Thursday, January 10th, 2013

I Follow You

Review of Melody’s Echo Chamber’s Melody’s Echo Chamber

Diane SagnierTame Impala’s second album Lonerism topped more than a few 2012 year-end lists, and while it doesn’t do much for me – despite on paper being exactly the sort of thing I should like – if you were to say that Kevin Parker was behind one of the year’s finest psychedelic pop records, I would be inclined to agree with you. Except that I would be talking about Melody’s Echo Chamber.

Describing Melody’s Echo Chamber as the sound of Broadcast’s first album being played at volume in a Parisian apartment with the reverberations captured by a vintage ’60s microphone and run through Kevin Parker’s pedalboard might sound like hyperbolic metaphor, but it could also be a literal account of how the record was made. With words – a combination of French, English, and a made-up language called “Melodese” – voice – a combination of sweet girlishness and continental sophistication – and songs provided by Parisian Melody Prochet, both Prochet and Parker contributing instrumentation, and Parker assuming production and mixing roles, the record is a shining, staticy, psychedelic swirl that sounds indelibly retro yet thoroughly modern at the same time.

Those who’ve found love in Lonerism‘s otherworldly textures should find Melody’s Echo Chamber a worthy companion piece and those who found Parker’s opus unsatisfying – that’s my hand in the air, there – shouldn’t discount it as more of the same because it’s different enough to stand on its own, and Prochet’s voice should be able to convince even the most skeptical. I’m sorry I missed her live Toronto debut last Fall when they opened up for The Raveonettes, but am hopeful that they’ll be here again this year – perhaps opening up for Tame Impala’s Spring tour? It would just kind of make sense.

Drowned In Sound, The Line Of Best Fit and Under The Radar both have extensive feature pieces on Prochet and the creative process behind Melody’s Echo Chamber. Bowlegs also has an interview.

Stream: Melody’s Echo Chamber – “Crystallized”
Video: Melody’s Echo Chamber – “You Won’t Be Missing That Part Of Me”
Video: Melody’s Echo Chamber – “I Follow You”

The first video from the new Nick Cave & The Bad Seeds album Push The Sky Away, out February 19. Know what’s odd? I still can’t figure out who’s releasing this in North America. I do know that they’re at Massey Hall on March 23, though, so there’s that.

Video: Nick Cave & The Bad Seeds – “We No Who U R”

A new song from Shugo Tokumaru’s new album In Focus? is available to stream. It’s out February 22.

Stream: Shugo Tokumaru – “Katachi”

A new track from the forthcoming Shout Out Louds album Optica has debuted to stream over at The Line Of Best Fit. The album is out February 26 and they play The Opera House on May 14.

Stream: Shout Out Louds – “Walking In Your Footsteps”

What happens when you give Jens Lekman’s keyboard player a ride from New York to Boston post-Hurricane Sandy so he can catch up with the rest of the band on tour? He writes you a song. And shares it with the world. Congratulations, Olivia and Maddy, you have eleven minutes and eighteen seconds of fame left.

MP3: Jens Lekman – “Olivia & Maddy”

Wears The Trousers and MXDWN talk to Victoria Bergsman of Taken By Trees.

The Village Voice interviews Malin Dahlström of Niki & The Dove; they’re in town at Wrongbar on January 16.

NPR is streaming the whole of Somewhere Else, the debut from Denmark’s Søen Løkke Juul as Indians. The album is out January 29 and they play The Drake on March 4.

MP3: Indians – “Cakelakers”
Stream: Indians / Somewhere Else

Iceage have offered a song from their new album You’re Nothing, out on February 19. They also announced a North American tour but while there’s no Toronto date at the moment, that four-day gap between Pittsburgh and Vermont is a bit conspicuous. Just saying.

MP3: Iceage – “Coalition”

Filter interviews Björk.

Wednesday, January 9th, 2013

Lovers In The Parking Lot

Solange is coming; it’s True.

Elias TahanThere are many routes to Solange. Some may know her because of the surname she shares with her superstar sister. Others for her thespian endeavours which so far, have peaked with the starring role in the third chapter of the competitive cheerleading saga Bring It On. And her music career – two albums since 2003 – have sold hundreds of thousands of copies, so she’s got fans there, too. But it’s her recent turns covering Dirty Projectors and collaborating with Of Montreal that have garnered her scores of new followers in the indie realm.

She only came to my attention, however, when word got out that she was working with Dev Hynes as producer and co-writer. I had originally been a bit wary of his shift from the folk/orchestral indie-rock stylings of Lightspeed Champion to the ’80s-vintage disco-soul of of Lightspeed Champion and Blood Orange, but Coastal Grooves, his debut in that guise, was so irresistibly slick and funky – and at minimal cost to his guitar heroics – that the prospect of pairing those skills with an up-and-coming soul diva such as Knowles had so much potential.

The full-length fruits of their labours is still forthcoming, but the mini-album True, released digitally last November and out physically as of yesterday, certainly shows that promise is being fulfilled. It sounds like a companion piece to Coastal Grooves in style, but the use of an actual studio rather than Hynes’ home environs and Knowles’ vocals makes it a different creature entirely – smooth and expressive while eschewing the diva excesses so typical of her peers. It’s a bit of a subtle release, but that’s also what makes it refreshing and it doesn’t take but a few listens for the hooks to sink in and once they’re in, that’s it.

With the record’s release, Solange has announced a Winter tour that brings her – and presumably Hynes, who has been in her band for past live appearances – to The Hoxton on February 22. Tickets for that – which will go fast, you best believe – are $23 and go on sale this Friday at 10AM.

The Guardian has a feature piece on how Knowles came to work with Hynes, and if you’re curious about how their styles compare, know that the closing track on True is a Blood Orange cover of a 7-inch single; you can stream the original below. Solange’s performance of “Losing You” on Jimmy Fallon last year – with Hynes at her side – is also worth watching.

Video: Solange -“Losing You”
Video: Solange – “Losing You” (live on Jimmy Fallon)
Stream: Blood Orange – “Bad Girls”

Elsewhere, Brooklyn’s lo-fi surfers Beach Fossils have made a date at The Garrison for February 27 in support of their new album Clash The Truth, out February 19. Tickets are $14.50 in advance.

MP3: Beach Fossils – “Careless”
MP3: Beach Fossils – “Shallow”

With his/their third album Dormarion due out April 2, power-pop maestro Benjamin Michael Lerner – aka Telekinesis – has slated a Spring tour that stops in at the Horseshoe on May 12; tickets $11.50. A new song is also available to stream.

Stream: Telekinesis – “Ghosts And Creatures”

Pitchfork has debuted their new advance album stream feature with Yo La Tengo’s new one Fade, out next Tuesday. They’re at The Phoenix on February 9.

Stream: Yo La Tengo / Fade

The Stool Pigeon, New York Times, Red Eye, and The 405 interview Christopher Owens, whose solo debut Lysandre is out next Tuesday and who plays The Mod Club on January 18. The Line Of Best Fit has got a stream of the album right now.

Stream: Christopher Owens / Lysandre

Ra Ra Riot are streaming another new song from Beta Love, out January 22. They play Lee’s Palace on March 6.

Stream: Ra Ra Riot – “Dance With Me”

Two weeks out from the release of Almanac, Widowspeak have made another new song available to stream. It’s out January 22.

Stream: Widowspeak – “Thick As Thieves”

Local Natives have made another track from their forthcoming Hummingbird, out January 29. They’ve got a sold-out show at The Opera House on March 28.

MP3: Local Natives – “Heavy Feet”

Rolling Stone has some words with Jim James as well as a new stream from his forthcoming solo record Regions Of Sound & Light Of God, out February 5.

Stream: Jim James – “A New Life”

Spin talks to Caitlin Rose about expanding her country horizons on her second album The Stand-In, due out February 25, and the Arctic Monkeys cover that’s part of that. Watch the video for that one below, and see her at The Garrison on April 5.

Video: Caitlin Rose – “Piledriver Waltz”

The 405 has details on the new album from Brooklyn’s The Men, as well as a stream of a new song. Yes, its’ face-ripping. The album is called New Moon and is due out March 5.

Stream: The Men – “Electric”

Apparently that first taste in December of Low’s forthcoming The Invisible Way was unofficial because this new stream is being called the first official release from their new record, out March 19. They also just announced a live date at The Great Hall on March 16.

Stream: Low – “Just Make It Stop”

Rolling Stone talks to Black Rebel Motorcycle Club frontman Robert Been about writing and recording their new album, still untitled but due out this March, in the wake of his father’s sudden death in 2010. Update: Turns out it does have a name, as well as release date: Specter At The Feast is out March 18.

Spinner talks to John Darnielle of The Mountain Goats.

NYC Taper has a recording of Titus Andronicus’ set opening up for one of the Yo La Tengo Hannukah shows last December.

Tuesday, January 8th, 2013

She Is The Wave

Wavelength to shake you out of your Winter doldrums with, well, Doldrums and more

Ali BiddellIt hadn’t occurred to me until just now, but there’s a bit of a parallel between this site, right here, and Wavelength. They got a couple years’ head start on me, but both of us spent a solid decade servicing the Toronto independent music community – Wavelength with a weekly concert series that helped introduce the city and the world to much of the amazing music being produced in the 416 and 905, and chromewaves by, um, going to shows and taking pictures. Okay, perhaps the scale is a little different, but both of us also had the good sense to call it after a decade and trade the grind of a regular, regimented schedule for something a little more intermittent but hopefully just as meaningful.

Wavelength events are a bit fewer and far between than my posts – though hey, did you notice me posting just four times over the past fortnight? And not that this is my third post in 24 hours? – but one thing you can still set your watch to is their anniversary series, which always make the dark days of mid-February a little or a lot more musical. This year’s edition – the thirteenth birthday and thus the first entry in its awkward teen years – will take place from February 14 to 17 at venues around town, and while many of the headliners are familiar faces to Wavelength-goers and the Toronto scene in general, it’s notable that former Spiral Beach vocalist/guitarist Airick Woodhead’s new electro incarnation as Doldrums – already making waves internationally and one of the country’s more hotly-tipped new acts for the past year or so. He’s relocated from Toronto to Montreal, but will be back to close the Friday night showcase at the lower Great Hall, less than two weeks before his debut full-length Lesser Evil is released on February 26. Will it deliver on the long-simmering buzz? Dunno, but you can bet that the show will be sold out by people looking to find out.

The rest of the weekend shapes up as follows; hit up Wavelength for descriptions of each act. Advance tickets for each show will be available or you can get an all-access festival pass for $39.

Thursday, February 14 @ The Shop under Parts & Labour ($10 advance)
Lullabye Arkestra / Ell V Gore / Fresh Snow / This Mess / Slow-Pitch

Friday, February 15 @ Black Box Theatre/The Great Hall Downstairs ($15 advance)
Doldrums / Cadence Weapon / Blue Hawaii / Blonde Elvis / Thighs

Saturday, February 16 @ The Great Hall Upstairs ($15 advance)
Do Make Say Think / Evening Hymns / Sarah Neufeld / Doom Squad / Bernice

Sunday, February 17 @ The Garrison ($10 advance)
Cookie Duster / The Magic / Henri Fabergé & the Adorables / Cell Memory & Castle If / Legato Vipers

MP3: Cadence Weapon – “Conditioning”
MP3: Do Make Say Think – “Greed Waltz”
MP3: Doldrums – “She Is The Wave”
MP3: Evening Hymns – “Arrows”
MP3: The Magic – “Door To Door”

A few years on from his last album, Hayden is gearing up for the release of his new record Us Alone on February 5 with the announcement of a North American tour that will manage the rare feat of staging a three-night stand that will almost certainly leave most of his fans shut out. A more properly-sized hometown show will almost certainly follow, but for now local fans have the choice between seeing him on February 20 at the tiny Dakota Tavern, February 21 at the even tinier Cameron House, or February 22 at the not-that-tiny-but-certainly-not-large Rivoli. Advance tickets – you’ll want those – are available at Arts & Crafts. You can download one of the songs from his new record and stream another.

MP3: Hayden – “Old Dreams”
Stream: Hayden – “Rainy Saturday”

Stars gives aux.tv a behind-the-scenes look at their video from “Backlines”. They’re at The Danforth Music Hall on March 20 and 21.

aux.tv interviews Grimes, whom they declared their artist of the year. Last year.

Filter gets some touring thoughts from Patrick Watson.

Tony Dekker of Great Lake Swimmers plays clotheshorse and also a video session for British designer Mr Porter.

Toro interviews The Wilderness Of Manitoba.

Hot on the heels of their holiday edition, The Line Of Best Fit has another Oh! Canada compilation of Canuck artists available to download. No holiday songs, guaranteed!

Tuesday, January 8th, 2013

Where Are We Now?

David. Bowie. Is. Back.

Frank YangFew things merit a 1AM blog post. David Bowie announcing a new album – at the stroke of his 66th birthday, no less – is one of them.

Watch the video for the first single, “Where Are We Now?”, at his website. You can buy it now at iTunes. It’s a stately return, all steady build and chiming guitars; it’s hard to say if the tingles are from the song itself or just the fact that it’s a NEW DAVID BOWIE SONG but it’s exciting. So exciting. And to everyone I’ve told over the years, “yeah I think he’s retired, it’s over” – I’ve never been more happy to be wrong.

Check out details on the album, entitled The Next Day, at Slicing Up Eyeballs.

It’s out March 12, but David Bowie’s owning of 2013 begins. Right. Now.

Update: The Guardian has a good piece on the background of the new song and why this is exciting beyond it just being a new Bowie record; when was the last time in this day and age that you were actually surprised by something like this?
Update 2: There’s a piece on the rather familiar artwork for the new album at Virusfonts.

Video: David Bowie – “Where Are We Now?”

Monday, January 7th, 2013

Barriers

Suede. Are. Back.

viinyl.comAnd there it is, the first new Suede song in a decade – since “Attitude”, from their 2003 Singles compilation – and being a bit nervous about hitting “play” is reasonable. Accepting that it won’t be on par with anything from Suede or Dog Man Star – Bernard Butler isn’t back in the fold, and even when he and Brett Anderson do get back together, they can’t recreate that same magic – there’s still the question of if it’ll be more “Trash” or even “Electricity” than “Positivity” (which is to say, great, alright, or terrible).

And I will rank “Barriers” somewhere in-between those first two. Not as immediately exhilarating as “Trash”, but certainly worth a sigh of relief that – if it’s representative of the band’s new material – that Brett Anderson was good as his word that if their recent recording sessions weren’t up to snuff, they wouldn’t be released. Anderson’s lyrics have those old-school decadent Suede allusions, even if they do sound a bit forced, and Fat Richard – whom I promise I will eventually stop calling Fat Richard but not quite yet – offers some solidly Butler-esque whammied guitar-work, but most importantly it’s got some real energy and dramatic sweep to it, to say nothing of a properly big chorus. I think I’ve listened to it more already this morning than I did to “Positivity” ever. Thank you, Suede, for not going ballad-y for your return.

The album – their first in over a decade since 2002’s forgettable A New Morning – will be called Bloodsports and is due out in March. The first official single – which this taste is not – will be called “It Starts And Ends With You” and released next month. I dunno guys, sounds kind of ballad-y.

Brett Anderson talks to NME about the new single and the band’s recorded return.

And while I’m on the topic, could someone please reissue the Suede catalog on vinyl? I was looking at $125 copies of Dog Man Star on eBay yesterday and thinking, “hey that’s not bad”. And then I slapped myself.

MP3: Suede – “Barriers”

Django Django have unchained released a new video from last year’s self-titled debut. They’re at the Opera House on March 12.

Video: Django Django – “Hand Of Man”

Stornoway are streaming the first taste of their second album Tales From Terra Firma, due out March 11.

Stream: Stornoway – “Knock Me On The Head”

The Line Of Best Fit has a video session with Echo Lake.

The xx talk to Rolling Stone about what they’ve got planned for their upcoming North American tour.

In conversation with The Gold Coast Bulletin, M.I.A. reveals her next album Matangi will be out on April 15.