Monday, August 8th, 2011
Beirut and Owen Pallett & Les Mouches at The Phoenix in Toronto
Frank YangThe timing of Beirut’s first shows back in Toronto in a couple of years was a bit curious, coming as it did three weeks before the release of their new record The Rip Tide (though it’s out digitally tomorrow). You wouldn’t hear any word of complaint about it from their fans, however, as most would already be acquainted with the new material via live recordings circulating online and any opportunity to see the Zach Condon-led orkestar was to be celebrated, not questioned. Particularly when there were two of them – I was at the second show last Thursday evening – and especially when Owen Pallett was going to be there as support.
Pallett’s presence wasn’t just happenstance – he worked on their 2007 album The Flying Club Cup and they with him on his Spectrum, 14th Century EP and they’d toured together in the past. So lots of history there and thus completely appropriate that Pallett opened his set and the show with a reading of “Cliquot”, the song he co-wrote and sang lead on from The Flying Club Cup. Normally it wouldn’t be notable that Pallett played the first couple songs of the show on his own as with a few exceptions he’s been a solo performer for much of his career, but this was one of the first shows billed as Owen Pallett & Les Mouches wherein he was joined by Rob Gordon and Matt Smith, his bandmates in said pre-Final Fantasy trio. I was curious as to how this would work, not just because I’ve always loved the one-man orchestra aspect of Pallett’s live shows but because my memories of Les Mouches circa seven or eight years ago aren’t especially fond (personal musical taste).
It didn’t take long for any potential misgivings to be put to rest, however, as Smith and Gordon’s contributions to Pallett’s compositions were stunning. The drums were used less for rhythm than as accents and filling in the orchestral space, alternately evoking tuba and timpani parts, while Smith’s guitar was put to work simulating a brass section or pizzicato sings; only on the rare occasions where they were intended to sound like conventional guitar and drums did they sound at all odd. They were at their fullest-sounding when Kelly Pratt of Beirut joined in on trumpet but as their set wound down, it was back down to Pallett on his own. Les Mouches were meant to rejoin on “This Is the Dream of Win and Regine” but technical difficulties scuppered that visit to Has A Good Home, meaning the two final songs were a terrific cover of Caribou’s “Odessa” and finally Heartland‘s “Lewis Takes His Shirt Off”. By rights, an artist of Pallett’s stature shouldn’t be opening up for anyone, particularly in his hometown, but I’m certainly more than happy he did.
I’ve only ever been a casual Beirut fan, mostly indifferent to Gulag Orkestar while everyone else was losing their minds for it. It took a rousing SXSW 2007 set and some time spent with The Flying Club Cup to win me over and even then, I didn’t make it to any of their local shows since then. All of which is to say this would be my first proper Beirut concert experience, and it was a good one. I’d go so far as to say that having only a moderate degree of familiarity with their records enhanced my enjoyment of it as the twists and turns of the songs – all horns and swoons, loping bass, wheezing accordion and martial drums and on a few occasions Pallett’s violin – were made all the more exciting from the not knowing what could come next. And of course, it would be remiss to not mention Condon’s rich, sonorous voice which for all the swirling instrumentation remains the core of Beirut. He’s blessed with pipes that can make just about anything sound timeless and romantic, which he uses to full effect and when combined with the theatricality inherent in the act of stepping back and raising a horn to your mouth, it’s hard not to put on a stirring show.
The set list covered all points of the Beirut discography including more than half of The Rip Tide, which suited me just fine as in my estimation it’s their finest work yet; more song-focused than their earlier works and leaner-sounding while remaining plenty lush. I was a bit surprised that the March Of The Zapotec/Realpeople Holland got as much play as it did, but pleasantly so as in peeling away the more overt electronic elements from the Realpeople material turned them into some of the highlights of the show, particularly main set closer “My Night With The Prostitute From Marseille”. At an hour and fifteen minutes including encore, the show ran a bit shorter than I’d expected but the arc of the journey was pretty much perfect.
BlogTO was also on hand for Thursday’s show while The Globe & Mail, Exclaim and The National Post offered thoughts on the Tuesday night show.
The Rip Tide is streaming in full at NPR up until its August 30 street date.
Photos: Beirut, Owen Pallett & Les Mouches @ The Phoenix – August 4, 2011
MP3: Beirut – “My Night With The Prostitute From Marseille”
MP3: Beirut – “Postcards From Italy”
MP3: Owen Pallett – “A Man With No Ankles”
MP3: Owen Pallett – “Lewis Takes Off His Shirt”
MP3: Final Fantasy – “The Butcher”
MP3: Final Fantasy – “Ultimatum”
Video: Beirut – “Elephant Gun”
Video: Beirut – “The Concubine
Video: Beirut – “Postcards From Italy”
Video: Owen Pallett – “The Great Elsewhere”
Video: Owen Pallett – “Lewis Takes Off His Shirt”
Video: Final Fantasy – “Horsetail Feathers”
Video: Final Fantasy – “The Butcher”
Video: Final Fantasy – “He Poos Clouds”
Video: Final Fantasy – “This Lamb Sells Condos”
Stream: Beirut / The Rip Tide
Jens Lekman has made the title track of his forthcoming EP An Argument With Myself available to download. It comes out September 20.
MP3: Jens Lekman – “An Argument With Myself”
Pitchfork has got Peter Bjorn & John preforming the whole of their latest Gimme Some on camera. They play Lee’s Palace on September 2 and 3.
The North American dates in support of Bryan Ferry’s latest Olympia have been announced and a Casino Rama date on October 8 is standing in for a proper Toronto show.
Video: Roxy Music – “More Than This”
The Guardian profiles Devonté Hynes of Blood Orange, whose debut Coastal Grooves arrives August 30.
Laura Marling has released the first video from her next album A Creature I Don’t Know; the album is out September 13 and she plays The Great Hall on September 23.
Video: Laura Marling – “Sophia”
Spinner and The San Francisco Chronicle interview Ellie Goulding.
Sunday, August 7th, 2011
Wilco covers Neutral Milk Hotel
WilcobaseOh this tricky business of bootlegs. You might reasonably expect that a band with as fervent a fanbase as Wilco would have an exceptionally well-documented tape trading network and if you’re talking about the past decade or so, then they absolutely do. But go back to when not everything in existence was instantly documented on the internet and things can get a bit hazier.
For instance, as long as I can recall, a double-disc collection of live and demo covers by the band has circulated as Someone Else’s Songs and included on that is a live recording of Wilco covering the opening song on Neutral Milk Hotel’s In The Aeroplane Over The Sea and it’s explicitly noted as coming from the final show at Chicago’s Lounge Ax, dated January 9, 2000. The set list recorded at the usually very thorough WilcoBase makes no mention of this, however, nor does it appear on any of the bootlegs for that show which also circulate. Mind you, WilcoBase only documents the song ever being performed once by any Wilco project and that’s a solo Jeff Tweedy show – obviously incorrect. So what’s the truth of it? I dunno. But that’s most definitely Ken Coomer on trumpet and Edward B Hargrove on the acoustic guitar. And it’s pretty sloppy.
Update: So some sources have clarified that this was technically The Minus 5 covering Neutral Milk Hotel on that evening as support for Wilco, but that band was really Scott McCaughey backed by Wilco and Peter Buck and who knows who else. And Tweedy still took lead vocals on that one. So.
Wilco’s next album The Whole Love is out September 27 and they play Massey Hall on September 16 and 17. Neutral Milk Hotel’s Jeff Mangum begins his return from the wilderness with two sold-out shows at Trinity-St. Paul’s this week, August 12 and 13.
MP3: Wilco – “King Of Carrot Flowers Part 1” (live)
Video: Neutral Milk Hotel – “King Of Carrot Flowers Part 1” (live)
Saturday, August 6th, 2011
Alberte KarrebaekWho: Iceage
What: Underage Danish quartet who cultivate an aggressively gloomy, yet rough and tumble strain of post-punk with occasional bursts of tunefulness and melody. Possibly accidentally.
Why: Their debut New Brigade garnered a “Best New Music” so they’re bringing all 25 minutes of it and a reputation for… rowdy live shows across the Atlantic.
When: Wednesday, August 17, 2011
Where: The Shop at Parts & Labour in Toronto (19+)
Who else: Nothing is opening. Wait, you mean there’s no opener? No, I mean the opener is called Nothing. Well who are they? How the hell should I know. Have you ever tried Googling “Nothing”?
How: Tickets for the show are $10 in advance but courtesy of Embrace, I’ve got two pairs of passes to give away. To enter, email me at contests AT chromewaves.net with “I want an Iceage” in the subject line and your full name in the body, and have that in to me before midnight, August 14.
What else: The Georgia Straight has an interview with the band.
MP3: Iceage – “White Rune”
MP3: Iceage – “Broken Bone”
MP3: Iceage – “New Brigade”
Video: Iceage – “New Brigade”
Friday, August 5th, 2011
This is not an Archers Of Loaf review
Jason SummersThis isn’t a review of the double-disc edition of Icky Mettle, released earlier this week and the first of four Archers Of Loaf reissues to come over the next year and a bit – for that, hit up the excellent Pitchfork writeup. I’ve had Icky Mettle for years but it hasn’t become such a part of me that I can offer any sort of explanation as to why it’s such a great record – in fact, I’ve only really come to that realization recently. So go read Matt LeMay’s writeup.
This also isn’t a broader discussion of why Archers were such a great and important band, and why their reunion is so exciting, even for those who are super-jaded about reunions in general. For that, check out this The Village Voice piece that gets The Hold Steady’s Craig Finn, Band Of Horses’ Ben Bridwell and members of Les Savy Fav to articulate their love for and influence of the band.
No, this is just me trying to clear out some links and make it to the weekend while listening to All The Nation’s Airports. So if you’re looking for some Archers content, check out the interviews with the band at The Village Voice and Washington Post and hope that the promises that Eric Bachmann made last month while here with Crooked Fingers to bring Archers through town sometime next March prove to be true.
MP3: Archers Of Loaf – “What Did You Expect”
Video: Archers Of Loaf – “Web In Front”
Also being reissued with bonuses is Superchunk’s 1994 album Foolish, out on September 13. Full details available at Exclaim.
Video: Superchunk – “Driveway To Driveway”
Pitchfork reveals that super-deluxe, super-limited remastered reissues of Olivia Tremor Control’s two albums – Dusk At Cubist Castle and Black Foliage: Animation Music Volume One – are coming on November 15. That’s too late to grace the merch table on their upcoming Fall tour, including the September 16 show at Lee’s Palace, but considering there’s only going to be 1000 of each made, it’s doubtful they’d make it past the first few cities on the itinerary anyways.
Not a reissue, but Old 97s are revisiting their past by giving away MP3s of all the demos for their 1997 album Too Far To Care.
MP3: Old 97’s – “Daybed” (demo)
MP3: Old 97’s – “Timebomb” (demo)
The Chicago Daily Herald talks to John Darnielle of The Mountain Goats.
The Awl has an interview with Amy Klein of Titus Andronicus.
My Morning Jacket drummer Patrick Hallahan discusses the band’s approach to playing live with Billboard. The Indianapolis Star also chats with guitarist Carl Broemel.
Writers On Process and Blurt go under the creative hood with Richard Buckner. Both are two-parters though the back half of the Writers piece is still forthcoming.
Drowned In Sound talks to Ra Ra Riot bassist Mathieu Santos. They play Lee’s Palace on October 6.
Exclaim reports that Ryan Adams – who apparently ended his retirement last year and has already released like fifteen albums – will put out his first proper solo record in some time with Ashes & Fire, due out October 11.
Rachael Yamagata will release a new album in Chesapeake on October 11; grab the first MP3 below.
MP3: Rachael Yamagata – “Starlight”
Spin has premiered the video for EMA’s contribution to their Nirvana tribute album Newermind.
Video: EMA – “Endless Nameless”
Decemberists bassist Nate Query confirms the band’s upcoming hiatus to Billboard but assures them it’s just a break, nothing permanent. The Arizona Republic and Cincinnati Citybeat also get to query Query (oh come on).
Brooklyn rockers Obits have set an October 25 date at The Rivoli in support of their second record Moody Standard & Poor. Tickets are $13 in advance.
MP3: Obits – “Shift Operator”
MP3: Obits – “You Gotta Lose”
San Francisco’s Wooden Shjips will release their latest West on September 15 and follow up with a show at The Horseshoe on November 7.
MP3: Wooden Shjips – “Lazy Bones”
NOW has put Bon Iver frontman Justin Vernon on their cover with accompanying interview, while NPR is streaming their show in DC from earlier this week. Bon Iver play The Sound Academy on Monday night, August 8.
NOW also checks in with Kathleen Edwards, whose next album will be produced by Vernon. And who’s also his girlfriend. Not that that matters.
The Toronto Star and NOW welcome The Doughboys back to active duty – they’ll play a free show at the Bovine Sex Club on Monday night as a warm-up to opening up for Foo Fighters at the Air Canada Centre the next night.
Emily Haines gives The Grid a status report on the next Metric record.
MTV gets Broken Social Scene’s Kevin Drew to respond to comments made by guitarist Andrew Whiteman about the band’s last video for “The Sweetest Kill”.
The Line Of Best Fit has a video session with Dan Mangan, whose next record Oh Fortune is out September 27 and who plays The Queen Elizabeth Theatre on October 28.
The Thrill Is Back got Rural Alberta Advantage into the back of their van at Hillside a few weeks ago and videotaped him playing a couple songs, including one new one.
Metro chats with The Wilderness Of Manitoba.
Thursday, August 4th, 2011
Review of The Horrors’ Skying
Neil KrugThose of us who dismissed The Horrors as gimmicky flash in the pans based on their 2007 debut Strange House were left eating our words with their follow up, 2009’s massive and grinding Primary Colours. With the assistance of producer Geoff Barrow, all the band’s cartoonish aspects (stage surnames included) were jettisoned in favour of a goth-y and raw, yet melodic aesthetic that evoked the most aggressive aspects of ’80s British New Wave and ’90s shoegaze. As far as reinventions went, this was a pretty damned successful one and if the band continued to use Primary Colours as a template for future works, no one would be surprised or disappointed.
What Skying, the band’s third effort, proves however is that remaining creatively stationary is not in the game plan. Self-produced this time out, it uses Primary Colours as a jumping-off point but despite utilizing a similar palette of sounds, it paints a markedly different picture. It comes across both less aggressively and less immediately pop than its predecessor and while you might reasonably wonder what that leaves, the answer is plenty. Skying retains enough of the deliciously abrasive guitar textures and swooping synths that roped in so many last time out, but the songs are more midtempo and laden with a romantic lushness that should be familiar to those who’ve heard frontman Faris Badwan’s throwback pop side-project Cat’s Eyes (and if you haven’t, you should).
This is not to say that Skying is soft – numbers like “I Can See Through You” and plenty other moments cut like anything they’ve ever done – but there’s a greater willingness to explore the nuances of what they’re doing, and that makes for a deeper and more challenging but ultimately more rewarding listen. But perhaps more exciting than the album itself is the realization that The Horrors have no shortage of ideas or inspiration and perhaps most importantly, no desire to repeat themselves.
Skying is out in North America next Tuesday, August 9. Their North American tour kicks off in just over a month and hits Lee’s Palace in Toronto on September 27. The Skinny has an interview with the band about making the new record.
MP3: The Horrors – “Moving Further Away”
Video: The Horrors – “Still Life”
Stream: The Horrors / Skying
Male Bonding will warm up for their September 2 show at The Horseshoe on September 2 with an in-store down the street at Kops Records at 6PM that same evening. Their new album Endless Now is out August 30.
MP3: Male Bonding – “Bones”
UK dubstep DJ SBTRKT will play a live show at The Hoxton – formerly known as but still located at 69 Bathurst – on November 3. Odds of Drake showing up as a surprise guest on “Wildfire” as he did at Wrongbar last month? Probably not great. BUT YOU NEVER KNOW.
MP3: SBTRKT – “Wildfire”
Video: SBTRKT – “Wildfire”
NPR and Spinner talks to James Blake, who will be at The Phoenix on September 30.
USA Today acquaints its readers with the works of Friendly Fires, in town for a make-up show at The Phoenix on October 23. Time Out Hong Kong also has a feature piece.
Pitchfork has an interview with WU LYF, who recently announced a November 12 show at The Horseshoe.
DIY talks to Dev Hynes of Blood Orange, whose debut album Coastal Grooves is due out August 30.
Blurt talks to Vincent Moon about directing the Burning live concert film for Mogwai.
Last week I pointed you at a stream of the first finished recording from former Long Blonde Kate Jackson; said track is now available to download and keep and repeat. Also check out some demos at her Soundcloud.
MP3: Kate Jackson Group – “Date With Dawn”
They’re refusing to call it an Arab Strap reunion, but Malcolm Middleton and Aidan Moffat did get together again for the purpose of recording a characteristically grim cover of Slow Club’s new single – stream it and read some commentary from Moffat at The Quietus. Slow Club’s Paradise – from which the original song is taken – is out September 12.
Pitchfork is won over by a new track from I Break Horses’ debut Hearts, out August 30 in Europe.
MP3: I Break Horses – “Winter Beats”
The Line Of Best Fit is streaming another gorgeous new Loney Dear song from the forthcoming Hall Music. It’s out October 4 and they play The Drake on November 4.
The Jezabels are sharing the first MP3 from their new record Prisoner, even though it’s not out until Spring of next year. At least you can hear it and other new tunes when the band plays The Phoenix on November 24 opening up for Hey Rosetta!.
MP3: The Jezabels – “Endless Summer”
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