Archive for the ‘Uncategorized’ Category

Sunday, December 2nd, 2007

Sunday Cleaning – Volume 81

Mono In VCF / Mono In VCF (independent)

With Portishead having been dormant for the better part of the past decade (only just now stirring again), there’s long been a vacuum in the pop music landscape where elegantly retro, John Barry-saluting spy film soundtrack music belongs and that’s a niche that the Tacoma, Washington’s Mono In VCF is well-suited to fill. Over a bed of lushly reverbed and tremoloed guitars and keyboards, singer Kim Miller’s tragic and dramatic vocals act as a portal to a world of smoky lounges with Hazelwood walls and intrigue in every dark corner. Neither as fractured and mournful as Portishead nor as icily detached as Broadcast, Mono In VCF’s craft is mostly organic, analog and achieved through a conventional band configuration, a fact that makes their sonic grandiosity that much more impressive.

The record isn’t without its missteps, however, ironically coming when the band attempts to stretch out stylistically – obviously conscious and wary of being pigeonholed. It’s not to say that their forays into English folk or 80s New Wave are bad, but alongside the much stronger, cinematic material they simply pale. I would never encourage a band to not grow but when you arrive with such a fully-formed, accomplished sound as Mono In VCF have, then surely there’s plenty of exploring to be done within the world they’ve already crafted.

MP3: Mono In VCF – “Escape City Scrapers”
MP3: Mono In VCF – “Masha”
MySpace: Mono In VCF

Pale Young Gentlemen / Pale Young Gentlemen (independent)

If I were the sort to write “so and so jamming with so and so in such and such a setting” reviews, then summing up the Pale Young Gentlemen would be easy – DeVotchKa, The Decemberists and Beirut staging a late night musical in the back room of a bar somewhere in Heidelberg. Good thing I’d never cop out like that. A remarkably accomplished debut both in concept and execution, Pale Young Gentlemen is richly conceived and written, lushy arranged and delivered with a boozy, woozy croon and a dramatically arched eyebrow.

The ease with which reference points for this outfit hailing a bit improbably from Madison, Wisconsin are conjured shouldn’t be taken as an indication that the Pale Young Gents are in any way derivative or unoriginal. Instead, it’s meant as high praise and perhaps a good omen that if acts as idiosyncratic and unconventional as those can find audiences and success, then there’s no reason at all that the Pale Young Gentlemen shouldn’t either.

MP3: Pale Young Gentlemen – “Fraulein”
MP3: Pale Young Gentlemen – “Saturday Night”

Saturday, December 1st, 2007

CONTEST – Andy Swan @ The Dakota Tavern – December 6, 2007

When I think of Ottawa, I think of tulips, cold and snowy winters, driving through Tweed and the Parliament Hill cat sanctuary. Andy Swan, on the other hand, thinks of cowboys.

Swan’s new album, the descriptively-titled Andy Swan’s Ottawa, pays homage to our nation’s capitol not in a literal sense but in a personal sense, and in a manner that’s more Burrito Brothers than beaver tails. It’s a leisurely and good-natured bit of folk-pop with a friendly vibe and some sharp lyrical wit nestled in its comfy folds.

Swan is bringing a little bit of his Bytown back home to Toronto this Thursday night with a show at the Dakota Tavern and courtesy of Kelp Records, I’ve got a prize pack consisting of a pair of tickets to the show, a show poster by Jack Dylan and a copy of Andy Swan’s Ottawa on CD. To enter, fire me off an email to contests AT chromewaves.net with “I want to go to Andy Swan’s Ottawa” in the subject line and your full name in the body and get that in to me by midnight, December 4.

Also check out some interviews with Swan at Soundscapes and Exclaim! and you can grab the entirety of his last release, The Sunshine EP, for frees over at Zunior.

Bonus fact – Swan fronts the The Michael Parks, whom I didn’t realize I’d seen live at the end of last year until I noticed the pull quote at the end of the band’s online bio: “I suspect singer Andy Swan was more than a little drunk.” – Frank Yang, Chromewaves.net

Heh.

MP3: Andy Swan – “Can I Pay You With Sunshine?”
MP3: Andy Swan – “The Sound Of Snowflakes Falling”
MySpace: Andy Swan

Friday, November 30th, 2007

Sidelines Of The City

I lived in Oshawa, Ontario once, about a decade ago, for four months. Just a Summer, whilst on a co-op work term. In that short time, my car – a harmless, innocuous 1985 Dodge Aries – was subject to all manner of indignities by the locals, including having the neutral safety switch disabled (someone climbed underneath in the middle of the night and unplugged it) and on another occasion, stealing my license plates (which were later recovered after said “local yokel” – the police officer’s term – put them on his own car and proceeded to run a red light). Now I didn’t have terrifically high opinion of the ‘Shwa before I lived there but these incidents certainly didn’t help.

That said, I’d like to think I’m a bigger person than to hold the actions of a few locals against the population of an entire city… but then that leaves me without an excuse for steadfastly ignoring Oshawans Cuff The Duke for so long. It’s not like they were off my radar – I saw them live some four years ago and was impressed, their first two records got good press and caught frontman Wayne Petti solo twice this year – yet their new one, Sidelines Of The City, is the first time I’ve ever sat down and actually listened to one. And no, it wasn’t a Damascene moment or anything, but it is a very good and tuneful record that deserves a mention.

Cuff The Duke have always been lumped in as an “alt-country” band, having started out in an era where that term could be used without wrapping it in quotes, but by album three it doesn’t seem like a wholly appropriate label. Their roots definitely still show but the musical affectations that one would normally associate with the style – steel guitar, whiskey-damaged vocals, sweaty blue-collar aesthetic – are either largely absent or used in moderation.

Instead, the Dukes offer earnest, lightly decorated folk-rock reminiscent of another Petti or Petty (as in Tom) with a dash of Big Star jangle. In other words, good stuff that’s as compact as it needs to be but capable of stretching way out – a balance that’s best exemplified by early on as the epic “Failure To Some” leads into the pop-perfect “Remember The Good Times”. But unlike his homonymic counterpart, Petti’s voice won’t drive anyone away – his high, clear voice perfectly compliments his direct, heartfelt songwriting, be it in a stomping rock number or bit of acoustic balladry. Those seeking riddles wrapped in enigmas in the lyrics booklet should look elsewhere – Petti’s pen deals in from-the-heart directness and detailed slice-of-life observationals with a good dose of wit though never clever for clever’s sake. Maybe the ‘Shwa isn’t so bad after all, though you’ll forgive me if my foot gets a little heavy on the gas whenever I pass Simcoe St on the 401…

Cuff The Duke are at the Mod Club tonight for an early show (doors at 6:30) with Land Of Talk and will be at Massey Hall opening for Blue Rodeo on February 28 and 29 of next year. They grace the cover of this week’s eye and are also the subject of features from Chart, BeatRoute and Canada.com. The band have also been keeping a tour blog at The National Post. The MP3s below come from Cuff The Duke’s first two records – to hear stuff from the new one, hit up their MySpace.

MP3: Cuff The Duke – “Take My Money And Run”
MP3: Cuff The Duke – “Ballad Of A Lonely Construction Worker”
MySpace: Cuff The Duke

Thick Specs invites the crew from Soundscapes to list off their top five local (meaning Toronto) albums of the year.

Dave’s Live Music Blog has some recordings from The Acorn’s show at the Horseshoe last weekend – including both support acts – that sound pretty terrific.

JAM! converses with Plants & Animals. They’re at the Mod Club December 14 opening for Patrick Watson.

Exclaim! and The Boston Globe talk to Richard Hawley, who makes his Toronto debut – with full band, if you were wondering – at the Horseshoe next Wednesday night. You cannot miss this show but if you don’t hurry up and get a ticket, you will.

Scotland’s Zephyrs have a new album (almost) in the can – Are You Fish People? – and are looking at a 2008 release. You can stream a couple tracks on their MySpace.

NME reports that the Manic Street Preachers will be giving away a Christmas track free to their newsletter subscribers starting tomorrow. Because nothing says Christmas like aging socialist revolutionary glam-punk rockers.

NPR is streaming a World Cafe session with Spoon.

The AV Club offers a primer on the brilliance that is the Coen Brothers.

Thursday, November 29th, 2007

CONTEST – I'm Not There Movie Passes

So, yes – I already ran a contest not too long ago for the Bob Dylan biopic I’m Not There where I gave away a couple copies of the soundtrack (winners – your prizes went out this week, sorry for the delay) but, as it happens, I’ve got more stuff to dole out.

The film opens in Canada this Friday and courtesy of Sony BMG Canada, I’ve got a prize pack consisting of a copy of the soundtrack and a pair of passes to see the film at any Cineplex or Alliance Atlantis theatre in Canada for the length of its run (from Mondays to Thursdays, not good on weekends. I know, I know). Mind you, considering the dismal box office it did when it opened in limited release in the US last weekend, that run might not be very long… I don’t take this to be a reflection on the film itself – reviews are quite decent – just the difficulty in selling a film of this ilk to the great unwashed general populace.

But hey, if you think you’ll be abe to suspend disbelief long enough to not get up in the middle of the film and point out that Bob Dylan was not, and never has been, a little black boy or a skinny white woman, then come on and enter. Just email me at contests AT chromewaves.net with “I want to see I’m Not There” in the subject line and your full mailing address in the body. And make sure that you have a theatre in your town that’s actually showing the film, please. I’ll want to get these in the mail on Saturday so that whoever wins will (hopefully) get them in time to use them next week or the week after, assuming the film hangs around that long, so contest closes tomorrow (Friday) at midnight. Update: Contest closed, congrats to Sasha who won the CD and passes.

So enter and in the meantime, read up with some interviews with director Todd Haynes, courtesy of The Telegraph, Exclaim!, The Toronto Star and eye.

Trailer: I’m Not There (trailer 1)
Trailer: I’m Not There (trailer 2)
MySpace: I’m Not There

Thursday, November 29th, 2007

Know Who You Are

By rights, it should not have been nearly this difficult to write up something to describe Halifax’s Dog Day. I mean, as nebulous a descriptor as “indie rock” is, it absolutely fits as the shortest distance between two points for their latest record Night Group. With janglesome guitars, co-ed vocals, classic pop sensibilities and a stripped-down, no note wasted aesthetic they fall perfectly in line with their Maritime forebears like Sloan, Eric’s Trip, jale and Hardship Post.

And while that’s all well and good and accurate, but I hate to leave it at that because it sells Night Group far short. I’ve spun the album a lot in the last while trying to gather my thoughts and each time, something new or different jumps out at me – like rolling a 20-sided die (RPG geeks unite!) and having a different result each time. But what I find most fascinating is the way they try to balance their innate pop instincts, which recall the likes of The Go-Betweens and mid-era Wedding Present, with their obvious affection for heavier, noisier and decidedly minor-key styles in the vein of Sonic Youth. As a result, more than a few songs start out ominously before exploding in a hail of razor-sharp hooks, yet still delivered with a straight face. I’m not sure if this recipe is deliberate or incidental but either way, the tension it creates is delicious.

I was going to finish that last paragraph off with something like “…and it sets this Dog apart from the pack” but didn’t. You’re welcome. JAM! and The Toronto Star get to know Dog Day, who are into the home stretch of a three-month North American tour and stop in at the Drake Underground in Toronto on Saturday, December 1.

MP3: Dog Day – “Oh Dead Life”
MP3: Dog Day – “Use Your Powers”
Video: Dog Day – “Oh Dead Life” (Blip)
Video: Dog Day – “Lydia” (YouTube)
MySpace: Dog Day

The Airfields have finally finished work on their debut full-length, or at least intend to very soon as they’ve got a CD release show scheduled at Sneaky Dee’s for February 2 of next year. Happy Groundhog Day indeed.

JAM! talks to Pete Carmichael of The Diableros.

Joel Gibb briefs Exclaim! about what 2008 has in store for The Hidden Cameras and mentions that the band will be playing the Hart House at U of T on December 13 for an AIDS benefit.

Chart brings holiday tidings from The New Pornographers in the form of a digital-only Christmas EP out on Tuesday in the US and on December 11 in Canada.

Here’s a show announcement that’s a little odd, a little unexpected and a lot welcome – February 9 at the Mod Club, Keren Ann and Dean & Britta. Will Keren Ann rock it up a bit or will Dean & Britta mellow out some? We’ll have to wait and see. Full tour dates are available here and head over to A Head Full Of Wishes for details on Dean and Britta’s limited-edition (500 pieces) Christmas 7″ single, available to pre-order now.

Crawdaddy looks at how everything old is new again, talking to The Hold Steady, The Pipettes and Jack Penate as research.

The Cleveland Free Times and The Georgia Straight talk to Jose Gonzalez, in town next Friday for an in-store at Sonic Boom and a proper show at the Mod Club.

The Tripwire reports that a release date has finally been set for the new Portishead record – they say record number three will be out in the UK on March 31 and speculate that means April 1 for North America. Of course, we all know what April 1 is, right? That’s right. TUESDAY.