Wednesday, January 20th, 2010
Review of Retribution Gospel Choir’s 2
Cameron WittigI only discovered Low circa 2001’s Things We Lost In The Fire, which I think is right around the time the slowcore heroes began expanding their sound and the long-time faithful began to peel off. And if the (relatively) faster tempos and broader sonic palettes were anathema to them, they were manna to me – which is why my favourite of their records, 2005’s unapologetically loud and dynamic The Great Destroyer was the final straw for some. If they’d stuck around, though, they’d have found the last Low record – 2007’s Drums & Guns – to be a return to their quieter ways, albeit aided by loops, samples and seething anger.
Frontman Alan Sparhawk hadn’t suppressed his more rock-out tendencies, however – simply sublimated them into his side project, Retribution Gospel Choir. Their 2008 self-titled debut was compact, loud and sludgy and quite possibly everything that 20th century Low fans were against. The appropriately-titled follow-up 2 offers more of the same, with the emphasis on “more”. 2 is more dynamic, more anthemic and more guitar-heroic than the debut – still chock-full of distorted riffage but also loaded up with some seriously fierce soloing.
It’s never been a secret that Sparhawk was a killer guitarist, but here those skills are front and centre, though not at the expense of the songwriting – as always, it’s impassioned, melodic and more than a little pissed off. Those former Low fans I mentioned earlier will want to stay far away but may want to pay more attention when the next Low record comes out – it’s hard to imagine Sparhawk hasn’t gotten all the rock out of his system, at least for the time being, and the follow-up to Drums & Guns won’t be whisper quiet.
2 is out on Tuesday, January 26. Retribution Gospel Choir is touring through the Winter and Spring and will be at the Drake Underground in Toronto next Monday, January 25. The Cleveland Plains-Dealer has a conversation with Alan Sparhawk.
Update: And I’ve now got a couple pairs of passes to the show to give away, courtesy of Collective Concerts. To enter, email me at contests AT chromewaves.net with “I want to sing in the Retribution Gospel Choir” in the subject and your full name in the body, and get that in to me before midnight, January 23.
MP3: Retribution Gospel Choir – “Hide It Away”
Video: Retribution Gospel Choir – “Hide It Away”
MySpace: Retribution Gospel Choir
Drowned In Sound talks to Shearwater frontman Jonathan Meiburg about their new album The Golden Archipelago, which will be released on February 23. Matablog has details on their upcoming Spring tour, which includes a Toronto date April 1 at Lee’s Palace, and the special dossier that will be released with the record. And they’ve also got a second MP3 from the album to tide you over the next month.
MP3: Shearwater – “Black Eyes”
Daytrotter has got a session with The Rosebuds.
Germany’s Aufgemischt interviews Beach House, who’ve been premiering new videos from Teen Dream each day this week – and for one day only – at Gorilla Vs Bear, leading up to next Tuesday’s record release. And don’t worry about the ones you’ve missed, as all of the videos – they made one for each track of the album – will be available on the DVD that accompanies the CDs and LPs of the album. The record is currently streaming in its entirety at NPR and they play the Opera House on March 30.
Stream: Beach House / Teen Dream
BRM interviews Nick and Tristan of Headlights.
The New York Post and NPR interview Spoon. They’re at the Sound Academy on March 29 and will also appear on this year’s edition of the Starbucks-sponsored Sweetheart Valentine’s Day covers compilation, now available at iTunes US – details at Pitchfork.
Wayne Coyne of The Flaming Lips talks to Drowned In Sound.
The Quietus interviews Stephin Merritt of The Magnetic Fields. Realism is out on Tuesday and they play the Queen Elizabeth Theatre on February 8.
Matablog has posted a new MP3 from the Girls debut Album, in case all those year-end lists weren’t quite enough to convince you. You can also grab the file from them in lossless FLAC format. If you swing that way. Blurt talks to the guy from Girls who kinda looks like a girl, Christopher Owens.
MP3: Girls – “Laura”
Bring Back The Boombox has an interview with Oh No Forest Fires on the almost-eve of their final show. They call it a day after a final blow-out at the Horseshoe this Saturday night.
Rolling Stone interviews Arcade Fire frontman Win Butler.
Under The Radar chats with Neko Case.
Those of you unable to make either the Dinosaur Jr in-store at Sonic Boom tomorrow evening or the show at the Phoenix later that night can try and console yourselves with this NYC Taper recording of their show in New York from Saturday night – there’s also an interview over at JAM.
And Dinosaur Jr are one of the case studies in this PopMatters piece about the reunions of ’80s alt.rock legends and why they should be celebrated.
Tuesday, January 19th, 2010
Basia Bulat and The Luyas at Trinity-St. Paul’s in Toronto
Frank YangIt struck me about mid-way through Basia Bulat’s concert at Trinity-St. Paul’s on Saturday night that though it was an album release show for her eagerly-anticipated new album in Heart Of My Own, the album wasn’t going to be released for another couple of weeks yet – January 26, to be exact – and as such, many/most of the just under 800 people in the sell-out crowd had never heard the new songs. An obvious point, certainly, but one that I had overlooked since I’d been secretly nursing a copy of the record since early last Fall and so the new songs were almost as familiar to my ears as those from her 2007 debut, Oh, My Darling.
And that’s why it was even more remarkable that, contrary to typical concert etiquette which dictates that you sit politely through the new material while waiting for the familiar gems, people were responding to the Heart material almost as enthusiastically as they did the selections from Darling. I’m sure this was as much pent-up enthusiasm for Bulat’s return to her hometown stages, what with her having only played one show in the past year and a half, but also a testament to the quality and immediacy of the new material – it’s worth noting that the folks I was with, at least, were quite genuinely excited about several of the new songs, and continued talking about them after the show was done.
Of course, the delivery of the songs surely had something to do with the impression they made. Trinity-St. Paul’s may well be second only to Massey Hall as far as perfect musical venues in Toronto go, and you couldn’t have asked for a better setting to get re-acquainted with Bulat. She certainly couldn’t, mentioning several times through the night how excited she was to be performing in the space. Fronting a 6-piece band that had a couple of new faces since the last time I saw them, Bulat’s set featured much of the big, harmony-laden orchestral folk-pop that I’d missed the past year and a half, but also a few surprises.
Early on, she took to a grand piano set off to the side of the stage and almost completely out of sight, played “Run” from the new record and “Snakes And Ladders” from Darling, neither of which I’d ever heard on piano. I didn’t even know she could play piano. Similarly, “If Only You”, a jaunty, horn-inflected full-band number on the record, was performed solo with no loss of energy. The performance wasn’t without its stumbles; apparently an autoharp broke on the second song of the evening, a song had to be stopped and re-started because Bulat’s guitar was capo-ed into the wrong key and there were a couple of missed cues. But these minor missteps were handled with such grace and humour that it really became a case of the imperfections that helped make an evening perfect.
As far as show-stoppers went, there were two – the solemn, hammered harp-led “The Shore” was as much a highlight live as on the album, and at the end of the encore which again found Bulat alone onstage, clapping and stomping her feet as she sang the folk standard “Death Come Creeping” unamplified into the church for a stirring finale. I usually find that standing ovations are given out a little too freely at seated shows – they seem almost mandatory – but this one was justly and wholly deserved.
Opening up for the night was Montreal’s The Luyas, whom I’d seen last February and seemed at the time to be a work in progress, trying to find a balance between pop and experimentalism. Well it seems they’ve spent the last year entrenching themselves in that place between styles and their set was an interesting, and sometimes odd, demonstration of trying to make it work. On the plus side, the band – now expanded to a five-piece with violin and keys augmenting the french horn, guitar and drums – sounded quite polished, in an orchestral/post-rock sort of way. On the downside, the musical sophistication made the wavery, childlike vocals of frontwoman Jessie Stein seem much rougher than they were probably intended. Net result? Ambivalence, but not nearly enough to keep the night as a whole from being pure gold.
Narratives and BlogTO also have reviews of the show and Metro and Chart interviews. Also just announced was Bulat’s next show – a free in-store at Soundscapes on February 16 at 7PM. It goes without saying that you should be there and and be there early.
Photos: Basia Bulat, The Luyas @ Trinity-St. Paul’s – January 16, 2010
MP3: Basia Bulat – “Go On”
MP3: Basia Bulat – “Gold Rush”
MP3: Basia Bulat – “In The Night”
MP3: Basia Bulat – “Snakes & Ladders”
Video: Basia Bulat – “In The Night”
MySpace: Basia Bulat
The National Post, Dose, Kelowna.com and The Indie Files have interviews with Mark Hamilton of Woodpigeon. They have a show at the Drake Underground on February 11 and an in-store at Soundscapes on February 14 at 5PM.
The Guardian, Spinner, Clash and Chart have features on Owen Pallett, who offers a track-by-track walkthrough of Heartland to Drowned In Sound. He has a show at the Queen Elizabeth Theatre on April 8 with a pretty excellent guest if rumours are to be believed.
What We See Is What You Get has an on-location video session with The Wilderness Of Manitoba, who are at the Garrison this Thursday evening.
Chart has details on a forthcoming covers compilation that brings together artists like Stars, Dean & Britta and Tanya Donelly to reinterpret songs that are, well, quiet. Kind of a dubious theme but if it offers the opportunity to hear Neil Halstead do Kate Bush’s “Cloudbusting”, I’ll take it. Sing Me To Sleep is due out May 18.
And speaking of Neil Halstead, he quietly released a new video from 2008’s Oh! Mighty Engine late last year.
Video: Neil Halstead – “Witless Or Wise”
Also with a new video is Laura Marling, whose I Speak Because I Can is out March 22 and who plays Lee’s Palace on February 9. For Folk’s Sake has a bit of information on album number two and reveals that album number three is also planned for release this year, targeted for September 2010.
Video: Laura Marling – “Devil’s Spoke”
I mentioned last week how it seemed that Tuesday posts should be set aside for just concert announcements – well there wasn’t nearly the volume of news this week as last, but what there was was quality.
Like the fact that before their sold-out show at the Phoenix on Thursday night, Dinosaur Jr would be playing an in-store at Sonic Boom at 6:30PM. Did I say “.”? I meant, “!!!!!!!”. Dinosaur Jr. In-store. Sonic Boom. January 21. 6:30. Yes. Queen’s Journal has a chat with drummer Murph.
And to follow up last Thursday’s post, Ms Joanna Newsom will indeed be driving through the city, but also pulling off the highway and stopping in for a show at the Phoenix on March 13. Tickets are $22.50 and go on sale Thursday, and though it doesn’t appear to be a Canadian Musicfest-affiliated show, it’s also not in conflict as it’s an early gig – doors at 6, show at 6:30. Her new album Have One On Me is out February 23. Clash has an interview with Newsom about the new record.
And it’s a good thing that Newsom’s show isn’t overlapping the CMF stuff because The Brother Kite announced last week that they’d be playing the festival on Saturday, and I didn’t want to have to choose one or the other. Their new album Isolation is done and awaiting release – Popdose had them in for a living room interview and session last year. Even in such a casual setting, it’s absurd how good they sound.
I’d also mentioned that the April 1Black Rebel Motorcycle Club show had been moved from The Phoenix to the Sound Academy – well it’s now moved back to the Phoenix. To handle the additional demand, a second show has been added a week and a half later on April 11, also at The Phoenix. Their new record Beat The Devil’s Tattoo is out March 29.
The Brian Jonestown Massacre have set a February 23 release date for their new record Who Killed Sgt. Pepper? and will be at The Phoenix on June 2 to support.
Monday, January 18th, 2010
The Cribs at The Phoenix in Toronto
Frank YangWhen it first got out that guitar-god-who-walks-amongst-us Johnny Marr had joined English sibling-trio The Cribs, the initial reaction was skepticism. After all, if run through the NME de-hyperbolizer, the truth was probably more like he crossed paths with a Jarman or three on the street and said “hello” – and anyways, wasn’t Marr already occupied as a full-fledged member of Modest Mouse? Well, yes, but it seems that Marr is almost as good at time management as he is at guitar because as the band’s fourth record Ignore The Ignorant showed, his role in the band is much more than stunt casting.
I can’t say I’d paid much attention to The Cribs prior to their latest, ranking them as a decent if not especially distinctive post-Libertines Brit-rock outfit – high on energy and attitude if not personality – so I’m not necessarily in a position to articulate what difference Marr makes to the band. That said, you can hear his distinctive fretwork all over the record in a manner that’s omnipresent yet unobtrusive, adding a melodicism and shimmer to the Cribs’ songs without blunting their more visceral qualities. This, combined with simply better songwriting and production, have made The Cribs an outfit worthy of note beyond simply the simply Anglo-inclined.
That said, I don’t that I’d have been as keen to hit up their show Friday night at The Phoenix had Johnny Marr not also been confirmed as participating in the North American tour. Technically, I’d seen him a couple Summers ago with Modest Mouse opening up for R.E.M., but that view was from the lawns of the Molson Amphitheatre and the soundtrack for the experience wasn’t especially agreeable (not a Modest Mouse fan here, Marr or no). The opportunity to watch Marr do his thing from 10 feet away would not be missed. But just as with the album, it turned out to be a case of “come for the Smith, stay for The Cribs”.
I may have been relatively new to the band but the heart of the 700-plus in attendance were clearly die-hards, and as soon as the quartet took the stage, a mosh pit manifested and I was thankful I’d gotten there just late enough to be up close, but off to the side. And The Cribs would give them plenty to slam dance about, tearing through a 70-minute or so, encore-less set of loud, raucous, anthemic rock. Be it familiarity or just the fact that their better tunes, I found the Ignorant material to be the standouts of the set, allowing Marr – looking almost unsettlingly ageless at 46 alongside his twenty-something bandmates – to really show his stuff. But he also looked quite at home on the older, more bludgeony material, bashing out power chords and providing backing vox while the Jarmans bounded around the stage and incited acts of stage diving and crowd surfing from their fans. Though the set wrapped relatively early for a Friday evening – not even midnight – there would be no complaining about any lack of rock action on the night.
It’s Not The Band I Hate It’s Their Fans was also in attendance with a review. Dose.ca and Metro have interviews with Ross Jarman while The Boston Herald draws the Gary Jarman straw. aux.tv talks to them both.
Photos: The Cribs @ The Phoenix – January 15, 2010
MP3: The Cribs – “We Were Aborted”
Video: The Cribs – “We Share The Same Skies”
Video: The Cribs – “Cheat On Me”
Video: The Cribs – “I’m A Realist”
Video: The Cribs – “Don’t You Wanna Be Relevant”
Video: The Cribs – “Our Bovine Public”
Video: The Cribs – “Men’s Needs”
Video: The Cribs – “You’re Gonna Lose Us”
Video: The Cribs – “Martell”
Video: The Cribs – “Mirror Kissers”
Video: The Cribs – “Hey Scenesters”
Video: The Cribs – “What About Me”
Video: The Cribs – “You Were Always The One”
MySpace: The Cribs
Elbow drummer Richard Jupp talks to Clash about his contributions to the Sudan365 charitable project and also tells NME that, contrary to Guy Garvey’s comments that their new album wouldn’t be ready until 2011, he hopes they’ll release the record this year.
Though there’s been no official word on a follow-up to Do You Like Rock Music?, Spinner reports that British Sea Power are planning a release party for the new record at Britain’s highest bar for “May-ish”. Guitarist Martin Noble provided an update on the new record via their blog a couple weeks ago.
Beyond Race has a feature piece and Sasha Frere-Jones an essay-length The New Yorker review on The xx, in town twice in April – on the 4th at the Phoenix and the 20th at the Kool Haus.
Hot Chip’s Joe Goddard talks to Billboard about the Susan Boyle influence on One Life Stand, due out February 9. They’re at the Kool Haus on April 20.
Horrors frontman Faris Badwan compiles a list of best/worst/most/least for Clash.
NYC Taper is sharing a pretty terrific recording of one of The Joy Formidable’s show in New York City last weekend. Simultaneously makes me feel like I was there while feeling worse for not having actually been there.
Bandstand Busking is sharing a video session with Peggy Sue, whose debut
Fossils And Other Phantoms is due out in April.
PopMatters interviews The Twilight Sad.
Note that Laura Marling’s February 9 show at the Drake Underground has been moved to Lee’s Palace. Consequently, it is probably not sold out anymore. At least not right now.
Leading up to the February 16 release of Life Is Sweet! Pleased To Meet You, Lightspeed Champion is giving away a free MP3 a week via Domino Records. You have to make with the clicky on the widget and eventually you’ll find a download link. I got to it by accident, don’t ask me what I did. And yes, it’s a bit maddening.
Paste talks to La Roux’s Elly Jackson.
Clash gets an update on the new record from The Futureheads, who are targeting a late February/early March release.
Muse have released a video for the title track of their latest, The Resistance. They are at the Air Canada Centre on March 8.
Video: Muse – “The Resistance”
Tourdates.co.uk talks to Tim Crompton of The High Wire about their new record The Sleep Tape, set to come out in March.
NME reports that Fat Richard-era Suede are set to reunite for a one-off charity gig at the Royal Albert Hall in London in support of the Teenage Cancer Trust. Note that I mock Oakes not so much for his weight, but for his not being Bernard Butler. And also being fat.
Members of Blur talk to BBC 6Music about the experience of making the new documentary on the band, No Distance Left To Run. The one-day Canadian screenings are set for this Thursday but for those unable to attend, like me, Pitchfork reports that the film will be released on DVD come February 15 with a second DVD of the band’s Hyde Park reunion show last year. Which is great if you have a region-free, PAL DVD player. Or live in the UK, which some of you might.
Sunday, January 17th, 2010
Dinosaur Jr covers The Flying Burrito Brothers
Rate Your MusicWhilst loitering in the vinyl section of Sonic Boom a couple weeks ago, I overheard a group of kids – I’m calling people clearly in their early 20s kids now – doing the same and upon reaching the “F” section, exclaim something along the lines of “Oh my god, there’s a band called The Flying Burrito Brothers! That’s hilarious!”. Yes, Virginia, there is and I had to wonder what they’re teaching in school these days that they didn’t know that the Burritos and their leader, Gram Parsons, would lay the template for the next forty years of (good) country rock.
And that would Include Dinosaur Jr and their self-described “ear-bleeding country”. The down-home influence might not be immediately detectable through the wall of fuzz, endless soloing and J Mascis’… distinctive vocals but it’s there – and Dino Jr’s cover of the Burritos’ “Hot Burrito No. 2” helps make that connection a little more evident. Released as the b-side of “Get Me”, circa Where You Been, the song itself is rendered pretty faithfully but is wholly done Dino Jr-style, particularly “Sneaky” Pete Kleinow’s fuzz solo in the outro. Especially the solo.
Dinosaur Jr are in town this Thursday night for a sold-out show at the Phoenix and Ottawa Express has an interview with Dino drummer Murph and The Toronto Star with Lou Barlow. Both the Burritos and Parson are long, long gone but their legacy is established and they continue to find new generations of fans – after the kid in Sonic Boom finished laughing at their name, he said “I have to hear these guys!”.
Update: And how about this for synchronicity – Dinosaur Jr will be playing an in-store at Sonic Boom – just meters away from that Flying Burrito Brothers LP – this Thursday night at 6:30PM. My head just exploded. Or will, shortly, from the sound pressure out of J’s amps. Excited!
MP3: Dinosaur Jr – “Hot Burrito No. 2”
Stream: Gram Parsons – “Hot Burrito No. 2” (live)
Saturday, January 16th, 2010
Out Of This SparkAnniversaries are those sorts of things that seem to keep coming around – every year or so, by my count – and so it is that just twelve months following their last “happy birthday to us” thrown down, Toronto label Out Of This Spark is doing it again. To mark their third anniversary, Out Of This Spark is commandeering The Garrison next Friday night, January 22, and putting on a show, Little Rascals-style.
On the bill will be The D’Urbervilles, Forest City Lovers, Evening Hymns and Jenny Omnichord – and yes, three of the four played last year’s show. It’s not an expansive roster, folks. Both The D’Urbs and Forest City Lovers are readying new records for 2010, Evening Hymns are still celebrating the late 2009 of their wonderful Spirit Guides and Jenny Omnichord’s last release was 2008’s Charlotte Or Otis: Duets For Children, Their Parents, And Other People Too.
Tickets for the show are $8 in advance and $10 at the door, but consider this your personal engraved invitation – courtesy of Out Of This Spark, I’ve got a pair of passes to give away for the show so if you’ve always dreamt of saying, “I’m on the list”, email me at contests AT chromewaves.net with “I am out of this spark” in the subject line and your full name in the body, and get that in to me before midnight, January 20.
MP3: The D’Urbervilles – “Hot Tips”
MP3: Forest City Lovers – “Scared Of Time”
MP3: Evening Hymns – “Broken Rifle”
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