Friday, September 11th, 2009
Review of Yo La Tengo's Popular Songs
FacebookThere’s a good run of albums, there’s career consistency and then there’s Yo La Tengo. The New Jersey outfit has been turning out full-length gems for almost a quarter-century now, and while some are held in higher regard than others, their consistently high standard has been nothing short of astonishing. And this isn’t a case of a band finding a style they excel in and working on variations of that theme, at least not unless you consider “restless creativity and experimentation in the realms of pop music” to be a single theme. So in sitting down with their twelfth proper album Popular Songs, you would have an excuse to not be surprised by what they have to offer, but none to not be delighted.
2006’s I Am Not Afraid Of You And I Will Beat Your Ass was a welcome dose of energy for those afraid that the two preceding records were finding the band settling into a comfortable, somnambulant zone, bringing back not only the band’s noisier side but also their genre-hopping aesthetic. It wasn’t as many individually sublime moments as their previous highwater mark I Can Hear The Heart Beating As One, but as a collection it was a more than worthy addition to their discography. If this was as good as Yo La Tengo could be 20 years in, then we should consider ourselves lucky. But if Ass was the luck equivalent of finding a $20 bill in the street Popular Songs is like winning the lottery.
Okay, that’s probably overstating it but Songs has a certain something that you didn’t even realize Ass lacked. It’s hard to articulate exactly what that is, but it’s the ineffable quality that distinguishes a classic Yo La record from just a great one. I’ll put it down as a sense of fun. Ass had the sense of the band exploring terrain that they hadn’t visited in a while (and tinged with the sense of looking for a way to stay interested) and that sense of curiosity yielded its own rewards, but now it sounds like they’re comfortable again and are having fun with it. Everything that makes Yo La Tengo wonderful is present in abundance – the quiet, extended meditations (“The Fireside”), the skronky garage pop (“Nothing To Hide”), the gentle folk of “When It’s Dark”, the jazzy grooves (“Periodically Double Or Triple”) – and all points in between. For most bands, it’s probably too much to expect them to turn in one of the best albums of their career after the 20-year mark. Once again Yo La Tengo have defied expectations.
Spinner talks to the band about the secret of their longevity as well as the secrets of their songwriting. Paste also has a feature peice and also gets Ira Kaplan to offer up a recommended listening list.
Yo La Tengo are at the Opera House in Toronto on October 3.
MP3: Yo La Tengo – “Here To Fall”
MP3: Yo La Tengo – “Periodically Double Or Triple”
Video: Yo La Tengo – “When It’s Dark”
Video: Yo La Tengo – “Nothing To Hide”
Video: Yo La Tengo – “Avalon Or Someone Very Similar”
Video: Yo La Tengo – “Periodically Double Or Triple”
Video: Yo La Tengo – “Here To Fall”
MySpace: Yo La Tengo
DCist salutes Velocity Girl’s wonderful Simpatico! record, talking to most of the band about the making of the album. I loved that record. Must put it back into rotation this weekend.
Video: Velocity Girl – “Sorry Again”
Video: Velocity Girl – “I Can’t Stop Smiling”
Decider talks to The Pains Of Being Pure At Heart.
Wye Oak have released a new video from their excellent second album The Knot.
Video: Wye Oak – “Sight, Flight”
Billboard talks to Black Rebel Motorcycle Club’s Robert Been about the live CD/DVD set – creatively titled Live – due out November 10. Their new studio album is targeted for a Spring 2010 release.
The upcoming tour that pairs like-it-loud Asobi Seksu with like-it-low Loney Dear and Anna Ternheim was a bit of a head-scratcher until it was announced that Asobi would be releasing an acoustic album entitled Rewolf November 10, recasting old songs originally done loud in a quieter setting. The Village Voice confirms that the band is taking this setup live, so expect to see them as you’ve never seen them before when they play the Horseshoe on October 14 – no bad thing if you’ve already seen them many times before.
The Flaming Lips’ continues to talk smack about Arcade Fire to The Independent. Embryonic is due out October 13.
The Times Daily checks in with Patterson Hood of Drive-By Truckers. They just released a rarities and b-sides comp entitled The Fine Print last week and will have a new studio album out in February.
Under The Radar mind-melds with Telekinesis.
New Grizzly Bear video.
Video: Grizzly Bear – “While You Wait For The Others”
The endlessly prolific The Fiery Furnaces, whose latest album at the time of this writing is I’m Going Away but may well be something new by the time you read this, will be at the El Mocambo on November 7, tickets $20.
MP3: The Fiery Furnaces – “The End Is Near”
Obviously not ones for verbosity, San Francisco’s buzzy, fuzzy poppy Girls have set a September 22 release date for their debut album Album and Fall touring bring them to the El Mocambo on November 10.
MP3: Girls – “Lust For Life”
Video: Girls – “Lust For Life”
The Quietus talks to Warren Ellis about the second Grinderman album, which should be out sometime next year.
Doves have rolled out a new video from Kingdom Of Rust
Video: Doves – “Winter Hill”
Little Boots recorded a Black Cab Session in Austin during SxSW in March. So THAT’S what the Tenori-On does! And technically, Austin cabs are not uniformly black but that’s neither here nor there. Little Boots plays Wrongbar on Monday night.
Video: Little Boots – “Stuck On Repeat” (live on Black Cab Sessions)
BeatRoute talks to Arctic Monkeys. They’re at the Kool Haus on September 29.
Shanghaiist chats with Handsome Furs.
Blare grabbed an interview with Jay Ferguson of Sloan a couple weeks back at V Fest, where he revealed there were plans to release a new digital EP this Fall and that he’s done with making CDs. Not albums, just CDs. The band also just announced they’ll be playing a free show outside the Air Canada Centre next Wednesday night, September 16, before the Leafs-Bruins pre-season game. This may well be the highlight of the season for Leafs fans.
And speaking of free public shows, that Neil Young performance that was supposed to happen at Yonge-Dundas Square on Monday is off. You can stop lining up now. Why? The Toronto Star, who reported the event in the first place, got a hold of Young and he says he had no idea he was supposed to perform in the first place and was never going to be in town. Hmm. The Jonathan Demme concert film Neil Young Trunk Show is still coming to the Film Festival though, so you can try an line up for that.
Trailer: Neil Young Trunk Show
Pitchfork invites an array of indie-rock luminaries to make “best of” lists for the century so far.
Thursday, September 10th, 2009
Alela Diane opts not to be still, buddies up for EP and tour
Alina HardinIf Alela Diane’s to-do list for 2009 had release a critically acclaimed album and tour relentlessly behind it, then it would be understood if she opted to take it easy through the tail end of the year. After all – her latest record To Be Still, with its timeless folk roots and clear-eyed songwriting, began collecting accolades as soon as it was released back in mid-February and she was on the road to promote it through much of this year. Yes, rest would be well-earned.
But not to be. Come October 6, she’ll release Alela & Alina, a new EP available on 10″ vinyl and in digital form. As the title implies, it’s a collaborative effort pairing her with Californian singer-songwriter Alina Hardin and while it sounds very much in the vein of To Be Still, the tight high harmonies provided by Hardin on the six new compositions do add an extra layer of loveliness to the proceedings. You can hear one of the new tracks at Diane’s MySpace.
And with the new release comes another excuse to tour, which Diane is of course doing. She’ll be spending September in the UK and Europe, but after a short break she’ll be setting out on an extensive North American tour. It’s unclear if Hardin will be joining her on the trek, but even if not, Diane has lined up a more than worthy tourmate in Marissa Nadler, herself no stranger to delicately beautiful folk music and who released a new album in Little Hells earlier this year. I’ve only managed to catch Diane live once, at a Soundscapes in-store back in February, and have never seen Nadler live despite her being no stranger to Toronto, so I’ve definitely got November 16, when they’ll be at the Horseshoe, circled on the ol’ calendar.
There’s interviews with Alela Diane over at Wears The Trousers, For Folk’s Sake and The Guardian.
MP3: Alela Diane – “White As Diamonds”
MP3: Marissa Nadler – “River Of Dirt”
Video: Alela Diane – “White As Diamonds”
MySpace: Alela Diane
Jonathan Meiburg of Shearwater talks to Muso’s Guide about their just-completed new album which is currently targeted for a February 2010 release.
Woodpigeon’s recent European jaunt has yielded a five-part series of dispatches, each with an accompanying new recording. Enjoy.
MP3: Woodpigeon – “Say Say Say” (Michael Jackson cover)
MP3: Woodpigeon – “Lonely Kiss” (The Consonant C cover)
MP3: Woodpigeon – “I’m Not Saying” (Gordon Lightfoot cover)
MP3: Woodpigeon – “Rambler Gambler”
MP3: Woodpigeon – “Reynisdranger Lullaby”
Pitchfork gets some background from John Darnielle on the Biblical themes pervading The Life Of The World To Come, the new album from The Mountain Goats, out October 6.
This week sees the release of Grand Archives’ new album Keep In Mind Frankenstein, which is streaming at Spinner. They play the Mod Club on October 15.
Stream:Grand Archives / Keep In Mind Frankenstein
Spinner talks to Big Star drummer Jody Stephens about sifting through the archives whilst assembling the Keep An Eye On The Sky box set, due out next Tuesday.
BeatRoute talks to Tad Kubler of The Hold Steady, playing a two-night stand at Lee’s Palace on September 26 and 27.
Spinner and here get to know Two Hours Traffic. Territory is out now and they’re at Lee’s Palace on October 16.
Dan Snaith gives eye an idea of what to expect at tonight’s Caribou Vibration Ensemble show at the Opera House as well as the new Caribou record, due out next Spring.
Malajube have made a date for the Horseshoe on October 24, tickets $13. They talk to Exclaim about some upcoming soundtrack work.
MP3: Malajube – “Porte Disparu”
Danish orchestral-pop collective Choir Of Young Believers will stop in at the Horseshoe on October 25 as part of a North American tour in support of their debut album This Is For The White In Your Eyes. Tickets for that show are $10.
MP3: Choir Of Young Believers – “Action Reaction”
MP3: Choir Of Young Believers – “Next Summer”
Just here in July, Wales’ Future Of The Left are back for a date at the El Mocambo on November 3 in support of Travels With Myself And Another. Tickets for that show are $10.
MP3: Future Of The Left – “Arming Eritrea”
Video: Future Of The Left – “The Hope That House Built”
Wolfmother are at the Kool Haus on November 11. The new album Cosmic Egg is out October 13.
Wednesday, September 9th, 2009
Review of Little Boots' Hands
MySpaceSo Speech Debelle’s Speech Therapy won the Mercury Prize. Guess that shows all the predictors, pundits and bookies who were all Florence this and Bat For that what’s what. After all, before the nominations were even announced back in July, one of the odds-on favourites to win was Little Boots, and she wasn’t even nominated. That’s sort of how 2009 has seemed to go for Blackpool’s Victoria Hesketh – filled with immense expectations that were probably impossible to meet, and thus she was destined to be considered a disappointment no matter what she actually delivered.
And that’s really not fair. Taken entirely on its own merits, without any of the attendant buzz, her debut album Hands is a deliciously catchy collection of slick synth-pop that’s not especially deep, but is also never as vacuous as it could probably get away with considering its primary purpose is encouraging butt moving, not chin scratching. And perhaps that’s where the disappointment comes into it. I suspect that at the start, when Hesketh was making her name with cute and quirky bedroom performances of covers and originals on her YouTube channel, there were some expectations that she could be the thinking indie kid’s diva, crafting soundtracks for the skinny jean set to move awkwardly to.
Even though the initial singles that went onto her Arecibo EP were hardly lo-fi, they had a certain quality – like the slightly lurching, off-balanced throb to the beat in “Stuck On Repeat” – that seemed to imply that was a promise that she could deliver on. So for Hands to be as big and bold as it is could well have been something of a shock. I was certainly surprised at how unabashedly glammy and glossy it is – even after seeing her in full-on dance diva mode at SxSW – but it certainly hits my sugar tooth just right and has been in heavy rotation through most of the Summer. It may be a rather conventional dance-pop record but the hooks are still huge. Occasionally I wonder if I should be feeling guilty about enjoying it so much but if loving “Symmetry”, the duet with The Human League’s Philip Oakey, or the gorgeous shimmer of “Tune Into My Heart” is wrong then I don’t want to be right.
That said, it’s with the final, hidden track of Hands – the title track, no less – that you get a taste of what Hesketh sounds like away from the dance floor, and maybe what the album could have been. It’s a simple track, just voice and piano that contains more genuine personality than much of the rest of the album. It seems like a trifle, a little bit of Kate Nash flair, but somehow sticks long after the album is done. Don’t get me wrong – I have no complaints about Hands at all, but if the next record finds Hesketh stepping out of the disco and going for a contemplative wander through the quiet streets of the city, that might not be a bad thing at all.
In addition to Arecibo, Little Boots’ North American discography contains the Illuminations EP but not the full-length – it’s been given a vague “Fall 2009” target release date but the fact that it hasn’t hit the streets on the even of her first North American tour may be more evidence that some aren’t finding her to be the massive success they were expecting. Savages. Regardless, the jaunt begins this coming Monday night here in Toronto at Wrongbar and I am pretty certain that show will not disappoint in any way.
I Like Music and Portsmouth Today have interviews with Hesketh.
MP3: Little Boots – “Love Kills” (Buffetlibre vs Sidechains remix)
MP3: Little Boots – “Meddle” (remix)
Video: Little Boots – “Remedy”
Video: Little Boots – “New In Town”
MySpace: Little Boots
The Guardian talks to Natasha Khan of Bat For Lashes, who I still maintain has the best of all the Mercury-nominated albums this year.
La Roux, who also didn’t win the Mercury, has a new video from the nominated self-titled album. Elly Jackson talks to The Daily Star and BBC and have a date at the Guvernment on October 23.
Video: La Roux – “I’m Not Your Toy”
Spinner talks to Manic Street Preachers’ James Dean Bradfield about the problems that beset their last North American tour in 1999. Here’s hoping things go much better this time around, when they bring the ought-to-have-been-Mercury-nominated Journal For Plague Lovers, getting a domestic release come September 15, across the pond. They’re at the Phoenix on October 4.
Former Mercury nominee Richard Hawley will release his newest Truelove’s Gutter on September 22. There’s a video for the first single and the whole record is like a long, sustained swoon. Which is to say it’s lovely. Hawley chats with The Huddersfield Daily Examiner about the new record.
Video: Richard Hawley – “For Your Lover, Give Some Time”
Micachu & The Shapes have a new video. Look for them at the El Mocambo on September 29.
Video: Micachu & The Shapes – “Turn Me Well”
The Twilight Sad goes through Forget The Night Ahead track by track for The Skinny. The record is out September 22 and they play The El Mocambo on October 10.
The Sunday Mail has a quick chat with We Were Promised Jetpacks, also on that Twilight Sad tour and at the ElMo that night.
Noah & The Whale, whose new one First Days Of Spring is getting some solid praise, will be returning to North America including a Hallowe’en date at the Horseshoe in Toronto on October 31, tickets $15. Come dressed as your favourite Wes Anderson character! Actually, don’t – I am envisioning attending this gig surrounded by Richie and Margot Tenenbaum wannabes and it terrifies me. The album is out domestically on October 6.
Video: Noah & The Whale – “Blue Skies”
6 Day Riot have rolled out a new video from 6 Day Riot Have A Plan. I have an interview conducted with the band back in March I still have to finish transcribing. I so suck.
Video: 6 Day Riot – “O, Those Kids”
Los Campesinos are giving away a free track. Just because.
MP3: Los Campesinos! – “The Sea Is A Good Place To Think Of The Future”
Video: Los Campesinos! – “The Sea Is A Good Place To Think Of The Future”
Massive Attack prepare for the release of a new EP entitled Splitting The Atom, out October 6, by talking to Spin, Under The Radar and Spinner, the last of whom also have a stream of a new song. There’s also streams of new stuff at Stereogum and The Guardian.
Clash interviews Milo Cordell of The Big Pink. A Brief History Of Love is out September 22, they’re at Lee’s Palace on November 29.
The Quietus and Drowned In Sound chat with Bob Stanley of Saint Etienne about the deluxe reissues of Foxbase Alpha and Continental and the Britpop days of yore.
Chuck Klosterman examines the Beatles reissues – out today, in case you hadn’t noticed the media saturation – for the AV Club.
Tuesday, September 8th, 2009
Cinema Red & Blue and The Ladybug Transistor at The Cake Shop in New York
Frank YangJust to be clear: I had absolutely no intention of going to any shows this past weekend whilst in New York City. Yes, I checked to see what was playing over the long weekend and certainly would have hit something up if it were appealing, but taking a break from standing around in Toronto clubs till the wee hours of the morning by standing around in New York clubs till the wee hours of the morning is not my idea of a vacation. However, a chat with Soundbites on Saturday afternoon and the lack of anything more interesting to do on Saturday night found me – wait for it – standing around in a Lower East Side club till the wee hours of the morning.
The club was The Cake Shop, a venue I’d heard tale of for years but had not set foot in – and which like other fabled NYC clubs of which I’ve recently made the acquaintance of, was much smaller, darker and sweatier than I’d imagined. But they did indeed sell cake. So there’s that. The bill was four deep, the first half of which I missed, but I did arrive in time to see The Ladybug Transistor – a band not all that familiar to me but who came with a pedigree containing the keywords Elephant 6 (a scene with whom they were originally associated), Merge (the label to which they’re signed) and The Essex Green (the band with which they’ve shared many a member). And so while not being familiar with their material, per se, that was more than enough to make me confident that I’d enjoy what they had to offer and indeed I did – sharp, singalong-worthy and handclap-happy retro-styled indie-pop will never go out of style. With a big, lush sound that seemed a bit at odds with the decidedly non-lush environs, The Ladybug Transistor’s set certainly made for a better evening than watching basic cable back at the apartment where I was staying, which probably would have been the evening’s fallback activity.
The night’s headliner was an outfit called Cinema Red & Blue, an offshoot of UK indie cult heroes The Comet Gain involving members of The Ladybug Transistor – for any more detail than that, I refer you to this preview piece at BrooklynVegan. I think I’d heard Comet Gain before and recall being generally unimpressed with their shambolic aesthetic, so it was probably too much to hope that a one-off gig from an under-rehearsed and probably drunk side-project would offer much in the revelation department. And no, it really didn’t. A late start due to a malfunctioning keyboard (always a good idea to wait until show time to discover that the power cord doesn’t work) pretty much set the tone and by the time they got started, they were as sloppy and wobbly as you’d expect. But while that wasn’t my thing, it seemed to be precisely what the fans in attendance wanted and so they all seemed pretty pleased. I stuck around for a little while and quietly excused myself. Sleep beckoned.
Photos: Cinema Red & Blue, The Ladybug Transistor @ The Cake Shop, New York – September 5, 2009
MP3: The Ladybug Transistor – “Three Days From Now”
MP3: The Ladybug Transistor – “Splendor In The Grass”
MP3: The Ladybug Transistor – “The Reclusive Hero”
MP3: The Ladybug Transistor – “A Burial At Sea”
MySpace: The Ladybug Transistor
As for the rest of the trip, it was intended to be a little bit shopping excursion, a little bit get the hell out of Toronto and it was a success on both counts. Some clothes and probably unnecessary photo gear to the former, some exploration of Brooklyn, culture at the MoMA and AMNH, excellent eating and hanging out with friends made it a great long weekend and a small but necessary act of salvaging a tiny bit of the Summer. Some photos are up at Flickr if you’re curious.
Apologies to anyone who stopped by Sunday to check out this week’s G’N’R cover only to find, instead of twee-ified Axel, a googly-eyed cat – in my rush to get posts written up and queued for my absence, I forgot to upload the MP3 file. So it’s live now and as a bit of mea culpa, also help yourself to this radio session version of Luna doing the same tune. Also check out the Taken By Trees features at Paste and The Guardian and stream the new album East Of Eden – out today – at Drowned In Sound.
MP3: Taken By Trees – “Sweet Child O’ Mine”
MP3: Luna – “Sweet Child O’ Mine” (live)
Stream: Taken By Trees / East Of Eden
Anyone faced with a Joe Pernice-or-The Antlers dilemma for the evening of September 24, rejoice – The Antlers will be playing an in-store at Criminal Records that evening, time TBA. So you – and by “you” I mean “I” – can hit up the in-store first then trek over to the Dakota later that night to see Joe. Unless you had tickets for the Antlers’ show at the Horseshoe that night, in which case you’re on your own with a double-serving of Antlers. There’s a video session with them at LiveDaily while Pernice talks to Spinner about his new record.
Suckers have been added as support for the just-announced White Rabbits gig at the Drake on October 24. I’ve heard almost as many good things about them as I have the headliners – which is a considerable amount – so that gig is probably one not to miss. Check out an MP3 and video and also their Daytrotter session from earlier this Summer.
MP3: Suckers – “It Gets Your Body Movin'”
Video: Suckers – “Easy Chairs”
Former 13th Floor Elevators frontman and general psych-rock legend Roky Erickson has set a rare live date at Lee’s Palace in Toronto for October 28 – tickets $29.50. There’s an interview with Erickson at The Quietus.
Video: The 13th Floor Elevators – “You’re Gonna Miss Me”
The Swell Season, who continue on despite the end of Glenn Hansard and Marketa Irglova’s real-life romance, will release their second album Strict Joy on October 27 and follow it up with a Fall tour that includes a date at Massey Hall in Toronto on November 3 – tickets $29.50 to $42.50. Check out a new song from the record courtesy of Spinner and also a few more at a Tiny Desk Concert recorded for NPR.
MP3: The Swell Season – “In These Arms”
If you were wondering if/when The Wooden Sky would play a proper hometown gig rather than rooftop soirees or subterranean in-stores, wonder no longer – they’ll present their excellent new record If I Don’t Come Home You’ll Know I’m Gone on a proper stage on November 13 at Lee’s Palace. Tickets $12.
MP3: The Wooden Sky – “Something Hiding For Us In The Night”
And if you’ve been wondering – as I have – what TV is worth downloading this Fall, it’s The AV Club to the rescue. They’ve listed off all the shows they’re going to be covering as the traditional new television season kicks off in the coming weeks, and not a moment too soon. With Weeds over last week and True Blood done this Sunday, I needs new stuff to watch. Though a closer look at their picks shows that our tastes align a little too closely – most of them I already watch or have decided not to watch. Will be following Glee and Bored To Death – anyone have any other suggestions that don’t require catching up on four or five past seasons worth of eps?
Sunday, September 6th, 2009
Taken By Trees cover Guns N' Roses
Jenny MortsellEven when in The Concretes, Victoria Bergsman wrapped her distinctive, sleepy vocals around unexpected cover versions of songs by acts as different as The Rolling Stones and Take That. So when in 2008, under her solo guise as Taken By Trees, she released a 7″ with an a-side rendition of the Guns N’ Roses classic tune, it was less a “WTF?” moment than a, “huh, okay”. Bergsman doesn’t do anything especially revolutionary besides play and sing it in exactly the way you might expect – simply and winsomely, accompanied by piano, acoustic guitar and some spare but effective drums – but that approach is different enough from the bombast of the original to make it distinctive.
Where Bergsman does surprise is on her new album East Of Eden, which is out this week. It was largely recorded in Pakistan and very much bears the sonic imprint of the region on its instrumentation, arrangements and ineffable “vibe” but is still very much recognizable as the gentle folk-pop which she plies. It’s a delicate line to walk, how to incorporate such strong outside influences into one’s own work without losing one’s identity, but Bergsman mostly pulls it off. And it contains yet another cover – Animal Collective’s “My Girls” recast as “My Boys”.
Meanwhile, Guns N’ Roses are still insane.
MP3: Taken By Trees – “Sweet Child O’ Mine”
Video: Guns N’ Roses – “Sweet Child O’ Mine”
3 Comments
facebook
![[Valid RSS]](http://www.chromewaves.net/images/interface/valid-rss.png "Validate my RSS feed"){kind=small}