks. It’s an all-ages gig, tickets $25 and all proceeds going to the Daily Bread Food Bank.

MP3: The Wooden Sky – “Something Hiding For Us In The Night”
MP3: Strand Of Oaks – “Bonfire”

The double-bill of one-man act Wild Nothing and many-man band Abe Vigoda have made a date at Wrongbar on February 17, full dates of the tour available at Pitchfork.

MP3: Wild Nothing – “Golden Haze”
MP3: Abe Vigoda – “Throwing Shade”

Akron/Family will follow up the February 8 release of S/T II: The Cosmic Birth and Journey of Shinju TNT with a date at The Horseshoe on February 20. And if you haven’t read the background on the record, Consequence Of Sound has details… which sound mental.

MP3: Akron/Family – “River”

The Low Anthem, who are readying their Smart Flesh for a February 22 release, have made a date at The Great Hall for March 2 – tickets $17.50 in advance. You can grab the first MP3 from said record in exchange for your email at their website.

Clash talks to LCD Soundsystem main man James Murphy.

Drowned In Sound interviews Britt Daniel and Eric Harvey of Spoon.

Exclaim has details on the long-awaited second Rural Alberta Advantage record. Departing will be out on March 1 and you can expect to hear at least some of it at their sold-out Lee’s Palace show next Thursday, December 16.

Daytrotter’s recent sojourn to Pop Montreal has yielded sessions with Karkwa and also with Diamond Rings. Karkwa are at Lee’s Palace on March 5.

Monday has a feature on Dan Mangan.

The Guardian, Winnipeg Free Press and Pitchfork talk to Feist about her Look At What The Light Did Now documentary, out today on DVD.