MySpaceIt figures that of all the English folk-pop that has been such a staple of my musical diet over the last couple years, the most commercially successful – Noah & The Whale – would be my least favourite. That’s a very relative statement, however, as I still like the quartet alright. As their debut Peaceful, The World Lays Me Down, proved they can write a catchy tune or two but I found their whimsical approach to be a bit lacking in the substance department. I much preferred the sardonic wit of Emmy The Great and emotional resonance of Laura Marling, both of them former Whale collaborators.

And it’s Marling who plays a key role on Noah & The Whale’s second album First Days Of Spring, though she’s nowhere to be found on the actual recording. While it may seem like indie tabloid fodder, the fact that she and Noah frontman Charlie Fink were romantically involved and that the relationship ended last year is key to understanding this record – on the debut, Marling’s voice buoyed the record but on the follow-up, it’s her ghost that gives it weight. Spring is a break-up record through and through, and not one overly concerned with dressing things up in metaphor. Fink is not an overly gifted wordsmith, preferring plainly stated lyrics and delivering them with his equally unfancy croak of a voice and in this instance the directness with which Fink addresses Marling with his lyrics is almost uncomfortable, like eavesdropping on an intensely personal conversation. Yet you can’t not listen and in doing so, you can’t not feel his pain.

Musically, Spring shows the band making tremendous strides. The jaunty barroom folk-pop of Peaceful has been replaced with an expansive, cinematic sound that’s appropriately slow, sad and stately and given to orchestral swells or noisy skronks as the situation demands. It’s a risky approach for the band, basically abandoning the approach that brought them their success, but in strictly artistic measures it’s an unqualified success. Spring makes Noah & The Whale a much more interesting band and Fink has turned his shortcomings into strengths, crafting a record that resonates truly and honestly with anyone who has ever had their heart broken.

First Days Of Spring was released in the UK at the end of August and will be out in North America come October 6. It will come packaged with a DVD with a 45-minute short film tied in to the album but not, apparently, having anything to do with Fink and Marling’s relationship and, from the looks of the trailer, not awful. Nice production values, anyways. The band will be in North America for a short tour in October which will wrap on October 31 at the Horseshoe in Toronto.

MP3: Noah & The Whale – “The First Days Of Spring”
MP3: Noah & The Whale – “Blue Skies” (Twelves remix)
MP3: Noah & The Whale – “Blue Skies” (Yacht remix)
Video: Noah & The Whale – “Blue Skies”
Trailer: The First Days Of Spring
MySpace: Noah & The Whale

LAist has an interview with Fanfarlo frontman Simon Balthazar. Their debut Reservoir seems to have been released in every possible combination of independently, on a label, digitally, physically, as an import, what have you, but come October 13 it’ll be officially available domestically in North America. So if you missed one of the other million chances to get a copy of this wonderful record, you are now plumb out of excuses.

The St. Louis Tribune interviews Frightened Rabbit.

Stuff talks to Florence Welch of Florence & The Machine. I’ve been saying that her debut Lungs doesn’t get a domestic release until October 13 but that may just be for the US – as was pointed out to me, it’s already available domestically in Canada. Oh who are we kidding – if you cared, you’d have downloaded it by now.

Editors have released a video for the first single from their forthcoming album In This Light & On This Evening, out October 13. And no, they were not kidding when they said they were going synthy on this record.

Video: Editors – “Papillon”

A couple of streams of new albums out now/soon from British acts coming to town in the next little while. London outfit The Rifles are really going after – and hitting – that Jam/mod vibe on their new record The Great Escape, out today. They’re at the Horseshoe on September 28.

MP3: The Rifles – “The Great Escape”
MP3: The Rifles – “The General”
MP3: The Rifles – “Romeo & Julie” (live)
Video: The Rifles – “The Great Escape”
Video: The Rifles – “The General”
Stream: The Rifles / The Great Escape

The Big Pink’s debut A Brief History Of Love isn’t out till next week, but is also available to stream now. See them at Lee’s Palace on November 29.

Stream: The Big Pink / A Brief History Of Love

The Quietus talks to Johnny Marr and The Cribs about their new record Ignore The Ignorant as well as Marr’s time with The Smiths. Further, The Guardian gets Marr to interview his former label boss Geoff Travis of Rough Trade.

Further with the Smiths, Marr’s former bandmate Andy Rourke was in town this past week as DJ for some TIFF parties – eye got an interview with the former Smiths bassist while Toronto Life overheard a briefer, more amusing conversation during his actual DJ set. And of course, Morrissey has taken umbrage with some of the stuff Rourke said in the eye interview. Mike Joyce presently has no comment on any of the above.

Oh yeah, that Smiths reunion is right around the corner. I can smell it.

MySpaceI should be packing for my trip to New York City instead of blogging, so I’m just a-gonna clear out a pile of stuff that had been gathering over the last little while. Y’understand.

And what better way to begin than with a second taste of what is one of my most-anticipated new records of the Autumn – Bonfires On The Heath from The Clientele. It was exciting enough that Stereogum premiered the new MP3 yesterday, but I was over the moon later in the day when a digital promo of the album – not out till October 6 – showed up in my inbox. I’m not gloating, honest.

“Harvest Time” is a slow, sepia swoon bidding farewell to the Summer with the band’s signature tremolo-ed arpeggios and is a fine counterpoint to the jauntier first-released MP3, “I Wonder Who We Are”. Together they’re a good representation of the loveliness that resides behind this also-lovely album cover. Expect further gushing as I immerse myself in the record with further listens, but know that if it’s true this record will be the band’s last, they go out on a true high note.

There will be touring to support, but don’t expect the band on these shores before mid-Winter. Or so I’ve been told.

MP3: The Clientele – “Harvest Time”
MP3: The Clientele – “I Wonder Who We Are”

The Daily Mail gets to know Florence Welch of Florence & The Machine. Her debut Lungs is out in North America on October 13.

Spinner and The Wrexham Chronicle talk to Noah & The Whale frontman about the heartache that inspired their second album First Days Of Spring, set for a North American release on October 6. For Folk’s Sake also reports that the band’s drummer and Fink’s brother Doug has left the band to attend medical school.

They Shoot Music filmed an acoustic session with Micachu in Berlin recently. They will be at the El Mocambo on September 29.

LiveDaily has a rather gorgeous black-and-white video session with Fanfarlo.

The Skinny talks to The Twilight Sad. Their second album Forget The Night Ahead is out September 22 and they play The El Mocambo on October 10.

PitchforkTV has been running a Cemetery Gates video session with Camera Obscura all week. See them in the slightly livelier environs of the Phoenix on November 26.

Out chats with Patrick Wolf.

Echo & The Bunnymen’s Ian McCulloch discusses the band’s new record The Fountain, out October 12, with Rolling Stone. They play the Queen Elizabeth Theatre on October 20 with an orchestral rendition of Ocean Rain and presumably a few more tunes – because that record isn’t all that long. And sad news – former Bunnyman keyboardist Jake Brockman was killed in a traffic accident.

Johnny Marr gives an extensive interview to The Daily Mail about his current projects, his love of guitars and the polite answer to the question of whether there’ll ever be a Smiths reunion. Marr is currently playing with The Cribs, whose new record Ignore The Ignorant, is only going to be available digitally in North America starting next Tuesday. If you want the CD, you’ll have to do the import thing.

Video: The Cribs – “Cheat On Me”

Filter solicits a list of her favourite things from Ladyhawke’s Pip Brown. They also point out that a deluxe edition of her self-titled debut has just been released, featuring five bonus tracks. She’s at the Opera House on September 17.

Entertainment Weekly has premiered a new track from The Raveonettes, whose new album In And Out Of Control is due out on October 6. They play The Phoenix on October 22.

MP3: The Raveonettes – “Last Dance”

Letter To Jane has an interview with Peter Moren of Peter Bjorn & John. They’re at the Phoenix on November 11.

Chartattack chats with the boys of Two Hours Traffic, whose new album Territory is out next Tuesday and who play Lee’s Palace on October 16.

Soundproof talks to Ohbijou’s James Bunton about the Friends In Bellwoods project and community.

Shout Out Out Out Out have scheduled two dates at Wrongbar on October 16 and 17.

MP3: Shout Out Out Out Out – “Bad Choices”

American Songwriter talks to the American songwriters who comprise the Monsters Of Folk while Black Book solicits some of their favourite traveling tunes. Their self-titled debut is out September 22 and they play Massey Hall on November 2.

Soundproof and American Songwriter profile St. Vincent’s Annie Clark.

The Daily Texan talks to Lauren Larson of Ume.

Venice Is Sinking are sharing an MP3 from their forthcoming Okay EP, out September 22 and accurately named as it features the track of that name from their AZAR album and two covers of San Francisco band Okay and rounded out by two more alternate versions of AZAR songs that are better than okay. They band have also raised sufficient funds via Kickstarter to finance their third album.

MP3: Venice Is Sinking – “Compass”
Stream: Venice Is Sinking / Okay

The Bird & The Bee have released a new DLR-saluting video from Ray Guns Are Not Just For The Future.

Video: The Bird & The Bee – “Diamond Dave”

Paste catches up with Flaming Lips frontman Wayne Coyne. Their new album Embryonic is out October 13.

R.E.M.’s forthcoming live record Live At The Olympia In Dublin, out October 27, will come with a bonus live DVD entitled This Is Not A Show and comprised of footage from those same shows. There’s a trailer and performance clip from the film now available to watch.

Video: R.E.M. – “Drive” (live in Dublin)
Trailer: This Is Not A Show

Magnet plays over/under with the Husker Du catalog. And speaking of the Du, The Guardian reports that Grant Hart will release his first solo album in a decade in Hot Wax, out October 6. Bob Mould kicks off his tour in support of last year’s Life And Times next month, starting here in Toronto with a date at the Mod Club on October 5. Support for the first few dates of that tour comes from Miles Anthony Benjamin Robinson, whose new album Summer Of Fear is out October 20.

Rolling Stone talks to Black Francis of Pixies about gearing up for their Doolittle tour.